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DTSTART;TZID=America/New_York:20260919T160000
DTEND;TZID=America/New_York:20261031T000000
DTSTAMP:20260514T035110Z
CREATED:20260514T035110Z
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SUMMARY:Queens Night Market
DESCRIPTION:The Queens Night Market is a large\, family-friendly open-air night market in Queens\, featuring over 100 independent vendors selling merchandise\, art\, and food and featuring small-scale cultural performances\, all celebrating the rich cultural diversity and heritage of NYC and Queens. \nEvery Saturday from  4pm to midnight \nApril.18 to  August 22  and  September 19 to October 31. 2026 \nWe’re located behind the New York Hall of Science in Flushing Meadow Corona Park in Queens NYC \n 
URL:https://potluckasianamerica.org/event/queens-night-market-3/
LOCATION:New York Hall of Science\, 47-01 111th St\, Corona\, NY\, 11368\, United States
CATEGORIES:In Person,Night Market
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260926
DTEND;VALUE=DATE:20261102
DTSTAMP:20260927T172328Z
CREATED:20260927T172328Z
LAST-MODIFIED:20260927T172328Z
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SUMMARY:Moving Rasa Discovery Cards Inside/Outside
DESCRIPTION:Move what’s inside\, outside. Move what’s outside\, inside. \nWhat happens when something you’re carrying inside—a feeling\, question\, image\, memory\, impulse—gets to take shape in the world around you? \nAnd what happens when the world answers back? \nOver six gatherings\, we’ll use the Moving Rasa Discovery Cards to improvise between our inner and outer worlds. We might climb onto something\, lean into another person\, follow the shape of a tree\, move with a wall\, let a card change our attention\, or allow an unexpected impulse to lead somewhere new. \nWe’ll work with group improvisation\, contact\, imagination\, questions\, and the environments we enter. Some gatherings will happen indoors. Others will take us outside into different NYC places. Each environment becomes part of what we discover. \nThere is no movement to get right and no fixed meaning to find in a card. We’ll notice what emerges through the relationships we make—with ourselves\, one another\, the cards\, and the places around us. \nLocation:\nReal World Sculptures: Norman A Rockefellar Park\nRiver Terrace and\, Chambers St\nNew York City\, NY 10282
URL:https://potluckasianamerica.org/event/moving-rasa-discovery-cards-inside-outside/
LOCATION:NY
CATEGORIES:Dance
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260926
DTEND;VALUE=DATE:20270208
DTSTAMP:20260924T203746Z
CREATED:20260924T203746Z
LAST-MODIFIED:20260924T203746Z
UID:10003408-1790380800-1802044799@potluckasianamerica.org
SUMMARY:Yoshitaka Amano: Origins at the American Academy of Arts and Letters
DESCRIPTION:Yoshitaka Amano (b. 1952\, Shizuoka\, Japan) creates worlds. It’s something he’s done since he was fifteen\, when he moved to Tokyo and began working as a character designer for an anime studio. There\, drawing was always an act of translation. His task was to convert narrative into illustrated concepts\, drawings that would become the connective tissue of a fictional universe. Throughout his career as an independent artist and as a character designer for storied anime and video game franchises\, such as Final Fantasy and Vampire Hunter D\, drawing has always been a way of describing the porousness between the real and the fantastic. “I want to depict a world I myself have never seen\,” Amano says of the feeling from which his work begins. \nOrigins 始源 takes up Amano’s interest in primordial beginnings. Over the last few years\, Amano has been absorbed in Greek and Shinto mythology\, making drawings of the characters that animate these stories. Here\, he presents Pandora\, a series of drawings of the Greek myth of the first mortal woman; they circle the gallery like an ancient frieze\, or the storyboards for an animation. Alongside these works\, a selection of illustrations\, animation\, and popular materials from the 1980s and ’90s\, including the anime film Angel’s Egg and sensual depictions of The Tale of Genji\, is presented in our library. In all the stories Amano is drawn to\, origins are an eternal structure\, a threshold where being emerges. For him\, that threshold is the page; his figures seem to move and drift across its surface\, entering into worlds that exist beyond our lived reality. \nThis exhibition\, Amano’s first institutional solo show in New York\, offers a chance to encounter an artist whose drawings continue to have extended lives in the world around us. Right now\, more likely than not\, you could find them appearing on someone’s gaming console as they play Final Fantasy and livestream it to Twitch; on a Gatchaman Uniqlo tee worn in the streets of Tokyo; or even on an iPhone as someone watches Angel’s Egg on the subway\, in bed\, or really anywhere streaming is available. \nArts and Letters commissioned an essay\, Shining Genji\, by Sean Thor Conroe\, which accompanies the exhibition as part of our Reader series.
URL:https://potluckasianamerica.org/event/yoshitaka-amano-origins-at-the-american-academy-of-arts-and-letters/
LOCATION:American Academy of Arts and Letters\, Audubon Terrace\, New York\, NY\, 10032\, United States
CATEGORIES:Art,Art Exhibit
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20261002
DTEND;VALUE=DATE:20261107
DTSTAMP:20260902T204709Z
CREATED:20260902T204709Z
LAST-MODIFIED:20260902T204709Z
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SUMMARY:MOCA PERFORMS – Echoes of Arrival: Becoming
DESCRIPTION:Immigration is never a single arrival but an ongoing process of becoming. Beyond legal status and paperwork\, immigrants navigate displacement\, alienation\, adaptation\, and the long\, sometimes complicated journey toward belonging. What did you have to learn to survive and build a life in the United States? What did you choose to carry with you from the culture you came from? What was lost in translation? And what new part of yourself emerged along the way? \nEchoes of Arrival returns to the Museum of Chinese in America for a new iteration\, Becoming. Through a collection of personal stories\, the ensemble explores the many ways immigrants remake themselves while making a life in a new country. These stories of change\, resilience\, loss\, discovery\, and belonging illuminate how immigration does not simply transform individuals. It continues to shape the rich and ever-evolving cultural fabric of the United States. \nCREATIVE TEAM\nConceived by Dennis Yueh-Yeh Li\nDevised & Performed by Shan Y. Chuang\, Nikkiesha N. McLeod\, Timmy Ong\, Pascal Phoa\, Jeremy Rafal\, Nedelka Sotelo\, Fang Tseng\n  \nPERFORMANCE SCHEDULE\nFriday 10/2\nShan Y. Chuang\, Nikkiesha N. McLeod\, Pascal Phoa\, Jeremy Rafal\, Fang Tseng\nThursday 10/8\nShan Y. Chuang\, Timmy Ong\, Pascal Phoa\, Jeremy Rafal\, Fang Tseng\nFriday 10/16\nShan Y. Chuang\, Timmy Ong\, Pascal Phoa\, Jeremy Rafal\, Nedelka Sotelo\nThursday 10/22\nShan Y. Chuang\, Nikkiesha N. McLeod\, Timmy Ong\, Nedelka Sotelo\, Fang Tseng\nFriday 11/6\nNikkiesha N. McLeod\, Timmy Ong\, Jeremy Rafal\, Nedelka Sotelo\, Fang Tseng
URL:https://potluckasianamerica.org/event/moca-performs-echoes-of-arrival-becoming/
LOCATION:Museum of Chinese in America (MOCA)\, 215 Centre Street\, New York\, NY\, 10013\, United States
CATEGORIES:Music
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20261003
DTEND;VALUE=DATE:20270201
DTSTAMP:20260821T183629Z
CREATED:20260821T183629Z
LAST-MODIFIED:20260821T183629Z
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SUMMARY:Art of Manga
DESCRIPTION:Be drawn into the world of manga.\nArt of Manga is the first major exhibition in the Americas to explore manga—Japanese comics and graphic novels—as an art form. Marking its East Coast debut\, the Brooklyn Museum’s presentation is packed with more than 600 drawings that showcase manga’s immersive power and social impact. Don’t miss this rare opportunity for US audiences to encounter an astonishing selection of original manga artworks\, including examples from beloved series Inuyasha\, JoJo’s Bizarre Adventure\, Ōoku: The Inner Chambers\, ONE PIECE\, and many more. \nA global phenomenon\, manga is driven by those who design\, draw\, and very often author the stories that define the medium. Discover influential manga artists\, or mangaka\, and their distinct approaches to storytelling. Through compelling narratives and captivating imagery\, each mangaka’s work invents a universe that may be familiar or supernatural\, historical or futuristic\, contemplative or action-packed. These tales address universal themes such as coming of age\, tapping into hidden strengths\, and finding beauty in the ordinary—as well as contemporary issues such as environmentalism\, gender roles\, LGBTQ+ rights\, and socioeconomic inequality. Whether you enter as an otaku or a novice\, you’ll leave Art of Manga fluent in this vital medium. \nGo all-access with “Art of Manga.” The Manga Fan Pass gives one adult and one guest unlimited entry throughout the exhibition’s run—plus a slew of other perks especially for manga fans. \nThe $75 pass includes… \n⚫ Unlimited entry for you and a guest to “Art of Manga” (subject to availability) as well as general admission to Museum galleries \n⚫ Invites to Member Previews and select Member Evenings for “Art of Manga” \n⚫ Exclusive presale access to “Art of Manga” public programs \n⚫ 10% discount at the Café and Museum Shop (excluding gashapon machines) \n⚫ A collectible badge for you to wear and show off your love of manga (wear your badge each time you return to get a new pin to build your collection!)
URL:https://potluckasianamerica.org/event/art-of-manga/
LOCATION:Brooklyn Museum\, 200 Eastern Parkway\, Brooklyn\, NY\, 11238\, United States
CATEGORIES:Art,Art Exhibit
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20261006
DTEND;VALUE=DATE:20261116
DTSTAMP:20260909T024920Z
CREATED:20260909T023835Z
LAST-MODIFIED:20260909T024920Z
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SUMMARY:King of the Yees
DESCRIPTION:For nearly twenty years\, Larry Yee has been the heart and soul of the Yee Fung Toy Family Association\, a fraternal organization in San Francisco’s iconic Chinatown. But to his daughter Lauren\, a playwright living in New York\, the association is an obsolete relic of a vanishing world. When Larry suddenly disappears\, Lauren sets off on a wild quest to find him\, embarking on a surreal\, magical journey through the history and myths of her own lineage. KING OF THE YEES is a hilarious and heartfelt “kind of true” story by Signature resident artist Lauren Yee\, who turns her incisive comedic eye on what we inherit and what it means to truly be a Yee.  \n \nAbout the Playwright \n \nLAUREN YEE is proud to be a Signature Theatre resident playwright. She is an award-winning playwright\, screenwriter\, and librettist based in New York City. Prior to the pandemic\, Lauren was named by American Theatre as the second-most-produced playwright of that upcoming season. Recent plays include Cambodian Rock Band with music by Dengue Fever (South Coast Rep\, Oregon Shakespeare Festival\, La Jolla Playhouse\, Signature Theatre\, East West Players)\, The Great Leap (Denver Center\, Seattle Rep\, Atlantic Theatre\, Steppenwolf\, American Conservatory Theatre)\, King of the Yees (Goodman Theatre\, Center Theatre Group)\, and Mother Russia (Seattle Rep\, Signature Theatre\, upcoming at Hampstead Theatre\, South Coast Rep\, Trinity Rep). She is writing the book for the musical adaptation of Madeleine L’Engle’s A Wrinkle in Time\, with music and lyrics by Heather Christian. Honors include the Doris Duke Artists Award\, Whiting Award\, Steinberg/ATCA Award\, American Academy of Arts and Letters literature award\, Horton Foote Prize\, Kesselring Prize\, Primus Prize\, a Hodder Fellowship at Princeton\, and the #1 and #2 plays on the 2017 Kilroys List. TV: ”Pachinko” (Apple)\, “Soundtrack” (Netflix)\, “Interior Chinatown” (Hulu)\, “Billions” (Showtime)\, “Clipped” (FX). She’s previously developed pilots for Netflix and Apple and is currently developing TV and feature projects for Netflix and Universal. BA: Yale\, MFA: UCSD. laurenyee.com
URL:https://potluckasianamerica.org/event/king-of-the-yees/
LOCATION:Signature Theatre\, 480 W 42nd St.\, New York\, NY\, 10036\, United States
CATEGORIES:Theater
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20261006
DTEND;VALUE=DATE:20270111
DTSTAMP:20260805T153101Z
CREATED:20260805T153101Z
LAST-MODIFIED:20260805T153101Z
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SUMMARY:Gen’ichirō Inokuma’s NYC Salon
DESCRIPTION:Gen’ichirō Inokuma’s NYC Salon is the first New York solo museum exhibition of the Japanese modern artist Gen’ichirō Inokuma (1902–1993). Organized by Japan Society Gallery in collaboration with the Marugame Genichiro-Inokuma Museum of Contemporary Art (MIMOCA) in Marugame\, Japan\, the exhibition explores Inokuma’s paintings shown at the Willard Gallery and various multimedia works created during his twenty-year residence in NYC (1955–1975). Along with important holdings from MIMOCA\, the exhibition presents Inokuma’s works in the Japan Society collection and the recently discovered Hirose Family Collection. \nInokuma’s Manhattan sojourn was shaped by meaningful connections with the American avant-garde: Jasper Johns\, Mark Rothko\, Robert Rauschenberg\, Alexander Calder\, David Smith\, Isamu Noguchi\, Yoko Ono\, John Cage\, Merce Cunningham\, and many others. Inokuma and his wife\, Fumiko\, also served as a social and cultural bridge between American and visiting Japanese artists and architects\, often hosting gatherings at their New York apartments. The exhibition features photographs\, film footage\, and ephemera documenting these artistic interactions. \nBy illuminating Inokuma’s little-known role in postwar American art history\, NYC Salon brings new insights into New York City’s mid-20th-century art world—both its collaborative artistic atmosphere\, and its vibrant international social scene \nTimed Tickets: $20 Nonmembers\, $15 Students and seniors \nGallery Exhibition Hours\n\nTuesdays-Fridays: 11 am-5 pm\n\n\nSaturdays & Sundays: noon-6 pm\n\n\nFree First Fridays: 5 pm-7 pm*\n\n\n*October 9\, 2026; November 6\, 2026; December 4\, 2026\, January 8\, 2027
URL:https://potluckasianamerica.org/event/genichiro-inokumas-nyc-salon/
LOCATION:Japan Society\, 333 East 47th Street\, New York\, NY\, 10017\, United States
CATEGORIES:Art Exhibit
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261022
DTEND;VALUE=DATE:20270125
DTSTAMP:20260902T205725Z
CREATED:20260902T205725Z
LAST-MODIFIED:20260902T205725Z
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SUMMARY:Hilda Shen: Their Landscapes
DESCRIPTION:Hilda Shen’s Their Landscapes inaugurates Solo Artist Projects (SAP)\, a MOCA initiative dedicated to presenting compelling artistic voices through one-person exhibitions of new work. The Brooklyn-based artist will present an arrangement of recent ceramic sculptures and prints in the museum’s Cheng Gallery. \nShen’s artistic practice is characterized by an inquisitive scrutiny of nature and an instinct for deconstruction. The forms can appear both ancient and futuristic\, naturally occurring and handmade\, undergoing construction and decay. Their details and motifs open up conversations that cut across post-minimalism\, Chinese landscape painting\, and architectural space. \nAbout the artist \nHilda Shen was born in Minneapolis (1954) and spent much of her childhood in upstate  New York before settling in New York City in the 1970s. Her father grew up in Beijing while her mother was raised in Hangzhou. Shen studied classical music at Oberlin College before shifting to the visual arts. She lives and works in Brooklyn. \nShen’s sculpture\, prints\, drawings\, and installations have been shown throughout the New York City area\, Seattle\, and Beijing\, and most recently in a solo show at Starr Suites in Brooklyn. She has created large installations at WaveHill in the Bronx\, the Tenri Cultural Center in NY\, China2000 in NY\, and the Smithsonian Flushing Town Hall in Queens. She has been an artist in residence at Willapa Bay AIR\, The Bloedel Reserve\, Millay Colony for the Arts\, Yosemite National Park\, and Platte Clove. Her work is in private collections in the United States\, Belgium\, and Beijing. Shen’s work has been reviewed in The New York Times\, The Brooklyn Rail\, ArtAsiaPacific\, and ARTnews. \nAbout Solo Artist Projects \nMOCA’s Solo Artist Projects (SAP) embraces a broad and open-ended exploration of contemporary art\, presenting a wide range of mediums\, practices\, traditions and ideas. It will feature artists of Chinese descent\, living and working in New York City. SAP will be a space for artists with established careers\, emerging artists\, those who live and work in and around Chinatown\, and art historical figures who deserve institutional attention. We will begin accepting submissions for Solo Artists Projects through an open call process in early 2027\, eligible to NYC-based artists of Chinese descent. Details forthcoming on MOCA’s website.
URL:https://potluckasianamerica.org/event/hilda-shen-their-landscapes/
LOCATION:Museum of Chinese in America (MOCA)\, 215 Centre Street\, New York\, NY\, 10013\, United States
CATEGORIES:Art,Art Exhibit
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20261029
DTEND;VALUE=DATE:20261213
DTSTAMP:20260825T035429Z
CREATED:20260825T035144Z
LAST-MODIFIED:20260825T035429Z
UID:10003221-1793232000-1797119999@potluckasianamerica.org
SUMMARY:Yoshitomo Nara Exhibition
DESCRIPTION:David Zwirner is pleased to present an exhibition by Japanese artist Yoshitomo Nara (b. 1959) featuring new paintings and drawings\, recent sculptures\, and early works selected by the artist. Spanning the gallery’s 537 West 20th Street and 533 West 19th Street locations in New York\, this exhibition will be the artist’s first solo presentation with David Zwirner and his first major solo exhibition in New York in nearly a decade. \nSince the mid-1980s\, Nara’s multidisciplinary approach has produced a distinctive and varied body of work. His artistic sensibilities were uniquely formed and shaped by his solitary childhood in rural northern Japan. Nara’s formative encounters with nature\, folklore\, and children’s fables\, and his revelatory discovery of popular music through his self-built radio\, are the source of his creativity. Through introspection\, Nara freely reimagines his past experiences\, and they have determined his visual language and steered his stylistic development for four decades. \nThrough philosophical dialogues with his intrinsic self\, Nara creates personified entities. Depicted with big heads and wide eyes\, they are celebrated for their characterful demeanor and perceived to possess both innocence and defiance. Nara understands these figures as self-portraits\, and when his dynamic imagery emerged in the 1990s\, it was recognized as an expression of raw emotion\, carrying a spirit comparable to punk and rock music in its directness and intensity. Over time\, it has come to function differently. Today\, many people see Nara’s characters as projections of themselves\, mirroring their own sentiments and vulnerabilities. As a result\, these images have transcended their original impetus and become cultural touchstones\, resonating with a global audience and influencing younger generations of artists and viewers alike. \nBringing together foundational works from the 1980s and paintings from 2026\, this exhibition will illuminate the latest evolutions of Nara’s singular proxies. Newly completed paintings on canvas—front-facing portraits with direct gazes—show a significant development in his color palette. Over the past year\, his intricately layered colors have become more muted and highly nuanced\, while his increasingly diffused brushwork\, through which his forms materialize\, creates richly atmospheric depths across the surface. Other paintings reveal a new method in which Nara sketches compositions in colored pencil\, developing a framework drawing before applying washes of translucent acrylic—the figures adopt natural poses\, and their tear-filled eyes communicate an air of uncertainty. In tandem\, recent large-format\, monochrome drawings made with industrial oil-based paint sticks will be exhibited. By contrast\, these works are emphatically linear\, demonstrating the breadth of Nara’s two-dimensional output. On the surface\, his imagery may appear formally divergent\, but it captures a shared emotional intensity\, evoking universal feelings. \nNara integrated his drawing style into his painting practice as a student\, simplifying his compositions\, paring down his use of color\, and introducing an economy of line. Unbound by conventional methods\, Nara employs paint in ways aligned with how he uses pen and pencil. Whichever medium or implement he chooses\, for him drawing is an assured action\, the result of an immediate inspiration—it is a state of mind. In what Nara calls his “line” paintings\, he enlarges his bold notebook sketches through projection and reanimates them in paint. The deceptively simple outlines retain their original creative impulse and the freedom that drawing allows—the rapid execution and fluid delineation. \nIn conjunction with the presentation of paintings and drawings at 20th Street\, thirteen of Nara’s 10-times sculptural enlargements from 2024 will be on display at the 19th Street gallery. Coated in white urethane paint\, the matte surface affording an apparent softness\, these large-scale bronze heads recall the snow “monsters” that Nara knew from childhood winters\, created by heavy snowfall. He envisaged the enlargements as he sculpted their palm-sized clay prototypes\, fascinated by the potential psychological impacts of experiencing the small\, evidently hand-molded heads on a monumental scale. Encountering the magnification of their simple facial expressions\, and the play of light and shadow across their smooth surfaces\, nurtures conditions for serenity and contemplation. \nThis exhibition will coincide with the opening of Yoshitomo Nara: Sentinels of Stillness at the Hirshhorn Sculpture Garden in Washington\, DC. Three monumental sculptures\, sixteen-times enlargements of Nara’s small clay heads\, will inaugurate the Annual West Lawn Series and be on view from October 31\, 2026 through November 7\, 2027.
URL:https://potluckasianamerica.org/event/yoshitomo-nara-exhibition/
LOCATION:Multiple NYC locations
CATEGORIES:Art,Art Exhibit
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261030T180000
DTEND;TZID=America/New_York:20261030T193000
DTSTAMP:20260823T033729Z
CREATED:20260720T081506Z
LAST-MODIFIED:20260823T033729Z
UID:10002899-1793383200-1793388600@potluckasianamerica.org
SUMMARY:An American Meo: A Tale of Remembering and Forgetting
DESCRIPTION:Author Anisa Rahim will discuss her book\, An American Meo\, a hybrid work of nonfiction\, fiction\, and myth that explores identity\, heritage\, and the weight of generational memory.
URL:https://potluckasianamerica.org/event/an-american-meo-a-tale-of-remembering-and-forgetting/
LOCATION:Asian American / Asian Research Institute – CUNY\, 25 West 43rd Street\, Room 1000\, New York\, NY\, 10036\, United States
CATEGORIES:Book,Discussion
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261030T180000
DTEND;TZID=America/New_York:20261030T210000
DTSTAMP:20261009T011004Z
CREATED:20260907T043820Z
LAST-MODIFIED:20261009T011004Z
UID:10003319-1793383200-1793394000@potluckasianamerica.org
SUMMARY:OCA-NY 50th Anniversary Gala
DESCRIPTION:Tisa Chang has been a pioneering force in Asian American theater\, as an actress\, dancer\, director\, and founding artistic director of Pan Asian Repertory Theatre. \nOCA-NY is proud to present Tisa Chang with our Trailblazer Award at the 50th Anniversary Gala\, honoring her enduring contributions to Asian American arts and culture. \nJoin us on Friday\, October 30\, 2026\, from 6–9 p.m. at 100 Feast and Lounge in Chinatown. \nWe look forward to celebrating this milestone anniversary with you on our new date. Please save the date\, and stay tuned for additional event details and ticket information!
URL:https://potluckasianamerica.org/event/oca-ny-50th-anniversary-gala/
LOCATION:100 Feast & Lounge\, 100 East Broadway\, New York\, NY\, 10002\, United States
CATEGORIES:Gala
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/OCA30-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261030T183000
DTEND;TZID=America/New_York:20261030T200000
DTSTAMP:20260814T045637Z
CREATED:20260814T045637Z
LAST-MODIFIED:20260814T045637Z
UID:10003087-1793385000-1793390400@potluckasianamerica.org
SUMMARY:Adrift in the South: China's Migrant Literature
DESCRIPTION:Join us for a lively conversation on the rise of China’s migrant worker literature\, bringing the voices and lived experiences of the country’s vast internal migrant population into the literary mainstream. \nWe will be joined by Xiao Hai\, author of Adrift in the South (Granta\, April 2026)\, a gripping autobiographical account of his 23 years as a migrant laborer\, as well as its translator Tony Hao. In the book\, Xiao recounts working 17 different jobs across seven cities in China\, moving through factories\, construction sites and service-sector work in search of survival and dignity. His story captures not only the physical exhaustion and precarity of migrant labor\, but also the resilience\, solidarity and hard-won moments of humanity that emerge amid relentless economic pressures. \nAs migrant worker writing gains increasing recognition both within China and internationally\, Adrift in the South offers a vital lens into questions of class\, mobility\, inequality and belonging in contemporary Chinese society. Together with other recently translated works\, such as Hu Anyan’s Delivering Parcels in Beijing\, this genre offers an unflinching portrait of the people who have powered China’s economic transformation while often remaining socially and culturally marginalized. The discussion will explore the emergence of worker literature as both a literary movement and a form of social testimony\, examining how personal narrative can illuminate broader structural realities. \nCopies of Adrift in the South will be on sale\, with the author available to sign them. \nThe event is presented by China Books Review\, a digital magazine of reviews\, essays\, profiles and more — follow their newsletter for event postings and discounts. \nXiao Hai is a Chinese poet and writer. Having worked as a migrant laborer for many years\, he was also a long-standing member of the Picun Writers’ Collective in Beijing. He is the author of Adrift in the South (2026)\, translated by Tony Hao. He lives in Beijing. \nTony Hao is a Chinese-to-English literary translator and writer. He is the translator of Adrift in the South (2026) by Xiao Hai\, as well as Tong Wei-Ger\, Ban Yu\, and others. His short-form translations have appeared in Granta\, The Wall Street Journal and elsewhere. Hao is based in New Haven.
URL:https://potluckasianamerica.org/event/adrift-in-the-south-chinas-migrant-literature/
LOCATION:Asia Society\, 725 Park Avenue\, New York\, NY\, 10021
CATEGORIES:Book,Discussion
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/2026.10.30-Xiaohai-copy.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261030T183000
DTEND;TZID=America/New_York:20261030T200000
DTSTAMP:20260927T014709Z
CREATED:20260927T014640Z
LAST-MODIFIED:20260927T014709Z
UID:10003448-1793385000-1793390400@potluckasianamerica.org
SUMMARY:MOCA TALKS with Ming-Na Wen Have You Eaten Yet?
DESCRIPTION:The Museum of Chinese in America (MOCA) welcomes legendary actress and Asian American icon Ming-Na Wen for a conversation about her new cookbook\, Have You Eaten Yet? Family Recipes from a Restaurant Daughter. \nHonored with a Disney Legends Award and a star on the Hollywood Walk of Fame\, Wen has inspired generations of audiences\, from her breakout performance in The Joy Luck Club to her iconic voice role in Disney’s Mulan. Her career includes starring roles on ER and as Agent Melinda May on Marvel’s Agents of S.H.I.E.L.D.\, as well as memorable performances as Dr. Fong in Karate Kid: Legends and Fennec Shand in The Mandalorian and The Book of Boba Fett. Now\, she invites audiences into another defining part of her life: the food\, family traditions\, and cultural heritage that have shaped her. \nWen’s first home in America was New York City\, where she settled after immigrating from Hong Kong. Later\, growing up around her family’s Pittsburgh restaurant\, Chinatown Inn\, she learned how food could express love\, carry memories\, and bring people together. Those early experiences come to life in this collection of recipes and personal stories\, connecting the dishes of her childhood with the meals she now prepares for family and friends. From beloved restaurant classics to her father’s specialties and her own kitchen creations\, the book celebrates the many ways Chinese American food traditions are preserved\, adapted\, and shared. \nIn this conversation\, Wen will reflect on her upbringing as a restaurant daughter\, her groundbreaking career in entertainment\, and the role of food in keeping her connected to family and heritage. The conversation will explore how recipes carry knowledge across generations and how gathering around a table creates a sense of belonging. Whether you know Wen through her work on screen or simply love to cook\, pull up a chair and join us for an evening celebrating food\, family\, and the stories that bring us together. \nAbout Ming-Na Wen \nLegendary actress\, producer\, author\, and Asian American icon Ming-Na Wen has spent her career redefining what longevity and influence look like in Hollywood. From her breakout performance in The Joy Luck Club to becoming the iconic voice of Disney’s Mulan\, starring on the Emmy Award-winning ER\, portraying Agent Melinda May on Marvel’s Agents of S.H.I.E.L.D.\, to bringing her signature strength and fierceness to the role of Dr. Fong in Karate Kid: Legends\, and earning a new generation of fans as the fearless Fennec Shand in The Mandalorian and The Book of Boba Fett\, Wen has continuously broken barriers while remaining one of the entertainment industry’s most respected and enduring performers. Her career has not only paved the way for greater Asian American representation on screen but has also demonstrated the lasting power of women as leaders of some of the world’s biggest franchises. \nWen is entering yet another remarkable chapter. This fall\, she will publish her debut book\, Have You Eaten Yet?: Family Recipes from a Restaurant Daughter\, a heartfelt collection of personal stories and family recipes celebrating her Chinese American heritage\, her upbringing in her family’s Pittsburgh restaurant\, and the traditions that continue to shape her life today. At the same time\, she continues to break new ground on screen\, joining Disney+’s hit series Percy Jackson and the Olympians as the Greek goddess Hera in its highly anticipated third season\, premiering in November 2026. Together\, these milestone projects showcase the remarkable breadth of her career\, expanding her influence beyond film and television into authorship while continuing to take on major roles in one of the world’s biggest entertainment franchises. Through every chapter of her career\, Ming-Na Wen has proven that reinvention is always possible\, making her a powerful example of leadership\, impact\, and continued excellence. \nAbout Have You Eaten Yet \nLegendary actress and Asian American icon Ming-Na Wen is best known for dozens of film and television roles including her breakout part in the film adaptation of Amy Tan’s bestselling novel The Joy Luck Club\, the voice of Disney’s acclaimed Mulan\, several years on the Emmy Award–winning ER\, her part as Agent May on Agents of S.H.I.E.L.D.\, her role as Fennec Shand on the Star Wars franchise shows The Mandalorian and The Book of Boba Fett\, and much more. Now Ming-Na invites fans into her kitchen to share a lifetime of recipes and stories that began in her parents’ beloved Pittsburgh restaurant—the Chinatown Inn\, which is still open today—forever making food the center of her world. In this heartfelt tribute to her heritage\, Ming-Na is sharing both traditional Chinese family recipes as well as recipes for her own creations that she cooks in her own home. \nHave You Eaten Yet? is the ultimate love letter to food and family\, offering delicious\, accessible recipes for every occasion. In chapters like Restaurant Classics\, you’ll learn to master iconic dishes like The Best Egg Rolls\, Simple Wonton Soup\, and Shrimp Fried Rice. Discover family secrets from her father in Feasts from Chef Baba with recipes like his tender Prime Rib and comforting Winter Melon Soup. Straight from Ming-Na’s Kitchen\, you’ll find crowd-pleasers like Shrimp with Garlic Noodles and the show-stopping Dragon Fruit Cheesecake Cups. Ming-Na even gives readers advice on perfecting rice\, her guide to condiments\, and restaurant-inspired tips for prepping sauces\, broths\, and dry spices. \nFilled with personal stories\, heartwarming memories\, practical tips\, and even never-before-seen family photos\, Have You Eaten Yet? is an essential guide for anyone looking to explore the rich flavors of Chinese American cuisine.
URL:https://potluckasianamerica.org/event/moca-talks-with-ming-na-wen-have-you-eaten-yet/
LOCATION:Museum of Chinese in America (MOCA)\, 215 Centre Street\, New York\, NY\, 10013\, United States
CATEGORIES:Book,Discussion
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/MOCA-TALKS-with-Ming-Na-Wen-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261030T190000
DTEND;TZID=America/New_York:20261030T203000
DTSTAMP:20260903T093719Z
CREATED:20260514T061457Z
LAST-MODIFIED:20260903T093719Z
UID:10002634-1793386800-1793392200@potluckasianamerica.org
SUMMARY:Laughing Lassi – The #1 South Asian Stand-Up Comedy Show in New York City!
DESCRIPTION:Laughing Lassi brings the funniest South Asian comedians from NYC and around the world to one stage. \n\nAfter four years of sold-out shows\, we’re kicking off 2026 with a killer lineup and fresh programming. \nGET YOUR TICKETS NOW! \nLaughing Lassi is New York City’s premier South Asian stand-up comedy show\, featuring the best Desi and Indian-American comedians from NYC and beyond. \nAs featured in TimeOut NYC\, The New Yorker\, and India Tribune\, this monthly comedy event has become a must-see cultural experience\, a place where laughter meets identity\, storytelling\, and community. \nWhether you’re South Asian or simply love smart\, diverse humor\, Laughing Lassi promises a night of non-stop laughter and unforgettable energy. Each lineup features top comedians who have performed on Comedy Central\, Netflix\, and major festivals around the world. \n📅 When: Doors open at 6:15 PM | Show starts 7:00 PM sharp (no “Brown Time” here!)\n📍 Where: Midtown Manhattan – Convenient NYC location\n🍸 Venue Policy: 2-drink minimum (alcoholic & non-alcoholic options available) \nJoin hundreds of fans who’ve made Laughing Lassi a monthly tradition for celebrating South Asian talent and NYC comedy. \nThe show is in English\, welcoming audiences of all backgrounds. Perfect for a night out with friends\, family\, or coworkers. \n🎟️ Tickets: Shows sell out fast\, grab yours now!\n💬 Follow Us: IG @LaughingLassi | Medium @LaughingLassi | TikTok @LaughingLassi \n🚨 Important Information\nLineups are subject to change due to last-minute cancellations.\nTickets cover the main show (7:00 PM – 8:30 PM)\, not your drinks.\nRefunds available up to 24 hours before the event; no refunds on the day of or after the show as we have limited seating. \nJoin us at Laughing Lassi to celebrate South Asian talent and experience a comedy show like no other. Don’t miss your chance to be part of NYC’s most talked-about South Asian comedy event. \n\n 
URL:https://potluckasianamerica.org/event/laughing-lassi-the-1-south-asian-stand-up-comedy-show-in-new-york-city-10/
LOCATION:Broadway Comedy Club\, 318 West 53rd Street\, New York\, NY\, 10019\, United States
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/07/385a2553ef5f36a28dc5bdf9b39832ae.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261101T120000
DTEND;TZID=America/New_York:20261101T140000
DTSTAMP:20260821T143522Z
CREATED:20260821T143522Z
LAST-MODIFIED:20260821T143522Z
UID:10003179-1793534400-1793541600@potluckasianamerica.org
SUMMARY:Diwali Festival: The Indian Wedding
DESCRIPTION:Flushing Town Hall celebrates its 12th annual Diwali\, the Festival of Light\, with food\, dance\, music\, and art for audiences of all ages. The fun-filled afternoon features a performance by Kathak classical dancer Abha Roy\, her Srijan Dance Company\, and special guests!
URL:https://potluckasianamerica.org/event/diwali-festival-the-indian-wedding/
LOCATION:Flushing Town Hall\, 137-35 Northern Blvd\, Flushing\, NY\, 11354\, United States
CATEGORIES:Arts and Cultural Programs,Dance
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Diwali-Fest-copy.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261101T143000
DTEND;TZID=America/New_York:20261101T153000
DTSTAMP:20261009T014415Z
CREATED:20261009T014237Z
LAST-MODIFIED:20261009T014415Z
UID:10003530-1793543400-1793547000@potluckasianamerica.org
SUMMARY:Between Homes
DESCRIPTION:New York Chinese Cultural Center\nHOME Project 2026\nPresents “Between Homes” \nHOME Project 2026: Between Homes is a curated performance series featuring Chinese and Chinese diasporic artists working across dance\, theater\, and multidisciplinary performance. \nCentered on the notion of “between-ness\,” this year’s program explores home not as a fixed place\, but as a shifting condition shaped by migration\, memory\, cultural inheritance\, and contemporary life. The participating artists offer distinct perspectives on identity\, belonging\, and the experience of navigating between cultures\, places\, traditions\, and contemporary realities. \nThe program brings together both professional artists and university-based student groups\, reflecting a range of generations\, artistic practices\, and perspectives within the Chinese and Chinese diasporic community. \nArtistic Director: Nico Li \nArtists:\nGuanglei Hui & guest performers\nYuchen Ye & guest performers\nRUYAN Chinese Dance\, Columbia University\nHUA Dance Company\, Princeton University
URL:https://potluckasianamerica.org/event/between-homes/
LOCATION:Queens Museum\, Building\, Queens\, NY\, 11368\, United States
CATEGORIES:Performance
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/10/Between-Homes-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261102T183000
DTEND;TZID=America/New_York:20261102T200000
DTSTAMP:20260916T141845Z
CREATED:20260810T015213Z
LAST-MODIFIED:20260916T141845Z
UID:10003061-1793644200-1793649600@potluckasianamerica.org
SUMMARY:King of the Yees: Lauren Yee\, Francis Jue and David Henry Hwang
DESCRIPTION:Use coupon code A430 at checkout for a 30% discount\nJoin us in an intimate conversation with three important theatermakers on the New York premiere of Lauren Yee’s play\, King of the Yees\, at Signature Theatre (running from October 6 – November 15). Playwright and screenwriter Lauren Yee\, Tony-winning actor Francis Jue and playwright David Henry Hwang talk about sharing the notion of family in their work\, their poignant\, moving stories of their fathers\, and the art of portraying them on the stage. An “epic joyride across cultural\, national and familial borders”\, King of the Yees tells the story of Lauren’s father Larry Yee (played by Francis Jue)\, a driving force in San Francisco Chinatown. Francis Jue has also played David Henry Hwang’s father in his Tony-winning play\, Yellowface. Lauren\, Francis\, and David discuss Asian American families\, lineages and storytelling in the theater as part of this special conversation at Asia Society. \n\nKing of the Yees (Signature Theatre)  \n10.06.26–11.15.26 / Tue–Sun / 7 – 9 P.M. \nWritten by Lauren Yee \nDirected by Joshua Kahan Brody \nFor nearly twenty years\, Larry Yee has been the heart and soul of the Yee Fung Toy Family Association\, a fraternal organization in San Francisco’s iconic Chinatown. But to his daughter Lauren\, a playwright living in New York\, the association is an obsolete relic of a vanishing world. When Larry suddenly disappears\, Lauren sets off on a wild quest to find him\, embarking on a surreal\, magical journey through the history and myths of her own lineage. KING OF THE YEES is a hilarious and heartfelt “kind of true” story by Signature resident artist Lauren Yee\, who turns her incisive comedic eye on what we inherit and what it means to truly be a Yee. \n\nSpeaker Biographies\nLauren Yee  \nLauren Yee is an award-winning playwright and screenwriter based in New York. Recent plays include Cambodian Rock Band (South Coast Rep\, Oregon Shakespeare Festival\, La Jolla Playhouse\, Signature Theatre)\, The Great Leap (Denver Center\, Seattle Rep\, the Atlantic\, Steppenwolf\, ACT)\, King of the Yees (Goodman Theatre\, Center Theatre Group)\, and Mother Russia (Seattle Rep\, Signature Theatre). Honors include the Doris Duke Artist Award\, Whiting Award\, Steinberg/ATCA Award\, Horton Foote Prize\, and Kesselring Prize. TV:  “Pachinko” (Apple)\, “Soundtrack” (Netflix)\, “Interior Chinatown” (Hulu)\, “Billions” (Showtime)\, “Clipped” (FX). She’s previously developed pilots for Netflix and Apple\, and is currently developing TV and feature projects for Netflix and Universal. BA: Yale\, MFA: UCSD. Laurenyee.com \nDavid Henry Hwang \nDavid Henry Hwang’s work includes the plays M. Butterfly\, Yellow Face (Tony Award-winning Broadway revival\, 2024)\, Chinglish\, The Dance and the Railroad\, and FOB\, as well as the musicals Soft Power\, Flower Drum Song and Disney’s international hits Aida and Tarzan. He has written thirteen opera libretti\, including Ainadamar with composer Osvaldo Golijov (Metropolitan Opera premiere\, Fall 2024) and The Monkey King with Huang Ruo\, which opened at San Francisco Opera in 2025 to critical and audience acclaim. Hwang was a Writer/Consulting Producer for the Golden Globe-winning television series The Affair\, co-wrote the Gold Record “Solo” with the late pop legend Prince\, and has penned an Anna May Wong biopic to star actress Gemma Chan. Particle Fever\, a new musical with book by Hwang\, will open at La Jolla Playhouse this season. He is a Tony Award winner and four-time nominee\, a Grammy Award winner and three-time nominee\, a three-time OBIE Award winner\, and a three-time Finalist for the Pulitzer Prize in Drama. A professor emeritus at Columbia University\, Hwang has been inducted into the Theatre Hall of Fame and received the Lifetime Achievement Award from the Dramatists Guild in 2025.
URL:https://potluckasianamerica.org/event/king-of-the-yees-lauren-yee-francis-jue-and-david-henry-hwang/
LOCATION:Asia Society\, 725 Park Avenue\, New York\, NY\, 10021
CATEGORIES:Discussion,Theater
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/King-of-the-Yees-26.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261104T113000
DTEND;TZID=America/New_York:20261104T180000
DTSTAMP:20260902T194151Z
CREATED:20260902T194151Z
LAST-MODIFIED:20260902T194151Z
UID:10003282-1793791800-1793815200@potluckasianamerica.org
SUMMARY:2026 AAPI Trailblazers Conference: Owning Our Stories in the Age of AI
DESCRIPTION:A dynamic half-day gathering exploring how AAPI leaders can help shape the future of artificial intelligence\, storytelling\, culture\, and representation. Get in depth take-aways through thought-provoking keynotes\, panels\, an interactive workshop\, performance\, and meaningful networking. \nLocation: 135 Madison Ave 8th Floor\, New York\, NY 10016 \n 
URL:https://potluckasianamerica.org/event/2026-aapi-trailblazers-conference-owning-our-stories-in-the-age-of-ai/
LOCATION:NY
CATEGORIES:Conference
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Serica-API-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261104T183000
DTEND;TZID=America/New_York:20261104T204900
DTSTAMP:20260916T135630Z
CREATED:20260916T135630Z
LAST-MODIFIED:20260916T135630Z
UID:10003387-1793817000-1793825340@potluckasianamerica.org
SUMMARY:Poetry
DESCRIPTION:Kind-hearted Mija (Yun Jung-hee) is tasked with raising her troubled teenage grandson\, Jong-wook\, while her daughter works in far-off Busan. In denial that her abilities as a caregiver are threatened by the early stages of Alzheimer’s disease\, Mija begins to study poetry writing at the local cultural center. At first she finds inspiration in the beauty of the natural world\, but then\, when Jong-wook is mired in a shocking scandal\, Mija taps into newfound depths of disappointment and pain. \nWinner of the Prize of the Ecumenical Jury and Best Screenplay at Cannes\, Lee Chang-dong’s Poetry is a “tour de force” that presents an “extraordinary vision of human empathy” (The New York Times). \nLANGUAGE\nKorean with English subtitles
URL:https://potluckasianamerica.org/event/poetry/
LOCATION:Paris Theater\, 4 West 58th St.\, New York\, NY\, 10019\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Poetry.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261105
DTEND;VALUE=DATE:20261109
DTSTAMP:20260926T221005Z
CREATED:20260926T220751Z
LAST-MODIFIED:20260926T221005Z
UID:10003425-1793836800-1794182399@potluckasianamerica.org
SUMMARY:Arrangements
DESCRIPTION:An original comedy about a Pakistani American woman navigating love\, family\, and tradition as her mother constantly “arranges” her marriage.] \n‘”Arrangements” is an original comedy by playwright\, producer\, and award-winning journalist Jasmine Amjad that explores identity\, family\, faith\, and the pressures of tradition through the story of a Pakistani American woman navigating love while her well-meaning but traditional mother attempts to contantly “arrange” her marriage. \nAfter being accepted into the New York Theater Festival\, ‘”Arrangements” premiered in July 2024 and sold out all three performances for close to 300 audience members The production now returns November 5–8\, 2026\, for an expanded six-show run at New York’s HB StudioTheatre.
URL:https://potluckasianamerica.org/event/arrangements/
LOCATION:HB Studio\, 120 Bank Street\, New York\, NY\, 10014\, United States
CATEGORIES:Theater
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/8edc2b791a5761bcee5c5b23ec11d950.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261105T180000
DTEND;TZID=America/New_York:20261105T220000
DTSTAMP:20260626T074143Z
CREATED:20260626T074143Z
LAST-MODIFIED:20260626T074143Z
UID:10002784-1793901600-1793916000@potluckasianamerica.org
SUMMARY:Film: We Keep Us Safe: The Whores Feast and Feeding with Red Canary Song and collaborators
DESCRIPTION:RSVP\n\n\nRed Canary Song activates CTHQ with performances on the occasion of the premiere of The Whores Feast. Filmed over a shared dinner with organizers and collaborators\, the film reflects on nourishment\, labor\, chosen family\, and the collective practices of care that sustain communities through ongoing precarity. \nRed Canary Song is a grassroots organization of Asian and migrant sex workers and massage workers organizing transnationally. Their work is in the tradition of sex worker mutual aid\, and they center base-building with migrant massage workers through labor rights\, migrant justice\, and abolitionist frameworks. \nFree and open to the public at CTHQ. \nEntry\nCTHQ is located on the 7th Floor of 59 East 4th Street between 2nd and 3rd Avenue in Manhattan. The building entrance has no steps and elevator access is provided directly to CTHQ.\nService animals are welcome. \nRestrooms\nOne ADA accessible\, all-gender restroom is located inside CTHQ.
URL:https://potluckasianamerica.org/event/film-we-keep-us-safe-the-whores-feast-and-feeding-with-red-canary-song-and-collaborators/
LOCATION:Creative Time  (CTHQ)\, 59 E 4th St\, Floor 7\, New York\, NY\, 10003\, United States
CATEGORIES:Film,In Person,Theater
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261105T200000
DTEND;TZID=America/New_York:20261105T213000
DTSTAMP:20260902T190734Z
CREATED:20260902T190734Z
LAST-MODIFIED:20260902T190734Z
UID:10003278-1793908800-1793914200@potluckasianamerica.org
SUMMARY:Niladri Kumaar 'The Space Between the Notes'
DESCRIPTION:Sitar maestro Niladri Kumaar is hailed as a maverick musician and composer\, a celebrated ambassador\, and an iconic figure in Indian music\, renowned for his compelling and innovative style. Central to his impressive portfolio is his long-running creative partnership with the late Zakir Hussain\, a sitar-tabla dialogue that became one of the most beloved and significant collaborations in contemporary Indian music\, including their sold-out WMI appearance at the Skirball Center in 2022. \nThe Space Between the Notes\, an extraordinary live recording from Mumbai\, India\, captures the only documented full performance of Kumaar and Hussain together. This concert draws from that profound musical and personal bond\, with a repertoire shaped by the spirit\, spontaneity\, and depth of their collaborations. \nNiladri and his electric sitar (zitar) will be joined on stage by Agnelo Fernandes (keys)\, Sambit Chatterjee (drums)\, and Satyajit Talwalkar (tabla) for a program of original compositions and selections closely connected to his work with Zakir Hussain\, bringing their shared repertoire and musical conversation into the present. \nThe COUNTERPOINT series focuses on contemporary artists who push the boundaries of what “world music” can mean in the 21st Century.
URL:https://potluckasianamerica.org/event/niladri-kumaar-the-space-between-the-notes/
LOCATION:New York Society for Ethical Culture – Adler Hall\, 2 West 64 St.\, New York\, NY\, 10023\, United States
CATEGORIES:Concert,Music
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Kumaar-2-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261106
DTEND;VALUE=DATE:20261108
DTSTAMP:20260805T152323Z
CREATED:20260805T152323Z
LAST-MODIFIED:20260805T152323Z
UID:10003007-1793923200-1794095999@potluckasianamerica.org
SUMMARY:The Age is Yours\, My Liege! A Tale of Proto-Japan
DESCRIPTION:CONTEMPORARY DANCE  | INTERNATIONAL PREMIERE \nFriday\, November 6 at 7:30 pm—Followed by a Private Gathering for Artists and Members\nSaturday\, November 7 at 7:30 pm—Followed by an Artist Q&A \nA sudden force in the Asian dance scene\, the sharp choreographic provocateur Reisa Shimojima and her Tokyo-based company KEDAGORO arrive in New York with The Age is Yours\, My Liege! A Tale of Proto-Japan\, a frenzied international premiere hurling you headfirst into an ancient Japanese festival eating itself alive. Known for exhilarating physicality that slices through contemporary events with glee\, Shimojima turns the scalpel inward\, dissecting Japanese national identity and imperial myth as her dancers cycle through a slowly revolving human-sized hamster wheel. Frankenstein-ing together sacred rite\, wartime fervor and primeval festival culture into a lurching carnival of national symbolism\, she takes direct aim at the throne and the nations built to serve it. \nTickets: $51 Nonmembers\, $38 Members
URL:https://potluckasianamerica.org/event/the-age-is-yours-my-liege-a-tale-of-proto-japan/
LOCATION:Japan Society\, 333 East 47th Street\, New York\, NY\, 10017\, United States
CATEGORIES:Dance,Performance
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Japan-Society-Dance-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261107T100000
DTEND;TZID=America/New_York:20261107T140000
DTSTAMP:20261004T151046Z
CREATED:20261004T150852Z
LAST-MODIFIED:20261004T151046Z
UID:10003510-1794045600-1794060000@potluckasianamerica.org
SUMMARY:JAA Grand Bazaar
DESCRIPTION:💝Support JAA and #KonMari your home at the same time!🏠 \nJAA is now accepting donations of gently used clothing and other items for our Annual Grand Bazaar on November 7! Please see flyer for details\, including the hours for drop-off at JAA – the deadline for donations is November 3. \nThis is a major fundraiser for our nonprofit\, with proceeds going towards our programs\, community events\, electricity\, and more! \nAnd swing by on the day of to buy some cool gifts for the holidays!
URL:https://potluckasianamerica.org/event/jaa-grand-bazaar/
LOCATION:Japanese American Association of NY\, 49 West 45th Street\, 5th Flr.\, New York\, NY\, 10036\, United States
CATEGORIES:Fundraiser,Market
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/10/JAA-Bazaar-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261107T130000
DTEND;TZID=America/New_York:20261107T160000
DTSTAMP:20260814T050453Z
CREATED:20260814T044759Z
LAST-MODIFIED:20260814T050453Z
UID:10003085-1794056400-1794067200@potluckasianamerica.org
SUMMARY:Diwali Lights Up Asia Society 2026
DESCRIPTION:Diwali\, often known as the festival of lights\, is celebrated in South Asia\, by Hindus\, Sikhs\, Jains\, and Buddhists. It symbolizes the triumph of light over darkness\, knowledge over ignorance\, and hope over despair. \nDiwali returns to Asia Society with a colorful\, fun-filled\, and multi-sensorial afternoon\, presented in collaboration with The Culture Tree. \nJoin us on November 7\, 2026\, 1 – 4 p.m.\, to celebrate good fortune\, family\, and friendships. Enjoy music and dance performances\, storytelling\, and hands-on arts and crafts inspired by the holiday. \nMake sure to check out our special Diwali menu at Asia Society’s Leo Cafe for the occasion. \n\nSchedule\nSchedule subject to change. Watch this space for schedule updates. \nThis year’s Diwali celebration features dance and music performances in Asia Society’s Visitor Center\, Auditorium as well as arts and crafts and storytelling on the Eighth Floor. \nAuditorium\n1 p.m. Introduction to Diwali \n1.15 p.m. Express Yourself through Indian Dance: Learn the languages of Bharatnatyam and Kathak! \n2:15 p.m. Interactive Puppet Shows: Stories of Diwali \n3:15 p.m.  Express Yourself through Indian Dance: Learn the Ghoomar and Bhangra dance forms for a fun-filled Diwali dance party! \nVisitor Center/First Floor Lobby\n“Meet and Greet” with Lord Ganesh \nCome check out the statue of the Indian god Ganesh at Asia Society\, and read about his symbolism in Indian culture and significance during Diwali. \nEighth Floor\n1 – 4 p.m. Arts and Crafts\, Sweets and Storytelling \nMake your own Diya: During Diwali\, people light small clay lamps called diyas to symbolize the light of knowledge and goodness. Make and decorate your own clay diya to put by your window at night. \nDiwali Jewelry and Key Chains: Make Diwali-inspired jewelry and keychain charms. \nHenna Tattoos: Come and get elaborate temporary tattoos on your hands. \nDiwali Mithai Decoration: Learn about mithai\, Indian sweets which are integral to Diwali. Decorate your mithai and then eat it. \nDiwali Library and Mask Making: Learn more about the stories of Diwali through an interactive storytime session\, and make your own Diwali mask!
URL:https://potluckasianamerica.org/event/diwali-lights-up-asia-society-2026/
LOCATION:Asia Society\, 725 Park Avenue\, New York\, NY\, 10021
CATEGORIES:Dance,Family Day,Festival,Performance
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Diwali_2023_105.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261107T130000
DTEND;TZID=America/New_York:20261107T190000
DTSTAMP:20260926T220603Z
CREATED:20260926T220008Z
LAST-MODIFIED:20260926T220603Z
UID:10003424-1794056400-1794078000@potluckasianamerica.org
SUMMARY:Champloo: An Okinawa Identity Symposium
DESCRIPTION:Champloo: An Okinawa Identity Symposium \nWhat does it mean to be Okinawan today?\nFor generations\, Okinawans have carried our history\, culture\, language\, traditions\, and stories across oceans and borders. In New York\, the North East\, throughout North America\, and across the globe that heritage continues to evolve. We are building communities that honor where we come from while asking important questions about where we are going.\nThis November\, the Okinawan American Association of New York (OAANY) is creating a space for those conversations.\nOn Saturday\, November 7\, 2026\, we will host our inaugural event\, “Champloo: An Okinawan Identity Symposium\,” at New York University. Champloo—a word associated with mixing and bringing things together—captures the spirit of what we hope this gathering will be: different generations\, perspectives\, experiences\, and expressions of Okinawan identity coming together in one room.\nThe day will feature a keynote address\, four moderated panels\, cultural performance\, dinner\, and opportunities for community members to connect and build relationships. Our conversations will explore topics ranging from Okinawan identity across borders and the role of Kenjinkai\, to reclaiming Ryukyuan history and imagining the future of Okinawan spaces and diaspora communities.\nAs we look toward the 2027 Uchinaanchu Taikai\, we see an especially meaningful opportunity to strengthen connections between Okinawa and the global Uchinanchu diaspora. Champloo is one small but important step in that direction.
URL:https://potluckasianamerica.org/event/champloo-an-okinawa-identity-symposium/
LOCATION:Kimmel Center for University Life\, 60 Washington Square South\, New York\, NY\, 10012\, United States
CATEGORIES:Discussion
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/f0331b0eadb0c33d53dfc2f91ab49c9b.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261107T140000
DTEND;TZID=America/New_York:20261107T170000
DTSTAMP:20260928T180813Z
CREATED:20260928T180810Z
LAST-MODIFIED:20260928T180813Z
UID:10003491-1794060000-1794070800@potluckasianamerica.org
SUMMARY:Mahjong Parlor Market
DESCRIPTION:｡°✩ SPECIAL ANNOUNCEMENT ⋆｡°✩\nMahjong Parlor is turning 1 in November!!! 🎂 💫 \nCome celebrate with us at our anniversary market: with vintage clothes\, goods from local artists\, food from @long__pang and @frumpygrain \, and ofc MAHJONG!!! \nThe market is free with RSVP ~ come browse\, eat\, and hang out 💗 Want to play? Grab a ticket for an hourly mahjong slot! We’re doing time slots to keep the tiles moving and give everyone more time to play. \nAll levels are welcome\, and we’ll group tables by experience. A little heads-up for first-timers: we’ll have teachers floating around to help\, but this won’t be a full lesson like our usual events. Bring a friend who knows the game or watch a quick tutorial before you come. Can’t wait to see you at the table and celebrate together 🌟🪽Mahjong Parlor
URL:https://potluckasianamerica.org/event/mahjong-parlor-market/
LOCATION:Welcome to Chinatown\, 115 Bowery\, New York\, NY\, 10002\, United States
CATEGORIES:Games,Market
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/WTC-Mahjong-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261108T130000
DTEND;TZID=America/New_York:20261108T150000
DTSTAMP:20260820T140437Z
CREATED:20260820T140437Z
LAST-MODIFIED:20260820T140437Z
UID:10003153-1794142800-1794150000@potluckasianamerica.org
SUMMARY:Big Three Bon Odori Workshops in Japanese
DESCRIPTION:NISHIMONAI BON ODORI (Akita Prefecture)\n\nNishimonai Bon Odori is a traditional Bon dance with a history of approximately 700 years\, and it was registered as a UNESCO Intangible Cultural Heritage in 2020. \nAkita Prefecture\, located in the northern part of Japan\, is well known throughout the country for producing delicious rice and sake. Because Akita faces the Sea of Japan\, it had historical connections with Kyoto through maritime trade and travel. For this reason\, it is said that even in Akita\, far from Kyoto\, people were once able to hear the Kyoto dialect. The refined style and elegant movements of Nishimonai Bon Odori suggest that it may have been influenced by Kyoto culture. \nAlthough the dance consists of only two songs\, the choreography is considered somewhat more challenging compared with Bon Odori dances from other regions. The two songs of Nishimonai Bon Odori are highly unique pieces sung in the Akita dialect. They resemble what we might call rap music today\, as the lyrics can reflect current events and allow singers the freedom to create their own verses. \nThe contrast between the graceful\, delicate movements of the dance and the uniquely cheerful melodies of the songs makes Nishimonai Bon Odori a truly one-of-a-kind Bon dance. \nMany Japanese people have the image that Bon Odori is a dance that anyone can join. However\, in some regions of Japan\, there are traditional dances where participants are expected to know the movements correctly and wear appropriate attire before joining the dance circle. Nishimonai Bon Odori is one of these dances. \nAs a result\, during the three days from August 16 to August 18\, the small village of Nishimonai\, with a population of approximately 1\,500 people\, becomes crowded with tens of thousands of visitors who come to experience this unique Bon Odori tradition. \n\n\nGUJO ODORI (Gifu Prefecture) \nGujo Odori is a traditional Bon dance from Gifu Prefecture\, located almost at the center of Japan. With a history of approximately 400 years\, Gujo Odori was also registered as a UNESCO Intangible Cultural Heritage in 2020. \nAmong the three Bon Odori traditions introduced here\, Gujo Odori is the most welcoming and accessible. Anyone can join the dance circle and participate. Although wearing a yukata is the traditional attire\, there are no strict rules about what people must wear in order to dance. \nGujo Odori consists of 10 different dances. One of the greatest joys of Gujo Odori is learning and dancing all of these dances. The songs are based on the local landscape\, customs\, and stories passed down through generations\, and some are even performed a cappella\, creating a deeply atmospheric and beautiful musical experience. \nDancers wear wooden geta sandals while dancing\, creating the distinctive “karan-koron” sound of the wooden soles. This sound is considered an essential part of the music of Gujo Odori itself. \nIn Gujo City\, during the two summer months of the festival season\, Bon Odori is held almost every day somewhere in the city\, creating an atmosphere filled with energy and excitement. The dances take place continuously in locations such as the main streets of Gujo and the plaza in front of the former mayor’s residence. On weekends\, there are special “Tetsuya Odori” (all-night dances)\, where people continue dancing until dawn. \nBecause Gujo Odori is a joyful and welcoming dance that anyone can enjoy\, it has many fans throughout Japan. During these two summer months\, visitors from across the country travel to Gujo City to experience and participate in this unique Bon Odori tradition. \n\n\nAWA ODORI (Tokushima Prefecture) \nAwa Odori is a traditional Bon dance from Tokushima Prefecture\, located on the island of Shikoku in western Japan. It is considered one of the most popular summer Bon Odori festivals in Japan. \nAwa Odori has a history of several hundred years\, although the current style and form of the dance were established approximately 60 years ago. From August 12 to August 16\, during the four-day festival period\, it is said that around one million people gather in Tokushima Prefecture to experience this spectacular event. \nUnlike some Bon Odori traditions where individuals simply join the dance circle\, Awa Odori is performed by organized groups called “Ren.” Dancers join a Ren and perform together as a group. Because the dancers must move in harmony\, there are detailed rules and extensive practice required to master the choreography. It is said that there are more than 1\,000 Ren groups throughout Japan. \nTokushima Prefecture is famous for its indigo dye production. Several hundred years ago\, many wealthy merchants in the region made their fortunes through the indigo trade\, and some were even ranked among the wealthiest people in Japan. Merchants traveled throughout the country for business and were influenced by the music they encountered in different regions. By incorporating the best elements of these musical traditions\, they created new rhythms and songs that became a great success. The image of people dancing with their hands raised was even captured in ukiyo-e (traditional Japanese woodblock prints). \nOriginally\, Tokushima Prefecture consisted of many small islands located close together\, connected by bridges that allowed people to travel between communities. While Bon Odori is traditionally danced in a circle\, these small islands did not have many open spaces for large dance circles. It is believed that people began dancing along the roads instead. This history is reflected in Awa Odori’s unique style as a one-directional dance\, which is unusual among Bon Odori traditions and makes it especially suitable for parade-style festivals. \nWith both hands raised and dancers moving to its lively rhythm\, Awa Odori is a joyful and energetic dance that brings people together through music and movement.
URL:https://potluckasianamerica.org/event/big-three-bon-odori-workshops-in-japanese/
LOCATION:130 West 56 St.\, 130 West 56 St.\, 5th Floor\, New York\, United States
CATEGORIES:Dance
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Bon-Odori-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261109
DTEND;VALUE=DATE:20261115
DTSTAMP:20261009T015334Z
CREATED:20261009T015334Z
LAST-MODIFIED:20261009T015334Z
UID:10003531-1794182400-1794700799@potluckasianamerica.org
SUMMARY:Learning to Speak
DESCRIPTION:How do you connect with your parents when they don’t speak English and you’re not fluent in their Chinese languages? For Annie\, through a family secret. \nWhen Annie learns she’s related to Vincent Chin\, a man whose 1982 Detroit murder started an Asian American movement\, she seeks out the story\, wanting to make something of her family’s legacy. Just as Annie is building the life of teaching and activism she wants\, her parents threaten never to talk to her again. \nIn this storytelling show based on a memoir-in-progress\, Annie Tan (NPR’s The Moth Radio Hour\, PBS’ Stories From The Stage\, RISK!) explores what it really means to communicate– maybe in English\, Spanish\, Mandarin\, or Annie’s home languages of Cantonese and Toisan– and make change. \nShow Times: 11/9 @ 7PM\, 11/14 @ 5PM
URL:https://potluckasianamerica.org/event/learning-to-speak/
LOCATION:Under St Marks Theater\, 94 St Mark's Place\, New York\, NY\, 10009\, United States
CATEGORIES:Performance
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/10/Learning-to-Speak-copy.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261109T180000
DTEND;TZID=America/New_York:20261109T193000
DTSTAMP:20260929T232019Z
CREATED:20260929T232019Z
LAST-MODIFIED:20260929T232019Z
UID:10003506-1794247200-1794252600@potluckasianamerica.org
SUMMARY:Writing Workshop: "What America Means to Me"
DESCRIPTION:“What America Means to Me\,” an informal writing workshop with author Ed Lin. Bring something to write with\, either a pad of paper or a phone or laptop. We’ll explore using our words for creative nonfiction\, poetry\, and fiction. Sharing is encouraged\, but not necessary. \nEd Lin is the first author to win three Asian American Literary Awards\, and is currently interim executive director of the Asian American Writers’ Workshop. His latest book\, the mystery “The Dead Can’t Make a Living\,” was published in April by Soho Crime. \nRSVP to Ed Lin at elin@aaww.org \nManhattan location shared after registration.
URL:https://potluckasianamerica.org/event/writing-workshop-what-america-means-to-me-2/
LOCATION:NY
CATEGORIES:Workshop,Writing
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Ed-Lin.jpeg
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END:VCALENDAR