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DTSTART;VALUE=DATE:20260916
DTEND;VALUE=DATE:20261001
DTSTAMP:20260904T220910Z
CREATED:20260904T220737Z
LAST-MODIFIED:20260904T220910Z
UID:10003312-1789516800-1790812799@potluckasianamerica.org
SUMMARY:Tom Yum Week
DESCRIPTION:Something’s bubbling across New York 🌶️ \nTOM YUM WEEK\nSeptember 16–30\, 2026 \nA city-wide creative fest transforming Thai restaurants into creative spaces. Artists and creatives respond to special dishes\, signature food\, and drinks – creating multisensory experiences that go beyond the plate. \nEach collaboration takes a different form. \nSome live on the plate.\nSome on the wall.\nSome on a screen.\nSomewhere in between. \nOur first edition explores the theme YUM YUM YUM – inspired by the Thai idea of yum: to mix\, toss things around\, and somehow\, it usually comes together. \nYou can eat it.\nBut you might also watch it\, hear it\, read it\, or scan it. \nDifferent spots. Different mixes. One city-wide experiment. \n@charoenkrung_nyc\n@dockasianeatery\n@gigicurryandnoodlebar\n@godunknyc\n@katithaicuisinenyc\n@kru.bk\n@lalyn.nyc\n@luckybybar\n@narkaranyc\n@salathainyc\n@samyan.nyc\n@saolea.nyc\n@seathai_nyc\n@skyice_nyc\n@thaipavilion_nyc\n@vallatable\n@zabbputawn \nSeptember 16–30
URL:https://potluckasianamerica.org/event/tom-yum-week/
LOCATION:Multiple NYC locations
CATEGORIES:Food,Thai
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Tom-Yum-Week-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260917
DTEND;VALUE=DATE:20261014
DTSTAMP:20260928T233759Z
CREATED:20260928T231857Z
LAST-MODIFIED:20260928T233759Z
UID:10003500-1789603200-1791935999@potluckasianamerica.org
SUMMARY:Yuen Woo-ping Retrospective
DESCRIPTION:In a Hong Kong film industry overflowing with martial arts talent\, Yuen Woo-ping stands apart. His legendary influence\, in a career spanning more than five decades\, has earned him the widely celebrated\, industry-bestowed moniker “天下第一武指\,” which translates as “The Number One Martial Arts Director Under the Sky.” As both film director and action choreographer\, Yuen helped elevate martial arts cinema into a sophisticated art form\, blending technical precision with character\, poetry\, and astonishing physical invention. His choreography prioritizes movement legibility\, spatial clarity\, and expressive geometry over brute force\, reshaping the visual grammar of global action filmmaking. \nBorn into a family of Peking Opera performers\, Yuen grew up in a tradition where drama\, martial arts\, acrobatics\, and dance were inseparable—a heritage linking him to contemporaries like Jackie Chan and Sammo Hung\, who emerged from the same rigorous training. Yuen’s father\, Yuen Siu-tien\, an accomplished opera performer\, actor\, and martial arts director\, introduced his children to the film set. The Yuen siblings began as stunt performers and rose through the ranks. Together they formed the Yuen Clan\, becoming some of Hong Kong cinema’s most respected stunt performers and action directors. \nYuen’s first two films as a director\, Snake in the Eagle’s Shadow and Drunken Master (both 1978)\, launched Chan’s stardom. By shifting martial arts cinema away from solemn violence to wit\, personality\, and comedic invention\, the films established a template for Chan’s career. Yuen went on to collaborate with icons like Hung\, Jet Li\, Michelle Yeoh\, and Donnie Yen\, while consistently demonstrating an unparalleled ability to train performers of all backgrounds—including Hollywood stars like Keanu Reeves and Uma Thurman—in his intensive “fight camps.” \nYuen’s work on The Matrix (1999)\, which seamlessly integrates Hong Kong wirework—human-controlled harnesses and cables that propel and suspend performers—with science fiction\, fundamentally altered how Hollywood approaches action. With Crouching Tiger\, Hidden Dragon (2000) he showed that martial arts could deepen a film’s emotional and intellectual resonance as much as its spectacle. Yuen’s extraordinary adaptability made him the definitive collaborator for visually distinct auteurs as diverse as Stephen Chow\, Ang Lee\, Quentin Tarantino\, Tsui Hark\, the Wachowskis\, and Wong Kar Wai. Decades after his debut\, Yuen’s latest epic\, Blades of the Guardians (2026)\, proves his vision still dictates the rhythm of modern action cinema. \n\n\n\n\n\nIron Monkey (少年黃飛鴻之鐵馬騮).1993. Directed by Yuen Woo-ping\nTue\, Sep 29\, 4:30 p.m.\nThu\, Oct 8\, 6:30 p.m.\n\n\n\n\nFearless (aka Jet Li’s Fearless\, 霍元甲).\n2006. Directed by Ronny Yu\nTue\, Sep 29\, 7:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nKill Bill: Volume 2.\n2004. Directed by Quentin Tarantino\nWed\, Sep 30\, 4:00 p.m.\nSat\, Oct 10\, 6:30 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nBlades of the Guardians (鏢人:風起大漠).2026. Directed by Yuen Woo-ping\nWed\, Sep 30\, 7:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nIn the Line of Duty 4: Witness (皇家師姐IV：直擊證人).1989. Directed by Yuen Woo-ping\nThu\, Oct 1\, 4:30 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nIp Man 4: The Finale (葉問4：完結篇).2019. Directed by Wilson Yip\nThu\, Oct 1\, 7:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nOnce Upon a Time in China (黃飛鴻).\n1991. Directed by Tsui Hark\nFri\, Oct 2\, 4:00 p.m.\n\n\n\n\n\n\nThe Grandmaster (一代宗師). [Hong Kong cut].\n2013. Directed by Wong Kar Wai\nFri\, Oct 2\, 7:00 p.m.\n\n\n\n\n\nThe Matrix.\n1999. Written and directed by Lana and Lilly Wachowski\nSat\, Oct 3\, 4:00 p.m.\n\n\n\n\n\n\n\n\nThe Matrix Reloaded.\n2003. Written and directed by Lana and Lilly Wachowski\nSat\, Oct 3\, 7:00 p.m.\n\nSnake in the Eagle’s Shadow (蛇形刁手)\n1978. Directed by Yuen Woo-ping\nSun\, Oct 4\, 1:30 p.m.\n\n\n\n\n\n\n\n\n\n\nMaster Z: The Ip Man Legacy (葉問外傳：張天志).2018. Directed by Yuen Woo-ping\nSun\, Oct 4\, 4:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nFist of Legend (精武英雄).\n1994. Directed by Gordon Chan\nMon\, Oct 5\, 6:30 p.m.\nSun\, Oct 11\, 1:30 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nThe Miracle Fighters (奇門遁甲).1982. Directed by Yuen Woo-ping\nTue\, Oct 6\, 4:30 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nDreadnaught (勇者無懼).\n1981. Directed by Yuen Woo-ping\nTue\, Oct 6\, 7:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nTai Chi Master (太極張三豐).\n1993. Directed by Yuen Woo-ping\nThu\, Oct 8\, 4:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nOnce Upon a Time in China II (黃飛鴻之二：男兒當自強).\n1992. Directed by Tsui Hark\nFri\, Oct 9\, 4:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nDrunken Master (醉拳).\n1978. Directed by Yuen Woo-ping\nFri\, Oct 9\, 6:30 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nKill Bill: Volume 1.\n2003. Directed by Quentin Tarantino\nSat\, Oct 10\, 4:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nWing Chun (詠春).\n1994. Directed by Yuen Woo-ping\nSun\, Oct 11\, 4:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nThe Magnificent Butcher (林世榮).1979. Directed by Yuen Woo-ping\nTue\, Oct 13\, 4:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nCrouching Tiger\, Hidden Dragon (臥虎藏龍).\n2000. Directed by Ang Lee\nTue\, Oct 13\, 6:30 p.m.
URL:https://potluckasianamerica.org/event/yuen-woo-ping-retrospective/
LOCATION:Museum of Modern Art\, 11 West 53 Street\, New York\, NY\, 10019\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Yuen-Woo-Ping-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260917
DTEND;VALUE=DATE:20261018
DTSTAMP:20260818T233546Z
CREATED:20260818T233546Z
LAST-MODIFIED:20260818T233546Z
UID:10003124-1789603200-1792281599@potluckasianamerica.org
SUMMARY:Best by 07/21/2026
DESCRIPTION:A residency-then-exhibition Artists: Clare Hu\, Tianyi Sun\, and Shaan Ken Rao \n398 West Street\, New York\, NY 10014 Residency: July 21 – September 16\, 2026 Exhibition: September 17 – October 17\, 2026 Opening Reception with the artists: Thursday\, September 17\, 2026 | 6-8 PM \nEli Klein Gallery is pleased to present Best by 07/21/2026\, a residency-then-exhibition featuring artists Clare Hu\, Tianyi Sun\, and Shaan Ken Rao\, opening on its own expiration date. Following At-Will Adaptation (2024)\, the gallery’s residency program returns this year for its second installment\, running from July 21st and culminating in a three-artist exhibition on Thursday\, September 17th. The three artists\, working in various mediums such as sculpture\, weaving\, painting\, and photography\, will create entirely new bodies of work using Eli Klein Gallery as their studio. The gallery will be open to the public during normal business hours throughout the duration of the residency. \n“Can the concept of the human survive discovering how the “sausage” of us is actually made\, what we really look and smell like at the cellular level?” This question\, raised by the writer and scholar Sophie Lewis in her catalog essay “New Wombs for Old Men” of the New Museum’s inaugural exhibition “New Humans\,” challenges the default practice of separating the maker from their associated defecations during the formation of a public-facing identity. On a metaphorical and non-visceral level\, contemporary art’s birth-giving process today resembles an ectogenesis\, with the “sausage-making” process susceptible to both curated previews and packaged commercialization. An artist’s studio is only alive when it breathes and excretes\, and more so when the discarded substances are studied\, categorized\, archived\, and recycled.
URL:https://potluckasianamerica.org/event/best-by-07-21-2026/
LOCATION:Eli Klein\, 398 West Street\, New York\, NY\, 10014\, United States
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Eli-Klein-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260917
DTEND;VALUE=DATE:20261025
DTSTAMP:20260912T015055Z
CREATED:20260912T014818Z
LAST-MODIFIED:20260912T015055Z
UID:10003359-1789603200-1792886399@potluckasianamerica.org
SUMMARY:Tchah Sup Kim: The Key to a New World
DESCRIPTION:Tchah Sup Kim (1940–2022) was an artist whose lifelong practice explored fundamental questions of civilization\, the universe\, existence\, and humanity. Moving beyond formal experimentation\, his work sought new ways of seeing and understanding the world—often by challenging established boundaries between East and West\, the individual and the cosmos\, and the finite and the infinite. \nKim moved to New York in 1974 and studied printmaking at Pratt Institute\, where he began developing a distinctive visual language. His landmark etching Triangle Between Infinites (1976)\, now in the collection of The Museum of Modern Art\, New York\, introduced the triangle as a central motif in his practice. Rather than treating it as a closed geometric form\, Kim opened its vertex\, transforming the triangle into a structure of openness\, circulation\, and connection. \nThroughout the 1980s\, his work reflected his experiences of migration\, otherness\, and diasporic identity in New York. After returning to Korea in 1990\, his inquiry expanded toward broader questions of civilization\, history\, and the origins of humanity. \nNew York played a pivotal role in this artistic and intellectual journey. It was here that Kim encountered the center of Western modernism while also beginning to question its prevailing systems of thought. Presented now in New York\, The Key to a New World revisits that formative relationship and considers his practice through a contemporary lens. The exhibition title comes from a phrase found in one of Kim’s own notes. For him\, a “new world” was not simply a vision of the future\, but the possibility of thinking and seeing beyond existing frameworks. \n\nTuesday – Friday: 10 AM – 6 PM / Saturday: 11 AM – 5 PM\nClosed on Sunday and Monday.\n\n\n  \n\n\n\nAbout the Artist \n\n\n\n\n\n\nTchah Sup Kim received his BFA from Seoul National University in 1963. With a grant from John D. Rockefeller 3rd Fund Fellowship\, he completed his MFA at the Pratt Institute in New York in 1976. \nWorking primarily in paint and mixed media\, Kim explores the principles of cosmos through nature and its phenomena. He raises questions regarding the universal truth that human beings have sought in and out of history. His artistic journey can be divided into three major periods: from 1965 to 1982\, during his early years in Korea and New York\, his work is characterized by a focus on geometry; from 1983 to 1993\, during his New York period\, he turns toward geopolitical and historical themes; and from 1993 to 2022\, after leaving New York for the rural village of Naepyung-ri in Korea\, and later alternating between the two locations\, he focuses his work on geography and nature. \nTchah Sup Kim’s artwork is currently housed in the collections of many renowned institutions\, including the Museum of Modern Art (NY)\, the Metropolitan Museum of Art (NY)\, and the National Museum of Contemporary Art (Gwacheon\, Korea).
URL:https://potluckasianamerica.org/event/tchah-sup-kim-the-key-to-a-new-world/
LOCATION:Korean Cultural Center New York\, 122 East 32nd Street\, New York\, NY\, 10016\, United States
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Tchah-Sup-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260917
DTEND;VALUE=DATE:20261205
DTSTAMP:20260902T221003Z
CREATED:20260902T220929Z
LAST-MODIFIED:20260902T221003Z
UID:10003299-1789603200-1796428799@potluckasianamerica.org
SUMMARY:Afterlayers: Tai Hwa Goh & Julia Kwon
DESCRIPTION:Opening reception: Thursday\, September 17\, 2026\, 5-7pm \nTwo artists transform traditional materials–textile and paper–to explore themes of identity and memory. Tai Hwa Goh creates intricate\, layered installations from printed and cut paper\, inspired by organic forms\, landscapes\, and the relationship between the interior and exterior. Goh’s process pushes the limits of traditional printmaking\, as she modifies the characteristics of paper and thin fabric by covering with batik or ironing thin sheets of beeswax onto her prints\, deliberately obscuring the underlying images. She then uses techniques like sewing\, gluing\, and manipulating printed materials to construct intricate\, honeycomb-like structures. Found objects seamlessly integrate into the work\, reflecting the blending of the personal and the universal\, as well as natural and artificial elements.Through this process\, the imagery gradually moves away from recognizable forms\, and the dense layers serve as a space where nature\, memory\, and personal experience intertwine. Her installations invite viewers to contemplate the balance between the natural world and human existence\, and how everyday moments can reveal deeper insights into our lives. \nJulia Kwon sews interpretive Korean textiles\, specifically in the form of patchwork bojagi (Korean object-wrapping cloth)\, to critique received notions of Asiatic femininity and challenge reductive\, easily legible identities. Although her bojagi textiles may initially be perceived as traditionally Korean\, the patchwork designs are actually derived from urgent contemporary sociopolitical issues and events. Her work moves beyond simply representing minority identities as she aims to comment on the interconnected systems of oppression. Kwon’s practice contests the notion of authenticity and explores the complexities involved in constructing identities within the current framework of cultural hybridity\, intersectionality\, and the collective pursuit of social justice \nThe Korea Society Gallery is open only by appointment.\nThe appointment must be made at least 24 hours prior to the scheduled visit. \nGallery Hours: Monday-Friday 10 AM-4:30 PM\nBy Appointment Only
URL:https://potluckasianamerica.org/event/afterlayers-tai-hwa-goh-julia-kwon/
LOCATION:The Korea Society\, 350 Madison Avenue\, 24th Floor\, New York\, NY\, 10017
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/fterlayers-copy.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260917
DTEND;VALUE=DATE:20270401
DTSTAMP:20260911T234039Z
CREATED:20260911T234039Z
LAST-MODIFIED:20260911T234039Z
UID:10003349-1789603200-1806537599@potluckasianamerica.org
SUMMARY:Zine* Together
DESCRIPTION:Please join Asia Art Archive in America on Thursday\, September 17th from 5-8pm for the opening reception of their exhibition\, Zine﹡ Together. \nZine﹡ Together is the first exhibition of its kind to examine Asian American zines not only as objects\, but as actions—creative\, collective\, and relational. Drawing from Asia Art Archive in America’s Reading Room collection\, this exhibition highlights collaboratively produced zines from 2010 to the present\, alongside newly commissioned projects and prompts that trace zine-making as a mode of shared authorship and community building. \nIn the 1960s and 1970s\, zines (short for “magazines” or “fan-zines”) were characterized by their photo-copied\, staple-bound formats and emerged as popular do-it-yourself platforms for sharing counter-cultural socio-political programs and avant-garde art practice. In more recent decades and particularly in Asian American communities\, zines have served as a place to explore artistic narratives\, diasporic histories\, and collective responses to marginalization. \nKey to this exhibition is a commissioned research project and essay by Michelle Yee\, PhD\, and Elizabeth Chung that investigates the recent history of Asian American zines in relation to the 2020 COVID-19 pandemic and the parallel rise in anti-Asian violence across the United States. Situating zine-making within this moment of crisis\, the research frames the medium as one of many grassroots strategies for care\, documentation\, and solidarity. Together\, the exhibition and research project position zines not as peripheral ephemera\, but as vital cultural tools that register and record how communities respond in times of uncertainty. \nZine﹡ Together\, itself a collaborative project\, is organized by Claire Kim\, Susanna Chang\, Sarula Bao\, Michelle Yee\, Elizabeth Chung\, Mary Y. Yang\, Chen Luo\, and Tasnima Tanzim.
URL:https://potluckasianamerica.org/event/zine-together/
LOCATION:Asia Art Archive in America\, 23 Cranberry Street\, Ground Floor\, Brooklyn\, NY\, 11201\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Zine-copy.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260919
DTEND;VALUE=DATE:20261109
DTSTAMP:20260927T170404Z
CREATED:20260927T170404Z
LAST-MODIFIED:20260927T170404Z
UID:10003457-1789776000-1794182399@potluckasianamerica.org
SUMMARY:Synthetic Mobility
DESCRIPTION:Fou Gallery is pleased to present “Synthetic Mobility”\, a two-person exhibition featuring Tokyo- and New York-based artist Ai Makita and China-born\, Houston-based kinetic artist Sizhu Li\, on view from September 19 through November 8\, 2026. The exhibition brings to the fore important questions about the interaction between technology and humans\, considering how larger societal shifts affect the way artists represent humanity and reconstituted spaces. \nThe concept of the exhibition is connected to Timothy Morton’s idea of hyperobjects\, according to which we cannot fully perceive larger structures surrounding us and widely distributed across space and time\, but can try to describe their attributes and make a reasonable guess about their true nature. Synthetic mobility – the artificial generation of realistic human movement patterns using advanced algorithms – is a phenomenon related to the new acceleration of living rhythms promoted by digital progress. As the world is enveloped in ideological and cultural conflicts\, Makita and Li consider what it means to remain individuals today\, and how changes in technology alter our sense of perception and our mode of existence. \nAi Makita presents oil paintings\, several of them developed in conjunction with the AI model Midjourney and others based on images created in Photoshop by folding aluminum sheets. The depicted forms represent abstract conjunctions of pipes\, conduits\, and industrial infrastructure. Folded materials result in labyrinths of fluidity and line resembling a circulatory or nervous system\, an organism’s internal anatomy\, or an invisible technological network now made visible. The created conduits recall flowing rivers\, transcended thresholds\, and the linearity of time. Close conceptual connection with Minimalism makes Makita’s stretched lines internally connected to Donald Judd looking at the properties and the rigidity of the structures as well as relation of this (in)stability to the current historical moment. Process art likewise plays a significant role in Makita’s practice\, albeit in a form more appropriate to its new\, updated version\, where the digital has taken the place of the physical. Her paintings leave the viewer with a sense of wonder about where these meandering curves are leading and whether there is any specific destination. Mystery emerges not through mystical effects\, but through the inability to grasp the full picture\, pushing us to step away while also looking closer. \nSizhu Li presents sculptures made primarily from aluminum sheets and industrial fans. In Pushing Hands (2024–present)\, opposing forces travel through an industrial metal wave\, creating a rhythm of tension and equilibrium that references the Taoist principle of balance. The title directly refers to the fundamental Tai Chi practice of Tui Shou\, or “pushing hands\,” centered on sensing\, yielding to\, and balancing opposing forces. Evolving from her earlier project Moonment\, Li uses programmed fans and suspended aluminum sheets to construct a live\, percussive environment of moving metallic waves. In Yuanbao (2026)\, she brings the traditional Chinese symbol of wealth and blessing into conversation with the ephemeral form of clouds\, moving between material and spiritual aspirations\, permanence and transience. Meanwhile\, Oops\, Caught’ya! (2026) turns the clamp into both a generative and restraining device\, using movement\, suspension\, and pressure to consider freedom\, constraint\, instability\, and balance. \nTogether\, the two artists create a dialogue in which materials work as experimental tools to devise new understandings of where we are as a human species. Both artists look at motion\, structure\, and encounter as facilitated by materials\, planes\, and color. Makita’s paintings examine the transformations and limits caused by new synthetic mobility\, while Li’s sculptures engage the same idea through three-dimensional objects. Neither artist provides specific arguments or answers; instead\, they offer aesthetic tools that can help broaden our understanding of the technological forces increasingly shaping contemporary life.
URL:https://potluckasianamerica.org/event/synthetic-mobility/
LOCATION:Fou Gallery\, 89 5th Avenue\, # 701\, New York\, NY\, 10003\, United States
CATEGORIES:Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Synthetic_Mobility-2026-_Poster_Print_vertical_-_15_x_26.67_in.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260919T160000
DTEND;TZID=America/New_York:20261031T000000
DTSTAMP:20260514T035110Z
CREATED:20260514T035110Z
LAST-MODIFIED:20260514T035110Z
UID:10002630-1789833600-1793404800@potluckasianamerica.org
SUMMARY:Queens Night Market
DESCRIPTION:The Queens Night Market is a large\, family-friendly open-air night market in Queens\, featuring over 100 independent vendors selling merchandise\, art\, and food and featuring small-scale cultural performances\, all celebrating the rich cultural diversity and heritage of NYC and Queens. \nEvery Saturday from  4pm to midnight \nApril.18 to  August 22  and  September 19 to October 31. 2026 \nWe’re located behind the New York Hall of Science in Flushing Meadow Corona Park in Queens NYC \n 
URL:https://potluckasianamerica.org/event/queens-night-market-3/
LOCATION:New York Hall of Science\, 47-01 111th St\, Corona\, NY\, 11368\, United States
CATEGORIES:In Person,Night Market
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/05/d1f96b63a658ebbeda62df6a082449b9_447a1362f691dbbafd225cc675073942.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260921
DTEND;VALUE=DATE:20261006
DTSTAMP:20260927T170813Z
CREATED:20260927T170813Z
LAST-MODIFIED:20260927T170813Z
UID:10003458-1789948800-1791244799@potluckasianamerica.org
SUMMARY:“A Tree Grows in Palestine” Outdoor Photo Exhibition
DESCRIPTION:“A Tree Grows in Palestine” is a free outdoor photography exhibition featuring 14 life-size portraits of Palestinian farmers\, photographed on their farms in the West Bank. Presented by Treedom for Palestine with support from Penny Appeal USA\, the exhibition is produced by Photoville and hosted by NYC DOT Art\, and will be installed in St. Andrew’s Plaza\, steps from City Hall. It opens September 21\, the International Day of Peace\, and runs through October 5.
URL:https://potluckasianamerica.org/event/a-tree-grows-in-palestine-outdoor-photo-exhibition/
LOCATION:Saint Andrews Plaza\, 1 Saint Andrews Plaza\, New York\, NY\, 10007\, United States
CATEGORIES:Exhibition,Photography
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Palestine-copy.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260924
DTEND;VALUE=DATE:20261005
DTSTAMP:20260827T235435Z
CREATED:20260827T235413Z
LAST-MODIFIED:20260827T235435Z
UID:10003242-1790208000-1791158399@potluckasianamerica.org
SUMMARY:The Recursion of a Moth
DESCRIPTION:A story about time\, memory\, diaspora\, and the futures we dare to imagine\, can we break the cycles we are born into\, or are we destined to repeat them? \n\n\nOn the Moon\, Icarus dreams of soup. Across the ocean\, Mikey dreams of war. At Purdue\, Chrys dreams of a yellow house. In a future where time travel has become as mundane as bureaucracy\, three descendants of a diaspora try to find a corner in the universe to call home. When their efforts threaten to change the events of a predetermined timeline\, they must find a way to break their destructive\, cyclical realities; or face the violent\, memory-destroying consequences of the Reset. \nWritten by Brandon Zang\, directed by Seonjae Kim and produced by Cellunova Productions \n\n\n🎟️ Tickets are now on Early Bird Sale via LINK IN BIO! Use code EARLY15BIRD for a special discount. \n🎁 We’re also offering a limited special blind box gift donation package for the run! \n📅 PERFORMANCE SCHEDULE\nSeptember 24 – September 26 @ 7:30PM\nSeptember 27 @ 2PM\nOctober 1 – October 3 @ 7:30PM\nOctober 4 @ 2PM \n📍Teatro Circulo\, Second Stage\n64 East 4th Street\, New York\, NY 10003 \nIllustration by Tracy Li @ltracy006
URL:https://potluckasianamerica.org/event/the-recursion-of-a-moth/
LOCATION:Teatro Circulo\, 64 East 4th St.\, New York\, NY\, 10003\, United States
CATEGORIES:Theater
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Recursion-Moth-copy.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260924
DTEND;VALUE=DATE:20261019
DTSTAMP:20261003T035608Z
CREATED:20260903T012355Z
LAST-MODIFIED:20261003T035608Z
UID:10003306-1790208000-1792367999@potluckasianamerica.org
SUMMARY:Hold These Truths
DESCRIPTION:During World War II\, student Gordon Hirabayashi fights the US government’s orders to forcibly incarcerate people of Japanese ancestry on the West Coast. Struggling to reconcile his country’s betrayal with his passionate belief in the Constitution\, he journeys toward greater understanding of America’s triumphs – and confrontation with its failures. A 36-character solo play inspired by civil rights pioneer Gordon Hirabayashi. \nby Jeanne Sakata – directed by Lisa Rothe
URL:https://potluckasianamerica.org/event/hold-these-truths/
LOCATION:Luna Stage\, 555 Valley Rd.\, West Orange\, NJ\, 07052\, United States
CATEGORIES:Theater
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/13025-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260925
DTEND;VALUE=DATE:20261005
DTSTAMP:20260927T171721Z
CREATED:20260927T171721Z
LAST-MODIFIED:20260927T171721Z
UID:10003459-1790294400-1791158399@potluckasianamerica.org
SUMMARY:Bridging the Connection
DESCRIPTION:Organized by Bangladeshi American Artists Forum (BAAF)\nCurated by Kaiser Kamal and Kyoko Sato \nArtist-in-Residence from Japan: Nobuko\nExhibiting Artists: Arthur Azad | Alma Leya | Barkia Azam | Bishwajit Chowdhury | Bonnie Astor | Dina Zaman | Dipa Debnath | Farhana Yasmin | Kaiser Kamal | Kaniz Husna Akbory | Kazol Anthony Das | Kyaw C Maung | Mohammed Hassan Rokon | Nobuko (Japan) | Ruddro Md Ayudh Jahangir | Salma Sinha Kaniz | Sazada Sultana | Shinobu (Japan) | Sherry X Chen | Shameem Subrana | Sujit Kumar Saha | Syed Azizur Rahaman | Tajul Imam | Tariq Julfiker | Zebun Nesa Kamal \nEach year from May through October\, more than two dozen arts and cultural organizations activate the historic houses on Governors Island through the Governors Island Arts’ Organizations in Residence program. The program provides a unique platform for artists and cultural organizations to present free exhibitions\, public programs\, workshops\, and artist residencies in one of New York City’s most distinctive cultural settings. Over the next decade\, New York City and the Trust for Governors Island plan to expand this seasonal initiative toward year-round permanent homes for cultural organizations on the Island. \nAgainst this extraordinary setting between the waters of New York Harbor and the city skyline\, the Bangladeshi American Artists Forum (BAAF) has been presenting Between River and Harbor: Stories That Carry Us\, a multidisciplinary cultural program exploring migration\, memory\, identity\, belonging\, and the ways stories travel across generations and borders. \nThis fall\, curated by Kaiser Kamal and Kyoko Sato\, the program transforms one of Governors Island’s historic houses into a space of encounter—a place where personal histories\, ancestral memories\, artistic practices\, and different cultural perspectives can meet and resonate with one another. \nA significant new dimension of this fall’s program is BAAF’s collaboration with New York–based curator Kyoko Sato\, with the support by the Art Incubation Association of Japan\, which brings artists from Japan into the Governors Island program for the first time. This collaboration expands the conversation beyond a single diasporic experience and creates a broader dialogue between Bangladeshi American and Japanese artistic perspectives.
URL:https://potluckasianamerica.org/event/bridging-the-connection/
LOCATION:Bangladeshi American Artists Forum\, 16 Nolan Park\, Governors Island\, New York\, NY\, 10004\, United States
CATEGORIES:Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/group_show_card.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260926
DTEND;VALUE=DATE:20261102
DTSTAMP:20260927T172328Z
CREATED:20260927T172328Z
LAST-MODIFIED:20260927T172328Z
UID:10003460-1790380800-1793577599@potluckasianamerica.org
SUMMARY:Moving Rasa Discovery Cards Inside/Outside
DESCRIPTION:Move what’s inside\, outside. Move what’s outside\, inside. \nWhat happens when something you’re carrying inside—a feeling\, question\, image\, memory\, impulse—gets to take shape in the world around you? \nAnd what happens when the world answers back? \nOver six gatherings\, we’ll use the Moving Rasa Discovery Cards to improvise between our inner and outer worlds. We might climb onto something\, lean into another person\, follow the shape of a tree\, move with a wall\, let a card change our attention\, or allow an unexpected impulse to lead somewhere new. \nWe’ll work with group improvisation\, contact\, imagination\, questions\, and the environments we enter. Some gatherings will happen indoors. Others will take us outside into different NYC places. Each environment becomes part of what we discover. \nThere is no movement to get right and no fixed meaning to find in a card. We’ll notice what emerges through the relationships we make—with ourselves\, one another\, the cards\, and the places around us. \nLocation:\nReal World Sculptures: Norman A Rockefellar Park\nRiver Terrace and\, Chambers St\nNew York City\, NY 10282
URL:https://potluckasianamerica.org/event/moving-rasa-discovery-cards-inside-outside/
LOCATION:NY
CATEGORIES:Dance
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Rasa-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260926
DTEND;VALUE=DATE:20270208
DTSTAMP:20260924T203746Z
CREATED:20260924T203746Z
LAST-MODIFIED:20260924T203746Z
UID:10003408-1790380800-1802044799@potluckasianamerica.org
SUMMARY:Yoshitaka Amano: Origins at the American Academy of Arts and Letters
DESCRIPTION:Yoshitaka Amano (b. 1952\, Shizuoka\, Japan) creates worlds. It’s something he’s done since he was fifteen\, when he moved to Tokyo and began working as a character designer for an anime studio. There\, drawing was always an act of translation. His task was to convert narrative into illustrated concepts\, drawings that would become the connective tissue of a fictional universe. Throughout his career as an independent artist and as a character designer for storied anime and video game franchises\, such as Final Fantasy and Vampire Hunter D\, drawing has always been a way of describing the porousness between the real and the fantastic. “I want to depict a world I myself have never seen\,” Amano says of the feeling from which his work begins. \nOrigins 始源 takes up Amano’s interest in primordial beginnings. Over the last few years\, Amano has been absorbed in Greek and Shinto mythology\, making drawings of the characters that animate these stories. Here\, he presents Pandora\, a series of drawings of the Greek myth of the first mortal woman; they circle the gallery like an ancient frieze\, or the storyboards for an animation. Alongside these works\, a selection of illustrations\, animation\, and popular materials from the 1980s and ’90s\, including the anime film Angel’s Egg and sensual depictions of The Tale of Genji\, is presented in our library. In all the stories Amano is drawn to\, origins are an eternal structure\, a threshold where being emerges. For him\, that threshold is the page; his figures seem to move and drift across its surface\, entering into worlds that exist beyond our lived reality. \nThis exhibition\, Amano’s first institutional solo show in New York\, offers a chance to encounter an artist whose drawings continue to have extended lives in the world around us. Right now\, more likely than not\, you could find them appearing on someone’s gaming console as they play Final Fantasy and livestream it to Twitch; on a Gatchaman Uniqlo tee worn in the streets of Tokyo; or even on an iPhone as someone watches Angel’s Egg on the subway\, in bed\, or really anywhere streaming is available. \nArts and Letters commissioned an essay\, Shining Genji\, by Sean Thor Conroe\, which accompanies the exhibition as part of our Reader series.
URL:https://potluckasianamerica.org/event/yoshitaka-amano-origins-at-the-american-academy-of-arts-and-letters/
LOCATION:American Academy of Arts and Letters\, Audubon Terrace\, New York\, NY\, 10032\, United States
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Yoshita-copy-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260929T110000
DTEND;TZID=America/New_York:20260929T120000
DTSTAMP:20260926T213304Z
CREATED:20260926T213100Z
LAST-MODIFIED:20260926T213304Z
UID:10003419-1790679600-1790683200@potluckasianamerica.org
SUMMARY:Sonya Rhie Mace in conversation with Molly Emma Aitken
DESCRIPTION:The Tenth Edition of JLF New York continues at the National Arts Club with two blockbuster events. \n\nJLF New York  @ NAC \nWith hundreds of thousands of spectators worldwide\, and mini-festivals from Houston to Doha\, India’s iconic Jaipur Literature Festival is known as “the greatest literary show on Earth” (Tina Brown). \nIn conjunction with the Asia Society and the Center for Fiction\, NAC will host the tenth edition of JLF New York\, an international edition of the Jaipur Literature Festival —which celebrates conversation\, bold ideas and exceptional storytelling\, in the voices of speakers ranging from novelist Alka Joshi and curator Sonya Rhie Mace to Oppenheimer biographer Kai Bird. \nSession 1 at 11 a.m. \nPahari Paintings: Art and Stories – Sonya Rhie Mace in conversation with Molly Emma Aitken \nBetween the seventeenth and nineteenth centuries\, the Pahari kingdoms of the northwestern Himalayas created a luminous world of painting—intimate\, expressive and richly coloured. In this richly illustrated session\, celebrated curator Sonya Rhie Mace explores a remarkably dispersed collection that offers new ways of seeing these works. Moving beyond questions of attribution\, the conversation with art historian and professor Molly Emma Aitken\, traces artists\, patrons and practices across regions\, revealing a shared visual culture shaped by movement and exchange. \n\nThis event occurs in person. RSVP does not guarantee entry. Our coat check is limited. Please do not bring any large bags or backpacks.
URL:https://potluckasianamerica.org/event/jaipur-nac-sonya-rhie-mace-in-conversation-with-molly-emma-aitken/
LOCATION:The National Arts Club\, 15 Gramercy Park South\, New York\, NY\, 10003\, United States
CATEGORIES:Art,Discussion
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260929T180000
DTEND;TZID=America/New_York:20260929T200000
DTSTAMP:20260820T134708Z
CREATED:20260820T134414Z
LAST-MODIFIED:20260820T134708Z
UID:10003150-1790704800-1790712000@potluckasianamerica.org
SUMMARY:Chapal Rani\, the Last Queen of Bengal
DESCRIPTION:A book talk with author Sandip Roy \n\n\nJoin NYU’s Center for the Study of Gender and Sexuality for a book talk with author Sandip Roy on Chapal Rani\, the Last Queen of Bengal: The Life and Times of a Female Impersonator \nAs the last great female impersonator of Bengali theater\, Chapal Bhaduri—known as Chapal Rani—once held audiences spellbound in the jatra tradition\, where men became goddesses and heroines. But when women finally took their place on stage\, Chapal found himself exiled from the world he had ruled. In this groundbreaking biography\, Sandip Roy captures the rise and fall of a performer whose art was inseparable from his identity. \nTold in Chapal’s own voice and interwoven with evocative fictional vignettes\, Chapal Rani\, the Last Queen of Bengal brings to life Kolkata’s golden age of theater and the resilience of a man who refused to disappear. Through decades of research and deeply personal interviews\, Roy crafts a moving portrait of gender and belonging. \nSandip Roy is a writer\, columnist and podcaster currently living in Kolkata. He is a columnist for Mint Lounge\, the Hindu and the host of the Sandip Roy Show on Indian Express. His weekly audio dispatches from Kolkata have been airing on public radio KALW in San Francisco since 2012. His work has appeared in publications like the New York Times\, BBC\, the San Francisco Chronicle\, NPR\, the Times of India\, Firstpost\, Huffington Post\, Conde Nast Traveller and other publications. He has been part of anthologies like Out! Stories from the New Queer India\, The Phobic and the Erotic\, Q&A: Queer in Asian America\, Men on Men 6\, Because I Have a Voice\, Story-wallah!\, House Spirit: Drinking in India and Cat People. For more than a decade\, Roy was editor of Trikone\, the world’s oldest magazine on LGBTQ+ South Asian issues. His first novel is Don’t Let Him Know. His latest book is Chapal Rani\, the Last Queen of Bengal – The Life and Times of a Female Impersonator. \nCopies of the book will be sold at the event. The talk will be followed by a catered reception and refreshments. \nNYU campus access guidelines: Registration is required. Non-NYU guests may be asked to present a government-issued photo ID. NYU guests must present their NYU ID. \nAccessibility note: This venue has an elevator and is accessible for wheelchair users. There are single-stall\, all gender restrooms available. If you have any access needs\, please email csgs@nyu.edu
URL:https://potluckasianamerica.org/event/chapal-rani-the-last-queen-of-bengal/
LOCATION:20 Cooper Sq\, 20 Cooper Square\, 3rd floor lobby\, New York\, NY\, 10003\, United States
CATEGORIES:Author Interview,Book,Discussion
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/51d8c2a3783ded0e890bc79bb65153a4.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260929T200000
DTEND;TZID=America/New_York:20260930T000000
DTSTAMP:20260912T002851Z
CREATED:20260912T002851Z
LAST-MODIFIED:20260912T002851Z
UID:10003354-1790712000-1790726400@potluckasianamerica.org
SUMMARY:Gay Asian Drink & Draw
DESCRIPTION:A Figure Drawing Group by GAYSIAN ART GANG. Come draw and mingle with Queer Asian creatives. POC models & artists encouraged to join. \nHosts:\nDerek (@theotherderekluu)\nSammy (@sammysinsss)\nZihao (@people_i_love__) \n30 Seat Capacity. Doors open at 7:30pm.\nBring your own supplies.\n$15 at the door. Cash/Venmo accepted.\nDiscounted tickets available online through DICE app. \n\nLocation\nC’mon Everybody\n325 Franklin Ave.\nBrooklyn\, NY 11238
URL:https://potluckasianamerica.org/event/gay-asian-drink-draw/
LOCATION:NY
CATEGORIES:Art,Meetup
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Gay-Draw-copy.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260930
DTEND;VALUE=DATE:20261022
DTSTAMP:20260926T224740Z
CREATED:20260926T224542Z
LAST-MODIFIED:20260926T224740Z
UID:10003434-1790726400-1792627199@potluckasianamerica.org
SUMMARY:Midtown Dance: Bhangra in the Plaza
DESCRIPTION:Bollywood rhythm comes to the 34th Street district with performances and lessons that blend fitness with traditional Indian folk dance. \nEvery Wednesday from 9/30 through 10/21 at 6:00 PM
URL:https://potluckasianamerica.org/event/midtown-dance-bhangra-in-the-plaza/
LOCATION:Greeley Square Plaza (Broadway between 32nd and 33rd Streets)\, Greeley Square Park\, Broadway\, New York\, NY\, United States\, New York\, NY\, 10001\, United States
CATEGORIES:Dance
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/a8f43acf248873417fec8d32c4870828.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260930T153000
DTEND;TZID=America/New_York:20260930T210000
DTSTAMP:20260819T005613Z
CREATED:20260819T005613Z
LAST-MODIFIED:20260819T005613Z
UID:10003132-1790782200-1790802000@potluckasianamerica.org
SUMMARY:JLF New York 2026
DESCRIPTION:Celebrating books\, ideas\, and dialogue\, the Jaipur Literature Festival — described as “the greatest literary show on Earth” — returns to New York in 2026. A caravan of pre-eminent writers\, performers\, essayists\, commentators\, and raconteurs is almost here to take you on a journey to worlds woven by words and ideas. This year’s JLF includes Kai Bird\, Sam Dalrymple\, Mahmood Mamdani\, Susan Goldmark and Nitin Seth.  \nThe iconic Jaipur Literature Festival\, held annually at the Pink City of Jaipur in India’s Rajasthan state\, has always believed in the spirit of community and the hope\, strength\, and vitality that literature gives. Join us for the tenth annual JLF New York\, returning to Asia Society to celebrate the cosmopolitan spirit and boundless energy of New York City and bringing forth JLF’s signature camaraderie\, the mosaic of ideas\, and the enrapturing flow of conversations that continue to make the festival truly incredible! \nSchedule\nSchedule timings\, speakers subject to change. Watch this space for updates.  \n3:40 – 4:20 p.m. \nShattered Lands: Five Partitions and the Making of Modern Asia\nSam Dalrymple in conversation with Prashant Jha \nShattered Lands by Sam Dalrymple traces five partitions that carved twelve nations\, reshaping borders\, identities\, and lives. Drawing on archival research\, memoirs\, and eyewitness accounts across multiple languages\, this compelling narrative illuminates the wars\, migrations\, and legacies that forged modern Asia. In conversation with writer Prashant Jha\, Sam explores the dramatic unmaking of Britain’s colonial Empire\, once spanning from the Red Sea to Southeast Asia. \n4:30 – 5:10 p.m. \nThere Is A Ghost In My Room\nSanjoy K. Roy in Conversation with Sohaila Abdulali \n5:20 – 6:00 p.m. \nAI: The Modern Double Helix\nNitin Seth\, Vinita Gupta and Meredith Broussard in conversation with Roopa Unnikrishnan  \nAs humans and machines enter a new era of co-intelligence\, the challenge is how we can collaborate with it responsibly\, creatively\, and ethically. This evolving partnership raises profound questions about knowledge\, trust\, originality\, and what remains uniquely human. A panel of experts discuss the possibilities of an innovation that has altered technology and work as we know it. \n6:10 – 6:50 p.m. \nSlow Poison: Uganda and the Afterlives of Empire\nMahmood Mamdani in conversation with Neeraj Kaushal \n7:00 – 7:50 p.m. \nAmerican Scoundrel: Roy Cohn’s Dark Journey\nKai Bird and Susan Goldmark in conversation with Sree Srinivasan \nIn American Scoundrel\, Pulitzer Prize-winning biographer Kai Bird\, with Susan Goldmark\, uncovers the extraordinary and unsettling life of Roy Cohn\, the ruthless lawyer\, fixer\, and political operator whose methods and worldview helped shape modern American politics and whose most enduring protégé was Donald Trump. From the fevered anti-communism of the McCarthy era to the boardrooms of New York\, the corridors of Washington\, and the glittering excess of Studio 54\, Cohn emerges as a charismatic\, manipulative\, and sinister presence. Bird and Goldmark’s meticulous research and gripping storytelling trace the making and unmaking of a man whose divisive influence deeply impacted the workings of the US for years to come.
URL:https://potluckasianamerica.org/event/jlf-new-york-2026/
LOCATION:Asia Society\, 725 Park Avenue\, New York\, NY\, 10021
CATEGORIES:Book
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260930T173000
DTEND;TZID=America/New_York:20260930T203000
DTSTAMP:20260902T021809Z
CREATED:20260902T021809Z
LAST-MODIFIED:20260902T021809Z
UID:10003272-1790789400-1790800200@potluckasianamerica.org
SUMMARY:Money\, Mindset\, and the Identity We Inherited
DESCRIPTION:Our free weekly wellness circles for September are here 💙 \nHosted by Asian Mental Health Project\, “Stay in\, Check-in” is a series of free weekly wellness circles for folks to learn from educators in mental health and wellness\, as well as unpack feelings. These sessions are to provide a brave space to unpack\, share experiences\, gather resources and heal. \nWe’re also looking for speakers AND for anyone who wants to shape the future of Asian Mental Health Project. Along with our usual programming\, this month we are opening a town hall! We hope you’ll join us and make your voices heard!
URL:https://potluckasianamerica.org/event/money-mindset-and-the-identity-we-inherited/
LOCATION:NY
CATEGORIES:Health & Wellness
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Wellness-Circle-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260930T183000
DTEND;TZID=America/New_York:20260930T200000
DTSTAMP:20260927T215013Z
CREATED:20260927T214900Z
LAST-MODIFIED:20260927T215013Z
UID:10003488-1790793000-1790798400@potluckasianamerica.org
SUMMARY:Welcome to Chinatown Runs
DESCRIPTION:Welcome to Chinatown Runs\, where the neighborhood gathers to run once a month while supporting a local small business. \n​The scene: A relaxed 5K starting from The Hub to Gotham Park and back. This month’s feature is Sampaguita Eats\, one of our vendors for our Mid-Autumn Festival at Gotham Park\, who will cater small bites after our run! \n​What to Expect: \n\n​Free to attend\, with space limited to 30 runners\n​Run Distance: 5K\, about 3.1 miles\n​Beginner-friendly\, led at an easy pace\n​Walk Distance: About 1 mile\n\n​The Details: \n\n​Runners and walkers are welcome to leave their belongings at the WtC Small Business Innovation Hub (115 Bowery) during the run.\n​Featured Small Business: This month’s run will end with refreshments for runners from Sampaguita\, who will also be at our Mid-Autumn Festival at Gotham Park!\n\n​Please Note: Every month\, we make best efforts to accommodate dietary restrictions while providing a sampling of a business’ menu. However\, we may not always be able to accommodate all dietary restrictions.\n\n\n​Spots are limited\, so let us know if you can’t make it\, and let a fellow runner on the waitlist claim your spot.\n​An orientation and safety briefing will take place before we start\n\n​See you in the neighborhood!
URL:https://potluckasianamerica.org/event/welcome-to-chinatown-runs/
LOCATION:Welcome to Chinatown\, 115 Bowery\, New York\, NY\, 10002\, United States
CATEGORIES:Running
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Chinatown-Runs-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260930T190000
DTEND;TZID=America/New_York:20260930T210000
DTSTAMP:20260928T175910Z
CREATED:20260928T175910Z
LAST-MODIFIED:20260928T175910Z
UID:10003490-1790794800-1790802000@potluckasianamerica.org
SUMMARY:Rea Tajiri's "History and Memory: For Akiko and Takashige"
DESCRIPTION:Filmmaker Rea Tajiri blends interviews\, memorabilia\, and a pilgrimage to the camp where her mother was interned\, ruminating on the difficult nature of representing the past – especially a past that exists outside traditional historic accounts. More than simply calling attention to the gaps in the story of the Japanese American internment\, this important film from 1991 raises questions about collective history; questions that prompt Tajiri to daringly re-imagine and re-create what has been stolen and what has been lost. This 30-minute documentary short will be followed by a discussion between the filmmaker and choreographer Benjamin Akio Kimitch. \nComplimentary drinks and popcorn will be served! \nHosted by the Wythe Hotel Art Program. Curated by Benjamin Akio Kimitch. \nDoors open at 6:30 PM.\nScreening begins at 7:00 PM\, followed by Q&A. \nWythe Hotel Screening Room\n80 Wythe Ave\, Brooklyn\, NY\, 11249 \n(Please use the downstairs speakeasy entrance on Wythe Avenue) \nCapacity is limited. If you’re no longer able to attend\, please notify us as soon as possible: jason@showshow.co. \nThis special film screening is part of a series of activations accompanying the world premiere of a new dance work Allegra by Benjamin Akio Kimitch. More info here.
URL:https://potluckasianamerica.org/event/rea-tajiris-history-and-memory-for-akiko-and-takashige/
LOCATION:Wythe Hotel\, 80 Wythe Ave.\, Brooklyn\, NY\, 11249\, United States
CATEGORIES:Film
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261001T100000
DTEND;TZID=America/New_York:20261001T170000
DTSTAMP:20260828T165940Z
CREATED:20260828T165940Z
LAST-MODIFIED:20260828T165940Z
UID:10003253-1790848800-1790874000@potluckasianamerica.org
SUMMARY:Pro-Bono Concierge: Financial Foundations Conversations
DESCRIPTION:This concierge session\, Financial Foundations Conversations\, will help you build your own personal money operating system. \nCreate a practical framework for managing your finances\, including cash flow\, emergency savings\, goal prioritization\, budgeting\, debt management\, and building healthy financial habits. This session serves as a foundation\, with deeper dives into individual topics in future workshops. \nTopics may include:  \n\nCash Flow\nBudgeting\nDebt Management\n\nNew York Life Insurance Company’s Manhattan General Office team of financial professionals is visiting The Hub to offer personalized\, one-on-one financial guidance to small business owners and entrepreneurs in the Chinatown community — no question is too big or too small. \nThese discussions are for informational purposes only and should not be relied upon as a recommendation to purchase any specific financial product. Please consult your own tax or legal professional for advice regarding your specific situation.
URL:https://potluckasianamerica.org/event/pro-bono-concierge-financial-foundations-conversations/
LOCATION:Welcome to Chinatown\, 115 Bowery\, New York\, NY\, 10002\, United States
CATEGORIES:Education
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261001T190000
DTEND;TZID=America/New_York:20261001T200000
DTSTAMP:20260825T032329Z
CREATED:20260825T032329Z
LAST-MODIFIED:20260825T032329Z
UID:10003220-1790881200-1790884800@potluckasianamerica.org
SUMMARY:Book Talk | Mud on the Moon by Nita Noveno
DESCRIPTION:ABOUT THE BOOK \nMUD ON THE MOON is a hybrid memoir that weaves a daughter’s journey of discovering her Filipino immigrant father’s hidden past with imaginative storytelling\, offering a look into migration\, identity\, and the intergenerational legacies that shape who we are.  \n\n\n\nBorn in Southeast Alaska\, Nita Noveno traces the legacy of her father\, who arrived in the US in 1928 as part of a wave of Filipino men seeking better opportunities through manual labor in agriculture and other industries. The book alternates between Nita’s coming-of-age story and imagined chapters of her father’s life\, revealing the gaps and silences that lie between their experiences. With a blend of personal and historical imagery\, Mud on the Moon offers a rare glimpse into the lives of Filipino immigrants in America. It is a meditation on how family\, memory\, and identity are shaped by the stories we inherit\, both spoken and unspoken\, across generations. \nABOUT THE AUTHOR \nNita Noveno is the recipient of the 2024 Women’s Prose Prize from Red Hen Press for her hybrid memoir Mud on the Moon\, published in August 2026. Publishers Weekly calls it “a moving blend of autobiography and imagination” and “an auspicious first outing.” A graduate of the MFA Creative Writing Program at The New School\, her creative nonfiction and hybrid work has appeared in MĀNOA\, Hippocampus\, The Margins\, and elsewhere. She teaches creative nonfiction\, composition\, and literature at the Borough of Manhattan Community College\, City University of New York\, and is the founder\, curator\, and host emeritus of Sunday Salon\, a long-running reading series in New York City. The child of immigrant parents from the Philippines\, she grew up in the temperate rainforest of Southeast Alaska and now lives in Queens\, NY. \nIN CONVERSATION WITH \nNina Sharma’s work has appeared in outlets such as The Los Angeles Times\, The New Yorker\, Harper’s Bazaar and Electric Literature. Her debut personal essay collection is The Way You Make Me Feel: Love in Black and Brown(Penguin Press 2024). The Washington Post praises\, “Sharma’s debut is remarkable for its daring\, how unafraid it is to eschew rosy visions of racial solidarity.” Nina received her MFA in writing from Columbia University’s School of the Arts and has been awarded residencies from Vermont Studio Center and  St. Nell’s Humor Writing Residency. Nina is formerly the Programs Director at the Asian American Writers’ Workshop and with Quincy Scott Jones she co-created Blackshop\, a column that thinks about allyship between BIPOC people\, featured on Anomaly. A two-time Asian Women Giving Circle grantee for her workshop\, “No Name Mind: Stories of Mental Health from Asian America\,” she currently teaches at Barnard College and the Manhattanville University MFA in writing program. She is a proud co-founder of the comedy troupe Not Your Biwi Improv.
URL:https://potluckasianamerica.org/event/book-talk-mud-on-the-moon-by-nita-noveno/
LOCATION:Yu and Me Books\, 44 Mulberry St.\, New York\, NY\, 10013\, United States
CATEGORIES:Book,Discussion
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DTSTART;TZID=America/New_York:20261001T193000
DTEND;TZID=America/New_York:20261001T213100
DTSTAMP:20260912T025420Z
CREATED:20260912T025420Z
LAST-MODIFIED:20260912T025420Z
UID:10003366-1790883000-1790890260@potluckasianamerica.org
SUMMARY:2026 Korea on Screen: House of the Seasons (장손)
DESCRIPTION:The Korean Cultural Center New York proudly presents Peafowl as part of its Korea on Screen series—a year-long screening series celebrating the depth and diversity of Korean cinema. Through feature films\, documentaries\, short films\, and independent productions\, the series aims to broaden access to and appreciation of Korean cinema in New York City. \nOh Jung-min’s House of the Seasons begins on a sweltering summer day as three generations of a family gather at their hometown in Daegu for an ancestral memorial rite. Seong-jin’s father has inherited and now runs the family tofu factory\, with other family members helping with the business. What at first appears to be a harmonious family gathering gradually begins to unravel after the memorial rite\, as differing perspectives and long-standing tensions come to the surface. In the midst of the growing conflict\, Seong-jin makes a startling declaration: he has no intention of taking over the family business. Following the lives of this three-generation family with a calm and restrained gaze\, Oh Jung-min reflects on what disappears and what is passed on to the next generation. \nHouse of the Seasons premiered at the 28th Busan International Film Festival\, where it won three awards: the KBS Independent Film Award\, the Aurora Media Award\, and the CGK Award. The film was recognized for its nuanced portrayal of multigenerational family life\, Korean tradition\, and generational conflict. \nTicket: FREE (RSVP REQUIRED)\n * RSVP and seating are first come\, first served.\n* Doors open 30 minutes before showtime.\n* Your tickets will be released to the standby line 10 minutes before the show\, so we recommend you arrive early to secure your seats.
URL:https://potluckasianamerica.org/event/2026-korea-on-screen-house-of-the-seasons-%ec%9e%a5%ec%86%90/
LOCATION:Korean Cultural Center New York\, 122 East 32nd Street\, New York\, NY\, 10016\, United States
CATEGORIES:Film
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20261002
DTEND;VALUE=DATE:20261024
DTSTAMP:20260927T003557Z
CREATED:20260927T003302Z
LAST-MODIFIED:20260927T003557Z
UID:10003443-1790899200-1792799999@potluckasianamerica.org
SUMMARY:SLEEPLESS NIGHT
DESCRIPTION:Chinese American Counci is pleased to present SLEEPLESS NIGHT\, a solo exhibition by Xuhong Shang\, on view from October 2 through October 23. \n\n\n\n\nSLEEPLESS NIGHT is an exhibition that explores the unstable boundary between reality and dream\, presence and absence\, movement and confinement. Through installation\, photographic fragments\, painting\, video\, sound\, and spatial intervention\, Xuhong Shang creates an environment where perception is interrupted and certainty becomes fragile. \nThe exhibition is centered around the single-channel video Sleepless Night and expands into a physical installation composed of dark surfaces\, fragmented images\, linear structures\, and layered visual interruptions. The exhibition suggests a space where images appear partially concealed\, crossed\, taped\, and suspended within a field of darkness. These elements create a visual rhythm of obstruction and passage\, suggesting windows\, routes\, barriers\, memories\, and psychological thresholds. The viewer is invited not only to look at the work\, but to move through a condition of uncertainty. \nThe title SLEEPLESS NIGHT evokes a state of wakefulness between consciousness and dream. In this in-between condition\, time becomes stretched\, thoughts become fragmented\, and ordinary images take on emotional and symbolic weight. The exhibition reflects this mental space through fractured compositions\, grayscale imagery\, and stark contrasts between light and shadow. The visible world appears unstable\, as if caught between documentation and imagination. \nThe dark wall surface may be understood as a night sky\, an interior void\, or a psychological field. Across this darkness\, white strip boards cut through the canvas images and extend outward into the surrounding space. These sharp white lines suggest lightning crossing the night\, sudden flashes of thought\, or cracks breaking through the surface of memory. They connect the images while also damaging and disrupting them\, creating a tension between illumination and rupture. As the strips move from image to dark space\, they become more than formal devices; they operate as psychological forces\, exposing the instability of perception and the fragile condition of the mind during sleeplessness. \nTravel\, architecture\, and transitional spaces emerge as recurring visual references. Airplanes\, airport-like structures\, passages\, and abstracted silhouettes suggest movement across distance\, yet this movement is never fully free. Instead\, it is crossed by interruptions\, invisible borders\, and psychological weight. The white linear forms may be read as paths\, fractures\, signals\, restrictions\, or flashes of anxiety. They point toward direction and disorientation at the same time. \nIn Shang’s work\, ambiguity functions as a space of possibility. Rather than presenting a fixed narrative\, SLEEPLESS NIGHT asks viewers to confront the uncertain nature of perception itself. The exhibition reflects on how memory\, migration\, globalization\, and cultural experience shape the way we understand reality. It questions how images carry traces of personal and collective history\, and how the intangible forces of dream\, anxiety\, nostalgia\, and desire can become physically present within space. \nThe video Sleepless Night\, a single-channel work with sound\, becomes both an anchor and an atmosphere for the exhibition. Its duration suggests an intimate encounter with time\, while its presence extends the installation into a psychological and sensory field. Sound and moving image deepen the feeling of suspended consciousness\, placing the viewer within a state where the real and the imagined overlap. \nUltimately\, SLEEPLESS NIGHT is an exhibition about uncertainty as a condition of contemporary life. It invites viewers into a contemplative space where images are incomplete\, meanings remain open\, and the familiar becomes strange. Between darkness and light\, movement and stillness\, dream and reality\, the exhibition asks: what remains visible when certainty disappears?
URL:https://potluckasianamerica.org/event/sleepless-night/
LOCATION:Chinese American Arts Council / Gallery 456\, 456 Broadway\, 3rd Floor\, New York\, NY\, 10013\, United States
CATEGORIES:Art Exhibit
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20261002
DTEND;VALUE=DATE:20261005
DTSTAMP:20260903T205930Z
CREATED:20260903T205645Z
LAST-MODIFIED:20260903T205930Z
UID:10003311-1790899200-1791158399@potluckasianamerica.org
SUMMARY:Welcome to Chinatown Mid Autumn Festival
DESCRIPTION:This year\, we’re celebrating Mid-Autumn Festival all weekend (Oct 2 to 4)\, and it’s approaching fast so mark your calendars! 🌕 \nAs one of the most celebrated holidays across East & SE Asia\, it marks a time of unity\, family & gratitude for the harvest. \nWe’re hosting the 3-day outdoor event in partnership with @gothamparknyc\, featuring 100+ community-painted lanterns\, art installs\, 20+ local AAPI vendors across food/drink\, artwork\, & retail categories. And we’ve topped it off with live performances! \nNo RSVP required\, just join us at Gotham Park\, anytime between 1pm to 7pm during the first weekend of Oct\, and let’s eat\, drink\, dance\, and reflect together\, under the fullest moon of the year. \nScreenshot
URL:https://potluckasianamerica.org/event/welcome-to-chinatown-mid-autumn-festival/
LOCATION:Gotham Park (Rose St under Brookln Bridge Manhattan side)\, Gotham Park\, New York\, NY\, 10038\, United States
CATEGORIES:Festival,Food,Performance
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DTSTART;VALUE=DATE:20261002
DTEND;VALUE=DATE:20261107
DTSTAMP:20260902T204709Z
CREATED:20260902T204709Z
LAST-MODIFIED:20260902T204709Z
UID:10003289-1790899200-1794009599@potluckasianamerica.org
SUMMARY:MOCA PERFORMS – Echoes of Arrival: Becoming
DESCRIPTION:Immigration is never a single arrival but an ongoing process of becoming. Beyond legal status and paperwork\, immigrants navigate displacement\, alienation\, adaptation\, and the long\, sometimes complicated journey toward belonging. What did you have to learn to survive and build a life in the United States? What did you choose to carry with you from the culture you came from? What was lost in translation? And what new part of yourself emerged along the way? \nEchoes of Arrival returns to the Museum of Chinese in America for a new iteration\, Becoming. Through a collection of personal stories\, the ensemble explores the many ways immigrants remake themselves while making a life in a new country. These stories of change\, resilience\, loss\, discovery\, and belonging illuminate how immigration does not simply transform individuals. It continues to shape the rich and ever-evolving cultural fabric of the United States. \nCREATIVE TEAM\nConceived by Dennis Yueh-Yeh Li\nDevised & Performed by Shan Y. Chuang\, Nikkiesha N. McLeod\, Timmy Ong\, Pascal Phoa\, Jeremy Rafal\, Nedelka Sotelo\, Fang Tseng\n  \nPERFORMANCE SCHEDULE\nFriday 10/2\nShan Y. Chuang\, Nikkiesha N. McLeod\, Pascal Phoa\, Jeremy Rafal\, Fang Tseng\nThursday 10/8\nShan Y. Chuang\, Timmy Ong\, Pascal Phoa\, Jeremy Rafal\, Fang Tseng\nFriday 10/16\nShan Y. Chuang\, Timmy Ong\, Pascal Phoa\, Jeremy Rafal\, Nedelka Sotelo\nThursday 10/22\nShan Y. Chuang\, Nikkiesha N. McLeod\, Timmy Ong\, Nedelka Sotelo\, Fang Tseng\nFriday 11/6\nNikkiesha N. McLeod\, Timmy Ong\, Jeremy Rafal\, Nedelka Sotelo\, Fang Tseng
URL:https://potluckasianamerica.org/event/moca-performs-echoes-of-arrival-becoming/
LOCATION:Museum of Chinese in America (MOCA)\, 215 Centre Street\, New York\, NY\, 10013\, United States
CATEGORIES:Music
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261002T100000
DTEND;TZID=America/New_York:20261002T113000
DTSTAMP:20260911T205314Z
CREATED:20260911T205314Z
LAST-MODIFIED:20260911T205314Z
UID:10003339-1790935200-1790940600@potluckasianamerica.org
SUMMARY:Know Your Rights Workshop
DESCRIPTION:Join @redcnyc for a free Know Your Rights workshop on the renewal process and the differences between permanent residency and U.S. citizenship! \nIn Mandarin and Cantonese \nEvent Details\n>> Date: October 2nd\, 2026\n>> Time: 10:00 AM – 11:30 AM\n>> Location: 1409 W 7th St\, Brooklyn\, NY 11204 \n🎁 Bonus: Special gifts will be provided at the end of the workshop for attendees! \nSpaces are limited\, so be sure to secure your spot today by scanning the QR code.
URL:https://potluckasianamerica.org/event/know-your-rights-workshop/
LOCATION:NY
CATEGORIES:Citizenship,Workshop
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DTSTART;TZID=America/New_York:20261002T150000
DTEND;TZID=America/New_York:20261002T160000
DTSTAMP:20260918T003358Z
CREATED:20260918T003240Z
LAST-MODIFIED:20260918T003358Z
UID:10003392-1790953200-1790956800@potluckasianamerica.org
SUMMARY:Japanese Self-Care Workshop
DESCRIPTION:Discover Makko Ho\, a Japanese stretching practice for flexibility\, relaxation\, and wellness. Led by Kumiko Kanayama of Five Lights Center. \nMakko Ho (真向法) is a traditional Japanese self-care stretching practice combining gentle movement\, breathing\, and body awareness to support flexibility\, relaxation\, and overall well-being. \nLed by Kumiko Kanayama\, Founder & Director of Five Lights Center of Shiatsu. \nNo experience or special flexibility is needed. Come stretch\, breathe\, and experience Japanese wellness culture in Brooklyn! \n📍Japan Village Cabin
URL:https://potluckasianamerica.org/event/makko-ho-japanese-self-care-workshop/
LOCATION:Japan Village\, 934 3rd Avenue\, Brooklyn\, NY\, 11232\, United States
CATEGORIES:Health & Wellness
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