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DTSTART;VALUE=DATE:20260926
DTEND;VALUE=DATE:20261102
DTSTAMP:20260927T172328Z
CREATED:20260927T172328Z
LAST-MODIFIED:20260927T172328Z
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SUMMARY:Moving Rasa Discovery Cards Inside/Outside
DESCRIPTION:Move what’s inside\, outside. Move what’s outside\, inside. \nWhat happens when something you’re carrying inside—a feeling\, question\, image\, memory\, impulse—gets to take shape in the world around you? \nAnd what happens when the world answers back? \nOver six gatherings\, we’ll use the Moving Rasa Discovery Cards to improvise between our inner and outer worlds. We might climb onto something\, lean into another person\, follow the shape of a tree\, move with a wall\, let a card change our attention\, or allow an unexpected impulse to lead somewhere new. \nWe’ll work with group improvisation\, contact\, imagination\, questions\, and the environments we enter. Some gatherings will happen indoors. Others will take us outside into different NYC places. Each environment becomes part of what we discover. \nThere is no movement to get right and no fixed meaning to find in a card. We’ll notice what emerges through the relationships we make—with ourselves\, one another\, the cards\, and the places around us. \nLocation:\nReal World Sculptures: Norman A Rockefellar Park\nRiver Terrace and\, Chambers St\nNew York City\, NY 10282
URL:https://potluckasianamerica.org/event/moving-rasa-discovery-cards-inside-outside/
LOCATION:NY
CATEGORIES:Dance
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260926
DTEND;VALUE=DATE:20270208
DTSTAMP:20260924T203746Z
CREATED:20260924T203746Z
LAST-MODIFIED:20260924T203746Z
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SUMMARY:Yoshitaka Amano: Origins at the American Academy of Arts and Letters
DESCRIPTION:Yoshitaka Amano (b. 1952\, Shizuoka\, Japan) creates worlds. It’s something he’s done since he was fifteen\, when he moved to Tokyo and began working as a character designer for an anime studio. There\, drawing was always an act of translation. His task was to convert narrative into illustrated concepts\, drawings that would become the connective tissue of a fictional universe. Throughout his career as an independent artist and as a character designer for storied anime and video game franchises\, such as Final Fantasy and Vampire Hunter D\, drawing has always been a way of describing the porousness between the real and the fantastic. “I want to depict a world I myself have never seen\,” Amano says of the feeling from which his work begins. \nOrigins 始源 takes up Amano’s interest in primordial beginnings. Over the last few years\, Amano has been absorbed in Greek and Shinto mythology\, making drawings of the characters that animate these stories. Here\, he presents Pandora\, a series of drawings of the Greek myth of the first mortal woman; they circle the gallery like an ancient frieze\, or the storyboards for an animation. Alongside these works\, a selection of illustrations\, animation\, and popular materials from the 1980s and ’90s\, including the anime film Angel’s Egg and sensual depictions of The Tale of Genji\, is presented in our library. In all the stories Amano is drawn to\, origins are an eternal structure\, a threshold where being emerges. For him\, that threshold is the page; his figures seem to move and drift across its surface\, entering into worlds that exist beyond our lived reality. \nThis exhibition\, Amano’s first institutional solo show in New York\, offers a chance to encounter an artist whose drawings continue to have extended lives in the world around us. Right now\, more likely than not\, you could find them appearing on someone’s gaming console as they play Final Fantasy and livestream it to Twitch; on a Gatchaman Uniqlo tee worn in the streets of Tokyo; or even on an iPhone as someone watches Angel’s Egg on the subway\, in bed\, or really anywhere streaming is available. \nArts and Letters commissioned an essay\, Shining Genji\, by Sean Thor Conroe\, which accompanies the exhibition as part of our Reader series.
URL:https://potluckasianamerica.org/event/yoshitaka-amano-origins-at-the-american-academy-of-arts-and-letters/
LOCATION:American Academy of Arts and Letters\, Audubon Terrace\, New York\, NY\, 10032\, United States
CATEGORIES:Art,Art Exhibit
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261002
DTEND;VALUE=DATE:20261107
DTSTAMP:20260902T204709Z
CREATED:20260902T204709Z
LAST-MODIFIED:20260902T204709Z
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SUMMARY:MOCA PERFORMS – Echoes of Arrival: Becoming
DESCRIPTION:Immigration is never a single arrival but an ongoing process of becoming. Beyond legal status and paperwork\, immigrants navigate displacement\, alienation\, adaptation\, and the long\, sometimes complicated journey toward belonging. What did you have to learn to survive and build a life in the United States? What did you choose to carry with you from the culture you came from? What was lost in translation? And what new part of yourself emerged along the way? \nEchoes of Arrival returns to the Museum of Chinese in America for a new iteration\, Becoming. Through a collection of personal stories\, the ensemble explores the many ways immigrants remake themselves while making a life in a new country. These stories of change\, resilience\, loss\, discovery\, and belonging illuminate how immigration does not simply transform individuals. It continues to shape the rich and ever-evolving cultural fabric of the United States. \nCREATIVE TEAM\nConceived by Dennis Yueh-Yeh Li\nDevised & Performed by Shan Y. Chuang\, Nikkiesha N. McLeod\, Timmy Ong\, Pascal Phoa\, Jeremy Rafal\, Nedelka Sotelo\, Fang Tseng\n  \nPERFORMANCE SCHEDULE\nFriday 10/2\nShan Y. Chuang\, Nikkiesha N. McLeod\, Pascal Phoa\, Jeremy Rafal\, Fang Tseng\nThursday 10/8\nShan Y. Chuang\, Timmy Ong\, Pascal Phoa\, Jeremy Rafal\, Fang Tseng\nFriday 10/16\nShan Y. Chuang\, Timmy Ong\, Pascal Phoa\, Jeremy Rafal\, Nedelka Sotelo\nThursday 10/22\nShan Y. Chuang\, Nikkiesha N. McLeod\, Timmy Ong\, Nedelka Sotelo\, Fang Tseng\nFriday 11/6\nNikkiesha N. McLeod\, Timmy Ong\, Jeremy Rafal\, Nedelka Sotelo\, Fang Tseng
URL:https://potluckasianamerica.org/event/moca-performs-echoes-of-arrival-becoming/
LOCATION:Museum of Chinese in America (MOCA)\, 215 Centre Street\, New York\, NY\, 10013\, United States
CATEGORIES:Music
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20261003
DTEND;VALUE=DATE:20270201
DTSTAMP:20260821T183629Z
CREATED:20260821T183629Z
LAST-MODIFIED:20260821T183629Z
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SUMMARY:Art of Manga
DESCRIPTION:Be drawn into the world of manga.\nArt of Manga is the first major exhibition in the Americas to explore manga—Japanese comics and graphic novels—as an art form. Marking its East Coast debut\, the Brooklyn Museum’s presentation is packed with more than 600 drawings that showcase manga’s immersive power and social impact. Don’t miss this rare opportunity for US audiences to encounter an astonishing selection of original manga artworks\, including examples from beloved series Inuyasha\, JoJo’s Bizarre Adventure\, Ōoku: The Inner Chambers\, ONE PIECE\, and many more. \nA global phenomenon\, manga is driven by those who design\, draw\, and very often author the stories that define the medium. Discover influential manga artists\, or mangaka\, and their distinct approaches to storytelling. Through compelling narratives and captivating imagery\, each mangaka’s work invents a universe that may be familiar or supernatural\, historical or futuristic\, contemplative or action-packed. These tales address universal themes such as coming of age\, tapping into hidden strengths\, and finding beauty in the ordinary—as well as contemporary issues such as environmentalism\, gender roles\, LGBTQ+ rights\, and socioeconomic inequality. Whether you enter as an otaku or a novice\, you’ll leave Art of Manga fluent in this vital medium. \nGo all-access with “Art of Manga.” The Manga Fan Pass gives one adult and one guest unlimited entry throughout the exhibition’s run—plus a slew of other perks especially for manga fans. \nThe $75 pass includes… \n⚫ Unlimited entry for you and a guest to “Art of Manga” (subject to availability) as well as general admission to Museum galleries \n⚫ Invites to Member Previews and select Member Evenings for “Art of Manga” \n⚫ Exclusive presale access to “Art of Manga” public programs \n⚫ 10% discount at the Café and Museum Shop (excluding gashapon machines) \n⚫ A collectible badge for you to wear and show off your love of manga (wear your badge each time you return to get a new pin to build your collection!)
URL:https://potluckasianamerica.org/event/art-of-manga/
LOCATION:Brooklyn Museum\, 200 Eastern Parkway\, Brooklyn\, NY\, 11238\, United States
CATEGORIES:Art,Art Exhibit
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20261006
DTEND;VALUE=DATE:20261116
DTSTAMP:20260909T024920Z
CREATED:20260909T023835Z
LAST-MODIFIED:20260909T024920Z
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SUMMARY:King of the Yees
DESCRIPTION:For nearly twenty years\, Larry Yee has been the heart and soul of the Yee Fung Toy Family Association\, a fraternal organization in San Francisco’s iconic Chinatown. But to his daughter Lauren\, a playwright living in New York\, the association is an obsolete relic of a vanishing world. When Larry suddenly disappears\, Lauren sets off on a wild quest to find him\, embarking on a surreal\, magical journey through the history and myths of her own lineage. KING OF THE YEES is a hilarious and heartfelt “kind of true” story by Signature resident artist Lauren Yee\, who turns her incisive comedic eye on what we inherit and what it means to truly be a Yee.  \n \nAbout the Playwright \n \nLAUREN YEE is proud to be a Signature Theatre resident playwright. She is an award-winning playwright\, screenwriter\, and librettist based in New York City. Prior to the pandemic\, Lauren was named by American Theatre as the second-most-produced playwright of that upcoming season. Recent plays include Cambodian Rock Band with music by Dengue Fever (South Coast Rep\, Oregon Shakespeare Festival\, La Jolla Playhouse\, Signature Theatre\, East West Players)\, The Great Leap (Denver Center\, Seattle Rep\, Atlantic Theatre\, Steppenwolf\, American Conservatory Theatre)\, King of the Yees (Goodman Theatre\, Center Theatre Group)\, and Mother Russia (Seattle Rep\, Signature Theatre\, upcoming at Hampstead Theatre\, South Coast Rep\, Trinity Rep). She is writing the book for the musical adaptation of Madeleine L’Engle’s A Wrinkle in Time\, with music and lyrics by Heather Christian. Honors include the Doris Duke Artists Award\, Whiting Award\, Steinberg/ATCA Award\, American Academy of Arts and Letters literature award\, Horton Foote Prize\, Kesselring Prize\, Primus Prize\, a Hodder Fellowship at Princeton\, and the #1 and #2 plays on the 2017 Kilroys List. TV: ”Pachinko” (Apple)\, “Soundtrack” (Netflix)\, “Interior Chinatown” (Hulu)\, “Billions” (Showtime)\, “Clipped” (FX). She’s previously developed pilots for Netflix and Apple and is currently developing TV and feature projects for Netflix and Universal. BA: Yale\, MFA: UCSD. laurenyee.com
URL:https://potluckasianamerica.org/event/king-of-the-yees/
LOCATION:Signature Theatre\, 480 W 42nd St.\, New York\, NY\, 10036\, United States
CATEGORIES:Theater
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20261006
DTEND;VALUE=DATE:20270111
DTSTAMP:20260805T153101Z
CREATED:20260805T153101Z
LAST-MODIFIED:20260805T153101Z
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SUMMARY:Gen’ichirō Inokuma’s NYC Salon
DESCRIPTION:Gen’ichirō Inokuma’s NYC Salon is the first New York solo museum exhibition of the Japanese modern artist Gen’ichirō Inokuma (1902–1993). Organized by Japan Society Gallery in collaboration with the Marugame Genichiro-Inokuma Museum of Contemporary Art (MIMOCA) in Marugame\, Japan\, the exhibition explores Inokuma’s paintings shown at the Willard Gallery and various multimedia works created during his twenty-year residence in NYC (1955–1975). Along with important holdings from MIMOCA\, the exhibition presents Inokuma’s works in the Japan Society collection and the recently discovered Hirose Family Collection. \nInokuma’s Manhattan sojourn was shaped by meaningful connections with the American avant-garde: Jasper Johns\, Mark Rothko\, Robert Rauschenberg\, Alexander Calder\, David Smith\, Isamu Noguchi\, Yoko Ono\, John Cage\, Merce Cunningham\, and many others. Inokuma and his wife\, Fumiko\, also served as a social and cultural bridge between American and visiting Japanese artists and architects\, often hosting gatherings at their New York apartments. The exhibition features photographs\, film footage\, and ephemera documenting these artistic interactions. \nBy illuminating Inokuma’s little-known role in postwar American art history\, NYC Salon brings new insights into New York City’s mid-20th-century art world—both its collaborative artistic atmosphere\, and its vibrant international social scene \nTimed Tickets: $20 Nonmembers\, $15 Students and seniors \nGallery Exhibition Hours\n\nTuesdays-Fridays: 11 am-5 pm\n\n\nSaturdays & Sundays: noon-6 pm\n\n\nFree First Fridays: 5 pm-7 pm*\n\n\n*October 9\, 2026; November 6\, 2026; December 4\, 2026\, January 8\, 2027
URL:https://potluckasianamerica.org/event/genichiro-inokumas-nyc-salon/
LOCATION:Japan Society\, 333 East 47th Street\, New York\, NY\, 10017\, United States
CATEGORIES:Art Exhibit
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261022
DTEND;VALUE=DATE:20270125
DTSTAMP:20260902T205725Z
CREATED:20260902T205725Z
LAST-MODIFIED:20260902T205725Z
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SUMMARY:Hilda Shen: Their Landscapes
DESCRIPTION:Hilda Shen’s Their Landscapes inaugurates Solo Artist Projects (SAP)\, a MOCA initiative dedicated to presenting compelling artistic voices through one-person exhibitions of new work. The Brooklyn-based artist will present an arrangement of recent ceramic sculptures and prints in the museum’s Cheng Gallery. \nShen’s artistic practice is characterized by an inquisitive scrutiny of nature and an instinct for deconstruction. The forms can appear both ancient and futuristic\, naturally occurring and handmade\, undergoing construction and decay. Their details and motifs open up conversations that cut across post-minimalism\, Chinese landscape painting\, and architectural space. \nAbout the artist \nHilda Shen was born in Minneapolis (1954) and spent much of her childhood in upstate  New York before settling in New York City in the 1970s. Her father grew up in Beijing while her mother was raised in Hangzhou. Shen studied classical music at Oberlin College before shifting to the visual arts. She lives and works in Brooklyn. \nShen’s sculpture\, prints\, drawings\, and installations have been shown throughout the New York City area\, Seattle\, and Beijing\, and most recently in a solo show at Starr Suites in Brooklyn. She has created large installations at WaveHill in the Bronx\, the Tenri Cultural Center in NY\, China2000 in NY\, and the Smithsonian Flushing Town Hall in Queens. She has been an artist in residence at Willapa Bay AIR\, The Bloedel Reserve\, Millay Colony for the Arts\, Yosemite National Park\, and Platte Clove. Her work is in private collections in the United States\, Belgium\, and Beijing. Shen’s work has been reviewed in The New York Times\, The Brooklyn Rail\, ArtAsiaPacific\, and ARTnews. \nAbout Solo Artist Projects \nMOCA’s Solo Artist Projects (SAP) embraces a broad and open-ended exploration of contemporary art\, presenting a wide range of mediums\, practices\, traditions and ideas. It will feature artists of Chinese descent\, living and working in New York City. SAP will be a space for artists with established careers\, emerging artists\, those who live and work in and around Chinatown\, and art historical figures who deserve institutional attention. We will begin accepting submissions for Solo Artists Projects through an open call process in early 2027\, eligible to NYC-based artists of Chinese descent. Details forthcoming on MOCA’s website.
URL:https://potluckasianamerica.org/event/hilda-shen-their-landscapes/
LOCATION:Museum of Chinese in America (MOCA)\, 215 Centre Street\, New York\, NY\, 10013\, United States
CATEGORIES:Art,Art Exhibit
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261029
DTEND;VALUE=DATE:20261213
DTSTAMP:20260825T035429Z
CREATED:20260825T035144Z
LAST-MODIFIED:20260825T035429Z
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SUMMARY:Yoshitomo Nara Exhibition
DESCRIPTION:David Zwirner is pleased to present an exhibition by Japanese artist Yoshitomo Nara (b. 1959) featuring new paintings and drawings\, recent sculptures\, and early works selected by the artist. Spanning the gallery’s 537 West 20th Street and 533 West 19th Street locations in New York\, this exhibition will be the artist’s first solo presentation with David Zwirner and his first major solo exhibition in New York in nearly a decade. \nSince the mid-1980s\, Nara’s multidisciplinary approach has produced a distinctive and varied body of work. His artistic sensibilities were uniquely formed and shaped by his solitary childhood in rural northern Japan. Nara’s formative encounters with nature\, folklore\, and children’s fables\, and his revelatory discovery of popular music through his self-built radio\, are the source of his creativity. Through introspection\, Nara freely reimagines his past experiences\, and they have determined his visual language and steered his stylistic development for four decades. \nThrough philosophical dialogues with his intrinsic self\, Nara creates personified entities. Depicted with big heads and wide eyes\, they are celebrated for their characterful demeanor and perceived to possess both innocence and defiance. Nara understands these figures as self-portraits\, and when his dynamic imagery emerged in the 1990s\, it was recognized as an expression of raw emotion\, carrying a spirit comparable to punk and rock music in its directness and intensity. Over time\, it has come to function differently. Today\, many people see Nara’s characters as projections of themselves\, mirroring their own sentiments and vulnerabilities. As a result\, these images have transcended their original impetus and become cultural touchstones\, resonating with a global audience and influencing younger generations of artists and viewers alike. \nBringing together foundational works from the 1980s and paintings from 2026\, this exhibition will illuminate the latest evolutions of Nara’s singular proxies. Newly completed paintings on canvas—front-facing portraits with direct gazes—show a significant development in his color palette. Over the past year\, his intricately layered colors have become more muted and highly nuanced\, while his increasingly diffused brushwork\, through which his forms materialize\, creates richly atmospheric depths across the surface. Other paintings reveal a new method in which Nara sketches compositions in colored pencil\, developing a framework drawing before applying washes of translucent acrylic—the figures adopt natural poses\, and their tear-filled eyes communicate an air of uncertainty. In tandem\, recent large-format\, monochrome drawings made with industrial oil-based paint sticks will be exhibited. By contrast\, these works are emphatically linear\, demonstrating the breadth of Nara’s two-dimensional output. On the surface\, his imagery may appear formally divergent\, but it captures a shared emotional intensity\, evoking universal feelings. \nNara integrated his drawing style into his painting practice as a student\, simplifying his compositions\, paring down his use of color\, and introducing an economy of line. Unbound by conventional methods\, Nara employs paint in ways aligned with how he uses pen and pencil. Whichever medium or implement he chooses\, for him drawing is an assured action\, the result of an immediate inspiration—it is a state of mind. In what Nara calls his “line” paintings\, he enlarges his bold notebook sketches through projection and reanimates them in paint. The deceptively simple outlines retain their original creative impulse and the freedom that drawing allows—the rapid execution and fluid delineation. \nIn conjunction with the presentation of paintings and drawings at 20th Street\, thirteen of Nara’s 10-times sculptural enlargements from 2024 will be on display at the 19th Street gallery. Coated in white urethane paint\, the matte surface affording an apparent softness\, these large-scale bronze heads recall the snow “monsters” that Nara knew from childhood winters\, created by heavy snowfall. He envisaged the enlargements as he sculpted their palm-sized clay prototypes\, fascinated by the potential psychological impacts of experiencing the small\, evidently hand-molded heads on a monumental scale. Encountering the magnification of their simple facial expressions\, and the play of light and shadow across their smooth surfaces\, nurtures conditions for serenity and contemplation. \nThis exhibition will coincide with the opening of Yoshitomo Nara: Sentinels of Stillness at the Hirshhorn Sculpture Garden in Washington\, DC. Three monumental sculptures\, sixteen-times enlargements of Nara’s small clay heads\, will inaugurate the Annual West Lawn Series and be on view from October 31\, 2026 through November 7\, 2027.
URL:https://potluckasianamerica.org/event/yoshitomo-nara-exhibition/
LOCATION:Multiple NYC locations
CATEGORIES:Art,Art Exhibit
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261101T120000
DTEND;TZID=America/New_York:20261101T140000
DTSTAMP:20260821T143522Z
CREATED:20260821T143522Z
LAST-MODIFIED:20260821T143522Z
UID:10003179-1793534400-1793541600@potluckasianamerica.org
SUMMARY:Diwali Festival: The Indian Wedding
DESCRIPTION:Flushing Town Hall celebrates its 12th annual Diwali\, the Festival of Light\, with food\, dance\, music\, and art for audiences of all ages. The fun-filled afternoon features a performance by Kathak classical dancer Abha Roy\, her Srijan Dance Company\, and special guests!
URL:https://potluckasianamerica.org/event/diwali-festival-the-indian-wedding/
LOCATION:Flushing Town Hall\, 137-35 Northern Blvd\, Flushing\, NY\, 11354\, United States
CATEGORIES:Arts and Cultural Programs,Dance
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261101T143000
DTEND;TZID=America/New_York:20261101T153000
DTSTAMP:20261009T014415Z
CREATED:20261009T014237Z
LAST-MODIFIED:20261009T014415Z
UID:10003530-1793543400-1793547000@potluckasianamerica.org
SUMMARY:Between Homes
DESCRIPTION:New York Chinese Cultural Center\nHOME Project 2026\nPresents “Between Homes” \nHOME Project 2026: Between Homes is a curated performance series featuring Chinese and Chinese diasporic artists working across dance\, theater\, and multidisciplinary performance. \nCentered on the notion of “between-ness\,” this year’s program explores home not as a fixed place\, but as a shifting condition shaped by migration\, memory\, cultural inheritance\, and contemporary life. The participating artists offer distinct perspectives on identity\, belonging\, and the experience of navigating between cultures\, places\, traditions\, and contemporary realities. \nThe program brings together both professional artists and university-based student groups\, reflecting a range of generations\, artistic practices\, and perspectives within the Chinese and Chinese diasporic community. \nArtistic Director: Nico Li \nArtists:\nGuanglei Hui & guest performers\nYuchen Ye & guest performers\nRUYAN Chinese Dance\, Columbia University\nHUA Dance Company\, Princeton University
URL:https://potluckasianamerica.org/event/between-homes/
LOCATION:Queens Museum\, Building\, Queens\, NY\, 11368\, United States
CATEGORIES:Performance
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/10/Between-Homes-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261102T183000
DTEND;TZID=America/New_York:20261102T200000
DTSTAMP:20260916T141845Z
CREATED:20260810T015213Z
LAST-MODIFIED:20260916T141845Z
UID:10003061-1793644200-1793649600@potluckasianamerica.org
SUMMARY:King of the Yees: Lauren Yee\, Francis Jue and David Henry Hwang
DESCRIPTION:Use coupon code A430 at checkout for a 30% discount\nJoin us in an intimate conversation with three important theatermakers on the New York premiere of Lauren Yee’s play\, King of the Yees\, at Signature Theatre (running from October 6 – November 15). Playwright and screenwriter Lauren Yee\, Tony-winning actor Francis Jue and playwright David Henry Hwang talk about sharing the notion of family in their work\, their poignant\, moving stories of their fathers\, and the art of portraying them on the stage. An “epic joyride across cultural\, national and familial borders”\, King of the Yees tells the story of Lauren’s father Larry Yee (played by Francis Jue)\, a driving force in San Francisco Chinatown. Francis Jue has also played David Henry Hwang’s father in his Tony-winning play\, Yellowface. Lauren\, Francis\, and David discuss Asian American families\, lineages and storytelling in the theater as part of this special conversation at Asia Society. \n\nKing of the Yees (Signature Theatre)  \n10.06.26–11.15.26 / Tue–Sun / 7 – 9 P.M. \nWritten by Lauren Yee \nDirected by Joshua Kahan Brody \nFor nearly twenty years\, Larry Yee has been the heart and soul of the Yee Fung Toy Family Association\, a fraternal organization in San Francisco’s iconic Chinatown. But to his daughter Lauren\, a playwright living in New York\, the association is an obsolete relic of a vanishing world. When Larry suddenly disappears\, Lauren sets off on a wild quest to find him\, embarking on a surreal\, magical journey through the history and myths of her own lineage. KING OF THE YEES is a hilarious and heartfelt “kind of true” story by Signature resident artist Lauren Yee\, who turns her incisive comedic eye on what we inherit and what it means to truly be a Yee. \n\nSpeaker Biographies\nLauren Yee  \nLauren Yee is an award-winning playwright and screenwriter based in New York. Recent plays include Cambodian Rock Band (South Coast Rep\, Oregon Shakespeare Festival\, La Jolla Playhouse\, Signature Theatre)\, The Great Leap (Denver Center\, Seattle Rep\, the Atlantic\, Steppenwolf\, ACT)\, King of the Yees (Goodman Theatre\, Center Theatre Group)\, and Mother Russia (Seattle Rep\, Signature Theatre). Honors include the Doris Duke Artist Award\, Whiting Award\, Steinberg/ATCA Award\, Horton Foote Prize\, and Kesselring Prize. TV:  “Pachinko” (Apple)\, “Soundtrack” (Netflix)\, “Interior Chinatown” (Hulu)\, “Billions” (Showtime)\, “Clipped” (FX). She’s previously developed pilots for Netflix and Apple\, and is currently developing TV and feature projects for Netflix and Universal. BA: Yale\, MFA: UCSD. Laurenyee.com \nDavid Henry Hwang \nDavid Henry Hwang’s work includes the plays M. Butterfly\, Yellow Face (Tony Award-winning Broadway revival\, 2024)\, Chinglish\, The Dance and the Railroad\, and FOB\, as well as the musicals Soft Power\, Flower Drum Song and Disney’s international hits Aida and Tarzan. He has written thirteen opera libretti\, including Ainadamar with composer Osvaldo Golijov (Metropolitan Opera premiere\, Fall 2024) and The Monkey King with Huang Ruo\, which opened at San Francisco Opera in 2025 to critical and audience acclaim. Hwang was a Writer/Consulting Producer for the Golden Globe-winning television series The Affair\, co-wrote the Gold Record “Solo” with the late pop legend Prince\, and has penned an Anna May Wong biopic to star actress Gemma Chan. Particle Fever\, a new musical with book by Hwang\, will open at La Jolla Playhouse this season. He is a Tony Award winner and four-time nominee\, a Grammy Award winner and three-time nominee\, a three-time OBIE Award winner\, and a three-time Finalist for the Pulitzer Prize in Drama. A professor emeritus at Columbia University\, Hwang has been inducted into the Theatre Hall of Fame and received the Lifetime Achievement Award from the Dramatists Guild in 2025.
URL:https://potluckasianamerica.org/event/king-of-the-yees-lauren-yee-francis-jue-and-david-henry-hwang/
LOCATION:Asia Society\, 725 Park Avenue\, New York\, NY\, 10021
CATEGORIES:Discussion,Theater
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/King-of-the-Yees-26.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261104T113000
DTEND;TZID=America/New_York:20261104T180000
DTSTAMP:20260902T194151Z
CREATED:20260902T194151Z
LAST-MODIFIED:20260902T194151Z
UID:10003282-1793791800-1793815200@potluckasianamerica.org
SUMMARY:2026 AAPI Trailblazers Conference: Owning Our Stories in the Age of AI
DESCRIPTION:A dynamic half-day gathering exploring how AAPI leaders can help shape the future of artificial intelligence\, storytelling\, culture\, and representation. Get in depth take-aways through thought-provoking keynotes\, panels\, an interactive workshop\, performance\, and meaningful networking. \nLocation: 135 Madison Ave 8th Floor\, New York\, NY 10016 \n 
URL:https://potluckasianamerica.org/event/2026-aapi-trailblazers-conference-owning-our-stories-in-the-age-of-ai/
LOCATION:NY
CATEGORIES:Conference
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Serica-API-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261104T183000
DTEND;TZID=America/New_York:20261104T204900
DTSTAMP:20260916T135630Z
CREATED:20260916T135630Z
LAST-MODIFIED:20260916T135630Z
UID:10003387-1793817000-1793825340@potluckasianamerica.org
SUMMARY:Poetry
DESCRIPTION:Kind-hearted Mija (Yun Jung-hee) is tasked with raising her troubled teenage grandson\, Jong-wook\, while her daughter works in far-off Busan. In denial that her abilities as a caregiver are threatened by the early stages of Alzheimer’s disease\, Mija begins to study poetry writing at the local cultural center. At first she finds inspiration in the beauty of the natural world\, but then\, when Jong-wook is mired in a shocking scandal\, Mija taps into newfound depths of disappointment and pain. \nWinner of the Prize of the Ecumenical Jury and Best Screenplay at Cannes\, Lee Chang-dong’s Poetry is a “tour de force” that presents an “extraordinary vision of human empathy” (The New York Times). \nLANGUAGE\nKorean with English subtitles
URL:https://potluckasianamerica.org/event/poetry/
LOCATION:Paris Theater\, 4 West 58th St.\, New York\, NY\, 10019\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Poetry.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261105
DTEND;VALUE=DATE:20261109
DTSTAMP:20260926T221005Z
CREATED:20260926T220751Z
LAST-MODIFIED:20260926T221005Z
UID:10003425-1793836800-1794182399@potluckasianamerica.org
SUMMARY:Arrangements
DESCRIPTION:An original comedy about a Pakistani American woman navigating love\, family\, and tradition as her mother constantly “arranges” her marriage.] \n‘”Arrangements” is an original comedy by playwright\, producer\, and award-winning journalist Jasmine Amjad that explores identity\, family\, faith\, and the pressures of tradition through the story of a Pakistani American woman navigating love while her well-meaning but traditional mother attempts to contantly “arrange” her marriage. \nAfter being accepted into the New York Theater Festival\, ‘”Arrangements” premiered in July 2024 and sold out all three performances for close to 300 audience members The production now returns November 5–8\, 2026\, for an expanded six-show run at New York’s HB StudioTheatre.
URL:https://potluckasianamerica.org/event/arrangements/
LOCATION:HB Studio\, 120 Bank Street\, New York\, NY\, 10014\, United States
CATEGORIES:Theater
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/8edc2b791a5761bcee5c5b23ec11d950.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261105T180000
DTEND;TZID=America/New_York:20261105T220000
DTSTAMP:20260626T074143Z
CREATED:20260626T074143Z
LAST-MODIFIED:20260626T074143Z
UID:10002784-1793901600-1793916000@potluckasianamerica.org
SUMMARY:Film: We Keep Us Safe: The Whores Feast and Feeding with Red Canary Song and collaborators
DESCRIPTION:RSVP\n\n\nRed Canary Song activates CTHQ with performances on the occasion of the premiere of The Whores Feast. Filmed over a shared dinner with organizers and collaborators\, the film reflects on nourishment\, labor\, chosen family\, and the collective practices of care that sustain communities through ongoing precarity. \nRed Canary Song is a grassroots organization of Asian and migrant sex workers and massage workers organizing transnationally. Their work is in the tradition of sex worker mutual aid\, and they center base-building with migrant massage workers through labor rights\, migrant justice\, and abolitionist frameworks. \nFree and open to the public at CTHQ. \nEntry\nCTHQ is located on the 7th Floor of 59 East 4th Street between 2nd and 3rd Avenue in Manhattan. The building entrance has no steps and elevator access is provided directly to CTHQ.\nService animals are welcome. \nRestrooms\nOne ADA accessible\, all-gender restroom is located inside CTHQ.
URL:https://potluckasianamerica.org/event/film-we-keep-us-safe-the-whores-feast-and-feeding-with-red-canary-song-and-collaborators/
LOCATION:Creative Time  (CTHQ)\, 59 E 4th St\, Floor 7\, New York\, NY\, 10003\, United States
CATEGORIES:Film,In Person,Theater
ATTACH;FMTTYPE=image/png:https://potluckasianamerica.org/wp-content/uploads/2026/06/WKUS-3.3-Edit-2000x1000-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261105T200000
DTEND;TZID=America/New_York:20261105T213000
DTSTAMP:20260902T190734Z
CREATED:20260902T190734Z
LAST-MODIFIED:20260902T190734Z
UID:10003278-1793908800-1793914200@potluckasianamerica.org
SUMMARY:Niladri Kumaar 'The Space Between the Notes'
DESCRIPTION:Sitar maestro Niladri Kumaar is hailed as a maverick musician and composer\, a celebrated ambassador\, and an iconic figure in Indian music\, renowned for his compelling and innovative style. Central to his impressive portfolio is his long-running creative partnership with the late Zakir Hussain\, a sitar-tabla dialogue that became one of the most beloved and significant collaborations in contemporary Indian music\, including their sold-out WMI appearance at the Skirball Center in 2022. \nThe Space Between the Notes\, an extraordinary live recording from Mumbai\, India\, captures the only documented full performance of Kumaar and Hussain together. This concert draws from that profound musical and personal bond\, with a repertoire shaped by the spirit\, spontaneity\, and depth of their collaborations. \nNiladri and his electric sitar (zitar) will be joined on stage by Agnelo Fernandes (keys)\, Sambit Chatterjee (drums)\, and Satyajit Talwalkar (tabla) for a program of original compositions and selections closely connected to his work with Zakir Hussain\, bringing their shared repertoire and musical conversation into the present. \nThe COUNTERPOINT series focuses on contemporary artists who push the boundaries of what “world music” can mean in the 21st Century.
URL:https://potluckasianamerica.org/event/niladri-kumaar-the-space-between-the-notes/
LOCATION:New York Society for Ethical Culture – Adler Hall\, 2 West 64 St.\, New York\, NY\, 10023\, United States
CATEGORIES:Concert,Music
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Kumaar-2-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261106
DTEND;VALUE=DATE:20261108
DTSTAMP:20260805T152323Z
CREATED:20260805T152323Z
LAST-MODIFIED:20260805T152323Z
UID:10003007-1793923200-1794095999@potluckasianamerica.org
SUMMARY:The Age is Yours\, My Liege! A Tale of Proto-Japan
DESCRIPTION:CONTEMPORARY DANCE  | INTERNATIONAL PREMIERE \nFriday\, November 6 at 7:30 pm—Followed by a Private Gathering for Artists and Members\nSaturday\, November 7 at 7:30 pm—Followed by an Artist Q&A \nA sudden force in the Asian dance scene\, the sharp choreographic provocateur Reisa Shimojima and her Tokyo-based company KEDAGORO arrive in New York with The Age is Yours\, My Liege! A Tale of Proto-Japan\, a frenzied international premiere hurling you headfirst into an ancient Japanese festival eating itself alive. Known for exhilarating physicality that slices through contemporary events with glee\, Shimojima turns the scalpel inward\, dissecting Japanese national identity and imperial myth as her dancers cycle through a slowly revolving human-sized hamster wheel. Frankenstein-ing together sacred rite\, wartime fervor and primeval festival culture into a lurching carnival of national symbolism\, she takes direct aim at the throne and the nations built to serve it. \nTickets: $51 Nonmembers\, $38 Members
URL:https://potluckasianamerica.org/event/the-age-is-yours-my-liege-a-tale-of-proto-japan/
LOCATION:Japan Society\, 333 East 47th Street\, New York\, NY\, 10017\, United States
CATEGORIES:Dance,Performance
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Japan-Society-Dance-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261107T100000
DTEND;TZID=America/New_York:20261107T140000
DTSTAMP:20261004T151046Z
CREATED:20261004T150852Z
LAST-MODIFIED:20261004T151046Z
UID:10003510-1794045600-1794060000@potluckasianamerica.org
SUMMARY:JAA Grand Bazaar
DESCRIPTION:💝Support JAA and #KonMari your home at the same time!🏠 \nJAA is now accepting donations of gently used clothing and other items for our Annual Grand Bazaar on November 7! Please see flyer for details\, including the hours for drop-off at JAA – the deadline for donations is November 3. \nThis is a major fundraiser for our nonprofit\, with proceeds going towards our programs\, community events\, electricity\, and more! \nAnd swing by on the day of to buy some cool gifts for the holidays!
URL:https://potluckasianamerica.org/event/jaa-grand-bazaar/
LOCATION:Japanese American Association of NY\, 49 West 45th Street\, 5th Flr.\, New York\, NY\, 10036\, United States
CATEGORIES:Fundraiser,Market
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/10/JAA-Bazaar-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261107T130000
DTEND;TZID=America/New_York:20261107T160000
DTSTAMP:20260814T050453Z
CREATED:20260814T044759Z
LAST-MODIFIED:20260814T050453Z
UID:10003085-1794056400-1794067200@potluckasianamerica.org
SUMMARY:Diwali Lights Up Asia Society 2026
DESCRIPTION:Diwali\, often known as the festival of lights\, is celebrated in South Asia\, by Hindus\, Sikhs\, Jains\, and Buddhists. It symbolizes the triumph of light over darkness\, knowledge over ignorance\, and hope over despair. \nDiwali returns to Asia Society with a colorful\, fun-filled\, and multi-sensorial afternoon\, presented in collaboration with The Culture Tree. \nJoin us on November 7\, 2026\, 1 – 4 p.m.\, to celebrate good fortune\, family\, and friendships. Enjoy music and dance performances\, storytelling\, and hands-on arts and crafts inspired by the holiday. \nMake sure to check out our special Diwali menu at Asia Society’s Leo Cafe for the occasion. \n\nSchedule\nSchedule subject to change. Watch this space for schedule updates. \nThis year’s Diwali celebration features dance and music performances in Asia Society’s Visitor Center\, Auditorium as well as arts and crafts and storytelling on the Eighth Floor. \nAuditorium\n1 p.m. Introduction to Diwali \n1.15 p.m. Express Yourself through Indian Dance: Learn the languages of Bharatnatyam and Kathak! \n2:15 p.m. Interactive Puppet Shows: Stories of Diwali \n3:15 p.m.  Express Yourself through Indian Dance: Learn the Ghoomar and Bhangra dance forms for a fun-filled Diwali dance party! \nVisitor Center/First Floor Lobby\n“Meet and Greet” with Lord Ganesh \nCome check out the statue of the Indian god Ganesh at Asia Society\, and read about his symbolism in Indian culture and significance during Diwali. \nEighth Floor\n1 – 4 p.m. Arts and Crafts\, Sweets and Storytelling \nMake your own Diya: During Diwali\, people light small clay lamps called diyas to symbolize the light of knowledge and goodness. Make and decorate your own clay diya to put by your window at night. \nDiwali Jewelry and Key Chains: Make Diwali-inspired jewelry and keychain charms. \nHenna Tattoos: Come and get elaborate temporary tattoos on your hands. \nDiwali Mithai Decoration: Learn about mithai\, Indian sweets which are integral to Diwali. Decorate your mithai and then eat it. \nDiwali Library and Mask Making: Learn more about the stories of Diwali through an interactive storytime session\, and make your own Diwali mask!
URL:https://potluckasianamerica.org/event/diwali-lights-up-asia-society-2026/
LOCATION:Asia Society\, 725 Park Avenue\, New York\, NY\, 10021
CATEGORIES:Dance,Family Day,Festival,Performance
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Diwali_2023_105.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261107T130000
DTEND;TZID=America/New_York:20261107T190000
DTSTAMP:20260926T220603Z
CREATED:20260926T220008Z
LAST-MODIFIED:20260926T220603Z
UID:10003424-1794056400-1794078000@potluckasianamerica.org
SUMMARY:Champloo: An Okinawa Identity Symposium
DESCRIPTION:Champloo: An Okinawa Identity Symposium \nWhat does it mean to be Okinawan today?\nFor generations\, Okinawans have carried our history\, culture\, language\, traditions\, and stories across oceans and borders. In New York\, the North East\, throughout North America\, and across the globe that heritage continues to evolve. We are building communities that honor where we come from while asking important questions about where we are going.\nThis November\, the Okinawan American Association of New York (OAANY) is creating a space for those conversations.\nOn Saturday\, November 7\, 2026\, we will host our inaugural event\, “Champloo: An Okinawan Identity Symposium\,” at New York University. Champloo—a word associated with mixing and bringing things together—captures the spirit of what we hope this gathering will be: different generations\, perspectives\, experiences\, and expressions of Okinawan identity coming together in one room.\nThe day will feature a keynote address\, four moderated panels\, cultural performance\, dinner\, and opportunities for community members to connect and build relationships. Our conversations will explore topics ranging from Okinawan identity across borders and the role of Kenjinkai\, to reclaiming Ryukyuan history and imagining the future of Okinawan spaces and diaspora communities.\nAs we look toward the 2027 Uchinaanchu Taikai\, we see an especially meaningful opportunity to strengthen connections between Okinawa and the global Uchinanchu diaspora. Champloo is one small but important step in that direction.
URL:https://potluckasianamerica.org/event/champloo-an-okinawa-identity-symposium/
LOCATION:Kimmel Center for University Life\, 60 Washington Square South\, New York\, NY\, 10012\, United States
CATEGORIES:Discussion
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/f0331b0eadb0c33d53dfc2f91ab49c9b.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261107T140000
DTEND;TZID=America/New_York:20261107T170000
DTSTAMP:20260928T180813Z
CREATED:20260928T180810Z
LAST-MODIFIED:20260928T180813Z
UID:10003491-1794060000-1794070800@potluckasianamerica.org
SUMMARY:Mahjong Parlor Market
DESCRIPTION:｡°✩ SPECIAL ANNOUNCEMENT ⋆｡°✩\nMahjong Parlor is turning 1 in November!!! 🎂 💫 \nCome celebrate with us at our anniversary market: with vintage clothes\, goods from local artists\, food from @long__pang and @frumpygrain \, and ofc MAHJONG!!! \nThe market is free with RSVP ~ come browse\, eat\, and hang out 💗 Want to play? Grab a ticket for an hourly mahjong slot! We’re doing time slots to keep the tiles moving and give everyone more time to play. \nAll levels are welcome\, and we’ll group tables by experience. A little heads-up for first-timers: we’ll have teachers floating around to help\, but this won’t be a full lesson like our usual events. Bring a friend who knows the game or watch a quick tutorial before you come. Can’t wait to see you at the table and celebrate together 🌟🪽Mahjong Parlor
URL:https://potluckasianamerica.org/event/mahjong-parlor-market/
LOCATION:Welcome to Chinatown\, 115 Bowery\, New York\, NY\, 10002\, United States
CATEGORIES:Games,Market
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/WTC-Mahjong-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261108T130000
DTEND;TZID=America/New_York:20261108T150000
DTSTAMP:20260820T140437Z
CREATED:20260820T140437Z
LAST-MODIFIED:20260820T140437Z
UID:10003153-1794142800-1794150000@potluckasianamerica.org
SUMMARY:Big Three Bon Odori Workshops in Japanese
DESCRIPTION:NISHIMONAI BON ODORI (Akita Prefecture)\n\nNishimonai Bon Odori is a traditional Bon dance with a history of approximately 700 years\, and it was registered as a UNESCO Intangible Cultural Heritage in 2020. \nAkita Prefecture\, located in the northern part of Japan\, is well known throughout the country for producing delicious rice and sake. Because Akita faces the Sea of Japan\, it had historical connections with Kyoto through maritime trade and travel. For this reason\, it is said that even in Akita\, far from Kyoto\, people were once able to hear the Kyoto dialect. The refined style and elegant movements of Nishimonai Bon Odori suggest that it may have been influenced by Kyoto culture. \nAlthough the dance consists of only two songs\, the choreography is considered somewhat more challenging compared with Bon Odori dances from other regions. The two songs of Nishimonai Bon Odori are highly unique pieces sung in the Akita dialect. They resemble what we might call rap music today\, as the lyrics can reflect current events and allow singers the freedom to create their own verses. \nThe contrast between the graceful\, delicate movements of the dance and the uniquely cheerful melodies of the songs makes Nishimonai Bon Odori a truly one-of-a-kind Bon dance. \nMany Japanese people have the image that Bon Odori is a dance that anyone can join. However\, in some regions of Japan\, there are traditional dances where participants are expected to know the movements correctly and wear appropriate attire before joining the dance circle. Nishimonai Bon Odori is one of these dances. \nAs a result\, during the three days from August 16 to August 18\, the small village of Nishimonai\, with a population of approximately 1\,500 people\, becomes crowded with tens of thousands of visitors who come to experience this unique Bon Odori tradition. \n\n\nGUJO ODORI (Gifu Prefecture) \nGujo Odori is a traditional Bon dance from Gifu Prefecture\, located almost at the center of Japan. With a history of approximately 400 years\, Gujo Odori was also registered as a UNESCO Intangible Cultural Heritage in 2020. \nAmong the three Bon Odori traditions introduced here\, Gujo Odori is the most welcoming and accessible. Anyone can join the dance circle and participate. Although wearing a yukata is the traditional attire\, there are no strict rules about what people must wear in order to dance. \nGujo Odori consists of 10 different dances. One of the greatest joys of Gujo Odori is learning and dancing all of these dances. The songs are based on the local landscape\, customs\, and stories passed down through generations\, and some are even performed a cappella\, creating a deeply atmospheric and beautiful musical experience. \nDancers wear wooden geta sandals while dancing\, creating the distinctive “karan-koron” sound of the wooden soles. This sound is considered an essential part of the music of Gujo Odori itself. \nIn Gujo City\, during the two summer months of the festival season\, Bon Odori is held almost every day somewhere in the city\, creating an atmosphere filled with energy and excitement. The dances take place continuously in locations such as the main streets of Gujo and the plaza in front of the former mayor’s residence. On weekends\, there are special “Tetsuya Odori” (all-night dances)\, where people continue dancing until dawn. \nBecause Gujo Odori is a joyful and welcoming dance that anyone can enjoy\, it has many fans throughout Japan. During these two summer months\, visitors from across the country travel to Gujo City to experience and participate in this unique Bon Odori tradition. \n\n\nAWA ODORI (Tokushima Prefecture) \nAwa Odori is a traditional Bon dance from Tokushima Prefecture\, located on the island of Shikoku in western Japan. It is considered one of the most popular summer Bon Odori festivals in Japan. \nAwa Odori has a history of several hundred years\, although the current style and form of the dance were established approximately 60 years ago. From August 12 to August 16\, during the four-day festival period\, it is said that around one million people gather in Tokushima Prefecture to experience this spectacular event. \nUnlike some Bon Odori traditions where individuals simply join the dance circle\, Awa Odori is performed by organized groups called “Ren.” Dancers join a Ren and perform together as a group. Because the dancers must move in harmony\, there are detailed rules and extensive practice required to master the choreography. It is said that there are more than 1\,000 Ren groups throughout Japan. \nTokushima Prefecture is famous for its indigo dye production. Several hundred years ago\, many wealthy merchants in the region made their fortunes through the indigo trade\, and some were even ranked among the wealthiest people in Japan. Merchants traveled throughout the country for business and were influenced by the music they encountered in different regions. By incorporating the best elements of these musical traditions\, they created new rhythms and songs that became a great success. The image of people dancing with their hands raised was even captured in ukiyo-e (traditional Japanese woodblock prints). \nOriginally\, Tokushima Prefecture consisted of many small islands located close together\, connected by bridges that allowed people to travel between communities. While Bon Odori is traditionally danced in a circle\, these small islands did not have many open spaces for large dance circles. It is believed that people began dancing along the roads instead. This history is reflected in Awa Odori’s unique style as a one-directional dance\, which is unusual among Bon Odori traditions and makes it especially suitable for parade-style festivals. \nWith both hands raised and dancers moving to its lively rhythm\, Awa Odori is a joyful and energetic dance that brings people together through music and movement.
URL:https://potluckasianamerica.org/event/big-three-bon-odori-workshops-in-japanese/
LOCATION:130 West 56 St.\, 130 West 56 St.\, 5th Floor\, New York\, United States
CATEGORIES:Dance
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Bon-Odori-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261109
DTEND;VALUE=DATE:20261115
DTSTAMP:20261009T015334Z
CREATED:20261009T015334Z
LAST-MODIFIED:20261009T015334Z
UID:10003531-1794182400-1794700799@potluckasianamerica.org
SUMMARY:Learning to Speak
DESCRIPTION:How do you connect with your parents when they don’t speak English and you’re not fluent in their Chinese languages? For Annie\, through a family secret. \nWhen Annie learns she’s related to Vincent Chin\, a man whose 1982 Detroit murder started an Asian American movement\, she seeks out the story\, wanting to make something of her family’s legacy. Just as Annie is building the life of teaching and activism she wants\, her parents threaten never to talk to her again. \nIn this storytelling show based on a memoir-in-progress\, Annie Tan (NPR’s The Moth Radio Hour\, PBS’ Stories From The Stage\, RISK!) explores what it really means to communicate– maybe in English\, Spanish\, Mandarin\, or Annie’s home languages of Cantonese and Toisan– and make change. \nShow Times: 11/9 @ 7PM\, 11/14 @ 5PM
URL:https://potluckasianamerica.org/event/learning-to-speak/
LOCATION:Under St Marks Theater\, 94 St Mark's Place\, New York\, NY\, 10009\, United States
CATEGORIES:Performance
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/10/Learning-to-Speak-copy.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261109T180000
DTEND;TZID=America/New_York:20261109T193000
DTSTAMP:20260929T232019Z
CREATED:20260929T232019Z
LAST-MODIFIED:20260929T232019Z
UID:10003506-1794247200-1794252600@potluckasianamerica.org
SUMMARY:Writing Workshop: "What America Means to Me"
DESCRIPTION:“What America Means to Me\,” an informal writing workshop with author Ed Lin. Bring something to write with\, either a pad of paper or a phone or laptop. We’ll explore using our words for creative nonfiction\, poetry\, and fiction. Sharing is encouraged\, but not necessary. \nEd Lin is the first author to win three Asian American Literary Awards\, and is currently interim executive director of the Asian American Writers’ Workshop. His latest book\, the mystery “The Dead Can’t Make a Living\,” was published in April by Soho Crime. \nRSVP to Ed Lin at elin@aaww.org \nManhattan location shared after registration.
URL:https://potluckasianamerica.org/event/writing-workshop-what-america-means-to-me-2/
LOCATION:NY
CATEGORIES:Workshop,Writing
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Ed-Lin.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261109T190000
DTEND;TZID=America/New_York:20261109T203000
DTSTAMP:20260821T141616Z
CREATED:20260821T141459Z
LAST-MODIFIED:20260821T141616Z
UID:10003178-1794250800-1794256200@potluckasianamerica.org
SUMMARY:OPEN LAB | Dancing Stillness and Silence with Yuki Kawahisa
DESCRIPTION:2026 AiR Yuki Kawahisa presents her second movement workshop that examines the beauty and narrative potential of stillness and silence. \n\n\n2026 AiR Yuki Kawahisa presents the second iteration of a participatory movement workshop that examines the beauty and narrative potential of stillness and silence. Incorporating elements of Noh Theater\, Butoh\, Noguchi Taiso\, Tai Chi\, movement improvisation and clowning\, Kawahisa will engage participants in inclusive communication around movement and disability\, challenging perceived limitations around “normal” movement in performance. \nParticipants with disabilities\, mobility-limitations\, and no prior dance experience are encouraged to register. \nBoth new and returning participants are welcome! \nCPR is a fully ADA-compliant and accessible venue with two single occupancy\, all gender restrooms and one wheelchair-accessible restroom. \nABOUT THE ARTIST \nYuki Kawahisa\, a native of Japan\, based in New York for over two decades now\, is a proud immigrant who earned the US Permanent Residency status through her work achievement in the field of performing arts. As an actor\, performing artist\, theatre creator\, she has written/directed/choreographed her own theatrical work and has collaborated and devised pieces with others. Kawahisa works across disciplines with various artists\, companies in New York and internationally. \nEverything she creates is somewhat influenced by her Japanese origin\, the beauty and richness of the culture\, its esthetics\, language\, literature\, traditions (and the coquettish\, Kawaii culture also). Training background include: Noh (Kita style\, Tokyo)\, Clowning (Sue Morrison)\, Balinese/Mask dance (Bali\, Indonesia)\, Noguchi Taiso (Mari Osanai) and Butoh with numerous Japanese masters. \nShe often creates peculiar\, darkly humorous and absurdly comical movement pieces with texts. She sees great beauty in stillness and silence. She dances still and tells stories with silence. And those are her uniqueness and strength\, her signature style. Her work is a reflection of herself\, closely intertwined to her identity as a minority/immigrant/woman living abroad. She creates to give herself a voice and the strength to voice it and be heard. \nOPEN LAB is a series that encompasses theoretical and practical discussions\, movement research\, and workshops open to the public that invite practice-based inquiry and creative exchange of ideas.
URL:https://potluckasianamerica.org/event/open-lab-dancing-stillness-and-silence-with-yuki-kawahisa/
LOCATION:CPR – Center for Performance Research\, 361 Manhattan Avenue\, Brooklyn\, NY\, 11211\, United States
CATEGORIES:Dance,Workshop
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/99c088f53f1078e868c85217c3916fd2.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261110T180000
DTEND;TZID=America/New_York:20261110T203000
DTSTAMP:20260926T225909Z
CREATED:20260926T225553Z
LAST-MODIFIED:20260926T225909Z
UID:10003436-1794333600-1794342600@potluckasianamerica.org
SUMMARY:PHD's & Pints: How did Korean music take over the world?
DESCRIPTION:This is not a dry academic talk. Expect storytelling\, humor\, surprising insights\, and plenty of “wait… that’s actually true” moments. \n\nHow Did Korean Music Take Over the World? \nFrom BTS and BLACKPINK to KPop Demon Hunters\, Korean music has become nearly impossible to ignore.\nBut K-pop didn’t appear out of nowhere.\nFor the next PHDs & Pints\, join Dr. Matthew Jihoon Pellegrino\, an award-winning composer\, Fulbright researcher\, and music educator at NYU Steinhardt\, for a journey through the sounds\, history\, and cultural forces that helped Korean music become a global phenomenon.\nMatthew’s research sits at a fascinating intersection of traditional Korean music\, Western musical influence\, and modern K-pop. After receiving a Fulbright Research Grant\, he conducted doctoral research in South Korea and has since composed music combining traditional Korean melodies and instruments with Western classical traditions. Today\, his research and teaching also examine the musical trends shaping contemporary K-pop.\nSo what actually makes K-pop sound like K-pop?We’ll explore how Korean music evolved across generations\, how Korean and Western musical traditions collided and influenced one another\, and how today’s artists turned that history into one of the world’s most powerful cultural exports.\nWe’ll get into questions like: What makes K-pop musically different from American pop? How much of its sound comes from Korea—and how much comes from abroad? Why has Korean music connected so strongly with audiences who don’t speak Korean? How did music\, fandom\, technology\, and cultural identity come together at exactly the right moment? And what happens to “K-pop” once it becomes simply… pop?\nExpect music\, history\, cultural analysis\, and plenty of songs you’ll recognize along the way.No music theory knowledge or K-pop obsession required. Whether you can name every member of BTS or couldn’t name a single one\, you’ll leave understanding a lot more about how a country roughly the size of Indiana became one of the most influential forces in global pop culture.\nNovember 10 | 6:30 PM\nSugar Mouse NYC — 47 3rd Ave\, New York\, NY 10003\n🎟️ FREE RSVP🍻 Drinks • Games • Live Discussion\nPHDs & Pints — Where academia meets nightlife.
URL:https://potluckasianamerica.org/event/phds-pints-how-did-korean-music-take-over-the-world/
LOCATION:Sugar Mouse NYC\, 47 3rd Avenue\, New York\, NY\, 10003\, United States
CATEGORIES:Discussion,Music
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/fb146ac9ef39de82025417d2b9242774.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261110T190000
DTEND;TZID=America/New_York:20261110T200000
DTSTAMP:20260927T210622Z
CREATED:20260927T004418Z
LAST-MODIFIED:20260927T210622Z
UID:10003444-1794337200-1794340800@potluckasianamerica.org
SUMMARY:An Interview with Mieko Kawakami: An Owl Takes Flight at Dawn
DESCRIPTION:Mieko Kawakami is one of the most critically acclaimed contemporary authors on the planet and perhaps the foremost contemporary female author hailing from Japan. Born in Osaka\, Kawakami made her literary debut as a poet and published her first novella\, My Ego\, My Teeth\, and the World\, in 2007. Her books\, translated into over 40 languages\, are known for their poetic qualities\, insights into the female body\, and an immersion into the themes of ethics and modern society. Starting with her win of the Akutagawa Prize for Chichi to Ran and later with the International Booker Prize for Heaven and the National Book Critics Circle Award for All the Lovers in the Night\, she has broken major domestic and international barriers\, all while championing feminism through her work and life. Kawakami’s further works include Breasts and Eggs and Sisters in Yellow. \nMieko Kawakami will appear live at Japan Society conversation with Professor Amanda Seaman. This conversation will go through her career with an in-depth discussion of her major themes and books. It will be followed by a signing with the author. \nBook Signing \nAttendees of Japan Society’s Mieko Kawakami talk will be able to purchase copies of her books at the event or bring books from home for a signing session following the author’s talk. \nMieko Kawakami\nMieko Kawakami is the acclaimed author of the internationally best-selling novel Breasts and Eggs\, a New York Times Notable Book of the Year and one of Time’s Best 10 Books of 2020. Her other novels\, translated by Sam Bett and David Boyd\, include Heaven\, shortlisted for the 2022 International Booker Prize\, and All the Lovers in the Night\, a finalist for the 2023 National Book Critics Circle Award for fiction. In 2024\, Sisters in Yellow\, which was translated by Laurel Taylor and Hitomi Yoshio\, won the Yomiuri Prize for Literature. Kawakami’s books\, translated into over 40 languages\, are known for their insights into the female body\, and philosophical questions surrounding gender\, class\, and ethics in modern society. Born in Osaka\, Kawakami lives in Tokyo\, Japan. \nHitomi Yoshio\nHitomi Yoshio is the translator of Natsuko Imamura’s This Is Amiko\, Do You Copy? (Pushkin Press) and co-translator of Mieko Kawakami’s Ashes of Spring (Amazon Audible) and Sisters in Yellow (Knopf). Her short story translations have appeared in Granta\, The Atlantic\, Freeman’s\, Words without Borders\, Monkey\, World Literature Today\, the Penguin Book of Japanese Short Stories\, and the Penguin Book of the International Short Story. She received her PhD in Japanese literature from Columbia University\, and is professor of Global Japanese Studies at Waseda University in Tokyo.
URL:https://potluckasianamerica.org/event/an-interview-with-mieko-kawakami-an-owl-takes-flight-at-dawn/
LOCATION:Japan Society\, 333 East 47th Street\, New York\, NY\, 10017\, United States
CATEGORIES:Book,Discussion
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Meiko-2-copy.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20261111
DTEND;VALUE=DATE:20261112
DTSTAMP:20260901T013024Z
CREATED:20260331T154723Z
LAST-MODIFIED:20260901T013024Z
UID:10002465-1794355200-1794441599@potluckasianamerica.org
SUMMARY:National Invitation to Families of Chinese American WWII Veterans
DESCRIPTION:Commemorate the legacy of the Chinese American WWII veteran in your family as we celebrate America’s 250″ birthday together. \nMarch with a 20×30 photo board of the veteran from your family in the 2026 NYC Veterans Day Parade. \nHonor the 20\,000 Chinese American WWII veterans that served with loyalty and distinction. \nChinese American History is American History. \nRegistration is required to participate. \n \nFollow us: Legacy of Honor and Courage on Facebook and Instagram \nEmail us to learn more: TheLegacyOfHonor@gmail.com
URL:https://potluckasianamerica.org/event/national-invitation-to-families-of-chinese-american-wwii/
LOCATION:NY
CATEGORIES:Parade
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/03/2026-Official-Flyer.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261112T183000
DTEND;TZID=America/New_York:20261112T193000
DTSTAMP:20260911T212651Z
CREATED:20260911T212651Z
LAST-MODIFIED:20260911T212651Z
UID:10003342-1794508200-1794511800@potluckasianamerica.org
SUMMARY:Maya Lin on Art\, Nature\, and Memory
DESCRIPTION:Join us at Asia Society’s New York headquarters for a special evening featuring renowned artist and architectural designer Maya Lin. As part of our 70th-anniversary milestone series\, she will share her perspectives on how creative practice engages with memory\, landscape\, and the natural environment. The discussion will explore how art\, architectural design\, and environmental thinking foster reflection\, responsibility\, and a deeper sense of connection across cultures and generations. \nSpeaker: \nMaya Lin is a visionary artist who has created a remarkable and complex body of work\, encompassing sculpture\, architecture\, and memorials\, that have explored our history and culture\, our relationship with the natural environment\, and the passage of time. \nFrom her very first work\, the Vietnam Veterans Memorial in Washington D.C. – which she designed when she was a 21-year-old undergraduate student at Yale\, she has forged a unique and highly acclaimed path practicing in both architecture and art\, whilst still maintaining her memory works – five memorials that have focused on some of the critical issues of our time\, that have been groundbreaking in their design. \nArchitectural works such as Novartis Cambridge Campus and the Nielsen Library for Smith College as well as a performing arts lab center for Bard College\, are exemplary for their design\, sustainability\, sensitivity to the environment\, and their deeply human spaces. Her artworks have created a unique voice in large scale environmental earthworks and her studio sculptures are in the collections of the Metropolitan Museum of Art\, the Whitney Museum and the National Gallery of Art amongst others. Most recently “Seeing Through the Universe”\, two sculptural fountains were unveiled at the Obama Presidential Center in Chicago. \nSeen as a whole\, Lin’s body of work is a remarkable achievement. To have achieved consistent success and renown in three distinct disciplines – art\, architecture\, and the creation of memorials – is extremely rare; to have done so as a woman and as the child of immigrants\, in fields still overwhelmingly dominated by male practitioners\, is unparalleled. \nLin’s achievements have been widely recognized. She was one of the youngest women to be inducted into the Women’s Hall of Fame\, and she has been elected to membership in both the American Academy of Arts and Letters and the American Academy of Arts and Sciences. She has been profiled in TIME\, The New York Times Magazine and The New Yorker\, among many other outlets. Freida Lee Mock’s 1996 documentary about her\, Maya Lin: A Strong Clear Vision\, won the Academy Award for Best Documentary. In 2009\, she was awarded the National Medal of Arts\, the nation’s highest honor for artistic excellence\, and in 2016\, President Barack Obama awarded her the nation’s highest civilian honor\, the Presidential Medal of Freedom\, praising her for a celebrated career in both art and architecture\, and for creating a sacred place of healing in our nation’s capital. \nTickets: $20 Members\, $30 Nonmembers. Students and Seniors: Use coupon SENSTU at check out.
URL:https://potluckasianamerica.org/event/maya-lin-on-art-nature-and-memory/
LOCATION:Asia Society\, 725 Park Avenue\, New York\, NY\, 10021
CATEGORIES:Art,Discussion
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Maya-Lin-copy.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261112T183000
DTEND;TZID=America/New_York:20261112T203000
DTSTAMP:20260927T015048Z
CREATED:20260927T015048Z
LAST-MODIFIED:20260927T015048Z
UID:10003449-1794508200-1794515400@potluckasianamerica.org
SUMMARY:Chinese Arts Workshop Series: Sip & Brush – Calligraphy
DESCRIPTION:Inspired by MOCA’s special exhibition Ed Young’s Bright Worlds\, the Chinese Arts Workshop Series at the Museum of Chinese in America (MOCA) invites participants to explore traditional and contemporary Chinese art through creative practice. This fall\, discover the cultural histories\, philosophies\, and stories behind Chinese art forms in a welcoming space for learning\, experimentation\, and connection. \nThe series opens with two evenings of Chinese calligraphy led by Teaching Artist Yu Rong. In a relaxed\, social studio setting\, participants will learn foundational brush techniques and create characters and compositions inspired by autumn. They will also have the opportunity to practice writing their names in Chinese calligraphy\, with personalized guidance from the artist. \nAll materials are provided. Just bring your curiosity and enjoy an evening of artistic exploration at MOCA. You’ll leave with your own calligraphy artwork\, new creative skills\, and a deeper appreciation of Chinese artistic traditions. \nRegistration Notes \nPlease register using your full name and include your Chinese name if you have one. If you do not have a Chinese name\, the artist will prepare a phonetic rendering of your name in Chinese characters. Please also register at least one week before the workshop date to give the artist time to prepare personalized writing instructions. All art supplies\, including Chinese calligraphy brushes and ink\, are included. \nAbout Yu Rong \nYu Rong is a New York–based multimedia artist and educator whose practice blends Eastern and Western art traditions. She works across painting\, printmaking\, ceramics\, digital art\, and fiber arts\, with exhibitions at Milan Design Week\, London Design Fair\, Prague Design Week\, Ceres Gallery\, and ARC Gallery. Yu holds a BFA from Parsons School of Design and an MFA from the New York Studio School. As a teaching artist at the Museum of Chinese in America and a workshop leader for organizations such as Microsoft\, Google\, and Columbia University\, she fosters creativity\, cultural exchange\, and well-being through art. Learn more at www.yurong.work and @yurong.work
URL:https://potluckasianamerica.org/event/chinese-arts-workshop-series-sip-brush-calligraphy-2/
LOCATION:Museum of Chinese in America (MOCA)\, 215 Centre Street\, New York\, NY\, 10013\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Chinese-Arts-Workshop-copy.jpg
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