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DTSTART;VALUE=DATE:20260917
DTEND;VALUE=DATE:20261014
DTSTAMP:20260928T233759Z
CREATED:20260928T231857Z
LAST-MODIFIED:20260928T233759Z
UID:10003500-1789603200-1791935999@potluckasianamerica.org
SUMMARY:Yuen Woo-ping Retrospective
DESCRIPTION:In a Hong Kong film industry overflowing with martial arts talent\, Yuen Woo-ping stands apart. His legendary influence\, in a career spanning more than five decades\, has earned him the widely celebrated\, industry-bestowed moniker “天下第一武指\,” which translates as “The Number One Martial Arts Director Under the Sky.” As both film director and action choreographer\, Yuen helped elevate martial arts cinema into a sophisticated art form\, blending technical precision with character\, poetry\, and astonishing physical invention. His choreography prioritizes movement legibility\, spatial clarity\, and expressive geometry over brute force\, reshaping the visual grammar of global action filmmaking. \nBorn into a family of Peking Opera performers\, Yuen grew up in a tradition where drama\, martial arts\, acrobatics\, and dance were inseparable—a heritage linking him to contemporaries like Jackie Chan and Sammo Hung\, who emerged from the same rigorous training. Yuen’s father\, Yuen Siu-tien\, an accomplished opera performer\, actor\, and martial arts director\, introduced his children to the film set. The Yuen siblings began as stunt performers and rose through the ranks. Together they formed the Yuen Clan\, becoming some of Hong Kong cinema’s most respected stunt performers and action directors. \nYuen’s first two films as a director\, Snake in the Eagle’s Shadow and Drunken Master (both 1978)\, launched Chan’s stardom. By shifting martial arts cinema away from solemn violence to wit\, personality\, and comedic invention\, the films established a template for Chan’s career. Yuen went on to collaborate with icons like Hung\, Jet Li\, Michelle Yeoh\, and Donnie Yen\, while consistently demonstrating an unparalleled ability to train performers of all backgrounds—including Hollywood stars like Keanu Reeves and Uma Thurman—in his intensive “fight camps.” \nYuen’s work on The Matrix (1999)\, which seamlessly integrates Hong Kong wirework—human-controlled harnesses and cables that propel and suspend performers—with science fiction\, fundamentally altered how Hollywood approaches action. With Crouching Tiger\, Hidden Dragon (2000) he showed that martial arts could deepen a film’s emotional and intellectual resonance as much as its spectacle. Yuen’s extraordinary adaptability made him the definitive collaborator for visually distinct auteurs as diverse as Stephen Chow\, Ang Lee\, Quentin Tarantino\, Tsui Hark\, the Wachowskis\, and Wong Kar Wai. Decades after his debut\, Yuen’s latest epic\, Blades of the Guardians (2026)\, proves his vision still dictates the rhythm of modern action cinema. \n\n\n\n\n\nIron Monkey (少年黃飛鴻之鐵馬騮).1993. Directed by Yuen Woo-ping\nTue\, Sep 29\, 4:30 p.m.\nThu\, Oct 8\, 6:30 p.m.\n\n\n\n\nFearless (aka Jet Li’s Fearless\, 霍元甲).\n2006. Directed by Ronny Yu\nTue\, Sep 29\, 7:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nKill Bill: Volume 2.\n2004. Directed by Quentin Tarantino\nWed\, Sep 30\, 4:00 p.m.\nSat\, Oct 10\, 6:30 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nBlades of the Guardians (鏢人:風起大漠).2026. Directed by Yuen Woo-ping\nWed\, Sep 30\, 7:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nIn the Line of Duty 4: Witness (皇家師姐IV：直擊證人).1989. Directed by Yuen Woo-ping\nThu\, Oct 1\, 4:30 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nIp Man 4: The Finale (葉問4：完結篇).2019. Directed by Wilson Yip\nThu\, Oct 1\, 7:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nOnce Upon a Time in China (黃飛鴻).\n1991. Directed by Tsui Hark\nFri\, Oct 2\, 4:00 p.m.\n\n\n\n\n\n\nThe Grandmaster (一代宗師). [Hong Kong cut].\n2013. Directed by Wong Kar Wai\nFri\, Oct 2\, 7:00 p.m.\n\n\n\n\n\nThe Matrix.\n1999. Written and directed by Lana and Lilly Wachowski\nSat\, Oct 3\, 4:00 p.m.\n\n\n\n\n\n\n\n\nThe Matrix Reloaded.\n2003. Written and directed by Lana and Lilly Wachowski\nSat\, Oct 3\, 7:00 p.m.\n\nSnake in the Eagle’s Shadow (蛇形刁手)\n1978. Directed by Yuen Woo-ping\nSun\, Oct 4\, 1:30 p.m.\n\n\n\n\n\n\n\n\n\n\nMaster Z: The Ip Man Legacy (葉問外傳：張天志).2018. Directed by Yuen Woo-ping\nSun\, Oct 4\, 4:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nFist of Legend (精武英雄).\n1994. Directed by Gordon Chan\nMon\, Oct 5\, 6:30 p.m.\nSun\, Oct 11\, 1:30 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nThe Miracle Fighters (奇門遁甲).1982. Directed by Yuen Woo-ping\nTue\, Oct 6\, 4:30 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nDreadnaught (勇者無懼).\n1981. Directed by Yuen Woo-ping\nTue\, Oct 6\, 7:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nTai Chi Master (太極張三豐).\n1993. Directed by Yuen Woo-ping\nThu\, Oct 8\, 4:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nOnce Upon a Time in China II (黃飛鴻之二：男兒當自強).\n1992. Directed by Tsui Hark\nFri\, Oct 9\, 4:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nDrunken Master (醉拳).\n1978. Directed by Yuen Woo-ping\nFri\, Oct 9\, 6:30 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nKill Bill: Volume 1.\n2003. Directed by Quentin Tarantino\nSat\, Oct 10\, 4:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nWing Chun (詠春).\n1994. Directed by Yuen Woo-ping\nSun\, Oct 11\, 4:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nThe Magnificent Butcher (林世榮).1979. Directed by Yuen Woo-ping\nTue\, Oct 13\, 4:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nCrouching Tiger\, Hidden Dragon (臥虎藏龍).\n2000. Directed by Ang Lee\nTue\, Oct 13\, 6:30 p.m.
URL:https://potluckasianamerica.org/event/yuen-woo-ping-retrospective/
LOCATION:Museum of Modern Art\, 11 West 53 Street\, New York\, NY\, 10019\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Yuen-Woo-Ping-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260917
DTEND;VALUE=DATE:20261018
DTSTAMP:20260818T233546Z
CREATED:20260818T233546Z
LAST-MODIFIED:20260818T233546Z
UID:10003124-1789603200-1792281599@potluckasianamerica.org
SUMMARY:Best by 07/21/2026
DESCRIPTION:A residency-then-exhibition Artists: Clare Hu\, Tianyi Sun\, and Shaan Ken Rao \n398 West Street\, New York\, NY 10014 Residency: July 21 – September 16\, 2026 Exhibition: September 17 – October 17\, 2026 Opening Reception with the artists: Thursday\, September 17\, 2026 | 6-8 PM \nEli Klein Gallery is pleased to present Best by 07/21/2026\, a residency-then-exhibition featuring artists Clare Hu\, Tianyi Sun\, and Shaan Ken Rao\, opening on its own expiration date. Following At-Will Adaptation (2024)\, the gallery’s residency program returns this year for its second installment\, running from July 21st and culminating in a three-artist exhibition on Thursday\, September 17th. The three artists\, working in various mediums such as sculpture\, weaving\, painting\, and photography\, will create entirely new bodies of work using Eli Klein Gallery as their studio. The gallery will be open to the public during normal business hours throughout the duration of the residency. \n“Can the concept of the human survive discovering how the “sausage” of us is actually made\, what we really look and smell like at the cellular level?” This question\, raised by the writer and scholar Sophie Lewis in her catalog essay “New Wombs for Old Men” of the New Museum’s inaugural exhibition “New Humans\,” challenges the default practice of separating the maker from their associated defecations during the formation of a public-facing identity. On a metaphorical and non-visceral level\, contemporary art’s birth-giving process today resembles an ectogenesis\, with the “sausage-making” process susceptible to both curated previews and packaged commercialization. An artist’s studio is only alive when it breathes and excretes\, and more so when the discarded substances are studied\, categorized\, archived\, and recycled.
URL:https://potluckasianamerica.org/event/best-by-07-21-2026/
LOCATION:Eli Klein\, 398 West Street\, New York\, NY\, 10014\, United States
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Eli-Klein-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260917
DTEND;VALUE=DATE:20261025
DTSTAMP:20260912T015055Z
CREATED:20260912T014818Z
LAST-MODIFIED:20260912T015055Z
UID:10003359-1789603200-1792886399@potluckasianamerica.org
SUMMARY:Tchah Sup Kim: The Key to a New World
DESCRIPTION:Tchah Sup Kim (1940–2022) was an artist whose lifelong practice explored fundamental questions of civilization\, the universe\, existence\, and humanity. Moving beyond formal experimentation\, his work sought new ways of seeing and understanding the world—often by challenging established boundaries between East and West\, the individual and the cosmos\, and the finite and the infinite. \nKim moved to New York in 1974 and studied printmaking at Pratt Institute\, where he began developing a distinctive visual language. His landmark etching Triangle Between Infinites (1976)\, now in the collection of The Museum of Modern Art\, New York\, introduced the triangle as a central motif in his practice. Rather than treating it as a closed geometric form\, Kim opened its vertex\, transforming the triangle into a structure of openness\, circulation\, and connection. \nThroughout the 1980s\, his work reflected his experiences of migration\, otherness\, and diasporic identity in New York. After returning to Korea in 1990\, his inquiry expanded toward broader questions of civilization\, history\, and the origins of humanity. \nNew York played a pivotal role in this artistic and intellectual journey. It was here that Kim encountered the center of Western modernism while also beginning to question its prevailing systems of thought. Presented now in New York\, The Key to a New World revisits that formative relationship and considers his practice through a contemporary lens. The exhibition title comes from a phrase found in one of Kim’s own notes. For him\, a “new world” was not simply a vision of the future\, but the possibility of thinking and seeing beyond existing frameworks. \n\nTuesday – Friday: 10 AM – 6 PM / Saturday: 11 AM – 5 PM\nClosed on Sunday and Monday.\n\n\n  \n\n\n\nAbout the Artist \n\n\n\n\n\n\nTchah Sup Kim received his BFA from Seoul National University in 1963. With a grant from John D. Rockefeller 3rd Fund Fellowship\, he completed his MFA at the Pratt Institute in New York in 1976. \nWorking primarily in paint and mixed media\, Kim explores the principles of cosmos through nature and its phenomena. He raises questions regarding the universal truth that human beings have sought in and out of history. His artistic journey can be divided into three major periods: from 1965 to 1982\, during his early years in Korea and New York\, his work is characterized by a focus on geometry; from 1983 to 1993\, during his New York period\, he turns toward geopolitical and historical themes; and from 1993 to 2022\, after leaving New York for the rural village of Naepyung-ri in Korea\, and later alternating between the two locations\, he focuses his work on geography and nature. \nTchah Sup Kim’s artwork is currently housed in the collections of many renowned institutions\, including the Museum of Modern Art (NY)\, the Metropolitan Museum of Art (NY)\, and the National Museum of Contemporary Art (Gwacheon\, Korea).
URL:https://potluckasianamerica.org/event/tchah-sup-kim-the-key-to-a-new-world/
LOCATION:Korean Cultural Center New York\, 122 East 32nd Street\, New York\, NY\, 10016\, United States
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Tchah-Sup-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260917
DTEND;VALUE=DATE:20261205
DTSTAMP:20260902T221003Z
CREATED:20260902T220929Z
LAST-MODIFIED:20260902T221003Z
UID:10003299-1789603200-1796428799@potluckasianamerica.org
SUMMARY:Afterlayers: Tai Hwa Goh & Julia Kwon
DESCRIPTION:Opening reception: Thursday\, September 17\, 2026\, 5-7pm \nTwo artists transform traditional materials–textile and paper–to explore themes of identity and memory. Tai Hwa Goh creates intricate\, layered installations from printed and cut paper\, inspired by organic forms\, landscapes\, and the relationship between the interior and exterior. Goh’s process pushes the limits of traditional printmaking\, as she modifies the characteristics of paper and thin fabric by covering with batik or ironing thin sheets of beeswax onto her prints\, deliberately obscuring the underlying images. She then uses techniques like sewing\, gluing\, and manipulating printed materials to construct intricate\, honeycomb-like structures. Found objects seamlessly integrate into the work\, reflecting the blending of the personal and the universal\, as well as natural and artificial elements.Through this process\, the imagery gradually moves away from recognizable forms\, and the dense layers serve as a space where nature\, memory\, and personal experience intertwine. Her installations invite viewers to contemplate the balance between the natural world and human existence\, and how everyday moments can reveal deeper insights into our lives. \nJulia Kwon sews interpretive Korean textiles\, specifically in the form of patchwork bojagi (Korean object-wrapping cloth)\, to critique received notions of Asiatic femininity and challenge reductive\, easily legible identities. Although her bojagi textiles may initially be perceived as traditionally Korean\, the patchwork designs are actually derived from urgent contemporary sociopolitical issues and events. Her work moves beyond simply representing minority identities as she aims to comment on the interconnected systems of oppression. Kwon’s practice contests the notion of authenticity and explores the complexities involved in constructing identities within the current framework of cultural hybridity\, intersectionality\, and the collective pursuit of social justice \nThe Korea Society Gallery is open only by appointment.\nThe appointment must be made at least 24 hours prior to the scheduled visit. \nGallery Hours: Monday-Friday 10 AM-4:30 PM\nBy Appointment Only
URL:https://potluckasianamerica.org/event/afterlayers-tai-hwa-goh-julia-kwon/
LOCATION:The Korea Society\, 350 Madison Avenue\, 24th Floor\, New York\, NY\, 10017
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/fterlayers-copy.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260917
DTEND;VALUE=DATE:20270401
DTSTAMP:20260911T234039Z
CREATED:20260911T234039Z
LAST-MODIFIED:20260911T234039Z
UID:10003349-1789603200-1806537599@potluckasianamerica.org
SUMMARY:Zine* Together
DESCRIPTION:Please join Asia Art Archive in America on Thursday\, September 17th from 5-8pm for the opening reception of their exhibition\, Zine﹡ Together. \nZine﹡ Together is the first exhibition of its kind to examine Asian American zines not only as objects\, but as actions—creative\, collective\, and relational. Drawing from Asia Art Archive in America’s Reading Room collection\, this exhibition highlights collaboratively produced zines from 2010 to the present\, alongside newly commissioned projects and prompts that trace zine-making as a mode of shared authorship and community building. \nIn the 1960s and 1970s\, zines (short for “magazines” or “fan-zines”) were characterized by their photo-copied\, staple-bound formats and emerged as popular do-it-yourself platforms for sharing counter-cultural socio-political programs and avant-garde art practice. In more recent decades and particularly in Asian American communities\, zines have served as a place to explore artistic narratives\, diasporic histories\, and collective responses to marginalization. \nKey to this exhibition is a commissioned research project and essay by Michelle Yee\, PhD\, and Elizabeth Chung that investigates the recent history of Asian American zines in relation to the 2020 COVID-19 pandemic and the parallel rise in anti-Asian violence across the United States. Situating zine-making within this moment of crisis\, the research frames the medium as one of many grassroots strategies for care\, documentation\, and solidarity. Together\, the exhibition and research project position zines not as peripheral ephemera\, but as vital cultural tools that register and record how communities respond in times of uncertainty. \nZine﹡ Together\, itself a collaborative project\, is organized by Claire Kim\, Susanna Chang\, Sarula Bao\, Michelle Yee\, Elizabeth Chung\, Mary Y. Yang\, Chen Luo\, and Tasnima Tanzim.
URL:https://potluckasianamerica.org/event/zine-together/
LOCATION:Asia Art Archive in America\, 23 Cranberry Street\, Ground Floor\, Brooklyn\, NY\, 11201\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Zine-copy.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260919
DTEND;VALUE=DATE:20261109
DTSTAMP:20260927T170404Z
CREATED:20260927T170404Z
LAST-MODIFIED:20260927T170404Z
UID:10003457-1789776000-1794182399@potluckasianamerica.org
SUMMARY:Synthetic Mobility
DESCRIPTION:Fou Gallery is pleased to present “Synthetic Mobility”\, a two-person exhibition featuring Tokyo- and New York-based artist Ai Makita and China-born\, Houston-based kinetic artist Sizhu Li\, on view from September 19 through November 8\, 2026. The exhibition brings to the fore important questions about the interaction between technology and humans\, considering how larger societal shifts affect the way artists represent humanity and reconstituted spaces. \nThe concept of the exhibition is connected to Timothy Morton’s idea of hyperobjects\, according to which we cannot fully perceive larger structures surrounding us and widely distributed across space and time\, but can try to describe their attributes and make a reasonable guess about their true nature. Synthetic mobility – the artificial generation of realistic human movement patterns using advanced algorithms – is a phenomenon related to the new acceleration of living rhythms promoted by digital progress. As the world is enveloped in ideological and cultural conflicts\, Makita and Li consider what it means to remain individuals today\, and how changes in technology alter our sense of perception and our mode of existence. \nAi Makita presents oil paintings\, several of them developed in conjunction with the AI model Midjourney and others based on images created in Photoshop by folding aluminum sheets. The depicted forms represent abstract conjunctions of pipes\, conduits\, and industrial infrastructure. Folded materials result in labyrinths of fluidity and line resembling a circulatory or nervous system\, an organism’s internal anatomy\, or an invisible technological network now made visible. The created conduits recall flowing rivers\, transcended thresholds\, and the linearity of time. Close conceptual connection with Minimalism makes Makita’s stretched lines internally connected to Donald Judd looking at the properties and the rigidity of the structures as well as relation of this (in)stability to the current historical moment. Process art likewise plays a significant role in Makita’s practice\, albeit in a form more appropriate to its new\, updated version\, where the digital has taken the place of the physical. Her paintings leave the viewer with a sense of wonder about where these meandering curves are leading and whether there is any specific destination. Mystery emerges not through mystical effects\, but through the inability to grasp the full picture\, pushing us to step away while also looking closer. \nSizhu Li presents sculptures made primarily from aluminum sheets and industrial fans. In Pushing Hands (2024–present)\, opposing forces travel through an industrial metal wave\, creating a rhythm of tension and equilibrium that references the Taoist principle of balance. The title directly refers to the fundamental Tai Chi practice of Tui Shou\, or “pushing hands\,” centered on sensing\, yielding to\, and balancing opposing forces. Evolving from her earlier project Moonment\, Li uses programmed fans and suspended aluminum sheets to construct a live\, percussive environment of moving metallic waves. In Yuanbao (2026)\, she brings the traditional Chinese symbol of wealth and blessing into conversation with the ephemeral form of clouds\, moving between material and spiritual aspirations\, permanence and transience. Meanwhile\, Oops\, Caught’ya! (2026) turns the clamp into both a generative and restraining device\, using movement\, suspension\, and pressure to consider freedom\, constraint\, instability\, and balance. \nTogether\, the two artists create a dialogue in which materials work as experimental tools to devise new understandings of where we are as a human species. Both artists look at motion\, structure\, and encounter as facilitated by materials\, planes\, and color. Makita’s paintings examine the transformations and limits caused by new synthetic mobility\, while Li’s sculptures engage the same idea through three-dimensional objects. Neither artist provides specific arguments or answers; instead\, they offer aesthetic tools that can help broaden our understanding of the technological forces increasingly shaping contemporary life.
URL:https://potluckasianamerica.org/event/synthetic-mobility/
LOCATION:Fou Gallery\, 89 5th Avenue\, # 701\, New York\, NY\, 10003\, United States
CATEGORIES:Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Synthetic_Mobility-2026-_Poster_Print_vertical_-_15_x_26.67_in.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260919T160000
DTEND;TZID=America/New_York:20261031T000000
DTSTAMP:20260514T035110Z
CREATED:20260514T035110Z
LAST-MODIFIED:20260514T035110Z
UID:10002630-1789833600-1793404800@potluckasianamerica.org
SUMMARY:Queens Night Market
DESCRIPTION:The Queens Night Market is a large\, family-friendly open-air night market in Queens\, featuring over 100 independent vendors selling merchandise\, art\, and food and featuring small-scale cultural performances\, all celebrating the rich cultural diversity and heritage of NYC and Queens. \nEvery Saturday from  4pm to midnight \nApril.18 to  August 22  and  September 19 to October 31. 2026 \nWe’re located behind the New York Hall of Science in Flushing Meadow Corona Park in Queens NYC \n 
URL:https://potluckasianamerica.org/event/queens-night-market-3/
LOCATION:New York Hall of Science\, 47-01 111th St\, Corona\, NY\, 11368\, United States
CATEGORIES:In Person,Night Market
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/05/d1f96b63a658ebbeda62df6a082449b9_447a1362f691dbbafd225cc675073942.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260924
DTEND;VALUE=DATE:20261019
DTSTAMP:20261003T035608Z
CREATED:20260903T012355Z
LAST-MODIFIED:20261003T035608Z
UID:10003306-1790208000-1792367999@potluckasianamerica.org
SUMMARY:Hold These Truths
DESCRIPTION:During World War II\, student Gordon Hirabayashi fights the US government’s orders to forcibly incarcerate people of Japanese ancestry on the West Coast. Struggling to reconcile his country’s betrayal with his passionate belief in the Constitution\, he journeys toward greater understanding of America’s triumphs – and confrontation with its failures. A 36-character solo play inspired by civil rights pioneer Gordon Hirabayashi. \nby Jeanne Sakata – directed by Lisa Rothe
URL:https://potluckasianamerica.org/event/hold-these-truths/
LOCATION:Luna Stage\, 555 Valley Rd.\, West Orange\, NJ\, 07052\, United States
CATEGORIES:Theater
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/13025-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260926
DTEND;VALUE=DATE:20261102
DTSTAMP:20260927T172328Z
CREATED:20260927T172328Z
LAST-MODIFIED:20260927T172328Z
UID:10003460-1790380800-1793577599@potluckasianamerica.org
SUMMARY:Moving Rasa Discovery Cards Inside/Outside
DESCRIPTION:Move what’s inside\, outside. Move what’s outside\, inside. \nWhat happens when something you’re carrying inside—a feeling\, question\, image\, memory\, impulse—gets to take shape in the world around you? \nAnd what happens when the world answers back? \nOver six gatherings\, we’ll use the Moving Rasa Discovery Cards to improvise between our inner and outer worlds. We might climb onto something\, lean into another person\, follow the shape of a tree\, move with a wall\, let a card change our attention\, or allow an unexpected impulse to lead somewhere new. \nWe’ll work with group improvisation\, contact\, imagination\, questions\, and the environments we enter. Some gatherings will happen indoors. Others will take us outside into different NYC places. Each environment becomes part of what we discover. \nThere is no movement to get right and no fixed meaning to find in a card. We’ll notice what emerges through the relationships we make—with ourselves\, one another\, the cards\, and the places around us. \nLocation:\nReal World Sculptures: Norman A Rockefellar Park\nRiver Terrace and\, Chambers St\nNew York City\, NY 10282
URL:https://potluckasianamerica.org/event/moving-rasa-discovery-cards-inside-outside/
LOCATION:NY
CATEGORIES:Dance
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Rasa-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260926
DTEND;VALUE=DATE:20270208
DTSTAMP:20260924T203746Z
CREATED:20260924T203746Z
LAST-MODIFIED:20260924T203746Z
UID:10003408-1790380800-1802044799@potluckasianamerica.org
SUMMARY:Yoshitaka Amano: Origins at the American Academy of Arts and Letters
DESCRIPTION:Yoshitaka Amano (b. 1952\, Shizuoka\, Japan) creates worlds. It’s something he’s done since he was fifteen\, when he moved to Tokyo and began working as a character designer for an anime studio. There\, drawing was always an act of translation. His task was to convert narrative into illustrated concepts\, drawings that would become the connective tissue of a fictional universe. Throughout his career as an independent artist and as a character designer for storied anime and video game franchises\, such as Final Fantasy and Vampire Hunter D\, drawing has always been a way of describing the porousness between the real and the fantastic. “I want to depict a world I myself have never seen\,” Amano says of the feeling from which his work begins. \nOrigins 始源 takes up Amano’s interest in primordial beginnings. Over the last few years\, Amano has been absorbed in Greek and Shinto mythology\, making drawings of the characters that animate these stories. Here\, he presents Pandora\, a series of drawings of the Greek myth of the first mortal woman; they circle the gallery like an ancient frieze\, or the storyboards for an animation. Alongside these works\, a selection of illustrations\, animation\, and popular materials from the 1980s and ’90s\, including the anime film Angel’s Egg and sensual depictions of The Tale of Genji\, is presented in our library. In all the stories Amano is drawn to\, origins are an eternal structure\, a threshold where being emerges. For him\, that threshold is the page; his figures seem to move and drift across its surface\, entering into worlds that exist beyond our lived reality. \nThis exhibition\, Amano’s first institutional solo show in New York\, offers a chance to encounter an artist whose drawings continue to have extended lives in the world around us. Right now\, more likely than not\, you could find them appearing on someone’s gaming console as they play Final Fantasy and livestream it to Twitch; on a Gatchaman Uniqlo tee worn in the streets of Tokyo; or even on an iPhone as someone watches Angel’s Egg on the subway\, in bed\, or really anywhere streaming is available. \nArts and Letters commissioned an essay\, Shining Genji\, by Sean Thor Conroe\, which accompanies the exhibition as part of our Reader series.
URL:https://potluckasianamerica.org/event/yoshitaka-amano-origins-at-the-american-academy-of-arts-and-letters/
LOCATION:American Academy of Arts and Letters\, Audubon Terrace\, New York\, NY\, 10032\, United States
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Yoshita-copy-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260930
DTEND;VALUE=DATE:20261022
DTSTAMP:20260926T224740Z
CREATED:20260926T224542Z
LAST-MODIFIED:20260926T224740Z
UID:10003434-1790726400-1792627199@potluckasianamerica.org
SUMMARY:Midtown Dance: Bhangra in the Plaza
DESCRIPTION:Bollywood rhythm comes to the 34th Street district with performances and lessons that blend fitness with traditional Indian folk dance. \nEvery Wednesday from 9/30 through 10/21 at 6:00 PM
URL:https://potluckasianamerica.org/event/midtown-dance-bhangra-in-the-plaza/
LOCATION:Greeley Square Plaza (Broadway between 32nd and 33rd Streets)\, Greeley Square Park\, Broadway\, New York\, NY\, United States\, New York\, NY\, 10001\, United States
CATEGORIES:Dance
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/a8f43acf248873417fec8d32c4870828.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261002
DTEND;VALUE=DATE:20261024
DTSTAMP:20260927T003557Z
CREATED:20260927T003302Z
LAST-MODIFIED:20260927T003557Z
UID:10003443-1790899200-1792799999@potluckasianamerica.org
SUMMARY:SLEEPLESS NIGHT
DESCRIPTION:Chinese American Counci is pleased to present SLEEPLESS NIGHT\, a solo exhibition by Xuhong Shang\, on view from October 2 through October 23. \n\n\n\n\nSLEEPLESS NIGHT is an exhibition that explores the unstable boundary between reality and dream\, presence and absence\, movement and confinement. Through installation\, photographic fragments\, painting\, video\, sound\, and spatial intervention\, Xuhong Shang creates an environment where perception is interrupted and certainty becomes fragile. \nThe exhibition is centered around the single-channel video Sleepless Night and expands into a physical installation composed of dark surfaces\, fragmented images\, linear structures\, and layered visual interruptions. The exhibition suggests a space where images appear partially concealed\, crossed\, taped\, and suspended within a field of darkness. These elements create a visual rhythm of obstruction and passage\, suggesting windows\, routes\, barriers\, memories\, and psychological thresholds. The viewer is invited not only to look at the work\, but to move through a condition of uncertainty. \nThe title SLEEPLESS NIGHT evokes a state of wakefulness between consciousness and dream. In this in-between condition\, time becomes stretched\, thoughts become fragmented\, and ordinary images take on emotional and symbolic weight. The exhibition reflects this mental space through fractured compositions\, grayscale imagery\, and stark contrasts between light and shadow. The visible world appears unstable\, as if caught between documentation and imagination. \nThe dark wall surface may be understood as a night sky\, an interior void\, or a psychological field. Across this darkness\, white strip boards cut through the canvas images and extend outward into the surrounding space. These sharp white lines suggest lightning crossing the night\, sudden flashes of thought\, or cracks breaking through the surface of memory. They connect the images while also damaging and disrupting them\, creating a tension between illumination and rupture. As the strips move from image to dark space\, they become more than formal devices; they operate as psychological forces\, exposing the instability of perception and the fragile condition of the mind during sleeplessness. \nTravel\, architecture\, and transitional spaces emerge as recurring visual references. Airplanes\, airport-like structures\, passages\, and abstracted silhouettes suggest movement across distance\, yet this movement is never fully free. Instead\, it is crossed by interruptions\, invisible borders\, and psychological weight. The white linear forms may be read as paths\, fractures\, signals\, restrictions\, or flashes of anxiety. They point toward direction and disorientation at the same time. \nIn Shang’s work\, ambiguity functions as a space of possibility. Rather than presenting a fixed narrative\, SLEEPLESS NIGHT asks viewers to confront the uncertain nature of perception itself. The exhibition reflects on how memory\, migration\, globalization\, and cultural experience shape the way we understand reality. It questions how images carry traces of personal and collective history\, and how the intangible forces of dream\, anxiety\, nostalgia\, and desire can become physically present within space. \nThe video Sleepless Night\, a single-channel work with sound\, becomes both an anchor and an atmosphere for the exhibition. Its duration suggests an intimate encounter with time\, while its presence extends the installation into a psychological and sensory field. Sound and moving image deepen the feeling of suspended consciousness\, placing the viewer within a state where the real and the imagined overlap. \nUltimately\, SLEEPLESS NIGHT is an exhibition about uncertainty as a condition of contemporary life. It invites viewers into a contemplative space where images are incomplete\, meanings remain open\, and the familiar becomes strange. Between darkness and light\, movement and stillness\, dream and reality\, the exhibition asks: what remains visible when certainty disappears?
URL:https://potluckasianamerica.org/event/sleepless-night/
LOCATION:Chinese American Arts Council / Gallery 456\, 456 Broadway\, 3rd Floor\, New York\, NY\, 10013\, United States
CATEGORIES:Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/23b30c35c5cee475e5f04fe443dabf65.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261002
DTEND;VALUE=DATE:20261107
DTSTAMP:20260902T204709Z
CREATED:20260902T204709Z
LAST-MODIFIED:20260902T204709Z
UID:10003289-1790899200-1794009599@potluckasianamerica.org
SUMMARY:MOCA PERFORMS – Echoes of Arrival: Becoming
DESCRIPTION:Immigration is never a single arrival but an ongoing process of becoming. Beyond legal status and paperwork\, immigrants navigate displacement\, alienation\, adaptation\, and the long\, sometimes complicated journey toward belonging. What did you have to learn to survive and build a life in the United States? What did you choose to carry with you from the culture you came from? What was lost in translation? And what new part of yourself emerged along the way? \nEchoes of Arrival returns to the Museum of Chinese in America for a new iteration\, Becoming. Through a collection of personal stories\, the ensemble explores the many ways immigrants remake themselves while making a life in a new country. These stories of change\, resilience\, loss\, discovery\, and belonging illuminate how immigration does not simply transform individuals. It continues to shape the rich and ever-evolving cultural fabric of the United States. \nCREATIVE TEAM\nConceived by Dennis Yueh-Yeh Li\nDevised & Performed by Shan Y. Chuang\, Nikkiesha N. McLeod\, Timmy Ong\, Pascal Phoa\, Jeremy Rafal\, Nedelka Sotelo\, Fang Tseng\n  \nPERFORMANCE SCHEDULE\nFriday 10/2\nShan Y. Chuang\, Nikkiesha N. McLeod\, Pascal Phoa\, Jeremy Rafal\, Fang Tseng\nThursday 10/8\nShan Y. Chuang\, Timmy Ong\, Pascal Phoa\, Jeremy Rafal\, Fang Tseng\nFriday 10/16\nShan Y. Chuang\, Timmy Ong\, Pascal Phoa\, Jeremy Rafal\, Nedelka Sotelo\nThursday 10/22\nShan Y. Chuang\, Nikkiesha N. McLeod\, Timmy Ong\, Nedelka Sotelo\, Fang Tseng\nFriday 11/6\nNikkiesha N. McLeod\, Timmy Ong\, Jeremy Rafal\, Nedelka Sotelo\, Fang Tseng
URL:https://potluckasianamerica.org/event/moca-performs-echoes-of-arrival-becoming/
LOCATION:Museum of Chinese in America (MOCA)\, 215 Centre Street\, New York\, NY\, 10013\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/echoes-of-arrival-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261003
DTEND;VALUE=DATE:20270201
DTSTAMP:20260821T183629Z
CREATED:20260821T183629Z
LAST-MODIFIED:20260821T183629Z
UID:10003186-1790985600-1801439999@potluckasianamerica.org
SUMMARY:Art of Manga
DESCRIPTION:Be drawn into the world of manga.\nArt of Manga is the first major exhibition in the Americas to explore manga—Japanese comics and graphic novels—as an art form. Marking its East Coast debut\, the Brooklyn Museum’s presentation is packed with more than 600 drawings that showcase manga’s immersive power and social impact. Don’t miss this rare opportunity for US audiences to encounter an astonishing selection of original manga artworks\, including examples from beloved series Inuyasha\, JoJo’s Bizarre Adventure\, Ōoku: The Inner Chambers\, ONE PIECE\, and many more. \nA global phenomenon\, manga is driven by those who design\, draw\, and very often author the stories that define the medium. Discover influential manga artists\, or mangaka\, and their distinct approaches to storytelling. Through compelling narratives and captivating imagery\, each mangaka’s work invents a universe that may be familiar or supernatural\, historical or futuristic\, contemplative or action-packed. These tales address universal themes such as coming of age\, tapping into hidden strengths\, and finding beauty in the ordinary—as well as contemporary issues such as environmentalism\, gender roles\, LGBTQ+ rights\, and socioeconomic inequality. Whether you enter as an otaku or a novice\, you’ll leave Art of Manga fluent in this vital medium. \nGo all-access with “Art of Manga.” The Manga Fan Pass gives one adult and one guest unlimited entry throughout the exhibition’s run—plus a slew of other perks especially for manga fans. \nThe $75 pass includes… \n⚫ Unlimited entry for you and a guest to “Art of Manga” (subject to availability) as well as general admission to Museum galleries \n⚫ Invites to Member Previews and select Member Evenings for “Art of Manga” \n⚫ Exclusive presale access to “Art of Manga” public programs \n⚫ 10% discount at the Café and Museum Shop (excluding gashapon machines) \n⚫ A collectible badge for you to wear and show off your love of manga (wear your badge each time you return to get a new pin to build your collection!)
URL:https://potluckasianamerica.org/event/art-of-manga/
LOCATION:Brooklyn Museum\, 200 Eastern Parkway\, Brooklyn\, NY\, 11238\, United States
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Art-of-Manga-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261006
DTEND;VALUE=DATE:20261116
DTSTAMP:20260909T024920Z
CREATED:20260909T023835Z
LAST-MODIFIED:20260909T024920Z
UID:10003327-1791244800-1794787199@potluckasianamerica.org
SUMMARY:King of the Yees
DESCRIPTION:For nearly twenty years\, Larry Yee has been the heart and soul of the Yee Fung Toy Family Association\, a fraternal organization in San Francisco’s iconic Chinatown. But to his daughter Lauren\, a playwright living in New York\, the association is an obsolete relic of a vanishing world. When Larry suddenly disappears\, Lauren sets off on a wild quest to find him\, embarking on a surreal\, magical journey through the history and myths of her own lineage. KING OF THE YEES is a hilarious and heartfelt “kind of true” story by Signature resident artist Lauren Yee\, who turns her incisive comedic eye on what we inherit and what it means to truly be a Yee.  \n \nAbout the Playwright \n \nLAUREN YEE is proud to be a Signature Theatre resident playwright. She is an award-winning playwright\, screenwriter\, and librettist based in New York City. Prior to the pandemic\, Lauren was named by American Theatre as the second-most-produced playwright of that upcoming season. Recent plays include Cambodian Rock Band with music by Dengue Fever (South Coast Rep\, Oregon Shakespeare Festival\, La Jolla Playhouse\, Signature Theatre\, East West Players)\, The Great Leap (Denver Center\, Seattle Rep\, Atlantic Theatre\, Steppenwolf\, American Conservatory Theatre)\, King of the Yees (Goodman Theatre\, Center Theatre Group)\, and Mother Russia (Seattle Rep\, Signature Theatre\, upcoming at Hampstead Theatre\, South Coast Rep\, Trinity Rep). She is writing the book for the musical adaptation of Madeleine L’Engle’s A Wrinkle in Time\, with music and lyrics by Heather Christian. Honors include the Doris Duke Artists Award\, Whiting Award\, Steinberg/ATCA Award\, American Academy of Arts and Letters literature award\, Horton Foote Prize\, Kesselring Prize\, Primus Prize\, a Hodder Fellowship at Princeton\, and the #1 and #2 plays on the 2017 Kilroys List. TV: ”Pachinko” (Apple)\, “Soundtrack” (Netflix)\, “Interior Chinatown” (Hulu)\, “Billions” (Showtime)\, “Clipped” (FX). She’s previously developed pilots for Netflix and Apple and is currently developing TV and feature projects for Netflix and Universal. BA: Yale\, MFA: UCSD. laurenyee.com
URL:https://potluckasianamerica.org/event/king-of-the-yees/
LOCATION:Signature Theatre\, 480 W 42nd St.\, New York\, NY\, 10036\, United States
CATEGORIES:Theater
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261006
DTEND;VALUE=DATE:20270111
DTSTAMP:20260805T153101Z
CREATED:20260805T153101Z
LAST-MODIFIED:20260805T153101Z
UID:10003008-1791244800-1799625599@potluckasianamerica.org
SUMMARY:Gen’ichirō Inokuma’s NYC Salon
DESCRIPTION:Gen’ichirō Inokuma’s NYC Salon is the first New York solo museum exhibition of the Japanese modern artist Gen’ichirō Inokuma (1902–1993). Organized by Japan Society Gallery in collaboration with the Marugame Genichiro-Inokuma Museum of Contemporary Art (MIMOCA) in Marugame\, Japan\, the exhibition explores Inokuma’s paintings shown at the Willard Gallery and various multimedia works created during his twenty-year residence in NYC (1955–1975). Along with important holdings from MIMOCA\, the exhibition presents Inokuma’s works in the Japan Society collection and the recently discovered Hirose Family Collection. \nInokuma’s Manhattan sojourn was shaped by meaningful connections with the American avant-garde: Jasper Johns\, Mark Rothko\, Robert Rauschenberg\, Alexander Calder\, David Smith\, Isamu Noguchi\, Yoko Ono\, John Cage\, Merce Cunningham\, and many others. Inokuma and his wife\, Fumiko\, also served as a social and cultural bridge between American and visiting Japanese artists and architects\, often hosting gatherings at their New York apartments. The exhibition features photographs\, film footage\, and ephemera documenting these artistic interactions. \nBy illuminating Inokuma’s little-known role in postwar American art history\, NYC Salon brings new insights into New York City’s mid-20th-century art world—both its collaborative artistic atmosphere\, and its vibrant international social scene \nTimed Tickets: $20 Nonmembers\, $15 Students and seniors \nGallery Exhibition Hours\n\nTuesdays-Fridays: 11 am-5 pm\n\n\nSaturdays & Sundays: noon-6 pm\n\n\nFree First Fridays: 5 pm-7 pm*\n\n\n*October 9\, 2026; November 6\, 2026; December 4\, 2026\, January 8\, 2027
URL:https://potluckasianamerica.org/event/genichiro-inokumas-nyc-salon/
LOCATION:Japan Society\, 333 East 47th Street\, New York\, NY\, 10017\, United States
CATEGORIES:Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Genichiro-Art-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261011T110000
DTEND;TZID=America/New_York:20261011T180000
DTSTAMP:20260916T135253Z
CREATED:20260902T191947Z
LAST-MODIFIED:20260916T135253Z
UID:10003280-1791716400-1791741600@potluckasianamerica.org
SUMMARY:Smorgasburg Diwali: Festival of Bites
DESCRIPTION:Join us for the first-ever Smorgasburg Diwali: Festival of Bites in partnership with @browngirlmag! \nA two-day celebration of South Asian flavors\, culture\, and community — featuring guest vendors\, specials from our resident vendors\, and plenty of festive surprises 🎉\n📍 Saturday\, Oct 11 — Williamsburg • 11AM – 6PM \nVendor Highlights 🍴:\n🥪 Vada Pav by @fontainhas_dukaan\n🌯 Paratha Rolls by @kolachirolls\n🍪 Rasmalai Cookies by @doughnitgoods\n🥟 Fuchka by @themonkeykingnyc\n🍬 Mithai by @tagmonyc\n☕ Chai by @chaistreet.co\n🍩 Indian Fusion Desserts by @kneadsomeloveny\n🥞 Dosas by @dosa.brooklyn\n🍗 Mala Fried Chicken by @chippow_nyc\n🌮 Butter Chicken Tacos by @tacomahalnyc\n🥜 Indian Fusion Snacks by @baabufoods\n🍂 Organic Teas by @ayursomewellness \n🎶💃 Plus!\n🎧 Beats by @discoauntie\n💃 Traditional dance by @columbiaraas\n🎨 Interactive Rangoli by @sam.hit.a\n🤲 Henna by @mehendibymonika\n🛺 Mock Indian wedding pics by @ragstorickshaws\n🎨 Arts and Crafts with @theculturetree \nCelebrate\, eat\, and vibe with us at the Festival of Lights — Smorg style 🪔🍴💛
URL:https://potluckasianamerica.org/event/smorgasburg-diwali-festival-of-bites-2/
LOCATION:Williamsburg\, Brooklyn
CATEGORIES:Festival,Food,Mental Health
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Diwali-Smorgasburg-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261011T131500
DTEND;TZID=America/New_York:20261011T153700
DTSTAMP:20260916T135036Z
CREATED:20260916T135036Z
LAST-MODIFIED:20260916T135036Z
UID:10003386-1791724500-1791733020@potluckasianamerica.org
SUMMARY:Secret Sunshine
DESCRIPTION:When her husband passes away in an automobile accident\, Shin-ae relocates down south to her late husband’s hometown of Miryang. Despite her efforts to settle down\, in this unfamiliar and much too normal place\, she finds that she can’t quite fit in. Helping her out is Kim Jong-chan\, a good-intentioned but bothersome bachelor\, who owns a car repair shop. Life plods on. However\, fate takes a vicious turn when Shin-ae loses her son in the most horrific way a mother could imagine. She turns to Christianity to relieve the pain in her heart\, but when even this is not permitted\, she wages a war against God. \nLANGUAGE\nKorean with English subtitles
URL:https://potluckasianamerica.org/event/secret-sunshine/
LOCATION:Paris Theater\, 4 West 58th St.\, New York\, NY\, 10019\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Secret-Sunshine.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261011T140000
DTEND;TZID=America/New_York:20261011T170000
DTSTAMP:20261004T154538Z
CREATED:20261004T154515Z
LAST-MODIFIED:20261004T154538Z
UID:10003513-1791727200-1791738000@potluckasianamerica.org
SUMMARY:Magic\, Music & Motion on Pell
DESCRIPTION:[Sun Oct 11\, the same set will be performed starting at 2pm and 3:30pm\, at 21 Pell Street]  \nA lively outdoor variety show on Pell Street bringing traditional and contemporary acts to the doorstep of a 100-year-old community church on Pell Street. Experience the dazzling spectacle of Sichuan opera face-changing\, the wonder of a masterful magician\, mesmerizing hoop dance\, delightful puppetry\, soulful Hawaiian guitar\, and plenty of comedy and laughter—all coming together in an unexpected mix of magic\, music\, and motion on the streets of Chinatown. \nThis performance is a free-flowing event on Pell Street. Feel free to grab a snack\, catch a part of performance – and if you miss some\, come back for the second showing! Send a donation to support the artists and Think!Chinatown.
URL:https://potluckasianamerica.org/event/magic-music-motion-on-pell/
LOCATION:21 Pell Street\, 21 Pell Street\, New York\, NY\, 10013\, United States
CATEGORIES:Performance
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/10/Puppetsonpell-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261011T150000
DTEND;TZID=America/New_York:20261011T170000
DTSTAMP:20260913T150556Z
CREATED:20260913T150556Z
LAST-MODIFIED:20260913T150556Z
UID:10003376-1791730800-1791738000@potluckasianamerica.org
SUMMARY:TAP-NY Pickleball and Badminton Social
DESCRIPTION:Join TAP for an afternoon of pickleball and badminton at Kotofit in Long Island City! \nWe are excited to partner with Kotofit to host our Monthly Pickleball & Badminton Social. Whether you’re looking to meet new people\, get active\, or enjoy some friendly competition\, this event is the perfect opportunity to spend a morning on the courts. Players of all skill levels are welcome\, so come rally\, have fun\, and enjoy the great space that Kotofit has to offer. \nCourts will be designated for different skill levels\, including a beginner/learning court and an intermediate/advanced court for each of pickelball and badminton. \nSpace is limited\, so we encourage signing up early. \nPlease note: Prior pickleball / badminton experience is encouraged but not required.
URL:https://potluckasianamerica.org/event/tap-ny-pickleball-and-badminton-social/
LOCATION:Kotofit\, 43-56 10th St.\, Long Island City\, NY\, 11101\, United States
CATEGORIES:Sports
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/TAP-Pickeball-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261011T150000
DTEND;TZID=America/New_York:20261011T170000
DTSTAMP:20260927T180827Z
CREATED:20260927T180731Z
LAST-MODIFIED:20260927T180827Z
UID:10003467-1791730800-1791738000@potluckasianamerica.org
SUMMARY:The Orchestra Now Celebrates America’s 250th Anniversary
DESCRIPTION:As the finale of the ninth season of the China Now Music Festival\, The Orchestra Now tells the story of the Chinese laborers who carved the Transcontinental Railroad out of the Sierra Nevada in the 1860s. Men of Iron and the Golden Spike is a large-scale symphonic oratorio by composer Zhou Long. It is a story of grit and sacrifice that history books have largely left out. This monumental work returns to the stage in New York City after its premiere during the 2019 China Now Music Festival and features a large orchestra\, 120 choristers\, and vocal soloists. \nPaired with it is the US premiere of Chasing the Sky\, a five-movement symphonic suite by Li Shaosheng that turns its gaze upward\, tracing humanity’s dream of reaching the stars\, which explores our enduring fascination with the skies and the journey of space exploration. The piece traces the relationship between ancient imagination\, scientific discovery\, and contemporary innovation. \nPerformers:\nJindong Cai\, conductor\nLucy Fitz Gibbon\, soprano\nZiqi Wang\, mezzo-soprano\nYi Li\, tenor\nYue Wu\, baritone\nAndrew Munn\, bass ‍ \nThe Orchestra Now\nChina Now Chorus \nPhotography by Patrick Li
URL:https://potluckasianamerica.org/event/the-orchestra-now-celebrates-americas-250th-anniversary/
LOCATION:Rose Theater\, Jazz at Lincoln Center\, 10 Columbus Circle\, 5th Floor\, New York\, NY\, 10023\, United States
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/China-Concert-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261011T150000
DTEND;TZID=America/New_York:20261011T200000
DTSTAMP:20260928T184441Z
CREATED:20260928T184441Z
LAST-MODIFIED:20260928T184441Z
UID:10003495-1791730800-1791748800@potluckasianamerica.org
SUMMARY:Mid-Autumn Moon Festival
DESCRIPTION:🌕🏮 Mid-Autumn Moon Festival — NEW DATE! \nDue to the forecast for inclement weather\, our Mid-Autumn Moon Festival has been postponed to Sunday\, October 11. \n📅 NEW DATE: Sunday\, October 11\n⏰ 3–8 p.m.\n📍 Steppingstone Park \nJoin us for an afternoon and evening filled with food\, live music\, performances\, cultural activities\, Dragon Boat racing and more\, followed by our spectacular Drone Show finale at 8 p.m.! ✨🐉🌌 \nReserve your tickets at https://www.gnparksny.gov/867/Mid-Autumn-Moon-Festival \n🎟️ Already have tickets? No need to register again! Tickets previously issued for September 26 will still scan and are valid for the new October 11 date. \n🍂 PLEASE NOTE: Our Harvest Festival & Family Fireworks Celebration\, originally scheduled for October 11\, has also moved and will now take place on Sunday\, November 1 at Steppingstone Park.
URL:https://potluckasianamerica.org/event/mid-autumn-moon-festival/
LOCATION:Steppingstone Park\, 38 Stepping Stone Ln.\, Kings Point\, NY\, 11024\, United States
CATEGORIES:Festival
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/LI-Moon-Festival-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261011T180000
DTEND;TZID=America/New_York:20261011T195000
DTSTAMP:20260926T222200Z
CREATED:20260926T222027Z
LAST-MODIFIED:20260926T222200Z
UID:10003427-1791741600-1791748200@potluckasianamerica.org
SUMMARY:International Film Festival Manhattan Prog 12 “Pandong” (Philippines)
DESCRIPTION:Film screening “Pandong” 90 Mins Dir: Alan Filoteo (Philippines) Pandong fictional story inspired by Jose Rizal’s Noli Mi Tangere
URL:https://potluckasianamerica.org/event/international-film-festival-manhattan-prog-12-pandong-philippines/
LOCATION:Producers Club\, 358 W 44th St\, Grand Theater\, New York\, NY\, 10036\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/93edc17274ed1f3b01b7664e71277e59.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261011T190000
DTEND;TZID=America/New_York:20261011T203000
DTSTAMP:20260928T195505Z
CREATED:20260928T195038Z
LAST-MODIFIED:20260928T195505Z
UID:10003497-1791745200-1791750600@potluckasianamerica.org
SUMMARY:Garam Masala Comedy Dating Show: All Stars Edition
DESCRIPTION:NYC’s #1 Desi Dating Show is BACK! Watch as two strangers go on a real blind date on stage in front of a live audience\, hosted by comedians Surbhi and Wyatt Feegrado. Stand-up comedy\, live matchmaking\, audience participation and an afterparty to follow. \nCreated by comedian Surbhi (@lordmakemetaller) and co-hosted with comedian and actor Wyatt Feegrado\, the show puts two South Asian singles on a real blind date in front of a live audience. 200M+ views\, 40+ sold-out shows and four seasons in\, it hits a nerve: dating-app fatigue meets a marriage-minded culture\, and a room full of people gets to watch two strangers figure it out live. Recent coverage includes Zee News and DESIblitz\, with the show now in talks for a TV adaptation. \n\n🍽️ We provide food and beverage service directly to your table in the venue. Or\, for an expanded menu and more relaxed experience\, arrive early and enjoy a meal in our restaurant before the show. When dining in the restaurant\, reservations are encouraged and can be made via Resy starting one month before the show. \n\n2-item Per Person Encouraged \n🎶 While we do not require a two-item food or beverage minimum\, we strongly encourage it. Most ticket revenue goes directly to the artist and production costs\, so food and drink purchases help support the staff\, service\, and atmosphere that make these intimate shows possible. \nThe good news: we think you’ll love the food and wine just as much as the show.
URL:https://potluckasianamerica.org/event/garam-masala-comedy-dating-show-all-stars-edition/
LOCATION:The Loft at City Winery NYC\, 25 11th Ave\, New York\, NY\, 10011\, United States
CATEGORIES:Show
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DTSTART;TZID=America/New_York:20261012T190000
DTEND;TZID=America/New_York:20261012T210000
DTSTAMP:20260927T181337Z
CREATED:20260927T181257Z
LAST-MODIFIED:20260927T181337Z
UID:10003468-1791831600-1791838800@potluckasianamerica.org
SUMMARY:Works & Process Presents Minnesota Opera: The Many Deaths of Laila Starr
DESCRIPTION:Works & Process presents The Many Deaths of Laila Starr\, a performance from the Minnesota Opera by Kamala Sankaram and Minita Gandhi on Monday\, October 12\, 2026 at 7PM at the Peter B. Lewis Theater\, 1071 Fifth Avenue\, New York\, NY\, 10128. Tickets start at $15 and can be purchased at https://www.tix.com/ticket-sales/guggenheim/3515/event/1476994. \nWitness the transformation of BOOM! Studios’ acclaimed graphic novel The Many Deaths of Laila Starr by Ram V. and Filipe Andrade into a vivid and transporting tale for the operatic stage by composer Kamala Sankaram and librettist Minita Gandhi. Commissioned and developed by Minnesota Opera’s groundbreaking New Works Initiative\, the opera explores the blurred boundary between divine and human through the lens of magical realism when the goddess of Death is cast down to Earth to live as a mortal named Laila Starr. \nAhead of the world premiere in Saint Paul join Ram V.\, Sankaram\, Gandhi\, and members of the opera’s creative team––including director Mary Birnbaum\, scenic designer Mimi Lien\, costume designer Oana Botez\, and choreographer Rohit Gijare––for a conversation about their collaborative process\, interwoven with cast members performing excerpts. Infused with elements of Konnakol\, Raga\, and EDM\, this fantasy on purpose and impermanence unfolds with both kinetic energy and striking clarity\, as a god made mortal begins to see the world––and life itself––through fresh eyes. All are invited to continue the conversation at a reception in the rotunda. \nMinnesota Opera’s New Works Initiative is a groundbreaking commissioning program aimed at invigorating the operatic canon with an infusion of contemporary works. Launched in 2008\, it has resulted in the premiere of nine new operas including Silent Night\, The Shining\, Doubt\, Edward Tulane\, The Song Poet\, and more. The initiative is centered around a six-person creative cohort of three composers and three librettists who work in different pairings to collectively create three full-scale operas\, three chamber operas\, and three song cycles. The Many Deaths of Laila Starr is the second opera from the current cohort—composers Kamala Sankaram\, David Hanlon\, and B.E. Boykin and librettists Minita Gandhi\, John de los Santos\, and Harrison David Rivers—to premiere\, following Boykin and Rivers’ My Name is Florence in January 2026.
URL:https://potluckasianamerica.org/event/works-process-presents-minnesota-opera-the-many-deaths-of-laila-starr-by-kamala-sankaram-and-minita-gandhi/
LOCATION:Solomon R. Guggenheim Museum\, 1071 5th Avenue\, New York\, NY\, 10128\, United States
CATEGORIES:Performance
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Laila-Star-copy.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261013T180000
DTEND;TZID=America/New_York:20261013T200000
DTSTAMP:20260928T225525Z
CREATED:20260928T225504Z
LAST-MODIFIED:20260928T225525Z
UID:10003498-1791914400-1791921600@potluckasianamerica.org
SUMMARY:Baruch Mid-Autumn Festival and Mahjong Tournament
DESCRIPTION:Join the Baruch Asian Heritage Alumni Network for our new celebration of the Mid-Autumn Festival! Hosted at a trendy lounge in Chinatown\, you’ll enjoy buffet food\, drinks\, and even a Mahjong tournament! (Don’t worry\, beginners. We’ll teach you how to play in this friendly competition for players of all skill levels). \nTypically celebrated in late September in China and across much of East and Southeast Asia\, the Mid-Autumn Festival focuses on family\, gratitude for the harvest\, and prayers for good fortune\, centered around the symbolism of the full moon. We look forward to seeing you at this new Baruch tradition! \nPlease email the Office of Alumni Relations with any questions about this event.
URL:https://potluckasianamerica.org/event/baruch-mid-autumn-festival-and-mahjong-tournament/
LOCATION:100 Feast & Lounge\, 100 East Broadway\, New York\, NY\, 10002\, United States
CATEGORIES:Festival,Games
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261013T193000
DTEND;TZID=America/New_York:20261013T210000
DTSTAMP:20260927T161720Z
CREATED:20260927T161720Z
LAST-MODIFIED:20260927T161720Z
UID:10003453-1791919800-1791925200@potluckasianamerica.org
SUMMARY:Japas Cervejaria x Yu & Me Books Takeover
DESCRIPTION:Japas is a Brazilian craft beer brand founded by women of Japanese descent\, blending Japanese heritage with Brazilian creativity. \nThrough bold flavors\, playful storytelling\, and distinctive design\, the brand creates beers that celebrate identity\, culture\, and connection. More than a brewery\, Japas is a platform for sharing stories and building community across cultures. \nFor ONE NIGHT ONLY\, the Japas is team is coming into town and taking over the Yu & Me Books bar! We’re staying open late to celebrate beers\, books\, and new buddies! Come stop by\, hang out\, and have a beer! Free RSVP.
URL:https://potluckasianamerica.org/event/japas-cervejaria-x-yu-me-books-takeover/
LOCATION:Yu and Me Books\, 44 Mulberry St.\, New York\, NY\, 10013\, United States
CATEGORIES:Meetup
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/yu_me_post_news_art-copy.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20261014
DTEND;VALUE=DATE:20261031
DTSTAMP:20261014T192853Z
CREATED:20261014T192745Z
LAST-MODIFIED:20261014T192853Z
UID:10003543-1791936000-1793404799@potluckasianamerica.org
SUMMARY:APA Voice Volunteers Needed for Voting Phonebanks
DESCRIPTION:📞 Pick up the phone. Make the call. Get out the vote! \nJoin APA VOICE as we Get Out The Vote in NYS! This year\, New York State is voting on positions for Governor\, Lieutenant Governor\, State Senate\, State Assembly\, Comptroller\, Congress\, Attorney General\, and five ballot proposals\, and community members have already shared confusion and questions — your support helps bridge that gap. \n🔊 During our phonebanks\, you will be calling AAPI voters to share crucial election information and encourage them to vote. \n🔗 Sign up for a shift today at https://www.mobilize.us/minkwongotv/
URL:https://potluckasianamerica.org/event/apa-voice-volunteers-needed-for-voting-phonebanks/
LOCATION:NY
CATEGORIES:Voting
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DTSTART;TZID=America/New_York:20261014T193000
DTEND;TZID=America/New_York:20261014T210000
DTSTAMP:20260927T191036Z
CREATED:20260927T191036Z
LAST-MODIFIED:20260927T191036Z
UID:10003476-1792006200-1792011600@potluckasianamerica.org
SUMMARY:Trio Azura
DESCRIPTION:This October\, Carnegie Hall presents the Carnegie Hall debut of Trio Azura\, winners of the 2025 Young Concert Artists International Auditions and the organization’s first-ever ensemble-in-residence. \nFeaturing Korean cellist Yejin Hong\, the trio has been praised by Gramophone for its “intelligence and imagination” and “profound emotion\,” and won multiple prizes at the prestigious Fischoff National Chamber Music Competition in 2024. For their Carnegie Hall debut\, the musicians perform timeless piano trios by Maurice Ravel and Felix Mendelssohn\, alongside Jennifer Higdon’s acclaimed first Piano Trio.
URL:https://potluckasianamerica.org/event/trio-azura/
LOCATION:Zankel Hall at Carnegie Hall\, 881 7th Ave.\, New York\, NY\, 10019\, United States
CATEGORIES:Concert
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261014T211500
DTEND;TZID=America/New_York:20261014T223000
DTSTAMP:20260822T222457Z
CREATED:20260822T222457Z
LAST-MODIFIED:20260822T222457Z
UID:10003194-1792012500-1792017000@potluckasianamerica.org
SUMMARY:The 2046: A World of Wong Kar Wai
DESCRIPTION:The Red Pavilion presents The 2046: A World of Wong Kar Wai\, a chamber ensemble experience inspired by the films of Wong Kar Wai. Led by Victor Lin\, the music draws from In the Mood for Love\, 2046\, Days Of Being Wild\, and related works\, shaped by the understated\, recurring motifs that define his cinematic language. \nBuilt on restrained\, cyclical phrasing\, the ensemble moves through slow waltzes and suspended harmonies\, where small shifts in texture carry emotional weight. The sound is intimate and deliberate\, connecting what remains physically separate but emotionally intertwined.  As the music unfolds\, it becomes a point of convergence – where memory\, distance\, and longing gather just beneath the surface\, giving voice to what cannot be expressed openly. \nBring your would-be lover\, your lover’s lover\, or come as your wistful self.\nJust remember: Love is all a matter of timing.\n \n\nWalk-ins welcome pending availability. 2 Drink Minimum per person for table service. 21+ ID Required. All Sales Final.
URL:https://potluckasianamerica.org/event/the-2046-a-world-of-wong-kar-wai-2/
LOCATION:The Red Pavilion\, 1241 Flushing Ave\, Brooklyn\, NY\, 11237\, United States
CATEGORIES:Music,Nightclub
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