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DTSTART;VALUE=DATE:20260917
DTEND;VALUE=DATE:20261014
DTSTAMP:20260928T233759Z
CREATED:20260928T231857Z
LAST-MODIFIED:20260928T233759Z
UID:10003500-1789603200-1791935999@potluckasianamerica.org
SUMMARY:Yuen Woo-ping Retrospective
DESCRIPTION:In a Hong Kong film industry overflowing with martial arts talent\, Yuen Woo-ping stands apart. His legendary influence\, in a career spanning more than five decades\, has earned him the widely celebrated\, industry-bestowed moniker “天下第一武指\,” which translates as “The Number One Martial Arts Director Under the Sky.” As both film director and action choreographer\, Yuen helped elevate martial arts cinema into a sophisticated art form\, blending technical precision with character\, poetry\, and astonishing physical invention. His choreography prioritizes movement legibility\, spatial clarity\, and expressive geometry over brute force\, reshaping the visual grammar of global action filmmaking. \nBorn into a family of Peking Opera performers\, Yuen grew up in a tradition where drama\, martial arts\, acrobatics\, and dance were inseparable—a heritage linking him to contemporaries like Jackie Chan and Sammo Hung\, who emerged from the same rigorous training. Yuen’s father\, Yuen Siu-tien\, an accomplished opera performer\, actor\, and martial arts director\, introduced his children to the film set. The Yuen siblings began as stunt performers and rose through the ranks. Together they formed the Yuen Clan\, becoming some of Hong Kong cinema’s most respected stunt performers and action directors. \nYuen’s first two films as a director\, Snake in the Eagle’s Shadow and Drunken Master (both 1978)\, launched Chan’s stardom. By shifting martial arts cinema away from solemn violence to wit\, personality\, and comedic invention\, the films established a template for Chan’s career. Yuen went on to collaborate with icons like Hung\, Jet Li\, Michelle Yeoh\, and Donnie Yen\, while consistently demonstrating an unparalleled ability to train performers of all backgrounds—including Hollywood stars like Keanu Reeves and Uma Thurman—in his intensive “fight camps.” \nYuen’s work on The Matrix (1999)\, which seamlessly integrates Hong Kong wirework—human-controlled harnesses and cables that propel and suspend performers—with science fiction\, fundamentally altered how Hollywood approaches action. With Crouching Tiger\, Hidden Dragon (2000) he showed that martial arts could deepen a film’s emotional and intellectual resonance as much as its spectacle. Yuen’s extraordinary adaptability made him the definitive collaborator for visually distinct auteurs as diverse as Stephen Chow\, Ang Lee\, Quentin Tarantino\, Tsui Hark\, the Wachowskis\, and Wong Kar Wai. Decades after his debut\, Yuen’s latest epic\, Blades of the Guardians (2026)\, proves his vision still dictates the rhythm of modern action cinema. \n\n\n\n\n\nIron Monkey (少年黃飛鴻之鐵馬騮).1993. Directed by Yuen Woo-ping\nTue\, Sep 29\, 4:30 p.m.\nThu\, Oct 8\, 6:30 p.m.\n\n\n\n\nFearless (aka Jet Li’s Fearless\, 霍元甲).\n2006. Directed by Ronny Yu\nTue\, Sep 29\, 7:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nKill Bill: Volume 2.\n2004. Directed by Quentin Tarantino\nWed\, Sep 30\, 4:00 p.m.\nSat\, Oct 10\, 6:30 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nBlades of the Guardians (鏢人:風起大漠).2026. Directed by Yuen Woo-ping\nWed\, Sep 30\, 7:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nIn the Line of Duty 4: Witness (皇家師姐IV：直擊證人).1989. Directed by Yuen Woo-ping\nThu\, Oct 1\, 4:30 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nIp Man 4: The Finale (葉問4：完結篇).2019. Directed by Wilson Yip\nThu\, Oct 1\, 7:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nOnce Upon a Time in China (黃飛鴻).\n1991. Directed by Tsui Hark\nFri\, Oct 2\, 4:00 p.m.\n\n\n\n\n\n\nThe Grandmaster (一代宗師). [Hong Kong cut].\n2013. Directed by Wong Kar Wai\nFri\, Oct 2\, 7:00 p.m.\n\n\n\n\n\nThe Matrix.\n1999. Written and directed by Lana and Lilly Wachowski\nSat\, Oct 3\, 4:00 p.m.\n\n\n\n\n\n\n\n\nThe Matrix Reloaded.\n2003. Written and directed by Lana and Lilly Wachowski\nSat\, Oct 3\, 7:00 p.m.\n\nSnake in the Eagle’s Shadow (蛇形刁手)\n1978. Directed by Yuen Woo-ping\nSun\, Oct 4\, 1:30 p.m.\n\n\n\n\n\n\n\n\n\n\nMaster Z: The Ip Man Legacy (葉問外傳：張天志).2018. Directed by Yuen Woo-ping\nSun\, Oct 4\, 4:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nFist of Legend (精武英雄).\n1994. Directed by Gordon Chan\nMon\, Oct 5\, 6:30 p.m.\nSun\, Oct 11\, 1:30 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nThe Miracle Fighters (奇門遁甲).1982. Directed by Yuen Woo-ping\nTue\, Oct 6\, 4:30 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nDreadnaught (勇者無懼).\n1981. Directed by Yuen Woo-ping\nTue\, Oct 6\, 7:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nTai Chi Master (太極張三豐).\n1993. Directed by Yuen Woo-ping\nThu\, Oct 8\, 4:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nOnce Upon a Time in China II (黃飛鴻之二：男兒當自強).\n1992. Directed by Tsui Hark\nFri\, Oct 9\, 4:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nDrunken Master (醉拳).\n1978. Directed by Yuen Woo-ping\nFri\, Oct 9\, 6:30 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nKill Bill: Volume 1.\n2003. Directed by Quentin Tarantino\nSat\, Oct 10\, 4:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nWing Chun (詠春).\n1994. Directed by Yuen Woo-ping\nSun\, Oct 11\, 4:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nThe Magnificent Butcher (林世榮).1979. Directed by Yuen Woo-ping\nTue\, Oct 13\, 4:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nCrouching Tiger\, Hidden Dragon (臥虎藏龍).\n2000. Directed by Ang Lee\nTue\, Oct 13\, 6:30 p.m.
URL:https://potluckasianamerica.org/event/yuen-woo-ping-retrospective/
LOCATION:Museum of Modern Art\, 11 West 53 Street\, New York\, NY\, 10019\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Yuen-Woo-Ping-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260917
DTEND;VALUE=DATE:20261018
DTSTAMP:20260818T233546Z
CREATED:20260818T233546Z
LAST-MODIFIED:20260818T233546Z
UID:10003124-1789603200-1792281599@potluckasianamerica.org
SUMMARY:Best by 07/21/2026
DESCRIPTION:A residency-then-exhibition Artists: Clare Hu\, Tianyi Sun\, and Shaan Ken Rao \n398 West Street\, New York\, NY 10014 Residency: July 21 – September 16\, 2026 Exhibition: September 17 – October 17\, 2026 Opening Reception with the artists: Thursday\, September 17\, 2026 | 6-8 PM \nEli Klein Gallery is pleased to present Best by 07/21/2026\, a residency-then-exhibition featuring artists Clare Hu\, Tianyi Sun\, and Shaan Ken Rao\, opening on its own expiration date. Following At-Will Adaptation (2024)\, the gallery’s residency program returns this year for its second installment\, running from July 21st and culminating in a three-artist exhibition on Thursday\, September 17th. The three artists\, working in various mediums such as sculpture\, weaving\, painting\, and photography\, will create entirely new bodies of work using Eli Klein Gallery as their studio. The gallery will be open to the public during normal business hours throughout the duration of the residency. \n“Can the concept of the human survive discovering how the “sausage” of us is actually made\, what we really look and smell like at the cellular level?” This question\, raised by the writer and scholar Sophie Lewis in her catalog essay “New Wombs for Old Men” of the New Museum’s inaugural exhibition “New Humans\,” challenges the default practice of separating the maker from their associated defecations during the formation of a public-facing identity. On a metaphorical and non-visceral level\, contemporary art’s birth-giving process today resembles an ectogenesis\, with the “sausage-making” process susceptible to both curated previews and packaged commercialization. An artist’s studio is only alive when it breathes and excretes\, and more so when the discarded substances are studied\, categorized\, archived\, and recycled.
URL:https://potluckasianamerica.org/event/best-by-07-21-2026/
LOCATION:Eli Klein\, 398 West Street\, New York\, NY\, 10014\, United States
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Eli-Klein-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260917
DTEND;VALUE=DATE:20261025
DTSTAMP:20260912T015055Z
CREATED:20260912T014818Z
LAST-MODIFIED:20260912T015055Z
UID:10003359-1789603200-1792886399@potluckasianamerica.org
SUMMARY:Tchah Sup Kim: The Key to a New World
DESCRIPTION:Tchah Sup Kim (1940–2022) was an artist whose lifelong practice explored fundamental questions of civilization\, the universe\, existence\, and humanity. Moving beyond formal experimentation\, his work sought new ways of seeing and understanding the world—often by challenging established boundaries between East and West\, the individual and the cosmos\, and the finite and the infinite. \nKim moved to New York in 1974 and studied printmaking at Pratt Institute\, where he began developing a distinctive visual language. His landmark etching Triangle Between Infinites (1976)\, now in the collection of The Museum of Modern Art\, New York\, introduced the triangle as a central motif in his practice. Rather than treating it as a closed geometric form\, Kim opened its vertex\, transforming the triangle into a structure of openness\, circulation\, and connection. \nThroughout the 1980s\, his work reflected his experiences of migration\, otherness\, and diasporic identity in New York. After returning to Korea in 1990\, his inquiry expanded toward broader questions of civilization\, history\, and the origins of humanity. \nNew York played a pivotal role in this artistic and intellectual journey. It was here that Kim encountered the center of Western modernism while also beginning to question its prevailing systems of thought. Presented now in New York\, The Key to a New World revisits that formative relationship and considers his practice through a contemporary lens. The exhibition title comes from a phrase found in one of Kim’s own notes. For him\, a “new world” was not simply a vision of the future\, but the possibility of thinking and seeing beyond existing frameworks. \n\nTuesday – Friday: 10 AM – 6 PM / Saturday: 11 AM – 5 PM\nClosed on Sunday and Monday.\n\n\n  \n\n\n\nAbout the Artist \n\n\n\n\n\n\nTchah Sup Kim received his BFA from Seoul National University in 1963. With a grant from John D. Rockefeller 3rd Fund Fellowship\, he completed his MFA at the Pratt Institute in New York in 1976. \nWorking primarily in paint and mixed media\, Kim explores the principles of cosmos through nature and its phenomena. He raises questions regarding the universal truth that human beings have sought in and out of history. His artistic journey can be divided into three major periods: from 1965 to 1982\, during his early years in Korea and New York\, his work is characterized by a focus on geometry; from 1983 to 1993\, during his New York period\, he turns toward geopolitical and historical themes; and from 1993 to 2022\, after leaving New York for the rural village of Naepyung-ri in Korea\, and later alternating between the two locations\, he focuses his work on geography and nature. \nTchah Sup Kim’s artwork is currently housed in the collections of many renowned institutions\, including the Museum of Modern Art (NY)\, the Metropolitan Museum of Art (NY)\, and the National Museum of Contemporary Art (Gwacheon\, Korea).
URL:https://potluckasianamerica.org/event/tchah-sup-kim-the-key-to-a-new-world/
LOCATION:Korean Cultural Center New York\, 122 East 32nd Street\, New York\, NY\, 10016\, United States
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Tchah-Sup-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260917
DTEND;VALUE=DATE:20261205
DTSTAMP:20260902T221003Z
CREATED:20260902T220929Z
LAST-MODIFIED:20260902T221003Z
UID:10003299-1789603200-1796428799@potluckasianamerica.org
SUMMARY:Afterlayers: Tai Hwa Goh & Julia Kwon
DESCRIPTION:Opening reception: Thursday\, September 17\, 2026\, 5-7pm \nTwo artists transform traditional materials–textile and paper–to explore themes of identity and memory. Tai Hwa Goh creates intricate\, layered installations from printed and cut paper\, inspired by organic forms\, landscapes\, and the relationship between the interior and exterior. Goh’s process pushes the limits of traditional printmaking\, as she modifies the characteristics of paper and thin fabric by covering with batik or ironing thin sheets of beeswax onto her prints\, deliberately obscuring the underlying images. She then uses techniques like sewing\, gluing\, and manipulating printed materials to construct intricate\, honeycomb-like structures. Found objects seamlessly integrate into the work\, reflecting the blending of the personal and the universal\, as well as natural and artificial elements.Through this process\, the imagery gradually moves away from recognizable forms\, and the dense layers serve as a space where nature\, memory\, and personal experience intertwine. Her installations invite viewers to contemplate the balance between the natural world and human existence\, and how everyday moments can reveal deeper insights into our lives. \nJulia Kwon sews interpretive Korean textiles\, specifically in the form of patchwork bojagi (Korean object-wrapping cloth)\, to critique received notions of Asiatic femininity and challenge reductive\, easily legible identities. Although her bojagi textiles may initially be perceived as traditionally Korean\, the patchwork designs are actually derived from urgent contemporary sociopolitical issues and events. Her work moves beyond simply representing minority identities as she aims to comment on the interconnected systems of oppression. Kwon’s practice contests the notion of authenticity and explores the complexities involved in constructing identities within the current framework of cultural hybridity\, intersectionality\, and the collective pursuit of social justice \nThe Korea Society Gallery is open only by appointment.\nThe appointment must be made at least 24 hours prior to the scheduled visit. \nGallery Hours: Monday-Friday 10 AM-4:30 PM\nBy Appointment Only
URL:https://potluckasianamerica.org/event/afterlayers-tai-hwa-goh-julia-kwon/
LOCATION:The Korea Society\, 350 Madison Avenue\, 24th Floor\, New York\, NY\, 10017
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/fterlayers-copy.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260917
DTEND;VALUE=DATE:20270401
DTSTAMP:20260911T234039Z
CREATED:20260911T234039Z
LAST-MODIFIED:20260911T234039Z
UID:10003349-1789603200-1806537599@potluckasianamerica.org
SUMMARY:Zine* Together
DESCRIPTION:Please join Asia Art Archive in America on Thursday\, September 17th from 5-8pm for the opening reception of their exhibition\, Zine﹡ Together. \nZine﹡ Together is the first exhibition of its kind to examine Asian American zines not only as objects\, but as actions—creative\, collective\, and relational. Drawing from Asia Art Archive in America’s Reading Room collection\, this exhibition highlights collaboratively produced zines from 2010 to the present\, alongside newly commissioned projects and prompts that trace zine-making as a mode of shared authorship and community building. \nIn the 1960s and 1970s\, zines (short for “magazines” or “fan-zines”) were characterized by their photo-copied\, staple-bound formats and emerged as popular do-it-yourself platforms for sharing counter-cultural socio-political programs and avant-garde art practice. In more recent decades and particularly in Asian American communities\, zines have served as a place to explore artistic narratives\, diasporic histories\, and collective responses to marginalization. \nKey to this exhibition is a commissioned research project and essay by Michelle Yee\, PhD\, and Elizabeth Chung that investigates the recent history of Asian American zines in relation to the 2020 COVID-19 pandemic and the parallel rise in anti-Asian violence across the United States. Situating zine-making within this moment of crisis\, the research frames the medium as one of many grassroots strategies for care\, documentation\, and solidarity. Together\, the exhibition and research project position zines not as peripheral ephemera\, but as vital cultural tools that register and record how communities respond in times of uncertainty. \nZine﹡ Together\, itself a collaborative project\, is organized by Claire Kim\, Susanna Chang\, Sarula Bao\, Michelle Yee\, Elizabeth Chung\, Mary Y. Yang\, Chen Luo\, and Tasnima Tanzim.
URL:https://potluckasianamerica.org/event/zine-together/
LOCATION:Asia Art Archive in America\, 23 Cranberry Street\, Ground Floor\, Brooklyn\, NY\, 11201\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260919
DTEND;VALUE=DATE:20261109
DTSTAMP:20260927T170404Z
CREATED:20260927T170404Z
LAST-MODIFIED:20260927T170404Z
UID:10003457-1789776000-1794182399@potluckasianamerica.org
SUMMARY:Synthetic Mobility
DESCRIPTION:Fou Gallery is pleased to present “Synthetic Mobility”\, a two-person exhibition featuring Tokyo- and New York-based artist Ai Makita and China-born\, Houston-based kinetic artist Sizhu Li\, on view from September 19 through November 8\, 2026. The exhibition brings to the fore important questions about the interaction between technology and humans\, considering how larger societal shifts affect the way artists represent humanity and reconstituted spaces. \nThe concept of the exhibition is connected to Timothy Morton’s idea of hyperobjects\, according to which we cannot fully perceive larger structures surrounding us and widely distributed across space and time\, but can try to describe their attributes and make a reasonable guess about their true nature. Synthetic mobility – the artificial generation of realistic human movement patterns using advanced algorithms – is a phenomenon related to the new acceleration of living rhythms promoted by digital progress. As the world is enveloped in ideological and cultural conflicts\, Makita and Li consider what it means to remain individuals today\, and how changes in technology alter our sense of perception and our mode of existence. \nAi Makita presents oil paintings\, several of them developed in conjunction with the AI model Midjourney and others based on images created in Photoshop by folding aluminum sheets. The depicted forms represent abstract conjunctions of pipes\, conduits\, and industrial infrastructure. Folded materials result in labyrinths of fluidity and line resembling a circulatory or nervous system\, an organism’s internal anatomy\, or an invisible technological network now made visible. The created conduits recall flowing rivers\, transcended thresholds\, and the linearity of time. Close conceptual connection with Minimalism makes Makita’s stretched lines internally connected to Donald Judd looking at the properties and the rigidity of the structures as well as relation of this (in)stability to the current historical moment. Process art likewise plays a significant role in Makita’s practice\, albeit in a form more appropriate to its new\, updated version\, where the digital has taken the place of the physical. Her paintings leave the viewer with a sense of wonder about where these meandering curves are leading and whether there is any specific destination. Mystery emerges not through mystical effects\, but through the inability to grasp the full picture\, pushing us to step away while also looking closer. \nSizhu Li presents sculptures made primarily from aluminum sheets and industrial fans. In Pushing Hands (2024–present)\, opposing forces travel through an industrial metal wave\, creating a rhythm of tension and equilibrium that references the Taoist principle of balance. The title directly refers to the fundamental Tai Chi practice of Tui Shou\, or “pushing hands\,” centered on sensing\, yielding to\, and balancing opposing forces. Evolving from her earlier project Moonment\, Li uses programmed fans and suspended aluminum sheets to construct a live\, percussive environment of moving metallic waves. In Yuanbao (2026)\, she brings the traditional Chinese symbol of wealth and blessing into conversation with the ephemeral form of clouds\, moving between material and spiritual aspirations\, permanence and transience. Meanwhile\, Oops\, Caught’ya! (2026) turns the clamp into both a generative and restraining device\, using movement\, suspension\, and pressure to consider freedom\, constraint\, instability\, and balance. \nTogether\, the two artists create a dialogue in which materials work as experimental tools to devise new understandings of where we are as a human species. Both artists look at motion\, structure\, and encounter as facilitated by materials\, planes\, and color. Makita’s paintings examine the transformations and limits caused by new synthetic mobility\, while Li’s sculptures engage the same idea through three-dimensional objects. Neither artist provides specific arguments or answers; instead\, they offer aesthetic tools that can help broaden our understanding of the technological forces increasingly shaping contemporary life.
URL:https://potluckasianamerica.org/event/synthetic-mobility/
LOCATION:Fou Gallery\, 89 5th Avenue\, # 701\, New York\, NY\, 10003\, United States
CATEGORIES:Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Synthetic_Mobility-2026-_Poster_Print_vertical_-_15_x_26.67_in.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260919T160000
DTEND;TZID=America/New_York:20261031T000000
DTSTAMP:20260514T035110Z
CREATED:20260514T035110Z
LAST-MODIFIED:20260514T035110Z
UID:10002630-1789833600-1793404800@potluckasianamerica.org
SUMMARY:Queens Night Market
DESCRIPTION:The Queens Night Market is a large\, family-friendly open-air night market in Queens\, featuring over 100 independent vendors selling merchandise\, art\, and food and featuring small-scale cultural performances\, all celebrating the rich cultural diversity and heritage of NYC and Queens. \nEvery Saturday from  4pm to midnight \nApril.18 to  August 22  and  September 19 to October 31. 2026 \nWe’re located behind the New York Hall of Science in Flushing Meadow Corona Park in Queens NYC \n 
URL:https://potluckasianamerica.org/event/queens-night-market-3/
LOCATION:New York Hall of Science\, 47-01 111th St\, Corona\, NY\, 11368\, United States
CATEGORIES:In Person,Night Market
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/05/d1f96b63a658ebbeda62df6a082449b9_447a1362f691dbbafd225cc675073942.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260924
DTEND;VALUE=DATE:20261019
DTSTAMP:20261003T035608Z
CREATED:20260903T012355Z
LAST-MODIFIED:20261003T035608Z
UID:10003306-1790208000-1792367999@potluckasianamerica.org
SUMMARY:Hold These Truths
DESCRIPTION:During World War II\, student Gordon Hirabayashi fights the US government’s orders to forcibly incarcerate people of Japanese ancestry on the West Coast. Struggling to reconcile his country’s betrayal with his passionate belief in the Constitution\, he journeys toward greater understanding of America’s triumphs – and confrontation with its failures. A 36-character solo play inspired by civil rights pioneer Gordon Hirabayashi. \nby Jeanne Sakata – directed by Lisa Rothe
URL:https://potluckasianamerica.org/event/hold-these-truths/
LOCATION:Luna Stage\, 555 Valley Rd.\, West Orange\, NJ\, 07052\, United States
CATEGORIES:Theater
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/13025-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260926
DTEND;VALUE=DATE:20261102
DTSTAMP:20260927T172328Z
CREATED:20260927T172328Z
LAST-MODIFIED:20260927T172328Z
UID:10003460-1790380800-1793577599@potluckasianamerica.org
SUMMARY:Moving Rasa Discovery Cards Inside/Outside
DESCRIPTION:Move what’s inside\, outside. Move what’s outside\, inside. \nWhat happens when something you’re carrying inside—a feeling\, question\, image\, memory\, impulse—gets to take shape in the world around you? \nAnd what happens when the world answers back? \nOver six gatherings\, we’ll use the Moving Rasa Discovery Cards to improvise between our inner and outer worlds. We might climb onto something\, lean into another person\, follow the shape of a tree\, move with a wall\, let a card change our attention\, or allow an unexpected impulse to lead somewhere new. \nWe’ll work with group improvisation\, contact\, imagination\, questions\, and the environments we enter. Some gatherings will happen indoors. Others will take us outside into different NYC places. Each environment becomes part of what we discover. \nThere is no movement to get right and no fixed meaning to find in a card. We’ll notice what emerges through the relationships we make—with ourselves\, one another\, the cards\, and the places around us. \nLocation:\nReal World Sculptures: Norman A Rockefellar Park\nRiver Terrace and\, Chambers St\nNew York City\, NY 10282
URL:https://potluckasianamerica.org/event/moving-rasa-discovery-cards-inside-outside/
LOCATION:NY
CATEGORIES:Dance
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Rasa-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260926
DTEND;VALUE=DATE:20270208
DTSTAMP:20260924T203746Z
CREATED:20260924T203746Z
LAST-MODIFIED:20260924T203746Z
UID:10003408-1790380800-1802044799@potluckasianamerica.org
SUMMARY:Yoshitaka Amano: Origins at the American Academy of Arts and Letters
DESCRIPTION:Yoshitaka Amano (b. 1952\, Shizuoka\, Japan) creates worlds. It’s something he’s done since he was fifteen\, when he moved to Tokyo and began working as a character designer for an anime studio. There\, drawing was always an act of translation. His task was to convert narrative into illustrated concepts\, drawings that would become the connective tissue of a fictional universe. Throughout his career as an independent artist and as a character designer for storied anime and video game franchises\, such as Final Fantasy and Vampire Hunter D\, drawing has always been a way of describing the porousness between the real and the fantastic. “I want to depict a world I myself have never seen\,” Amano says of the feeling from which his work begins. \nOrigins 始源 takes up Amano’s interest in primordial beginnings. Over the last few years\, Amano has been absorbed in Greek and Shinto mythology\, making drawings of the characters that animate these stories. Here\, he presents Pandora\, a series of drawings of the Greek myth of the first mortal woman; they circle the gallery like an ancient frieze\, or the storyboards for an animation. Alongside these works\, a selection of illustrations\, animation\, and popular materials from the 1980s and ’90s\, including the anime film Angel’s Egg and sensual depictions of The Tale of Genji\, is presented in our library. In all the stories Amano is drawn to\, origins are an eternal structure\, a threshold where being emerges. For him\, that threshold is the page; his figures seem to move and drift across its surface\, entering into worlds that exist beyond our lived reality. \nThis exhibition\, Amano’s first institutional solo show in New York\, offers a chance to encounter an artist whose drawings continue to have extended lives in the world around us. Right now\, more likely than not\, you could find them appearing on someone’s gaming console as they play Final Fantasy and livestream it to Twitch; on a Gatchaman Uniqlo tee worn in the streets of Tokyo; or even on an iPhone as someone watches Angel’s Egg on the subway\, in bed\, or really anywhere streaming is available. \nArts and Letters commissioned an essay\, Shining Genji\, by Sean Thor Conroe\, which accompanies the exhibition as part of our Reader series.
URL:https://potluckasianamerica.org/event/yoshitaka-amano-origins-at-the-american-academy-of-arts-and-letters/
LOCATION:American Academy of Arts and Letters\, Audubon Terrace\, New York\, NY\, 10032\, United States
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Yoshita-copy-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260930
DTEND;VALUE=DATE:20261022
DTSTAMP:20260926T224740Z
CREATED:20260926T224542Z
LAST-MODIFIED:20260926T224740Z
UID:10003434-1790726400-1792627199@potluckasianamerica.org
SUMMARY:Midtown Dance: Bhangra in the Plaza
DESCRIPTION:Bollywood rhythm comes to the 34th Street district with performances and lessons that blend fitness with traditional Indian folk dance. \nEvery Wednesday from 9/30 through 10/21 at 6:00 PM
URL:https://potluckasianamerica.org/event/midtown-dance-bhangra-in-the-plaza/
LOCATION:Greeley Square Plaza (Broadway between 32nd and 33rd Streets)\, Greeley Square Park\, Broadway\, New York\, NY\, United States\, New York\, NY\, 10001\, United States
CATEGORIES:Dance
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/a8f43acf248873417fec8d32c4870828.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261002
DTEND;VALUE=DATE:20261024
DTSTAMP:20260927T003557Z
CREATED:20260927T003302Z
LAST-MODIFIED:20260927T003557Z
UID:10003443-1790899200-1792799999@potluckasianamerica.org
SUMMARY:SLEEPLESS NIGHT
DESCRIPTION:Chinese American Counci is pleased to present SLEEPLESS NIGHT\, a solo exhibition by Xuhong Shang\, on view from October 2 through October 23. \n\n\n\n\nSLEEPLESS NIGHT is an exhibition that explores the unstable boundary between reality and dream\, presence and absence\, movement and confinement. Through installation\, photographic fragments\, painting\, video\, sound\, and spatial intervention\, Xuhong Shang creates an environment where perception is interrupted and certainty becomes fragile. \nThe exhibition is centered around the single-channel video Sleepless Night and expands into a physical installation composed of dark surfaces\, fragmented images\, linear structures\, and layered visual interruptions. The exhibition suggests a space where images appear partially concealed\, crossed\, taped\, and suspended within a field of darkness. These elements create a visual rhythm of obstruction and passage\, suggesting windows\, routes\, barriers\, memories\, and psychological thresholds. The viewer is invited not only to look at the work\, but to move through a condition of uncertainty. \nThe title SLEEPLESS NIGHT evokes a state of wakefulness between consciousness and dream. In this in-between condition\, time becomes stretched\, thoughts become fragmented\, and ordinary images take on emotional and symbolic weight. The exhibition reflects this mental space through fractured compositions\, grayscale imagery\, and stark contrasts between light and shadow. The visible world appears unstable\, as if caught between documentation and imagination. \nThe dark wall surface may be understood as a night sky\, an interior void\, or a psychological field. Across this darkness\, white strip boards cut through the canvas images and extend outward into the surrounding space. These sharp white lines suggest lightning crossing the night\, sudden flashes of thought\, or cracks breaking through the surface of memory. They connect the images while also damaging and disrupting them\, creating a tension between illumination and rupture. As the strips move from image to dark space\, they become more than formal devices; they operate as psychological forces\, exposing the instability of perception and the fragile condition of the mind during sleeplessness. \nTravel\, architecture\, and transitional spaces emerge as recurring visual references. Airplanes\, airport-like structures\, passages\, and abstracted silhouettes suggest movement across distance\, yet this movement is never fully free. Instead\, it is crossed by interruptions\, invisible borders\, and psychological weight. The white linear forms may be read as paths\, fractures\, signals\, restrictions\, or flashes of anxiety. They point toward direction and disorientation at the same time. \nIn Shang’s work\, ambiguity functions as a space of possibility. Rather than presenting a fixed narrative\, SLEEPLESS NIGHT asks viewers to confront the uncertain nature of perception itself. The exhibition reflects on how memory\, migration\, globalization\, and cultural experience shape the way we understand reality. It questions how images carry traces of personal and collective history\, and how the intangible forces of dream\, anxiety\, nostalgia\, and desire can become physically present within space. \nThe video Sleepless Night\, a single-channel work with sound\, becomes both an anchor and an atmosphere for the exhibition. Its duration suggests an intimate encounter with time\, while its presence extends the installation into a psychological and sensory field. Sound and moving image deepen the feeling of suspended consciousness\, placing the viewer within a state where the real and the imagined overlap. \nUltimately\, SLEEPLESS NIGHT is an exhibition about uncertainty as a condition of contemporary life. It invites viewers into a contemplative space where images are incomplete\, meanings remain open\, and the familiar becomes strange. Between darkness and light\, movement and stillness\, dream and reality\, the exhibition asks: what remains visible when certainty disappears?
URL:https://potluckasianamerica.org/event/sleepless-night/
LOCATION:Chinese American Arts Council / Gallery 456\, 456 Broadway\, 3rd Floor\, New York\, NY\, 10013\, United States
CATEGORIES:Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/23b30c35c5cee475e5f04fe443dabf65.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261002
DTEND;VALUE=DATE:20261107
DTSTAMP:20260902T204709Z
CREATED:20260902T204709Z
LAST-MODIFIED:20260902T204709Z
UID:10003289-1790899200-1794009599@potluckasianamerica.org
SUMMARY:MOCA PERFORMS – Echoes of Arrival: Becoming
DESCRIPTION:Immigration is never a single arrival but an ongoing process of becoming. Beyond legal status and paperwork\, immigrants navigate displacement\, alienation\, adaptation\, and the long\, sometimes complicated journey toward belonging. What did you have to learn to survive and build a life in the United States? What did you choose to carry with you from the culture you came from? What was lost in translation? And what new part of yourself emerged along the way? \nEchoes of Arrival returns to the Museum of Chinese in America for a new iteration\, Becoming. Through a collection of personal stories\, the ensemble explores the many ways immigrants remake themselves while making a life in a new country. These stories of change\, resilience\, loss\, discovery\, and belonging illuminate how immigration does not simply transform individuals. It continues to shape the rich and ever-evolving cultural fabric of the United States. \nCREATIVE TEAM\nConceived by Dennis Yueh-Yeh Li\nDevised & Performed by Shan Y. Chuang\, Nikkiesha N. McLeod\, Timmy Ong\, Pascal Phoa\, Jeremy Rafal\, Nedelka Sotelo\, Fang Tseng\n  \nPERFORMANCE SCHEDULE\nFriday 10/2\nShan Y. Chuang\, Nikkiesha N. McLeod\, Pascal Phoa\, Jeremy Rafal\, Fang Tseng\nThursday 10/8\nShan Y. Chuang\, Timmy Ong\, Pascal Phoa\, Jeremy Rafal\, Fang Tseng\nFriday 10/16\nShan Y. Chuang\, Timmy Ong\, Pascal Phoa\, Jeremy Rafal\, Nedelka Sotelo\nThursday 10/22\nShan Y. Chuang\, Nikkiesha N. McLeod\, Timmy Ong\, Nedelka Sotelo\, Fang Tseng\nFriday 11/6\nNikkiesha N. McLeod\, Timmy Ong\, Jeremy Rafal\, Nedelka Sotelo\, Fang Tseng
URL:https://potluckasianamerica.org/event/moca-performs-echoes-of-arrival-becoming/
LOCATION:Museum of Chinese in America (MOCA)\, 215 Centre Street\, New York\, NY\, 10013\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/echoes-of-arrival-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261003
DTEND;VALUE=DATE:20261011
DTSTAMP:20260927T160826Z
CREATED:20260927T160733Z
LAST-MODIFIED:20260927T160826Z
UID:10003452-1790985600-1791676799@potluckasianamerica.org
SUMMARY:Justice for a Chinatown Son: Remembering Private Danny Chen
DESCRIPTION:Saturday\, October 3rd marks the 15th Anniversary of the death of Pvt. Danny Chen. The yearly commemoration will be held on October 3rd\, 11 a.m. at the street sign\, Pvt. Danny Chen Way\, at the corner of Canal and Elizabeth St in Chinatown. \nThe Committee to Keep Private Danny Chen’s Legacy Alive will also be hosting an exhibit in English and Chinese “Justice for a Chinatown Son: Remembering Private Danny Chen\,” curated by Nayeon Park. This exhibit examines his legacy and the enduring efforts led by Manhattan Chinatown to preserve his memory and pursue justice. \nIt will be open to the public immediately following the commemoration at the street sign from noon to 5 p.m. at the Asian Heritage Museum\, 86 Bowery\, Manhattan Chinatown\, 3rd Floor\, and will be open to the public for a week from 12-5 p.m. beginning on October 3rd and ending on Saturday\, October 10th. \n📅 October 3–10\, 2026\n🕛 12:00–5:00 PM\n📍 Asian Heritage Museum\, 86 Bowery\, Floor 3\, New York\, NY 10013\n🎟️ Free admission \nPresented by The Committee to Keep Private Danny Chen’s Legacy Alive. Thank you to the community members\, organizations\, and supporters who made this exhibition possible. \nPlease share and help us invite others to learn about Danny’s life and remember his legacy. \n#DannyChen #JusticeForDannyChen #ChinatownNYC #AsianAmericanHistory
URL:https://potluckasianamerica.org/event/justice-for-a-chinatown-son-remembering-private-danny-chen/
LOCATION:Asian Heritage Museum\, 86 Bowery\, Floor 3\, New York\, NY\, 10013\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Danny-2-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261003
DTEND;VALUE=DATE:20270201
DTSTAMP:20260821T183629Z
CREATED:20260821T183629Z
LAST-MODIFIED:20260821T183629Z
UID:10003186-1790985600-1801439999@potluckasianamerica.org
SUMMARY:Art of Manga
DESCRIPTION:Be drawn into the world of manga.\nArt of Manga is the first major exhibition in the Americas to explore manga—Japanese comics and graphic novels—as an art form. Marking its East Coast debut\, the Brooklyn Museum’s presentation is packed with more than 600 drawings that showcase manga’s immersive power and social impact. Don’t miss this rare opportunity for US audiences to encounter an astonishing selection of original manga artworks\, including examples from beloved series Inuyasha\, JoJo’s Bizarre Adventure\, Ōoku: The Inner Chambers\, ONE PIECE\, and many more. \nA global phenomenon\, manga is driven by those who design\, draw\, and very often author the stories that define the medium. Discover influential manga artists\, or mangaka\, and their distinct approaches to storytelling. Through compelling narratives and captivating imagery\, each mangaka’s work invents a universe that may be familiar or supernatural\, historical or futuristic\, contemplative or action-packed. These tales address universal themes such as coming of age\, tapping into hidden strengths\, and finding beauty in the ordinary—as well as contemporary issues such as environmentalism\, gender roles\, LGBTQ+ rights\, and socioeconomic inequality. Whether you enter as an otaku or a novice\, you’ll leave Art of Manga fluent in this vital medium. \nGo all-access with “Art of Manga.” The Manga Fan Pass gives one adult and one guest unlimited entry throughout the exhibition’s run—plus a slew of other perks especially for manga fans. \nThe $75 pass includes… \n⚫ Unlimited entry for you and a guest to “Art of Manga” (subject to availability) as well as general admission to Museum galleries \n⚫ Invites to Member Previews and select Member Evenings for “Art of Manga” \n⚫ Exclusive presale access to “Art of Manga” public programs \n⚫ 10% discount at the Café and Museum Shop (excluding gashapon machines) \n⚫ A collectible badge for you to wear and show off your love of manga (wear your badge each time you return to get a new pin to build your collection!)
URL:https://potluckasianamerica.org/event/art-of-manga/
LOCATION:Brooklyn Museum\, 200 Eastern Parkway\, Brooklyn\, NY\, 11238\, United States
CATEGORIES:Art,Art Exhibit
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261005
DTEND;VALUE=DATE:20261009
DTSTAMP:20260927T211647Z
CREATED:20260927T211645Z
LAST-MODIFIED:20260927T211647Z
UID:10003485-1791158400-1791503999@potluckasianamerica.org
SUMMARY:Signature Theatre Writing Workshops
DESCRIPTION:Step inside the creative process of the playwrights who lived it. \nEver wonder how a headline becomes a play? \nMelis Aker pulls back the curtain on her writing process\, showing participants how she transformed inspiration from real news stories into original theater\, the exact process that became FISH. \nLauren Yee takes you inside the making of KING OF THE YEES\, a wild\, Alice-in-Wonderland-style journey born from a real\, stranger-than-fiction moment in her own life back in 2014. \nTwo playwrights. Two processes. One rare chance to learn how these two storytellers wrote these amazing plays. Get ready to write in these workshops! \nSeats are limited\, reserve yours today. Pay-what-you-choose registration. Workshops are located at the Pershing Square Signature Center (480 West 42nd Street). \nDATES:\nOctober 5\, Melis Aker – https://signaturetheatre.org/checkout/?dest=tickets&inst=8201\nOctober 8\, Lauren Yee – https://signaturetheatre.org/checkout/?dest=tickets&inst=8401 \nTIME: 5:00 to 6:30 PM each day
URL:https://potluckasianamerica.org/event/signature-theatre-writing-workshops/
LOCATION:Signature Theatre\, 480 W 42nd St.\, New York\, NY\, 10036\, United States
CATEGORIES:Theater,Workshop
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/SIgnature-copy.jpg
ORGANIZER;CN="Signature Theater":MAILTO:melinda.chu@iwgroupinc.com
GEO:40.759342087885;-73.995082025487
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Signature Theatre 480 W 42nd St. New York NY 10036 United States;X-APPLE-RADIUS=500;X-TITLE=480 W 42nd St.:geo:-73.995082025487,40.759342087885
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261006
DTEND;VALUE=DATE:20261116
DTSTAMP:20260909T024920Z
CREATED:20260909T023835Z
LAST-MODIFIED:20260909T024920Z
UID:10003327-1791244800-1794787199@potluckasianamerica.org
SUMMARY:King of the Yees
DESCRIPTION:For nearly twenty years\, Larry Yee has been the heart and soul of the Yee Fung Toy Family Association\, a fraternal organization in San Francisco’s iconic Chinatown. But to his daughter Lauren\, a playwright living in New York\, the association is an obsolete relic of a vanishing world. When Larry suddenly disappears\, Lauren sets off on a wild quest to find him\, embarking on a surreal\, magical journey through the history and myths of her own lineage. KING OF THE YEES is a hilarious and heartfelt “kind of true” story by Signature resident artist Lauren Yee\, who turns her incisive comedic eye on what we inherit and what it means to truly be a Yee.  \n \nAbout the Playwright \n \nLAUREN YEE is proud to be a Signature Theatre resident playwright. She is an award-winning playwright\, screenwriter\, and librettist based in New York City. Prior to the pandemic\, Lauren was named by American Theatre as the second-most-produced playwright of that upcoming season. Recent plays include Cambodian Rock Band with music by Dengue Fever (South Coast Rep\, Oregon Shakespeare Festival\, La Jolla Playhouse\, Signature Theatre\, East West Players)\, The Great Leap (Denver Center\, Seattle Rep\, Atlantic Theatre\, Steppenwolf\, American Conservatory Theatre)\, King of the Yees (Goodman Theatre\, Center Theatre Group)\, and Mother Russia (Seattle Rep\, Signature Theatre\, upcoming at Hampstead Theatre\, South Coast Rep\, Trinity Rep). She is writing the book for the musical adaptation of Madeleine L’Engle’s A Wrinkle in Time\, with music and lyrics by Heather Christian. Honors include the Doris Duke Artists Award\, Whiting Award\, Steinberg/ATCA Award\, American Academy of Arts and Letters literature award\, Horton Foote Prize\, Kesselring Prize\, Primus Prize\, a Hodder Fellowship at Princeton\, and the #1 and #2 plays on the 2017 Kilroys List. TV: ”Pachinko” (Apple)\, “Soundtrack” (Netflix)\, “Interior Chinatown” (Hulu)\, “Billions” (Showtime)\, “Clipped” (FX). She’s previously developed pilots for Netflix and Apple and is currently developing TV and feature projects for Netflix and Universal. BA: Yale\, MFA: UCSD. laurenyee.com
URL:https://potluckasianamerica.org/event/king-of-the-yees/
LOCATION:Signature Theatre\, 480 W 42nd St.\, New York\, NY\, 10036\, United States
CATEGORIES:Theater
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GEO:40.759342087885;-73.995082025487
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Signature Theatre 480 W 42nd St. New York NY 10036 United States;X-APPLE-RADIUS=500;X-TITLE=480 W 42nd St.:geo:-73.995082025487,40.759342087885
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261006
DTEND;VALUE=DATE:20270111
DTSTAMP:20260805T153101Z
CREATED:20260805T153101Z
LAST-MODIFIED:20260805T153101Z
UID:10003008-1791244800-1799625599@potluckasianamerica.org
SUMMARY:Gen’ichirō Inokuma’s NYC Salon
DESCRIPTION:Gen’ichirō Inokuma’s NYC Salon is the first New York solo museum exhibition of the Japanese modern artist Gen’ichirō Inokuma (1902–1993). Organized by Japan Society Gallery in collaboration with the Marugame Genichiro-Inokuma Museum of Contemporary Art (MIMOCA) in Marugame\, Japan\, the exhibition explores Inokuma’s paintings shown at the Willard Gallery and various multimedia works created during his twenty-year residence in NYC (1955–1975). Along with important holdings from MIMOCA\, the exhibition presents Inokuma’s works in the Japan Society collection and the recently discovered Hirose Family Collection. \nInokuma’s Manhattan sojourn was shaped by meaningful connections with the American avant-garde: Jasper Johns\, Mark Rothko\, Robert Rauschenberg\, Alexander Calder\, David Smith\, Isamu Noguchi\, Yoko Ono\, John Cage\, Merce Cunningham\, and many others. Inokuma and his wife\, Fumiko\, also served as a social and cultural bridge between American and visiting Japanese artists and architects\, often hosting gatherings at their New York apartments. The exhibition features photographs\, film footage\, and ephemera documenting these artistic interactions. \nBy illuminating Inokuma’s little-known role in postwar American art history\, NYC Salon brings new insights into New York City’s mid-20th-century art world—both its collaborative artistic atmosphere\, and its vibrant international social scene \nTimed Tickets: $20 Nonmembers\, $15 Students and seniors \nGallery Exhibition Hours\n\nTuesdays-Fridays: 11 am-5 pm\n\n\nSaturdays & Sundays: noon-6 pm\n\n\nFree First Fridays: 5 pm-7 pm*\n\n\n*October 9\, 2026; November 6\, 2026; December 4\, 2026\, January 8\, 2027
URL:https://potluckasianamerica.org/event/genichiro-inokumas-nyc-salon/
LOCATION:Japan Society\, 333 East 47th Street\, New York\, NY\, 10017\, United States
CATEGORIES:Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Genichiro-Art-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261006T180000
DTEND;TZID=America/New_York:20261006T203000
DTSTAMP:20260902T202116Z
CREATED:20260902T201855Z
LAST-MODIFIED:20260902T202116Z
UID:10003285-1791309600-1791318600@potluckasianamerica.org
SUMMARY:An Eye for an Eye Screening & Discussion
DESCRIPTION:An Eye for an Eye\nTanaz Eshaghian and Farzad Jafari\, 2025\, 84 minutes.\nIn Persian with English subtitles. \nAn Eye for an Eye is a documentary that unfolds like a real-life courtroom thriller that pulls you inside a justice system unlike any other — one where the fate of a life doesn’t rest with a judge\, but in the hands of a grieving family who can choose retribution or forgiveness. \nYears after killing her abusive husband in an act of self-defense\, Tahereh now faces execution unless she can pay the Diya — blood money demanded by her abuser’s family. With the clock ticking and public sympathy running low\, her son Mohsen is thrust into a desperate race against time to save his mother’s life\, turning to outside donors in a society where victims of domestic abuse are often met with silence — or scorn. \nDirected by Iranian-American filmmaker Tanaz Eshaghian\, the film unfolds with the intimacy of a family drama and the tension of a thriller\, asking a question that stays with you long after the credits: when forgiveness has a price\, what is a life worth? \nA discussion and Q&A with Director Tanaz Eshaghian will follow the screening.
URL:https://potluckasianamerica.org/event/an-eye-for-an-eye-screening-discussion/
LOCATION:Asia Society\, 725 Park Avenue\, New York\, NY\, 10021
CATEGORIES:Film
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Eye-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261006T190000
DTEND;TZID=America/New_York:20261006T200000
DTSTAMP:20260825T032652Z
CREATED:20260817T043447Z
LAST-MODIFIED:20260825T032652Z
UID:10003102-1791313200-1791316800@potluckasianamerica.org
SUMMARY:Book Launch | Bad Words by Ríoghnach Robinson
DESCRIPTION:Where: New Design H.S.\, 350 Grand St.\, New York (Enter on Ludlow St.)\n\nDoors Open: 6:30PM\nEvent Starts: 7:00PM  \nABOUT THE BOOK \nA sharp and deeply felt debut about art\, ambition\, and the connections that both inspire and undo us. \nParker Navarro’s debut novel was meant to define his career – until critic Selina Chan’s blistering review made it the flop of the decade. Four years later\, his new book is his shot at redemption; for Selina\, reviewing him again is a professional risk she can’t refuse. When her second takedown ignites a viral feud\, both their fortunes shift overnight. But as the literary world feeds on their public sparring\, a quieter dialogue begins – one that challenges everything they thought they knew about success\, sincerity\, and each other. \nBoth incisive and tender\, Bad Words lays bare the costs of creation – the pull between ambition and integrity\, the vulnerability of being seen\, and the unexpected closeness that can grow in the space between critique and care. \nWhen words can make or break us\, how do you stay true to what matters most? \n“The rare kind of book I can’t believe doesn’t already exist . . . [a] clear\, clever voice and incisive social commentary elevate the book’s irresistible will-they-won’t-they romance to a once-in-a-lifetime read about truth\, art\, vulnerability\, and all the sticky places they intersect. BAD WORDS LEFT ME BUZZING.” – EMILY HENRY\, #1 New York Times bestselling author of Great Big Beautiful Life \n“A genre-redefining romance that sets a thrilling new standard… Easily one of my favourites of the year\, if not the decade.” – Carley Fortune\, #1 New York Times bestselling author of Our Perfect Storm \n“Full of blistering barbs\, incisive takedowns and searing gazes\, Bad Words is smart and propulsive.” – Mary H.K. Choi\, New York Times bestselling author of Pool House \n“Full of wit\, warmth\, and deliciously sharp observations on books and the people who love them… I didn’t want it to end.” – Stacey Yu\, author of Kitten \nABOUT THE AUTHOR \nRíoghnach (pronounced ree-uh-nock) Robinson grew up in North Carolina\, studied economics at Kenyon College\, and now lives in New York City. Her books for young readers\, including Lambda Award finalist Come Home to My Heart\, are published under the pen name Riley Redgate. She has also written for WEBTOON and The Onion\, America’s Finest News Source. You can find her on Instagram at @rioghnachrobinson. \nIN CONVERSATION WITH \nAnna Maria Volkova lives and works in New York City. Personal family histories from within the former Soviet Union and the Middle East inform her writing\, as do her professional experiences. Raised in the Pacific Northwest\, she studied history and political science. Games is her debut novel.
URL:https://potluckasianamerica.org/event/book-launch-bad-words-by-rioghnach-robinson/
LOCATION:New Design High School\, 350 Grand Street\, 6th Floor\, New York\, NY\, 10002\, United States
CATEGORIES:Book,Discussion
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Rioghnach-Robinson-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261007
DTEND;VALUE=DATE:20261009
DTSTAMP:20260927T191934Z
CREATED:20260927T191724Z
LAST-MODIFIED:20260927T191934Z
UID:10003477-1791331200-1791503999@potluckasianamerica.org
SUMMARY:COLORS OF KOREA: The Art of Bojagi
DESCRIPTION:The Korean Cultural Center New York (KCCNY)\, in collaboration with Bojagi Artist Jin Kyung Joung \, founder of RODAM\, presents COLORS OF KOREA: The Art of Bojagi\, a special hands-on workshop exploring the beauty\, creativity\, and everyday versatility of bojagi\, Korea’s traditional wrapping cloth. \nThrough the vibrant colors of saekdong\, the art of wrapping and knotting\, and the distinctive patchwork aesthetics of jogakbo\, participants will discover how Korea’s traditional textile culture combines beauty with practicality and continues to inspire contemporary life. \nFor centuries\, bojagi has been an integral part of everyday life in Korea\, used to wrap\, carry\, store\, and present everything from household objects to meaningful gifts. Beyond its practical purpose\, bojagi embodies a distinctly Korean sense of beauty—transforming a simple piece of fabric through color\, folding\, and knots while reflecting values of care\, thoughtfulness\, and resourcefulness. \nDuring the workshop\, Jin Kyung Joung will introduce participants to the cultural traditions and contemporary possibilities of bojagi through two creative\, hands-on activities. \nParticipants will first explore saekdong\, the vibrant multicolored fabric traditionally associated with Korean clothing and decorative arts. Using colorful saekdong-inspired bojagi\, they will learn wrapping and knotting techniques to transform a simple square of fabric into a beautiful and functional bojagi bag—no sewing required. \nThe workshop will then turn to jogakbo\, the Korean tradition of piecing together small pieces of fabric into harmonious compositions. Participants will select and arrange colorful fabric pieces to create their own jogakbo-inspired envelope\, discovering how even small remnants of fabric can be thoughtfully transformed into something beautiful and useful. \nThrough wrapping\, knotting\, arranging\, and creating\, participants will experience firsthand how traditional Korean textile culture continues to inspire contemporary creativity and everyday living. The workshop also highlights values deeply rooted in bojagi and jogakbo—the thoughtful use and reuse of materials\, creativity through simplicity\, and the discovery of new beauty through color and composition. \nNo previous experience is required\, and all materials will be provided. \nWorkshop Highlights \n\nDiscover the history and cultural significance of bojagi\nExplore the vibrant colors and beauty of saekdong\nLearn practical bojagi wrapping and knotting techniques\nCreate a saekdong-inspired bojagi bag\nDiscover the tradition and aesthetics of jogakbo\nDesign and create a jogakbo-inspired envelope using colorful fabric pieces\nExplore the connection between Korean textile traditions\, creativity\, reuse\, and contemporary life\n\nDATE & TIME:\n– Session #1: Wednesday\, October 7\, 2026 @ 11 AM\n– Session #2: Wednesday\, October 7\, 2026 @ 6 PM\n– Session #3: Thursday October 8\, 2026 @ 6 PM \nADMISSION: Free (Pre-registration required)\n   * Space is limited; advance registration is required.\n   * Due to limited capacity\, participants will be selected through a randomized lottery process. \nAbout the Instructor \nJin Kyung Joung is a bojagi artist and the CEO of RODAM Co.\, Ltd. She holds a master’s degree in Western Painting from Daegu University. Drawing on her background in painting\, she explores color\, composition\, and the expressive possibilities of fabric through her bojagi practice. \nHer work encompasses bojagi art exhibitions\, workshops\, and creative gift packaging for corporate events. She has presented bojagi exhibitions and workshops for Bentley VIP guests and taught bojagi art to Armani Beauty employees and customers. She has also developed Disney character merchandise in collaboration with 10×10 and worked with Nexon on character products. Her work and creative practice have been featured in Luxury magazine. \nThrough RODAM\, Joung explores how traditional Korean textiles can be reimagined as beautiful\, functional\, and meaningful objects for contemporary life\, from gift wrapping to bags and other everyday uses. In her workshops\, she shares the cultural meaning of bojagi alongside practical techniques\, inviting participants to discover the care\, creativity\, and versatility embodied in a simple piece of cloth. \nhttps://eng.rodam.co.kr/
URL:https://potluckasianamerica.org/event/colors-of-korea-the-art-of-bojagi/
LOCATION:Korean Cultural Center New York\, 122 East 32nd Street\, New York\, NY\, 10016\, United States
CATEGORIES:Workshop
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Colors-copy.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261007T183000
DTEND;TZID=America/New_York:20261007T193000
DTSTAMP:20260902T205251Z
CREATED:20260902T205251Z
LAST-MODIFIED:20260902T205251Z
UID:10003290-1791397800-1791401400@potluckasianamerica.org
SUMMARY:MOCA TALKS with William Bialosky
DESCRIPTION:Free Admission \nWhat lies beneath Chinatown? In this illustrated talk\, architect William Bialosky uncovers the remarkable story of Collect Pond\, the freshwater lake that once shaped the physical\, social\, and economic life of Lower Manhattan. \nFor two centuries\, Collect Pond supplied New York City with fresh water. But nearby industries polluted its shores\, and the city began burying the lake in 1802. The resulting unstable and undesirable ground made the land inexpensive\, helping determine who could afford to live there. Over time\, the former pond basin became Five Points and\, later\, part of one of America’s most vital immigrant neighborhoods\, Chinatown. \nBialosky traces this layered history from glacial ice and early Manhattan infrastructure to the formation of Five Points\, the growth of Chinatown\, and the excavations taking place today. Combining architecture\, geology\, and urban history\, the talk reveals how the landscape beneath a neighborhood can shape its future for generations. \nBialosky will also reflect on MOCA’s move from 70 Mulberry Street\, the former Public School 23\, to 215 Centre Street\, the former machine repair shop that artist and architect Maya Lin transformed into MOCA’s current home in 2009. As part of the architectural team\, Bialosky offers a firsthand perspective on the building’s transformation and its continuing place within the changing fabric of Chinatown. \nAbout William Bialosky \nWilliam Bialosky is a registered architect and Senior Principal of Bialosky New York\, Architects. He has practiced in Lower Manhattan since 1988 and holds a Master of Architecture from Yale University\, as well as a Bachelor of Science from the University of Michigan. He has collaborated with the artist Maya Lin for nearly forty years\, and has spent much of his career on the adaptive reuse of nineteenth century buildings in SoHo and TriBeCa\, work that turns on understanding how a building was made and what its site will allow. Since 1990 he has taught design and construction at the Yestermorrow Design/Build School in Vermont. His long interest in the history of Lower Manhattan\, and in how the ground beneath a building shapes what can be built on it\, led to the research behind this talk. He lives and works downtown.
URL:https://potluckasianamerica.org/event/moca-talks-with-william-bialosky/
LOCATION:Museum of Chinese in America (MOCA)\, 215 Centre Street\, New York\, NY\, 10013\, United States
CATEGORIES:Discussion,History
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/MOCA-TALKS-with-William-Bialosky-copy.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261007T190000
DTEND;TZID=America/New_York:20261007T200000
DTSTAMP:20260825T032940Z
CREATED:20260817T044248Z
LAST-MODIFIED:20260825T032940Z
UID:10003103-1791399600-1791403200@potluckasianamerica.org
SUMMARY:Book Launch | The Girl Who Became King by Melissa King
DESCRIPTION:ABOUT THE BOOK \nFrom award-winning chef\, author\, television personality\, and activist Melissa King comes an intimate\, captivating memoir about family\, food\, and finding her voice as a queer Chinese American chef \nEmbracing my love of food has empowered me to embrace every layer of who I am: my Chinese heritage\, my American upbringing\, and all the parts of me that felt too much and not enough. When I chose myself\, I set her free. Just me. The girl who became king. \nAs a kid\, Melissa King lived for the moment she would come from elementary school\, grab her prized Chinese meat cleaver\, and prepare dinner for her family. She already knew cooking was her future\, but she didn’t know how hard she’d have to fight to make that dream a reality. \nGrowing up\, King felt like she was stuck in a box that was only getting smaller. Her Shanghainese and Cantonese immigrant parents had certain expectations—none of which included going to culinary school or falling in love with women. American culture also dictated that kitchens were a man’s world. But trying to live by these rules felt like no life at all. \nDetermined to forge her own path\, she fought her way into the demanding world of Michelin-starred kitchens\, while discovering a home in the queer community. When she entered Top Chef as a reluctant contestant\, inspired by her grandmother’s advice to follow her heart\, she began embracing the flavors\, culture\, and parts of herself she had once forgotten. This journey of self-discovery through food leads her back to her parents\, where love creates room for their strengths and imperfections. \nIn this heartfelt memoir\, Melissa King shows that empowerment comes from embracing all the different ingredients that make up who you are\, and models the hard-won courage it takes to believe in yourself against the odds. \nABOUT THE AUTHOR \nMelissa King is a James Beard Award-winning chef\, author\, and television personality. She is the author of the cookbook Cook Like a King: Recipes from My California Chinese Kitchen\, which won the 2026 James Beard Award. She is the winner and fan favorite of Bravo’s Top Chef: All Stars L.A. and holds the record for the most challenge wins in the show’s history. Known for her modern California Chinese cuisine\, she is a leading voice shaping conversations through food\, cultural storytelling\, and advocacy.  A queer Shanghainese Cantonese American\, she grew up in Los Angeles’s San Gabriel Valley. Her work has since taken her beyond the kitchen into television\, fashion\, and culture\, including hosting Tasting Wild for National Geographic\, curating the 2022 Met Gala menu\, and being featured in global campaigns for Levi’s and GAP. She lives in San Francisco.
URL:https://potluckasianamerica.org/event/book-launch-the-girl-who-became-king-by-melissa-king/
LOCATION:New Design High School\, 350 Grand Street\, 6th Floor\, New York\, NY\, 10002\, United States
CATEGORIES:Book,Discussion
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Melissa-King-copy.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261007T190000
DTEND;TZID=America/New_York:20261007T203000
DTSTAMP:20260904T234907Z
CREATED:20260904T234907Z
LAST-MODIFIED:20260904T234907Z
UID:10003314-1791399600-1791405000@potluckasianamerica.org
SUMMARY:In Conversation: The Scarlet Ball by Nghi Vo
DESCRIPTION:Dungeon Books is excited to host Hugo Award-winning author @nghivowriting for the release of The Scarlet Ball\, an all-consuming tale of ballrooms and bloodshed that weds the Gilded Age with the Gothic vision of Guillermo del Toro. Joining Nghi in conversation is @readwithcindy\, author of The Secret World of Briar Rose! The evening will include a conversation\, audience Q&A\, book signing\, and photos. \n📅 Wednesday\, October 7\n📍 Welcome to Chinatown\, NYC \nRSVP required — limited spots. \nGeneral Admission Ticket includes book \nABOUT THE AUTHOR\nNghi Vo is the bestselling author of the novels Siren Queen\, The Chosen and the Beautiful\, and The City in Glass\, as well as the acclaimed novellas of the Singing Hills Cycle\, which began with The Empress of Salt and Fortune. Her work has been nominated for the Nebula\, Locus\, and Lambda Literary Awards and the LA Times and Ursula K. Le Guin Prizes\, and has won the Crawford\, Ignyte\, and Hugo Awards. Born in Illinois\, she now lives on the shores of Lake Michigan. She believes in the ritual of lipstick\, the power of stories\, and the right to change your mind. \nIN CONVERSATION WITH\nCindy Pham is a queer Vietnamese-American author of The Secret World of Briar Rose\, an instant #1 New York Times\, USA Today\, and Indie Bestseller. Based in New York City\, she works as a full-time designer while moonlighting as a fiction writer and content creator. Her YouTube channel\, Read With Cindy\, has amassed over half a million subscribers and focuses on books\, movie reactions\, and candid commentary. You can follow her across socials at @readwithcindy and readwithcindy.com.
URL:https://potluckasianamerica.org/event/in-conversation-the-scarlet-ball-by-nghi-vo/
LOCATION:Welcome to Chinatown\, 115 Bowery\, New York\, NY\, 10002\, United States
CATEGORIES:Author Interview,Book,Discussion
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Scarlet-Ball-copy.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261007T193000
DTEND;TZID=America/New_York:20261007T203000
DTSTAMP:20260807T101701Z
CREATED:20260807T101701Z
LAST-MODIFIED:20260807T101701Z
UID:10003023-1791401400-1791405000@potluckasianamerica.org
SUMMARY:Sumi-e Japanese Ink Painting Workshop: Chrysanthemum
DESCRIPTION:Japanese Sumi-e (Ink-painting) workshop for beginner and intermediate level \nThe theme for this class is the Chrysanthemum (kiku)\, one of the most beloved subjects in Japanese ink painting and a symbol of autumn and longevity. Students will learn to build the flower’s layered petals with soft\, graded washes\, then finish with the darker\, decisive strokes of the leaves and stem. It is an ideal subject for practicing the balance of light and dark that gives sumi-e its depth. \n\n\n\n“If we study Japanese art\, we see a man who is undoubtedly wise\, philosophic and intelligent\, who spends his time doing what? He studies a single blade of grass.” —Vincent van Gogh \nSumi-e\, also called Suibokuga\, is the art of ink wash-painting. Characteristically an East Asian art\, it has been practiced for well over a thousand years. Sumi-e depicts the spirit or essence of an object or scene rather than its outward appearance — and does so in the fewest possible strokes. Because of this simplicity\, the painter’s character and personality come through in his/her work. In both viewing and creating\, Sumi-e is a very contemplative form of painting. \n\n\n\nIn this class at RESOBOX\, a Japanese cultural center in New York\, all students will start from the basics of ink-wash painting\, such as how to hold a brush. All materials such as ink\, brushes\, and calligraphy paper will be provided. No previous painting experience is required. \n\n\n\nAbout the Instructor \nAyakoh Furukawa (a.k.a Ayakoh Furukawa-Leonart) is a visual artist with a unique background who has mastered Japanese calligraphy and Western painting. She studied with Buddhist calligrapher Sougyu Kashimoto in Osaka\, Japan\, and is currently a member of the Metro New York Sumi-e Society. Besides the RESOBOX Sumi-e class\, she has taught at educational and cultural institutions such as Lyceum Kennedy Japanese School and the Japan Society Summer program. She moved to New York in 2000 and studied Asian Art History at Hunter College\, CUNY\, where she received her Master of Fine Art in Studio Art. Her paintings and drawings have been exhibited internationally. Her deep knowledge of both Western and Asian arts offers an enjoyable experience of the Japanese art of Sumi-e. \n\n\n\nPLEASE NOTE: The class sign up deadline is 72 hours before the class begins. Cancellation after this period will NOT be refunded.
URL:https://potluckasianamerica.org/event/sumi-e-japanese-ink-painting-workshop-chrysanthemum/
LOCATION:RESOBOX East Village\, 91 East 3rd Street\, New York\, NY\, 10003\, United States
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/12eb37592d1736cb2934cd0303fa6ea8.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261007T213000
DTEND;TZID=America/New_York:20261007T233000
DTSTAMP:20260731T111200Z
CREATED:20260731T111200Z
LAST-MODIFIED:20260731T111200Z
UID:10002973-1791408600-1791415800@potluckasianamerica.org
SUMMARY:Case 84: Adopted in the U.S.A.
DESCRIPTION:A comedy show meets a TED Talk\, Case 84 sheds light on the underrepresented experience of adoptees.\n\n\nAfter touring North America for the past four years with his solo show Case 84: Adopted in the U.S.A.\, for the first time ever\, Edward Yoo Pokropski is taking his show back to where it all began; Seoul\, Korea!  \nBefore he embarks\, he is performing two special send off shows in NYC. Come out and catch these special performances before the show is retired!  \nAbout the Show: \nA comedy show meets a TED Talk\, Case 84 sheds light on the underrepresented experience of adoptees. Over the course of an hour and aided by visuals ranging from family photos to images of Superman\, Edward answers all the questions he gets about being adopted. \nCase 84 has toured in NYC\, Philly\, Toronto\, Ithaca\, Boston\, D.C.\, Atlanta\, Chicago\, Minneapolis\, LA\, Austin\, Houston and San Fran. Case 84 is a show for anyone who has struggled with identity or just feels like people misunderstand where they come from. It is an immersive journey through Edward’s experience growing up in Philadelphia as a transracial adoptee and touches on the influence of American media on identity\, complex family dynamics\, and ultimately what it means to be an American. There are silly\, introspective\, and also painful moments in the show. As Edward’s journey unfolds\, viewers have the opportunity to learn alongside him\, gaining insights into the challenges faced by adoptees and the power of self-discovery. This show is a love letter to adoptees and an invitation to learn more. \nAbout Edward: \nEdward is a two-time Emmy nominated Senior Writer/Producer for NBCUniversal/Peacock Brand and Promotions. He is also a Co-Founder of The Asian Comedy Fest. The largest\, longest running Asian led comedy fest in the country. \nTo learn more about Edward and his show check out his feature with Korean American Story https://www.youtube.com/watch?v=BBTw3JKUr8k
URL:https://potluckasianamerica.org/event/case-84-adopted-in-the-u-s-a-3/
LOCATION:Caveat\, 21 A Clinton Street\, New York\, NY\, 10002\, United States
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/07/a608895d363b2eb29ecaeb432223c180.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20261008
DTEND;VALUE=DATE:20261011
DTSTAMP:20260912T005317Z
CREATED:20260912T005317Z
LAST-MODIFIED:20260912T005317Z
UID:10003357-1791417600-1791676799@potluckasianamerica.org
SUMMARY:Allegra
DESCRIPTION:Choreographer Benjamin Akio Kimitch conjures a fantasy Japanese American court dance where history presses against memory\, and memory against imagination. Drawing from family oral history and years of research in the United States and Japan\, ballet stages give way to temple grounds\, barren foothills\, army barracks\, and the stench of empty horse stables. Benjamin’s Allegra turns to Bugaku\, an ancient dance form whose roots stretch across Persia\, India\, China\, Korea\, and Japan. In postwar US-Japan relations\, performances of Bugaku inspired multiple collaborations with New York City Ballet\, including George Balanchine’s own Bugaku ballet. These histories converge through a Japanese American lens anchored by the aftermath of the camps in World War II. Benjamin and his ensemble\, Jessica Cook\, Lai Yi Ohlsen\, Glenn Potter-Takata\, and Nami Yamamoto\, bring these collective memories to life. \nPerformances will be accompanied by additional programming across New York City. Schedule to be announced.
URL:https://potluckasianamerica.org/event/allegra/
LOCATION:New York Live Arts\, 219 West 19 Street\, New York\, NY\, 10011\, United States
CATEGORIES:Dance,Music
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Allegra-copy.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261008T170000
DTEND;TZID=America/New_York:20261008T183000
DTSTAMP:20260928T182542Z
CREATED:20260928T182542Z
LAST-MODIFIED:20260928T182542Z
UID:10003493-1791478800-1791484200@potluckasianamerica.org
SUMMARY:Rediscovering Saint Malo: The First Permanent Asian American Settlement
DESCRIPTION:Explore the fascinating history of St. Malo\, Louisiana\, the first permanent Asian settlement in the United States\, established as early as 1763. Contributing to the thriving fishing industry\, Filipino sailors settled the swamps of St. Malo\, but very few sources from the perspective of Filipinos exist. The workshop will demonstrate the ways to utilize poetry as a medium to learn about St. Malo while also analyzing and evaluating outsider accounts of Saint Malo to unearth the truth of the settlement. Educators will leave the workshop with new historical insights and classroom-ready activities to teach about Asian Americans’ enduring role in shaping the United States. Perfect for lessons on immigration\, colonization\, and early American life\, this session sheds light on an important yet often overlooked chapter of our shared past. \nFacilitators: Rachael Richard\, TAAS Ambassador \nFree and open to all.\nProfessional Development hours awarded. \nThis event is brought to you by Teach Asian American Stories and AAPI New Jersey
URL:https://potluckasianamerica.org/event/rediscovering-saint-malo-the-first-permanent-asian-american-settlement-3/
LOCATION:
CATEGORIES:Virtual,Workshop
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Saint-Melo-copy.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261008T173000
DTEND;TZID=America/New_York:20261008T203000
DTSTAMP:20260819T000404Z
CREATED:20260819T000404Z
LAST-MODIFIED:20260819T000404Z
UID:10003127-1791480600-1791491400@potluckasianamerica.org
SUMMARY:Taste of Asia
DESCRIPTION:TASTE OF ASIA IS A ONE-OF-A-KIND CULINARY CELEBRATION – NOW IN ITS 5TH YEAR – THAT HONORS THE RICHNESS OF ASIAN CUISINE AND ITS POWER TO BRING COMMUNITIES TOGETHER. \n\n\n\n\nHosted in beautiful Madison Square Park\, this unforgettable night features more than 40 of New York’s top restaurants serving the best Asian-inspired dishes in the city. Taste of Asia continues to be a vibrant celebration of how food can unite\, delight\, and bridge cultures across our city. \nApex for Youth is a New York City-based organization that empowers Asian American youth from low-income and immigrant backgrounds to unlock their potential and a world of possibility. Through transformative relationships\, activities that nurture their interests\, and supportive services responding to their needs\, our youth develop the confidence to chart a vision for their future and the resources to help them get there.
URL:https://potluckasianamerica.org/event/taste-of-asia/
LOCATION:Madison Square Park\, 11 Madison Ave\, New York\, NY\, 10010\, United States
CATEGORIES:Food,Fundraiser
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ORGANIZER;CN="APEX for Youth":MAILTO:melinda.chu@iwgroupinc.com
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261008T180000
DTEND;TZID=America/New_York:20261008T190000
DTSTAMP:20260915T012603Z
CREATED:20260915T012603Z
LAST-MODIFIED:20260915T012603Z
UID:10003380-1791482400-1791486000@potluckasianamerica.org
SUMMARY:Book Talk | The Original Daughter by Jemimah Wei
DESCRIPTION:ABOUT THE BOOK \n\nIn this dazzling debut\, Stegner Fellow Jemimah Wei explores the formation and dissolution of family bonds in a story of ambition and sisterhood in turn-of-the-millennium Singapore. \nBefore Arin\, Genevieve Yang was an only child. Living with her parents and grandmother in a single-room flat in working-class Bedok\, Genevieve is saddled with an unexpected sibling when Arin appears\, the shameful legacy of a grandfather long believed to be dead. As the two girls grow closer\, they must navigate the intensity of life in a place where the urgent insistence on achievement demands constant sacrifice. Knowing that failure is not an option\, the sisters learn to depend entirely on one another as they spurn outside friendships\, leisure\, and any semblance of a social life in pursuit of academic perfection and passage to a better future. \nWhen a stinging betrayal violently estranges Genevieve and Arin\, Genevieve must weigh the value of ambition versus familial love\, home versus the outside world\, and allegiance to herself versus allegiance to the people who made her who she is. In the story of a family and its contention with the roiling changes of our rapidly modernizing\, winner-take-all world\, The Original Daughter is a major literary debut\, rife with emotional clarity and searing social insight. \n\nABOUT THE AUTHOR \nJemimah Wei was born and raised in Singapore and splits her time between Singapore and the United States. She is a National Book Foundation 5 Under 35 Honoree\, is a winner of the William Van Dyke Short Story Prize\, and formerly held the Wallace Stegner Fellowship and Felipe P. De Alba Fellowship at Stanford University and Columbia University\, respectively. Her highly anticipated debut novel\, The Original Daughter\, debuted at #1 on The Straits Times bestseller list and is a Good Morning America Book Club pick and a New York Times Editors’ Choice. The Original Daughter is a Country Award Winner of the Chommanard International Women’s Literary Award\, was longlisted for the Dublin Literary Award\, and was named a Best Book of Spring by TIME\, Harper’s Bazaar\, Elle\, Vogue\, and more. \nIN CONVERSATION WITH \nVanessa Chan is the Malaysian author of the internationally bestselling novel THE STORM WE MADE\, a Good Morning America Book Club Pick\, BBC Radio 2 Book Club pick\, New York Times Editors’ Choice\, and named best book of the year by NPR\, Amazon\, Elle\, Goodreads\, and more — about the unlikeliest of spies — a discontent mother and wife in 1930s British Malaya who\, in becoming a spy for the Japanese\, unwittingly ushers in the most violent war her country has ever seen. The Storm We Made has been translated into more than twenty languages worldwide.
URL:https://potluckasianamerica.org/event/book-talk-the-original-daughter-by-jemimah-wei/
LOCATION:Yu and Me Books\, 44 Mulberry St.\, New York\, NY\, 10013\, United States
CATEGORIES:Book,Discussion
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/JemimahWei-copy.jpg
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