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DTSTART;VALUE=DATE:20260319
DTEND;VALUE=DATE:20270128
DTSTAMP:20260818T200949Z
CREATED:20260818T200949Z
LAST-MODIFIED:20260818T200949Z
UID:10003106-1773878400-1801094399@potluckasianamerica.org
SUMMARY:Buddha and Shiva\, Lotus and Dragon
DESCRIPTION:In celebration of Asia Society’s seventieth anniversary\, Asia Society Museum presents Buddha and Shiva\, Lotus and Dragon: Celebrating 70 Years of Asia Society and the Rockefeller Legacy. \nDisplaying seventy of the finest examples of Asian art in the United States drawn from Asia Society’s permanent collection\, the exhibition showcases the extraordinary range of bronzes\, ceramics\, and metalwork thoughtfully assembled between the 1950s and the 1970s by John D. Rockefeller 3rd (1906-1978) and his wife Blanchette Hooker Rockefeller (1909-1992). John D. Rockefeller 3rd founded Asia Society in 1956 with the mission to promote greater knowledge of Asia in the United States; the bequest of the collection to Asia Society in 1979 underscores the Rockefellers’ conviction that an aesthetic encounter with great works of art promotes deep cross-cultural understanding. \nWith highlights including spectacular Buddhist and Hindu sculptures\, and rare Chinese\, Korean\, and Japanese ceramics\, Buddha and Shiva\, Lotus and Dragon celebrates historic achievements in Asian art spanning more than two millennia. The exhibition foregrounds the transformative power of faith and the catalyzing potential of international trade in the creation of great works of art across Asia. \nBuddha and Shiva\, Lotus and Dragon presents a special opportunity for museum visitors to experience the unparalleled quality of the Mr. and Mrs. John D. Rockefeller Thrid Collection at its home at Asia Society Museum in New York City.
URL:https://potluckasianamerica.org/event/buddha-and-shiva-lotus-and-dragon/
LOCATION:Asia Society\, 725 Park Avenue\, New York\, NY\, 10021
CATEGORIES:Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Buddha.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260403
DTEND;VALUE=DATE:20270104
DTSTAMP:20260818T202009Z
CREATED:20260818T202009Z
LAST-MODIFIED:20260818T202009Z
UID:10003107-1775174400-1799020799@potluckasianamerica.org
SUMMARY:Shu Lea Cheang\, LOVER LOVE
DESCRIPTION:LOVER LOVE\, a new commission for the Leslie-Lohman Museum of Art by Shu Lea Cheang\, begins with a portal. A window is flung open and the gray wall of an apartment block dissolves into a turbulent\, overcast sky\, against which a smoky being is enveloped by a six-winged seraphim—an angel of the highest order. \nThis opening transition is both a gesture to Cheang’s longtime collaborator\, musician Aérea Negrot (1980–2023)\, who died by suicide\, and a marker of an entry into a hybrid space of documentation and imagination. For this film\, presented as a four-channel installation\, Cheang worked with eight intergenerational performers in Tucson\, Arizona\, all of whom contributed their own experiences\, narratives\, and dreams of and for trans and gender nonconforming life in today’s United States. \nThis collaboratively scripted film moves between physical and virtual space: between performances in a motel room\, a junkyard\, and city streets amid surrounding nature\, we can see desert plants blooming anthropomorphic appendages and souls escaping inhuman oppression to take transhuman flight. \nThe gallery’s four screens\, themselves portals to the film’s world\, can be shifted by viewers into and out of the path of each projector. Each movement triggers a segment of Negrot’s 2011 track “It’s Lover\, Love”—a dreamy\, minimalist meditation on the lingering traces of broken promises and vanished love. These aural and physical shifts create new compositions\, morphing the installation into an active landscape in which to navigate agency\, survival\, and intimacy in a time of escalating political precarity.
URL:https://potluckasianamerica.org/event/shu-lea-cheang-lover-love/
LOCATION:The Leslie-Lohman Museum of Art\, 26 Wooster Street\, New York\, NY\, 10013\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Shua-Lea.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260502
DTEND;VALUE=DATE:20261217
DTSTAMP:20260818T202523Z
CREATED:20260818T202523Z
LAST-MODIFIED:20260818T202523Z
UID:10003108-1777680000-1797465599@potluckasianamerica.org
SUMMARY:Bangladesh Not "Bhaangadesh"
DESCRIPTION:This exhibition explores how Bangladeshis in Bangladesh and beyond took actions during the 2024 mass uprisings against the quota system in place\, since 1972\, immediately after the birth of the country in 1971. Featuring articles such as printed international artworks by Bangladeshi artists\, handcrafted tools\, and relevant media\, the exhibition serves as a homage to learn\, reflect\, discuss\, and heal. \nBangladesh\, Not “Bhaangadesh” seeks to raise social (in)justice awareness through showcasing Bangladeshi artistic expression\, and persistent crimes against humanity from the summer of 2024–of government-implemented curfews\, with “shoot-on-sight” commands\, country-wide internet revoked\, houses raids\, innocent lives taken\, and unnecessary arrests made\, etc. After decades of corruption and nepotism\, Bangladeshi students stood up against the unjust quota system of prioritizing government positions rather than basing hiring on skill\, talent\, and merit–for descendants of ancestors prominent in the Bangladesh Liberation War of 1971.
URL:https://potluckasianamerica.org/event/bangladesh-not-bhaangadesh/
LOCATION:King Manor Museum\, 150-03 Jamaica Ave\, Jamaica\, NY\, 11432\, United States
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Bhaangadesh_Flyer.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260514
DTEND;VALUE=DATE:20270125
DTSTAMP:20260915T010618Z
CREATED:20260522T200133Z
LAST-MODIFIED:20260915T010618Z
UID:10002669-1778716800-1800835199@potluckasianamerica.org
SUMMARY:Exhibition: Ed Young’s Bright Worlds
DESCRIPTION:For over 60 years\, Ed Young (1931–2023) invigorated the world of children’s books through intimate storytelling\, inventive artistry\, and potent emotionality. This first U.S. retrospective features original artwork from 15 of his most significant projects—focusing on works drawn from his personal story and Chinese folktales—alongside a selection of his sketchbooks\, family photos\, and personal effects. \nYoung achieved distinction as a beloved storyteller and illustrator who challenged younger audiences with pictorial and moral complexity. He was a towering figure in children’s literature\, reaching wide audiences while earning the field’s top honors. His retelling of the Chinese “Little Red Riding Hood\,” Lon Po Po\, introduced generations of children to Chinese folklore and won the Caldecott Medal; he also received two Caldecott Honors for earlier works. Across his career\, he garnered numerous accolades\, including multiple selections for The New York Times’ “10 Best Illustrated Children’s Books” list. \nThe exhibition traces Young’s family life in Shanghai\, where he was the fourth youngest of five children. As a teenager\, he and his brother were sent to live in Hong Kong to flee the civil war in China. He immigrated to America for college\, eventually earning an art degree from the ArtCenter School in Los Angeles\, and then moved to New York. “I set out with $20 borrowed money in my pocket to bet my life in New York City\,” he wrote. After being laid off from an advertising studio\, he submitted sketches to children’s book publisher Ursula Nordstrom\, who hired him to illustrate The Mean Mouse and Other Mean Stories (1962)\, launching a career that would span over 100 books. \nHis most memorable projects were deeply personal. Ed Young’s Bright Worlds guides viewers through key moments of his life and oeuvre with original artwork from The House Baba Built (2011)\, about his childhood in Japan-occupied Shanghai; Voices of the Heart (1997)\, exploring Chinese culture through the relationship between writing\, image and his lifelong tai chi practice; My Mei Mei (2006)\, on adopting his daughters; and Bright World (2024)\, a book published posthumously in China\, meditating on the cyclical nature of life. \n“So many of us grew up on Ed Young’s art and storytelling\,” said Herb Tam\, MOCA’s Chief Curator. “This exhibition will reveal what went into crafting masterworks of the children’s book form. Visitors will be enchanted by his fluent handling of media—from pastel and cut paper to pen\, ink\, and collage—and inspired by his story as a resourceful immigrant striving to make his mark in a creative field.” \n“As a father of three\, I’ve seen firsthand how children’s books shape the way we see the world\,” said Michael Lee\, MOCA’s President. “The imagery and storytelling stay with us—they become part of our family conversations\, our imaginations\, and even the way we share stories later in life. It’s a special honor to explore the life and mind of Ed Young\, whose work has inspired generations. Through this exhibition\, we not only celebrate his extraordinary achievements but also revisit how deeply his art was shaped by his journey as a Chinese American—reflecting his early life in China and the graceful balance he found as a lifelong practitioner of tai chi.” \nEd Young’s Bright Worlds is part of MOCA’s Luminaries for America250\, a yearlong celebration of Chinese American historymakers at the Semiquincentennial. For more about the Luminaries project\, visit https://www.mocanyc.org/2026/01/02/moca-luminaries-for-america250/ \nPhoto of Ed Young by Sean Kernan
URL:https://potluckasianamerica.org/event/exhibition-ed-youngs-bright-worlds/
LOCATION:Museum of Chinese in America\, 215 Centre Street\, New York\, NY\, 10013
CATEGORIES:Art,Book,Grades K–5
ATTACH;FMTTYPE=image/png:https://potluckasianamerica.org/wp-content/uploads/2026/05/Screenshot-2026-05-22-at-3.54.46-PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260909T190000
DTEND;TZID=America/New_York:20261110T220000
DTSTAMP:20260514T131339Z
CREATED:20260514T131339Z
LAST-MODIFIED:20260514T131339Z
UID:10002641-1788980400-1794348000@potluckasianamerica.org
SUMMARY:Ma-Yi Theatre Free FALL Playwriting Workshop with Lisa Sanaye Dring
DESCRIPTION:Ma-Yi Theatre Free FALL Playwriting Workshop with Lisa Sanaye Dring\n\n\nDue to the overwhelming response to our summer Free Playwriting Workshop\, Ma-Yi Theater Company is thrilled to announce two additional FREE playwriting workshops in Fall 2026\, taught by award-winning playwright Lisa Sanaye Dring\, author of SUMO and HAPPY FALL. \nCreated for Filipino American and AANHPI aspiring writers\, these workshops are open to writers who are ready to begin\, grow\, experiment\, or finally say: Yes. I’m writing the play. \nBoth classes are completely FREE and will offer participants a supportive\, rigorous\, and energizing space to explore the fundamentals of playwriting\, including character\, dialogue\, action\, structure\, theme\, and theatrical style. Through writing prompts\, discussion\, readings\, and feedback\, participants will generate new pages and develop their voices in community with fellow writers. \nThe first six sessions will meet online\, making the workshop accessible for working adults and busy schedules. The workshop will then culminate in an in-person showcase presentation\, where participants’ work will be brought to life by professional actors and directors. \nThis is more than a class. It is a chance to write\, dream\, build\, revise\, and hear your words leap off the page. \nFree. Online. Fun. Limited slots available. Register early. \nMondays 7pm-10pm – September 21 – November 9 \nor \nTuesdays 7pm-10pm – September 22 – November 10 \nFor more information: info@ma-yitheatre.org \nSpace is limited— signing up does not guarantee entry into class.
URL:https://potluckasianamerica.org/event/ma-yi-theatre-free-fall-playwriting-workshop-with-lisa-sanaye-dring/
LOCATION:Virtual
CATEGORIES:Hybrid,In Person,Theater,Virtual,Writing
ATTACH;FMTTYPE=image/png:https://potluckasianamerica.org/wp-content/uploads/2026/05/unnamed-2026-05-14T085820.676.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260910
DTEND;VALUE=DATE:20261129
DTSTAMP:20260911T220300Z
CREATED:20260911T220300Z
LAST-MODIFIED:20260911T220300Z
UID:10003346-1788998400-1795910399@potluckasianamerica.org
SUMMARY:John Pai - Meditation: Myth and Memory
DESCRIPTION:Gallery Hyundai is pleased to present “Meditation: Myth and Memory”\, an exhibition of Korean American sculptor John Pai\, a major force in the Korean American diaspora of the last half-century. The opening reception takes place on Thursday September 10\, 6-8pm at Gallery Hyundai New York Project Space. \nThis exhibition seeks to provide a space for meditation where myth and memory\, as in Pai’s world\, could be considered as companions—at times synchronous\, and at times on their own path\, but never stagnant. Centering around his two major series Heaven and Earth (2024) and Entropy’s Sirens (1997) trio\, it marks the first occasion the trio is presented as a group including two previously unseen pieces\, also accompanied by a selection of sculptures and drawings. \nNotably in the Heaven and Earth series\, a single point becomes a line\, then a form\, and appears to trail off to gesture to the space around it\, going past the artist’s agency and into another realm. This work manifests Pai’s guiding ethos\, where the artist’s mind (and the memories and ideas contained within the artist) inform his beginning but the work ultimately develops in conversation with the material and work’s own response. This conversational and improvisational method demonstrates Pai’s understanding that memories are not stable but shift with the everchanging present\, sometimes appearing closer to myth rather than reality. Completed when Pai was eighty-seven years old\, this grouping of sculptures reveal an artist in his maturity who still remains playful and deeply curious. \nPai is gaining heightened recognition for his indisputable contributions to sculpting with steel as well as his groundbreaking pedagogical methods since becoming the youngest appointed professor at Pratt Institute in 1965\, eventually becoming the director of fine art\, then chairman of the sculpture department\, a post he remained in for thirty-seven years. Referred to as “drawing in space\,” his signature use of numerous thin\, short steel rods with a hand-held welding tool reflected Pai’s active engagements with burgeoning movements in postwar New York such as the American Bauhaus and Neo-Avant-Garde. Pai’s sculptures are born out of a dynamic field of inquiry\, unbridled by discipline\, such as topology\, physics\, phenomenology\, and musical processes of improvisation. Following his major retrospective exhibition held in April 2024 at the Korean Cultural Center in New York called John Pai: Eternal Moment and his solo exhibition Shared Destinies at Gallery Hyundai in Seoul later that year\, this presentation is an opportunity for closer examination of Pai’s guiding ethos; a process of intimate surrender\, both with materials\, as well as his relationship to the world.
URL:https://potluckasianamerica.org/event/john-pai-meditation-myth-and-memory/
LOCATION:Gallery Hyundai New York Project Space\, 529 W 20th St\, Room 6E\, New York\, NY\, 10011\, United States
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/John-Pai-copy.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260910
DTEND;VALUE=DATE:20270104
DTSTAMP:20260818T214831Z
CREATED:20260818T214831Z
LAST-MODIFIED:20260818T214831Z
UID:10003122-1788998400-1799020799@potluckasianamerica.org
SUMMARY:Celebrating Sixty Years of China Institute Gallery: 1966-2026
DESCRIPTION:Founded in 1966\, the China Institute Gallery has presented the history of Chinese art from antiquity to the present through superb and thought-provoking exhibitions. The masterworks featured in Celebrating Sixty Years of China Institute Gallery: 1966-2026 exemplify what has made the Institute’s exhibitions groundbreaking. From presentations of exquisite jades and bronze vessels\, to the symbolism of old trees\, to Chinese ceramics\, calligraphy\, and architecture—China Institute’s displays have consistently illuminated pathways to a deeper understanding of the culture of China.
URL:https://potluckasianamerica.org/event/celebrating-sixty-years-of-china-institute-gallery-1966-2026/
LOCATION:China Institute Gallery\, 100 Washington Street\, New York\, NY\, 10006\, United States
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/China-Institute.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260911
DTEND;VALUE=DATE:20261122
DTSTAMP:20260902T215808Z
CREATED:20260902T215710Z
LAST-MODIFIED:20260902T215808Z
UID:10003297-1789084800-1795305599@potluckasianamerica.org
SUMMARY:Theresa Hak Kyung Cha: Multiple Offerings
DESCRIPTION:Artists Space presents “Multiple Offerings”\, the first retrospective in twenty-five years dedicated to the groundbreaking work of the artist Theresa Hak Kyung Cha. She produced an expansive range of works comprising performances for film and video\, installation\, photography\, artist’s books (including her genre-defying book Dictée from 1982)\, and works on paper\, which will fill Artists Space’s entire first floor. In her lifetime\, Cha contributed to experimental art scenes in New York City\, San Francisco\, Paris\, and beyond. Her work has had a quietly profound influence on subsequent generations of artists. \nAfter emigrating from South Korea to the United States\, Cha enrolled at UC Berkeley in 1969\, where she studied art practice\, comparative literature\, and film. Keenly attuned to the active role that audiences play in the creation of meaning\, she prioritized nonlinear narratives to allow for more open-ended forms of interpretation—what she termed a method of “Multiple Telling with Multiple Offering.” This retrospective adopts her framework to allow for a range of entry points into the work\, guiding visitors through the themes—memory\, displacement\, and the mutability of language\, among others—that recur in Cha’s oeuvre. \nCha moved to New York City in 1980\, where she supported herself with several jobs while pursuing her artistic career. She worked as an administrative assistant in the European Sculpture and Decorative Arts Department at the Metropolitan Museum of Art\, taught video art at Elizabeth Seton College in Yonkers\, and served as an editor at Tanam Press\, a publishing imprint dedicated to artists’ books that was founded by her friend and collaborator Reese Williams. \nOn November 5\, 1982\, Cha’s short but prolific career came to an end when she was murdered just weeks before her planned exhibition at Artists Space. At the time of her death\, Cha was producing a new photographic series inspired by her time working at the Met. Multiple Offerings presents that unfinished series of black-and-white prints alongside nearly one hundred artworks and archival materials from across her career\, highlighting the inventive\, playful\, and meditative methods of Cha’s practice.
URL:https://potluckasianamerica.org/event/theresa-hak-kyung-cha-multiple-offerings/
LOCATION:Artists Space\, 11 Cortlandt Alley\, New York\, NY\, 10013\, United States
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Theresa-Cha-copy.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260914
DTEND;VALUE=DATE:20270511
DTSTAMP:20260819T023556Z
CREATED:20260819T023258Z
LAST-MODIFIED:20260819T023556Z
UID:10003133-1789344000-1809993599@potluckasianamerica.org
SUMMARY:Teaching Asian American and Pacific Islander Histories Webinar Series
DESCRIPTION:As a valued friend of Foundations and Futures\, we cordially invite you to a free webinar series co-sponsored by the UCLA Asian American Studies Center\, UCLA Center X\, the American Federation of Teachers (AFT)\, and the National Education Association (NEA). The Teaching Asian American and Pacific Islander Histories Webinar Series will take place once a month on Mondays throughout the school year and will highlight chapters from the Foundations and Futures Multimedia Textbook. \nEach webinar session will take place via zoom on a Monday from 4:00-5:30 PM Pacific Time. \nSales end on Sep 14\, 2026 \nWebinar Schedule: \n\nSeptember 14\, 2026: We Are Here Because You Were There: Race\, Colonialism\, and Migration\nOctober 19\, 2026: Kānaka ʻŌiwi: Indigenous Hawaiian Identity\, Culture\, and Rebirth of the Sacred\nNovember 9\, 2026: Asian American Popular Culture: Representation\, Propaganda\, and the Media\nJanuary 11\, 2027: Asian American Exclusion: Aliens Ineligible to Citizenship\nFebruary 8\, 2027: Asian Americans in the US South: Labor\, Civil Rights\, and Identity\nMarch 8\, 2027: South Asian Americans before 1965: Stories of Perseverance\, Activism\, and Cultural Exchange\nApril 12\, 2027: Vietnamese American Experiences: Learning From Refugee Experiences\nMay 10\, 2027: Youth Organizing: Building Multiracial Solidarities\n\nSessions will feature a special guest presentation from one of the chapter authors. Two teachers will then present lesson plans and examples of use in their classrooms. \nYou can register for a webinar at this link: bit.ly/TeachingAAPI. On the Eventbrite link\, click “Check Availability” and select a session date and time. A pop-up with all the webinar sessions will appear and you can select all the sessions you would like to attend. You will receive a follow-up email with the Zoom link for each upcoming session.
URL:https://potluckasianamerica.org/event/teaching-asian-american-and-pacific-islander-histories-webinar-series/
LOCATION:
CATEGORIES:Education,History
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/UCLA-History.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260917
DTEND;VALUE=DATE:20261205
DTSTAMP:20260902T221003Z
CREATED:20260902T220929Z
LAST-MODIFIED:20260902T221003Z
UID:10003299-1789603200-1796428799@potluckasianamerica.org
SUMMARY:Afterlayers: Tai Hwa Goh & Julia Kwon
DESCRIPTION:Opening reception: Thursday\, September 17\, 2026\, 5-7pm \nTwo artists transform traditional materials–textile and paper–to explore themes of identity and memory. Tai Hwa Goh creates intricate\, layered installations from printed and cut paper\, inspired by organic forms\, landscapes\, and the relationship between the interior and exterior. Goh’s process pushes the limits of traditional printmaking\, as she modifies the characteristics of paper and thin fabric by covering with batik or ironing thin sheets of beeswax onto her prints\, deliberately obscuring the underlying images. She then uses techniques like sewing\, gluing\, and manipulating printed materials to construct intricate\, honeycomb-like structures. Found objects seamlessly integrate into the work\, reflecting the blending of the personal and the universal\, as well as natural and artificial elements.Through this process\, the imagery gradually moves away from recognizable forms\, and the dense layers serve as a space where nature\, memory\, and personal experience intertwine. Her installations invite viewers to contemplate the balance between the natural world and human existence\, and how everyday moments can reveal deeper insights into our lives. \nJulia Kwon sews interpretive Korean textiles\, specifically in the form of patchwork bojagi (Korean object-wrapping cloth)\, to critique received notions of Asiatic femininity and challenge reductive\, easily legible identities. Although her bojagi textiles may initially be perceived as traditionally Korean\, the patchwork designs are actually derived from urgent contemporary sociopolitical issues and events. Her work moves beyond simply representing minority identities as she aims to comment on the interconnected systems of oppression. Kwon’s practice contests the notion of authenticity and explores the complexities involved in constructing identities within the current framework of cultural hybridity\, intersectionality\, and the collective pursuit of social justice \nThe Korea Society Gallery is open only by appointment.\nThe appointment must be made at least 24 hours prior to the scheduled visit. \nGallery Hours: Monday-Friday 10 AM-4:30 PM\nBy Appointment Only
URL:https://potluckasianamerica.org/event/afterlayers-tai-hwa-goh-julia-kwon/
LOCATION:The Korea Society\, 350 Madison Avenue\, 24th Floor\, New York\, NY\, 10017
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/fterlayers-copy.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260917
DTEND;VALUE=DATE:20270401
DTSTAMP:20260911T234039Z
CREATED:20260911T234039Z
LAST-MODIFIED:20260911T234039Z
UID:10003349-1789603200-1806537599@potluckasianamerica.org
SUMMARY:Zine* Together
DESCRIPTION:Please join Asia Art Archive in America on Thursday\, September 17th from 5-8pm for the opening reception of their exhibition\, Zine﹡ Together. \nZine﹡ Together is the first exhibition of its kind to examine Asian American zines not only as objects\, but as actions—creative\, collective\, and relational. Drawing from Asia Art Archive in America’s Reading Room collection\, this exhibition highlights collaboratively produced zines from 2010 to the present\, alongside newly commissioned projects and prompts that trace zine-making as a mode of shared authorship and community building. \nIn the 1960s and 1970s\, zines (short for “magazines” or “fan-zines”) were characterized by their photo-copied\, staple-bound formats and emerged as popular do-it-yourself platforms for sharing counter-cultural socio-political programs and avant-garde art practice. In more recent decades and particularly in Asian American communities\, zines have served as a place to explore artistic narratives\, diasporic histories\, and collective responses to marginalization. \nKey to this exhibition is a commissioned research project and essay by Michelle Yee\, PhD\, and Elizabeth Chung that investigates the recent history of Asian American zines in relation to the 2020 COVID-19 pandemic and the parallel rise in anti-Asian violence across the United States. Situating zine-making within this moment of crisis\, the research frames the medium as one of many grassroots strategies for care\, documentation\, and solidarity. Together\, the exhibition and research project position zines not as peripheral ephemera\, but as vital cultural tools that register and record how communities respond in times of uncertainty. \nZine﹡ Together\, itself a collaborative project\, is organized by Claire Kim\, Susanna Chang\, Sarula Bao\, Michelle Yee\, Elizabeth Chung\, Mary Y. Yang\, Chen Luo\, and Tasnima Tanzim.
URL:https://potluckasianamerica.org/event/zine-together/
LOCATION:Asia Art Archive in America\, 23 Cranberry Street\, Ground Floor\, Brooklyn\, NY\, 11201\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Zine-copy.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260919
DTEND;VALUE=DATE:20261109
DTSTAMP:20260927T170404Z
CREATED:20260927T170404Z
LAST-MODIFIED:20260927T170404Z
UID:10003457-1789776000-1794182399@potluckasianamerica.org
SUMMARY:Synthetic Mobility
DESCRIPTION:Fou Gallery is pleased to present “Synthetic Mobility”\, a two-person exhibition featuring Tokyo- and New York-based artist Ai Makita and China-born\, Houston-based kinetic artist Sizhu Li\, on view from September 19 through November 8\, 2026. The exhibition brings to the fore important questions about the interaction between technology and humans\, considering how larger societal shifts affect the way artists represent humanity and reconstituted spaces. \nThe concept of the exhibition is connected to Timothy Morton’s idea of hyperobjects\, according to which we cannot fully perceive larger structures surrounding us and widely distributed across space and time\, but can try to describe their attributes and make a reasonable guess about their true nature. Synthetic mobility – the artificial generation of realistic human movement patterns using advanced algorithms – is a phenomenon related to the new acceleration of living rhythms promoted by digital progress. As the world is enveloped in ideological and cultural conflicts\, Makita and Li consider what it means to remain individuals today\, and how changes in technology alter our sense of perception and our mode of existence. \nAi Makita presents oil paintings\, several of them developed in conjunction with the AI model Midjourney and others based on images created in Photoshop by folding aluminum sheets. The depicted forms represent abstract conjunctions of pipes\, conduits\, and industrial infrastructure. Folded materials result in labyrinths of fluidity and line resembling a circulatory or nervous system\, an organism’s internal anatomy\, or an invisible technological network now made visible. The created conduits recall flowing rivers\, transcended thresholds\, and the linearity of time. Close conceptual connection with Minimalism makes Makita’s stretched lines internally connected to Donald Judd looking at the properties and the rigidity of the structures as well as relation of this (in)stability to the current historical moment. Process art likewise plays a significant role in Makita’s practice\, albeit in a form more appropriate to its new\, updated version\, where the digital has taken the place of the physical. Her paintings leave the viewer with a sense of wonder about where these meandering curves are leading and whether there is any specific destination. Mystery emerges not through mystical effects\, but through the inability to grasp the full picture\, pushing us to step away while also looking closer. \nSizhu Li presents sculptures made primarily from aluminum sheets and industrial fans. In Pushing Hands (2024–present)\, opposing forces travel through an industrial metal wave\, creating a rhythm of tension and equilibrium that references the Taoist principle of balance. The title directly refers to the fundamental Tai Chi practice of Tui Shou\, or “pushing hands\,” centered on sensing\, yielding to\, and balancing opposing forces. Evolving from her earlier project Moonment\, Li uses programmed fans and suspended aluminum sheets to construct a live\, percussive environment of moving metallic waves. In Yuanbao (2026)\, she brings the traditional Chinese symbol of wealth and blessing into conversation with the ephemeral form of clouds\, moving between material and spiritual aspirations\, permanence and transience. Meanwhile\, Oops\, Caught’ya! (2026) turns the clamp into both a generative and restraining device\, using movement\, suspension\, and pressure to consider freedom\, constraint\, instability\, and balance. \nTogether\, the two artists create a dialogue in which materials work as experimental tools to devise new understandings of where we are as a human species. Both artists look at motion\, structure\, and encounter as facilitated by materials\, planes\, and color. Makita’s paintings examine the transformations and limits caused by new synthetic mobility\, while Li’s sculptures engage the same idea through three-dimensional objects. Neither artist provides specific arguments or answers; instead\, they offer aesthetic tools that can help broaden our understanding of the technological forces increasingly shaping contemporary life.
URL:https://potluckasianamerica.org/event/synthetic-mobility/
LOCATION:Fou Gallery\, 89 5th Avenue\, # 701\, New York\, NY\, 10003\, United States
CATEGORIES:Art Exhibit
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260926
DTEND;VALUE=DATE:20270208
DTSTAMP:20260924T203746Z
CREATED:20260924T203746Z
LAST-MODIFIED:20260924T203746Z
UID:10003408-1790380800-1802044799@potluckasianamerica.org
SUMMARY:Yoshitaka Amano: Origins at the American Academy of Arts and Letters
DESCRIPTION:Yoshitaka Amano (b. 1952\, Shizuoka\, Japan) creates worlds. It’s something he’s done since he was fifteen\, when he moved to Tokyo and began working as a character designer for an anime studio. There\, drawing was always an act of translation. His task was to convert narrative into illustrated concepts\, drawings that would become the connective tissue of a fictional universe. Throughout his career as an independent artist and as a character designer for storied anime and video game franchises\, such as Final Fantasy and Vampire Hunter D\, drawing has always been a way of describing the porousness between the real and the fantastic. “I want to depict a world I myself have never seen\,” Amano says of the feeling from which his work begins. \nOrigins 始源 takes up Amano’s interest in primordial beginnings. Over the last few years\, Amano has been absorbed in Greek and Shinto mythology\, making drawings of the characters that animate these stories. Here\, he presents Pandora\, a series of drawings of the Greek myth of the first mortal woman; they circle the gallery like an ancient frieze\, or the storyboards for an animation. Alongside these works\, a selection of illustrations\, animation\, and popular materials from the 1980s and ’90s\, including the anime film Angel’s Egg and sensual depictions of The Tale of Genji\, is presented in our library. In all the stories Amano is drawn to\, origins are an eternal structure\, a threshold where being emerges. For him\, that threshold is the page; his figures seem to move and drift across its surface\, entering into worlds that exist beyond our lived reality. \nThis exhibition\, Amano’s first institutional solo show in New York\, offers a chance to encounter an artist whose drawings continue to have extended lives in the world around us. Right now\, more likely than not\, you could find them appearing on someone’s gaming console as they play Final Fantasy and livestream it to Twitch; on a Gatchaman Uniqlo tee worn in the streets of Tokyo; or even on an iPhone as someone watches Angel’s Egg on the subway\, in bed\, or really anywhere streaming is available. \nArts and Letters commissioned an essay\, Shining Genji\, by Sean Thor Conroe\, which accompanies the exhibition as part of our Reader series.
URL:https://potluckasianamerica.org/event/yoshitaka-amano-origins-at-the-american-academy-of-arts-and-letters/
LOCATION:American Academy of Arts and Letters\, Audubon Terrace\, New York\, NY\, 10032\, United States
CATEGORIES:Art,Art Exhibit
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261002
DTEND;VALUE=DATE:20261107
DTSTAMP:20260902T204709Z
CREATED:20260902T204709Z
LAST-MODIFIED:20260902T204709Z
UID:10003289-1790899200-1794009599@potluckasianamerica.org
SUMMARY:MOCA PERFORMS – Echoes of Arrival: Becoming
DESCRIPTION:Immigration is never a single arrival but an ongoing process of becoming. Beyond legal status and paperwork\, immigrants navigate displacement\, alienation\, adaptation\, and the long\, sometimes complicated journey toward belonging. What did you have to learn to survive and build a life in the United States? What did you choose to carry with you from the culture you came from? What was lost in translation? And what new part of yourself emerged along the way? \nEchoes of Arrival returns to the Museum of Chinese in America for a new iteration\, Becoming. Through a collection of personal stories\, the ensemble explores the many ways immigrants remake themselves while making a life in a new country. These stories of change\, resilience\, loss\, discovery\, and belonging illuminate how immigration does not simply transform individuals. It continues to shape the rich and ever-evolving cultural fabric of the United States. \nCREATIVE TEAM\nConceived by Dennis Yueh-Yeh Li\nDevised & Performed by Shan Y. Chuang\, Nikkiesha N. McLeod\, Timmy Ong\, Pascal Phoa\, Jeremy Rafal\, Nedelka Sotelo\, Fang Tseng\n  \nPERFORMANCE SCHEDULE\nFriday 10/2\nShan Y. Chuang\, Nikkiesha N. McLeod\, Pascal Phoa\, Jeremy Rafal\, Fang Tseng\nThursday 10/8\nShan Y. Chuang\, Timmy Ong\, Pascal Phoa\, Jeremy Rafal\, Fang Tseng\nFriday 10/16\nShan Y. Chuang\, Timmy Ong\, Pascal Phoa\, Jeremy Rafal\, Nedelka Sotelo\nThursday 10/22\nShan Y. Chuang\, Nikkiesha N. McLeod\, Timmy Ong\, Nedelka Sotelo\, Fang Tseng\nFriday 11/6\nNikkiesha N. McLeod\, Timmy Ong\, Jeremy Rafal\, Nedelka Sotelo\, Fang Tseng
URL:https://potluckasianamerica.org/event/moca-performs-echoes-of-arrival-becoming/
LOCATION:Museum of Chinese in America (MOCA)\, 215 Centre Street\, New York\, NY\, 10013\, United States
CATEGORIES:Music
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261003
DTEND;VALUE=DATE:20270201
DTSTAMP:20260821T183629Z
CREATED:20260821T183629Z
LAST-MODIFIED:20260821T183629Z
UID:10003186-1790985600-1801439999@potluckasianamerica.org
SUMMARY:Art of Manga
DESCRIPTION:Be drawn into the world of manga.\nArt of Manga is the first major exhibition in the Americas to explore manga—Japanese comics and graphic novels—as an art form. Marking its East Coast debut\, the Brooklyn Museum’s presentation is packed with more than 600 drawings that showcase manga’s immersive power and social impact. Don’t miss this rare opportunity for US audiences to encounter an astonishing selection of original manga artworks\, including examples from beloved series Inuyasha\, JoJo’s Bizarre Adventure\, Ōoku: The Inner Chambers\, ONE PIECE\, and many more. \nA global phenomenon\, manga is driven by those who design\, draw\, and very often author the stories that define the medium. Discover influential manga artists\, or mangaka\, and their distinct approaches to storytelling. Through compelling narratives and captivating imagery\, each mangaka’s work invents a universe that may be familiar or supernatural\, historical or futuristic\, contemplative or action-packed. These tales address universal themes such as coming of age\, tapping into hidden strengths\, and finding beauty in the ordinary—as well as contemporary issues such as environmentalism\, gender roles\, LGBTQ+ rights\, and socioeconomic inequality. Whether you enter as an otaku or a novice\, you’ll leave Art of Manga fluent in this vital medium. \nGo all-access with “Art of Manga.” The Manga Fan Pass gives one adult and one guest unlimited entry throughout the exhibition’s run—plus a slew of other perks especially for manga fans. \nThe $75 pass includes… \n⚫ Unlimited entry for you and a guest to “Art of Manga” (subject to availability) as well as general admission to Museum galleries \n⚫ Invites to Member Previews and select Member Evenings for “Art of Manga” \n⚫ Exclusive presale access to “Art of Manga” public programs \n⚫ 10% discount at the Café and Museum Shop (excluding gashapon machines) \n⚫ A collectible badge for you to wear and show off your love of manga (wear your badge each time you return to get a new pin to build your collection!)
URL:https://potluckasianamerica.org/event/art-of-manga/
LOCATION:Brooklyn Museum\, 200 Eastern Parkway\, Brooklyn\, NY\, 11238\, United States
CATEGORIES:Art,Art Exhibit
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261006
DTEND;VALUE=DATE:20261116
DTSTAMP:20260909T024920Z
CREATED:20260909T023835Z
LAST-MODIFIED:20260909T024920Z
UID:10003327-1791244800-1794787199@potluckasianamerica.org
SUMMARY:King of the Yees
DESCRIPTION:For nearly twenty years\, Larry Yee has been the heart and soul of the Yee Fung Toy Family Association\, a fraternal organization in San Francisco’s iconic Chinatown. But to his daughter Lauren\, a playwright living in New York\, the association is an obsolete relic of a vanishing world. When Larry suddenly disappears\, Lauren sets off on a wild quest to find him\, embarking on a surreal\, magical journey through the history and myths of her own lineage. KING OF THE YEES is a hilarious and heartfelt “kind of true” story by Signature resident artist Lauren Yee\, who turns her incisive comedic eye on what we inherit and what it means to truly be a Yee.  \n \nAbout the Playwright \n \nLAUREN YEE is proud to be a Signature Theatre resident playwright. She is an award-winning playwright\, screenwriter\, and librettist based in New York City. Prior to the pandemic\, Lauren was named by American Theatre as the second-most-produced playwright of that upcoming season. Recent plays include Cambodian Rock Band with music by Dengue Fever (South Coast Rep\, Oregon Shakespeare Festival\, La Jolla Playhouse\, Signature Theatre\, East West Players)\, The Great Leap (Denver Center\, Seattle Rep\, Atlantic Theatre\, Steppenwolf\, American Conservatory Theatre)\, King of the Yees (Goodman Theatre\, Center Theatre Group)\, and Mother Russia (Seattle Rep\, Signature Theatre\, upcoming at Hampstead Theatre\, South Coast Rep\, Trinity Rep). She is writing the book for the musical adaptation of Madeleine L’Engle’s A Wrinkle in Time\, with music and lyrics by Heather Christian. Honors include the Doris Duke Artists Award\, Whiting Award\, Steinberg/ATCA Award\, American Academy of Arts and Letters literature award\, Horton Foote Prize\, Kesselring Prize\, Primus Prize\, a Hodder Fellowship at Princeton\, and the #1 and #2 plays on the 2017 Kilroys List. TV: ”Pachinko” (Apple)\, “Soundtrack” (Netflix)\, “Interior Chinatown” (Hulu)\, “Billions” (Showtime)\, “Clipped” (FX). She’s previously developed pilots for Netflix and Apple and is currently developing TV and feature projects for Netflix and Universal. BA: Yale\, MFA: UCSD. laurenyee.com
URL:https://potluckasianamerica.org/event/king-of-the-yees/
LOCATION:Signature Theatre\, 480 W 42nd St.\, New York\, NY\, 10036\, United States
CATEGORIES:Theater
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261006
DTEND;VALUE=DATE:20270111
DTSTAMP:20260805T153101Z
CREATED:20260805T153101Z
LAST-MODIFIED:20260805T153101Z
UID:10003008-1791244800-1799625599@potluckasianamerica.org
SUMMARY:Gen’ichirō Inokuma’s NYC Salon
DESCRIPTION:Gen’ichirō Inokuma’s NYC Salon is the first New York solo museum exhibition of the Japanese modern artist Gen’ichirō Inokuma (1902–1993). Organized by Japan Society Gallery in collaboration with the Marugame Genichiro-Inokuma Museum of Contemporary Art (MIMOCA) in Marugame\, Japan\, the exhibition explores Inokuma’s paintings shown at the Willard Gallery and various multimedia works created during his twenty-year residence in NYC (1955–1975). Along with important holdings from MIMOCA\, the exhibition presents Inokuma’s works in the Japan Society collection and the recently discovered Hirose Family Collection. \nInokuma’s Manhattan sojourn was shaped by meaningful connections with the American avant-garde: Jasper Johns\, Mark Rothko\, Robert Rauschenberg\, Alexander Calder\, David Smith\, Isamu Noguchi\, Yoko Ono\, John Cage\, Merce Cunningham\, and many others. Inokuma and his wife\, Fumiko\, also served as a social and cultural bridge between American and visiting Japanese artists and architects\, often hosting gatherings at their New York apartments. The exhibition features photographs\, film footage\, and ephemera documenting these artistic interactions. \nBy illuminating Inokuma’s little-known role in postwar American art history\, NYC Salon brings new insights into New York City’s mid-20th-century art world—both its collaborative artistic atmosphere\, and its vibrant international social scene \nTimed Tickets: $20 Nonmembers\, $15 Students and seniors \nGallery Exhibition Hours\n\nTuesdays-Fridays: 11 am-5 pm\n\n\nSaturdays & Sundays: noon-6 pm\n\n\nFree First Fridays: 5 pm-7 pm*\n\n\n*October 9\, 2026; November 6\, 2026; December 4\, 2026\, January 8\, 2027
URL:https://potluckasianamerica.org/event/genichiro-inokumas-nyc-salon/
LOCATION:Japan Society\, 333 East 47th Street\, New York\, NY\, 10017\, United States
CATEGORIES:Art Exhibit
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261022
DTEND;VALUE=DATE:20270125
DTSTAMP:20260902T205725Z
CREATED:20260902T205725Z
LAST-MODIFIED:20260902T205725Z
UID:10003291-1792627200-1800835199@potluckasianamerica.org
SUMMARY:Hilda Shen: Their Landscapes
DESCRIPTION:Hilda Shen’s Their Landscapes inaugurates Solo Artist Projects (SAP)\, a MOCA initiative dedicated to presenting compelling artistic voices through one-person exhibitions of new work. The Brooklyn-based artist will present an arrangement of recent ceramic sculptures and prints in the museum’s Cheng Gallery. \nShen’s artistic practice is characterized by an inquisitive scrutiny of nature and an instinct for deconstruction. The forms can appear both ancient and futuristic\, naturally occurring and handmade\, undergoing construction and decay. Their details and motifs open up conversations that cut across post-minimalism\, Chinese landscape painting\, and architectural space. \nAbout the artist \nHilda Shen was born in Minneapolis (1954) and spent much of her childhood in upstate  New York before settling in New York City in the 1970s. Her father grew up in Beijing while her mother was raised in Hangzhou. Shen studied classical music at Oberlin College before shifting to the visual arts. She lives and works in Brooklyn. \nShen’s sculpture\, prints\, drawings\, and installations have been shown throughout the New York City area\, Seattle\, and Beijing\, and most recently in a solo show at Starr Suites in Brooklyn. She has created large installations at WaveHill in the Bronx\, the Tenri Cultural Center in NY\, China2000 in NY\, and the Smithsonian Flushing Town Hall in Queens. She has been an artist in residence at Willapa Bay AIR\, The Bloedel Reserve\, Millay Colony for the Arts\, Yosemite National Park\, and Platte Clove. Her work is in private collections in the United States\, Belgium\, and Beijing. Shen’s work has been reviewed in The New York Times\, The Brooklyn Rail\, ArtAsiaPacific\, and ARTnews. \nAbout Solo Artist Projects \nMOCA’s Solo Artist Projects (SAP) embraces a broad and open-ended exploration of contemporary art\, presenting a wide range of mediums\, practices\, traditions and ideas. It will feature artists of Chinese descent\, living and working in New York City. SAP will be a space for artists with established careers\, emerging artists\, those who live and work in and around Chinatown\, and art historical figures who deserve institutional attention. We will begin accepting submissions for Solo Artists Projects through an open call process in early 2027\, eligible to NYC-based artists of Chinese descent. Details forthcoming on MOCA’s website.
URL:https://potluckasianamerica.org/event/hilda-shen-their-landscapes/
LOCATION:Museum of Chinese in America (MOCA)\, 215 Centre Street\, New York\, NY\, 10013\, United States
CATEGORIES:Art,Art Exhibit
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261029
DTEND;VALUE=DATE:20261213
DTSTAMP:20260825T035429Z
CREATED:20260825T035144Z
LAST-MODIFIED:20260825T035429Z
UID:10003221-1793232000-1797119999@potluckasianamerica.org
SUMMARY:Yoshitomo Nara Exhibition
DESCRIPTION:David Zwirner is pleased to present an exhibition by Japanese artist Yoshitomo Nara (b. 1959) featuring new paintings and drawings\, recent sculptures\, and early works selected by the artist. Spanning the gallery’s 537 West 20th Street and 533 West 19th Street locations in New York\, this exhibition will be the artist’s first solo presentation with David Zwirner and his first major solo exhibition in New York in nearly a decade. \nSince the mid-1980s\, Nara’s multidisciplinary approach has produced a distinctive and varied body of work. His artistic sensibilities were uniquely formed and shaped by his solitary childhood in rural northern Japan. Nara’s formative encounters with nature\, folklore\, and children’s fables\, and his revelatory discovery of popular music through his self-built radio\, are the source of his creativity. Through introspection\, Nara freely reimagines his past experiences\, and they have determined his visual language and steered his stylistic development for four decades. \nThrough philosophical dialogues with his intrinsic self\, Nara creates personified entities. Depicted with big heads and wide eyes\, they are celebrated for their characterful demeanor and perceived to possess both innocence and defiance. Nara understands these figures as self-portraits\, and when his dynamic imagery emerged in the 1990s\, it was recognized as an expression of raw emotion\, carrying a spirit comparable to punk and rock music in its directness and intensity. Over time\, it has come to function differently. Today\, many people see Nara’s characters as projections of themselves\, mirroring their own sentiments and vulnerabilities. As a result\, these images have transcended their original impetus and become cultural touchstones\, resonating with a global audience and influencing younger generations of artists and viewers alike. \nBringing together foundational works from the 1980s and paintings from 2026\, this exhibition will illuminate the latest evolutions of Nara’s singular proxies. Newly completed paintings on canvas—front-facing portraits with direct gazes—show a significant development in his color palette. Over the past year\, his intricately layered colors have become more muted and highly nuanced\, while his increasingly diffused brushwork\, through which his forms materialize\, creates richly atmospheric depths across the surface. Other paintings reveal a new method in which Nara sketches compositions in colored pencil\, developing a framework drawing before applying washes of translucent acrylic—the figures adopt natural poses\, and their tear-filled eyes communicate an air of uncertainty. In tandem\, recent large-format\, monochrome drawings made with industrial oil-based paint sticks will be exhibited. By contrast\, these works are emphatically linear\, demonstrating the breadth of Nara’s two-dimensional output. On the surface\, his imagery may appear formally divergent\, but it captures a shared emotional intensity\, evoking universal feelings. \nNara integrated his drawing style into his painting practice as a student\, simplifying his compositions\, paring down his use of color\, and introducing an economy of line. Unbound by conventional methods\, Nara employs paint in ways aligned with how he uses pen and pencil. Whichever medium or implement he chooses\, for him drawing is an assured action\, the result of an immediate inspiration—it is a state of mind. In what Nara calls his “line” paintings\, he enlarges his bold notebook sketches through projection and reanimates them in paint. The deceptively simple outlines retain their original creative impulse and the freedom that drawing allows—the rapid execution and fluid delineation. \nIn conjunction with the presentation of paintings and drawings at 20th Street\, thirteen of Nara’s 10-times sculptural enlargements from 2024 will be on display at the 19th Street gallery. Coated in white urethane paint\, the matte surface affording an apparent softness\, these large-scale bronze heads recall the snow “monsters” that Nara knew from childhood winters\, created by heavy snowfall. He envisaged the enlargements as he sculpted their palm-sized clay prototypes\, fascinated by the potential psychological impacts of experiencing the small\, evidently hand-molded heads on a monumental scale. Encountering the magnification of their simple facial expressions\, and the play of light and shadow across their smooth surfaces\, nurtures conditions for serenity and contemplation. \nThis exhibition will coincide with the opening of Yoshitomo Nara: Sentinels of Stillness at the Hirshhorn Sculpture Garden in Washington\, DC. Three monumental sculptures\, sixteen-times enlargements of Nara’s small clay heads\, will inaugurate the Annual West Lawn Series and be on view from October 31\, 2026 through November 7\, 2027.
URL:https://potluckasianamerica.org/event/yoshitomo-nara-exhibition/
LOCATION:Multiple NYC locations
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Yoshitomo-Nara-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261102T183000
DTEND;TZID=America/New_York:20261102T200000
DTSTAMP:20260916T141845Z
CREATED:20260810T015213Z
LAST-MODIFIED:20260916T141845Z
UID:10003061-1793644200-1793649600@potluckasianamerica.org
SUMMARY:King of the Yees: Lauren Yee\, Francis Jue and David Henry Hwang
DESCRIPTION:Use coupon code A430 at checkout for a 30% discount\nJoin us in an intimate conversation with three important theatermakers on the New York premiere of Lauren Yee’s play\, King of the Yees\, at Signature Theatre (running from October 6 – November 15). Playwright and screenwriter Lauren Yee\, Tony-winning actor Francis Jue and playwright David Henry Hwang talk about sharing the notion of family in their work\, their poignant\, moving stories of their fathers\, and the art of portraying them on the stage. An “epic joyride across cultural\, national and familial borders”\, King of the Yees tells the story of Lauren’s father Larry Yee (played by Francis Jue)\, a driving force in San Francisco Chinatown. Francis Jue has also played David Henry Hwang’s father in his Tony-winning play\, Yellowface. Lauren\, Francis\, and David discuss Asian American families\, lineages and storytelling in the theater as part of this special conversation at Asia Society. \n\nKing of the Yees (Signature Theatre)  \n10.06.26–11.15.26 / Tue–Sun / 7 – 9 P.M. \nWritten by Lauren Yee \nDirected by Joshua Kahan Brody \nFor nearly twenty years\, Larry Yee has been the heart and soul of the Yee Fung Toy Family Association\, a fraternal organization in San Francisco’s iconic Chinatown. But to his daughter Lauren\, a playwright living in New York\, the association is an obsolete relic of a vanishing world. When Larry suddenly disappears\, Lauren sets off on a wild quest to find him\, embarking on a surreal\, magical journey through the history and myths of her own lineage. KING OF THE YEES is a hilarious and heartfelt “kind of true” story by Signature resident artist Lauren Yee\, who turns her incisive comedic eye on what we inherit and what it means to truly be a Yee. \n\nSpeaker Biographies\nLauren Yee  \nLauren Yee is an award-winning playwright and screenwriter based in New York. Recent plays include Cambodian Rock Band (South Coast Rep\, Oregon Shakespeare Festival\, La Jolla Playhouse\, Signature Theatre)\, The Great Leap (Denver Center\, Seattle Rep\, the Atlantic\, Steppenwolf\, ACT)\, King of the Yees (Goodman Theatre\, Center Theatre Group)\, and Mother Russia (Seattle Rep\, Signature Theatre). Honors include the Doris Duke Artist Award\, Whiting Award\, Steinberg/ATCA Award\, Horton Foote Prize\, and Kesselring Prize. TV:  “Pachinko” (Apple)\, “Soundtrack” (Netflix)\, “Interior Chinatown” (Hulu)\, “Billions” (Showtime)\, “Clipped” (FX). She’s previously developed pilots for Netflix and Apple\, and is currently developing TV and feature projects for Netflix and Universal. BA: Yale\, MFA: UCSD. Laurenyee.com \nDavid Henry Hwang \nDavid Henry Hwang’s work includes the plays M. Butterfly\, Yellow Face (Tony Award-winning Broadway revival\, 2024)\, Chinglish\, The Dance and the Railroad\, and FOB\, as well as the musicals Soft Power\, Flower Drum Song and Disney’s international hits Aida and Tarzan. He has written thirteen opera libretti\, including Ainadamar with composer Osvaldo Golijov (Metropolitan Opera premiere\, Fall 2024) and The Monkey King with Huang Ruo\, which opened at San Francisco Opera in 2025 to critical and audience acclaim. Hwang was a Writer/Consulting Producer for the Golden Globe-winning television series The Affair\, co-wrote the Gold Record “Solo” with the late pop legend Prince\, and has penned an Anna May Wong biopic to star actress Gemma Chan. Particle Fever\, a new musical with book by Hwang\, will open at La Jolla Playhouse this season. He is a Tony Award winner and four-time nominee\, a Grammy Award winner and three-time nominee\, a three-time OBIE Award winner\, and a three-time Finalist for the Pulitzer Prize in Drama. A professor emeritus at Columbia University\, Hwang has been inducted into the Theatre Hall of Fame and received the Lifetime Achievement Award from the Dramatists Guild in 2025.
URL:https://potluckasianamerica.org/event/king-of-the-yees-lauren-yee-francis-jue-and-david-henry-hwang/
LOCATION:Asia Society\, 725 Park Avenue\, New York\, NY\, 10021
CATEGORIES:Discussion,Theater
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/King-of-the-Yees-26.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261104T113000
DTEND;TZID=America/New_York:20261104T180000
DTSTAMP:20260902T194151Z
CREATED:20260902T194151Z
LAST-MODIFIED:20260902T194151Z
UID:10003282-1793791800-1793815200@potluckasianamerica.org
SUMMARY:2026 AAPI Trailblazers Conference: Owning Our Stories in the Age of AI
DESCRIPTION:A dynamic half-day gathering exploring how AAPI leaders can help shape the future of artificial intelligence\, storytelling\, culture\, and representation. Get in depth take-aways through thought-provoking keynotes\, panels\, an interactive workshop\, performance\, and meaningful networking. \nLocation: 135 Madison Ave 8th Floor\, New York\, NY 10016 \n 
URL:https://potluckasianamerica.org/event/2026-aapi-trailblazers-conference-owning-our-stories-in-the-age-of-ai/
LOCATION:NY
CATEGORIES:Conference
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261104T183000
DTEND;TZID=America/New_York:20261104T204900
DTSTAMP:20260916T135630Z
CREATED:20260916T135630Z
LAST-MODIFIED:20260916T135630Z
UID:10003387-1793817000-1793825340@potluckasianamerica.org
SUMMARY:Poetry
DESCRIPTION:Kind-hearted Mija (Yun Jung-hee) is tasked with raising her troubled teenage grandson\, Jong-wook\, while her daughter works in far-off Busan. In denial that her abilities as a caregiver are threatened by the early stages of Alzheimer’s disease\, Mija begins to study poetry writing at the local cultural center. At first she finds inspiration in the beauty of the natural world\, but then\, when Jong-wook is mired in a shocking scandal\, Mija taps into newfound depths of disappointment and pain. \nWinner of the Prize of the Ecumenical Jury and Best Screenplay at Cannes\, Lee Chang-dong’s Poetry is a “tour de force” that presents an “extraordinary vision of human empathy” (The New York Times). \nLANGUAGE\nKorean with English subtitles
URL:https://potluckasianamerica.org/event/poetry/
LOCATION:Paris Theater\, 4 West 58th St.\, New York\, NY\, 10019\, United States
CATEGORIES:Film
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20261105
DTEND;VALUE=DATE:20261109
DTSTAMP:20260926T221005Z
CREATED:20260926T220751Z
LAST-MODIFIED:20260926T221005Z
UID:10003425-1793836800-1794182399@potluckasianamerica.org
SUMMARY:Arrangements
DESCRIPTION:An original comedy about a Pakistani American woman navigating love\, family\, and tradition as her mother constantly “arranges” her marriage.] \n‘”Arrangements” is an original comedy by playwright\, producer\, and award-winning journalist Jasmine Amjad that explores identity\, family\, faith\, and the pressures of tradition through the story of a Pakistani American woman navigating love while her well-meaning but traditional mother attempts to contantly “arrange” her marriage. \nAfter being accepted into the New York Theater Festival\, ‘”Arrangements” premiered in July 2024 and sold out all three performances for close to 300 audience members The production now returns November 5–8\, 2026\, for an expanded six-show run at New York’s HB StudioTheatre.
URL:https://potluckasianamerica.org/event/arrangements/
LOCATION:HB Studio\, 120 Bank Street\, New York\, NY\, 10014\, United States
CATEGORIES:Theater
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/8edc2b791a5761bcee5c5b23ec11d950.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261105T180000
DTEND;TZID=America/New_York:20261105T220000
DTSTAMP:20260626T074143Z
CREATED:20260626T074143Z
LAST-MODIFIED:20260626T074143Z
UID:10002784-1793901600-1793916000@potluckasianamerica.org
SUMMARY:Film: We Keep Us Safe: The Whores Feast and Feeding with Red Canary Song and collaborators
DESCRIPTION:RSVP\n\n\nRed Canary Song activates CTHQ with performances on the occasion of the premiere of The Whores Feast. Filmed over a shared dinner with organizers and collaborators\, the film reflects on nourishment\, labor\, chosen family\, and the collective practices of care that sustain communities through ongoing precarity. \nRed Canary Song is a grassroots organization of Asian and migrant sex workers and massage workers organizing transnationally. Their work is in the tradition of sex worker mutual aid\, and they center base-building with migrant massage workers through labor rights\, migrant justice\, and abolitionist frameworks. \nFree and open to the public at CTHQ. \nEntry\nCTHQ is located on the 7th Floor of 59 East 4th Street between 2nd and 3rd Avenue in Manhattan. The building entrance has no steps and elevator access is provided directly to CTHQ.\nService animals are welcome. \nRestrooms\nOne ADA accessible\, all-gender restroom is located inside CTHQ.
URL:https://potluckasianamerica.org/event/film-we-keep-us-safe-the-whores-feast-and-feeding-with-red-canary-song-and-collaborators/
LOCATION:Creative Time  (CTHQ)\, 59 E 4th St\, Floor 7\, New York\, NY\, 10003\, United States
CATEGORIES:Film,In Person,Theater
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261105T200000
DTEND;TZID=America/New_York:20261105T213000
DTSTAMP:20260902T190734Z
CREATED:20260902T190734Z
LAST-MODIFIED:20260902T190734Z
UID:10003278-1793908800-1793914200@potluckasianamerica.org
SUMMARY:Niladri Kumaar 'The Space Between the Notes'
DESCRIPTION:Sitar maestro Niladri Kumaar is hailed as a maverick musician and composer\, a celebrated ambassador\, and an iconic figure in Indian music\, renowned for his compelling and innovative style. Central to his impressive portfolio is his long-running creative partnership with the late Zakir Hussain\, a sitar-tabla dialogue that became one of the most beloved and significant collaborations in contemporary Indian music\, including their sold-out WMI appearance at the Skirball Center in 2022. \nThe Space Between the Notes\, an extraordinary live recording from Mumbai\, India\, captures the only documented full performance of Kumaar and Hussain together. This concert draws from that profound musical and personal bond\, with a repertoire shaped by the spirit\, spontaneity\, and depth of their collaborations. \nNiladri and his electric sitar (zitar) will be joined on stage by Agnelo Fernandes (keys)\, Sambit Chatterjee (drums)\, and Satyajit Talwalkar (tabla) for a program of original compositions and selections closely connected to his work with Zakir Hussain\, bringing their shared repertoire and musical conversation into the present. \nThe COUNTERPOINT series focuses on contemporary artists who push the boundaries of what “world music” can mean in the 21st Century.
URL:https://potluckasianamerica.org/event/niladri-kumaar-the-space-between-the-notes/
LOCATION:New York Society for Ethical Culture – Adler Hall\, 2 West 64 St.\, New York\, NY\, 10023\, United States
CATEGORIES:Concert,Music
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Kumaar-2-copy.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20261106
DTEND;VALUE=DATE:20261108
DTSTAMP:20260805T152323Z
CREATED:20260805T152323Z
LAST-MODIFIED:20260805T152323Z
UID:10003007-1793923200-1794095999@potluckasianamerica.org
SUMMARY:The Age is Yours\, My Liege! A Tale of Proto-Japan
DESCRIPTION:CONTEMPORARY DANCE  | INTERNATIONAL PREMIERE \nFriday\, November 6 at 7:30 pm—Followed by a Private Gathering for Artists and Members\nSaturday\, November 7 at 7:30 pm—Followed by an Artist Q&A \nA sudden force in the Asian dance scene\, the sharp choreographic provocateur Reisa Shimojima and her Tokyo-based company KEDAGORO arrive in New York with The Age is Yours\, My Liege! A Tale of Proto-Japan\, a frenzied international premiere hurling you headfirst into an ancient Japanese festival eating itself alive. Known for exhilarating physicality that slices through contemporary events with glee\, Shimojima turns the scalpel inward\, dissecting Japanese national identity and imperial myth as her dancers cycle through a slowly revolving human-sized hamster wheel. Frankenstein-ing together sacred rite\, wartime fervor and primeval festival culture into a lurching carnival of national symbolism\, she takes direct aim at the throne and the nations built to serve it. \nTickets: $51 Nonmembers\, $38 Members
URL:https://potluckasianamerica.org/event/the-age-is-yours-my-liege-a-tale-of-proto-japan/
LOCATION:Japan Society\, 333 East 47th Street\, New York\, NY\, 10017\, United States
CATEGORIES:Dance,Performance
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Japan-Society-Dance-copy.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261107T100000
DTEND;TZID=America/New_York:20261107T140000
DTSTAMP:20261004T151046Z
CREATED:20261004T150852Z
LAST-MODIFIED:20261004T151046Z
UID:10003510-1794045600-1794060000@potluckasianamerica.org
SUMMARY:JAA Grand Bazaar
DESCRIPTION:💝Support JAA and #KonMari your home at the same time!🏠 \nJAA is now accepting donations of gently used clothing and other items for our Annual Grand Bazaar on November 7! Please see flyer for details\, including the hours for drop-off at JAA – the deadline for donations is November 3. \nThis is a major fundraiser for our nonprofit\, with proceeds going towards our programs\, community events\, electricity\, and more! \nAnd swing by on the day of to buy some cool gifts for the holidays!
URL:https://potluckasianamerica.org/event/jaa-grand-bazaar/
LOCATION:Japanese American Association of NY\, 49 West 45th Street\, 5th Flr.\, New York\, NY\, 10036\, United States
CATEGORIES:Fundraiser,Market
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261107T130000
DTEND;TZID=America/New_York:20261107T160000
DTSTAMP:20260814T050453Z
CREATED:20260814T044759Z
LAST-MODIFIED:20260814T050453Z
UID:10003085-1794056400-1794067200@potluckasianamerica.org
SUMMARY:Diwali Lights Up Asia Society 2026
DESCRIPTION:Diwali\, often known as the festival of lights\, is celebrated in South Asia\, by Hindus\, Sikhs\, Jains\, and Buddhists. It symbolizes the triumph of light over darkness\, knowledge over ignorance\, and hope over despair. \nDiwali returns to Asia Society with a colorful\, fun-filled\, and multi-sensorial afternoon\, presented in collaboration with The Culture Tree. \nJoin us on November 7\, 2026\, 1 – 4 p.m.\, to celebrate good fortune\, family\, and friendships. Enjoy music and dance performances\, storytelling\, and hands-on arts and crafts inspired by the holiday. \nMake sure to check out our special Diwali menu at Asia Society’s Leo Cafe for the occasion. \n\nSchedule\nSchedule subject to change. Watch this space for schedule updates. \nThis year’s Diwali celebration features dance and music performances in Asia Society’s Visitor Center\, Auditorium as well as arts and crafts and storytelling on the Eighth Floor. \nAuditorium\n1 p.m. Introduction to Diwali \n1.15 p.m. Express Yourself through Indian Dance: Learn the languages of Bharatnatyam and Kathak! \n2:15 p.m. Interactive Puppet Shows: Stories of Diwali \n3:15 p.m.  Express Yourself through Indian Dance: Learn the Ghoomar and Bhangra dance forms for a fun-filled Diwali dance party! \nVisitor Center/First Floor Lobby\n“Meet and Greet” with Lord Ganesh \nCome check out the statue of the Indian god Ganesh at Asia Society\, and read about his symbolism in Indian culture and significance during Diwali. \nEighth Floor\n1 – 4 p.m. Arts and Crafts\, Sweets and Storytelling \nMake your own Diya: During Diwali\, people light small clay lamps called diyas to symbolize the light of knowledge and goodness. Make and decorate your own clay diya to put by your window at night. \nDiwali Jewelry and Key Chains: Make Diwali-inspired jewelry and keychain charms. \nHenna Tattoos: Come and get elaborate temporary tattoos on your hands. \nDiwali Mithai Decoration: Learn about mithai\, Indian sweets which are integral to Diwali. Decorate your mithai and then eat it. \nDiwali Library and Mask Making: Learn more about the stories of Diwali through an interactive storytime session\, and make your own Diwali mask!
URL:https://potluckasianamerica.org/event/diwali-lights-up-asia-society-2026/
LOCATION:Asia Society\, 725 Park Avenue\, New York\, NY\, 10021
CATEGORIES:Dance,Family Day,Festival,Performance
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Diwali_2023_105.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261107T130000
DTEND;TZID=America/New_York:20261107T190000
DTSTAMP:20260926T220603Z
CREATED:20260926T220008Z
LAST-MODIFIED:20260926T220603Z
UID:10003424-1794056400-1794078000@potluckasianamerica.org
SUMMARY:Champloo: An Okinawa Identity Symposium
DESCRIPTION:Champloo: An Okinawa Identity Symposium \nWhat does it mean to be Okinawan today?\nFor generations\, Okinawans have carried our history\, culture\, language\, traditions\, and stories across oceans and borders. In New York\, the North East\, throughout North America\, and across the globe that heritage continues to evolve. We are building communities that honor where we come from while asking important questions about where we are going.\nThis November\, the Okinawan American Association of New York (OAANY) is creating a space for those conversations.\nOn Saturday\, November 7\, 2026\, we will host our inaugural event\, “Champloo: An Okinawan Identity Symposium\,” at New York University. Champloo—a word associated with mixing and bringing things together—captures the spirit of what we hope this gathering will be: different generations\, perspectives\, experiences\, and expressions of Okinawan identity coming together in one room.\nThe day will feature a keynote address\, four moderated panels\, cultural performance\, dinner\, and opportunities for community members to connect and build relationships. Our conversations will explore topics ranging from Okinawan identity across borders and the role of Kenjinkai\, to reclaiming Ryukyuan history and imagining the future of Okinawan spaces and diaspora communities.\nAs we look toward the 2027 Uchinaanchu Taikai\, we see an especially meaningful opportunity to strengthen connections between Okinawa and the global Uchinanchu diaspora. Champloo is one small but important step in that direction.
URL:https://potluckasianamerica.org/event/champloo-an-okinawa-identity-symposium/
LOCATION:Kimmel Center for University Life\, 60 Washington Square South\, New York\, NY\, 10012\, United States
CATEGORIES:Discussion
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261107T140000
DTEND;TZID=America/New_York:20261107T170000
DTSTAMP:20260928T180813Z
CREATED:20260928T180810Z
LAST-MODIFIED:20260928T180813Z
UID:10003491-1794060000-1794070800@potluckasianamerica.org
SUMMARY:Mahjong Parlor Market
DESCRIPTION:｡°✩ SPECIAL ANNOUNCEMENT ⋆｡°✩\nMahjong Parlor is turning 1 in November!!! 🎂 💫 \nCome celebrate with us at our anniversary market: with vintage clothes\, goods from local artists\, food from @long__pang and @frumpygrain \, and ofc MAHJONG!!! \nThe market is free with RSVP ~ come browse\, eat\, and hang out 💗 Want to play? Grab a ticket for an hourly mahjong slot! We’re doing time slots to keep the tiles moving and give everyone more time to play. \nAll levels are welcome\, and we’ll group tables by experience. A little heads-up for first-timers: we’ll have teachers floating around to help\, but this won’t be a full lesson like our usual events. Bring a friend who knows the game or watch a quick tutorial before you come. Can’t wait to see you at the table and celebrate together 🌟🪽Mahjong Parlor
URL:https://potluckasianamerica.org/event/mahjong-parlor-market/
LOCATION:Welcome to Chinatown\, 115 Bowery\, New York\, NY\, 10002\, United States
CATEGORIES:Games,Market
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/WTC-Mahjong-copy.jpg
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