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X-WR-CALDESC:Events for Potluck Asian America
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DTSTART;VALUE=DATE:20260911
DTEND;VALUE=DATE:20260928
DTSTAMP:20260913T140004Z
CREATED:20260913T122525Z
LAST-MODIFIED:20260913T140004Z
UID:10003372-1789084800-1790553599@potluckasianamerica.org
SUMMARY:Guest House: Welcome Home
DESCRIPTION:Portraiture is as old as the pharaohs of Egypt. While mediums such as drawing\, painting\, and photography dominate the practice\, rendering a three-dimensional likeness yielded astounding work across centuries\, from the chiseled marble of the Renaissance to Gian Lorenzo Bernini’s sensuous sculptures. Unlike marble\, stone\, or bronze\, wax possesses a luminosity that makes it ideal for human approximation. In the last century\, the art of the wax figure has evolved from commercial spectacle into a medium for serious artistic exploration. \nBased in Zhongshan\, China\, and with three decades of experience\, the artist Zhou Xuerong has created more than 900 wax figures through her studio Grand Orient Wax Art. In her first U.S. exhibition\, Guest House: Welcome Home\, she depicts human figures\, each a work of original artistic interpretation\, engaged in six rituals that shape Asian life. With a nod to American photographer Gregory Crewdson’s staged tableaux exploring the ennui of suburban life\, Zhou zooms in and situates her protagonists in common domestic scenes: sipping tea\, practicing calligraphy\, inserting acupuncture needles\, cooking with a wok\, sharing a meal\, and playing the erhu\, a two-stringed fiddle. \nEach figure is dressed in a qipao\, a historical silhouette that originated as loose-fitting military gowns worn by nobles during the Qing Dynasty. At the turn of the 20th century\, Shanghai became a center of international trade\, influencing local tailors to draw on Western design to nip the qipao’s waistline\, narrow its skirt\, and lengthen its side slit. Today\, the dress’s form is a fixture in both Eastern and Western fashion. \nThe figures’ faces evoke familiar presences — cultural icons reimagined and transplanted into a room where their identity dissolves into ambiguity\, fluctuating between the everyday and the uncanny. They sit at a tea table\, lift a calligraphy brush\, pluck at a classical instrument\, and together pose a critical question at the heart of the artist’s commentary: what happens when one culture’s icons are transposed into the traditions of another? \nZhou’s quiet interiority of place and person is an inheritance made visible — for insiders\, a mirror; for outsiders\, a window. We must consider how Chinese culture\, once mocked and derided\, has traveled\, and now shapes a global imagination. Above all\, Guest House: Welcome Home is a cultural bridge. Zhou illuminates connection through an emotive stillness: a turned wrist\, a pursed lip\, a downward gaze. Her wax guests partake in ritual as a form of welcome and practice as a gesture of love. \nGuest House: Welcome Home is an original work of fine art and cultural commentary by Zhou Xuerong. The exhibition is not sponsored by\, affiliated with\, or endorsed by any individual to whom the sculptures may bear a resemblance. \nDates: Sep 11 2026 to Sep 27 2026\nTimes: 12:00 PM – 6:00 PM
URL:https://potluckasianamerica.org/event/guest-house-welcome-home/
LOCATION:The Wang Contemporary\, 58 Bowery\, New York\, NY\, 10013\, United States
CATEGORIES:Art,Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260911
DTEND;VALUE=DATE:20261122
DTSTAMP:20260902T215808Z
CREATED:20260902T215710Z
LAST-MODIFIED:20260902T215808Z
UID:10003297-1789084800-1795305599@potluckasianamerica.org
SUMMARY:Theresa Hak Kyung Cha: Multiple Offerings
DESCRIPTION:Artists Space presents “Multiple Offerings”\, the first retrospective in twenty-five years dedicated to the groundbreaking work of the artist Theresa Hak Kyung Cha. She produced an expansive range of works comprising performances for film and video\, installation\, photography\, artist’s books (including her genre-defying book Dictée from 1982)\, and works on paper\, which will fill Artists Space’s entire first floor. In her lifetime\, Cha contributed to experimental art scenes in New York City\, San Francisco\, Paris\, and beyond. Her work has had a quietly profound influence on subsequent generations of artists. \nAfter emigrating from South Korea to the United States\, Cha enrolled at UC Berkeley in 1969\, where she studied art practice\, comparative literature\, and film. Keenly attuned to the active role that audiences play in the creation of meaning\, she prioritized nonlinear narratives to allow for more open-ended forms of interpretation—what she termed a method of “Multiple Telling with Multiple Offering.” This retrospective adopts her framework to allow for a range of entry points into the work\, guiding visitors through the themes—memory\, displacement\, and the mutability of language\, among others—that recur in Cha’s oeuvre. \nCha moved to New York City in 1980\, where she supported herself with several jobs while pursuing her artistic career. She worked as an administrative assistant in the European Sculpture and Decorative Arts Department at the Metropolitan Museum of Art\, taught video art at Elizabeth Seton College in Yonkers\, and served as an editor at Tanam Press\, a publishing imprint dedicated to artists’ books that was founded by her friend and collaborator Reese Williams. \nOn November 5\, 1982\, Cha’s short but prolific career came to an end when she was murdered just weeks before her planned exhibition at Artists Space. At the time of her death\, Cha was producing a new photographic series inspired by her time working at the Met. Multiple Offerings presents that unfinished series of black-and-white prints alongside nearly one hundred artworks and archival materials from across her career\, highlighting the inventive\, playful\, and meditative methods of Cha’s practice.
URL:https://potluckasianamerica.org/event/theresa-hak-kyung-cha-multiple-offerings/
LOCATION:Artists Space\, 11 Cortlandt Alley\, New York\, NY\, 10013\, United States
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Theresa-Cha-copy.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260914
DTEND;VALUE=DATE:20270511
DTSTAMP:20260819T023556Z
CREATED:20260819T023258Z
LAST-MODIFIED:20260819T023556Z
UID:10003133-1789344000-1809993599@potluckasianamerica.org
SUMMARY:Teaching Asian American and Pacific Islander Histories Webinar Series
DESCRIPTION:As a valued friend of Foundations and Futures\, we cordially invite you to a free webinar series co-sponsored by the UCLA Asian American Studies Center\, UCLA Center X\, the American Federation of Teachers (AFT)\, and the National Education Association (NEA). The Teaching Asian American and Pacific Islander Histories Webinar Series will take place once a month on Mondays throughout the school year and will highlight chapters from the Foundations and Futures Multimedia Textbook. \nEach webinar session will take place via zoom on a Monday from 4:00-5:30 PM Pacific Time. \nSales end on Sep 14\, 2026 \nWebinar Schedule: \n\nSeptember 14\, 2026: We Are Here Because You Were There: Race\, Colonialism\, and Migration\nOctober 19\, 2026: Kānaka ʻŌiwi: Indigenous Hawaiian Identity\, Culture\, and Rebirth of the Sacred\nNovember 9\, 2026: Asian American Popular Culture: Representation\, Propaganda\, and the Media\nJanuary 11\, 2027: Asian American Exclusion: Aliens Ineligible to Citizenship\nFebruary 8\, 2027: Asian Americans in the US South: Labor\, Civil Rights\, and Identity\nMarch 8\, 2027: South Asian Americans before 1965: Stories of Perseverance\, Activism\, and Cultural Exchange\nApril 12\, 2027: Vietnamese American Experiences: Learning From Refugee Experiences\nMay 10\, 2027: Youth Organizing: Building Multiracial Solidarities\n\nSessions will feature a special guest presentation from one of the chapter authors. Two teachers will then present lesson plans and examples of use in their classrooms. \nYou can register for a webinar at this link: bit.ly/TeachingAAPI. On the Eventbrite link\, click “Check Availability” and select a session date and time. A pop-up with all the webinar sessions will appear and you can select all the sessions you would like to attend. You will receive a follow-up email with the Zoom link for each upcoming session.
URL:https://potluckasianamerica.org/event/teaching-asian-american-and-pacific-islander-histories-webinar-series/
LOCATION:
CATEGORIES:Education,History
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/UCLA-History.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260916
DTEND;VALUE=DATE:20260927
DTSTAMP:20260818T215029Z
CREATED:20260805T044221Z
LAST-MODIFIED:20260818T215029Z
UID:10003004-1789516800-1790467199@potluckasianamerica.org
SUMMARY:The Cherry Orchard
DESCRIPTION:Considered one of the great plays of the modern era\, Anton Chekhov’s final play about a family on the edge of ruin is radically reimagined by acclaimed director and dramatist Simon Stone\, who returns to the Armory following his blistering Obie-Award winning take on Federico García Lorca’s Yerma (2018). His refreshing adaptation resets the action from Russia to a rapidly transforming modern-day Seoul\, South Korea\, where the original noble siblings are now corporate heirs struggling to adapt to a world that has moved on without them\, suffocated by a rising middle class and wealthy self-made entrepreneurs. Caught between the past and the present\, hope and despair\, tradition and innovation\, the chaebol family is forced to grapple with the inevitable forces of change. \nJeon Do-yeon is well-known for her roles in You Are My Sunshine (2005) and Secret Sunshine (2007)\, for which she was awarded Best Actress at the 60th Cannes Film Festival and making her the first Korean actor to receive such recognition. The talented actress stars alongside Emmy-nominated actor Park Hae-soo of worldwide Squid Game fame as well as a stellar all-Korean ensemble cast in spontaneous\, immediate performances. Equal parts tragedy and comedy\, the story unfolds on a masterfully designed set by celebrated architectural designer Saul Kim that features a modern\, transparent glass house allowing audiences a voyeuristic peek into the characters’ private lives. An intimate\, bittersweet portrait that is deeply South Korean and yet universally moving\, this must-see reinterpretation is a timely reflection of loss\, change\, and social transformation. \nTickets start at $45 (including fees) \n🎟️ Special Offer for KCCNY followers!\n✨ Save 10% on tickets for all performances\n🎫 Use promo code: CHERRYKCCNY\n⏰ Offer valid through 11:59 PM (ET) on August 21\, 2026. Standard ticketing fees apply. \n🗣️ Performed in Korean with English captions. \nPhoto credit: Studio AL\, LG Arts Center
URL:https://potluckasianamerica.org/event/the-cherry-orchard/
LOCATION:Park Avenue Armory\, 643 Park Avenue\, New York\, NY\, 10065\, United States
CATEGORIES:In Person,Theater
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Cherry-Orchard-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260916
DTEND;VALUE=DATE:20261001
DTSTAMP:20260904T220910Z
CREATED:20260904T220737Z
LAST-MODIFIED:20260904T220910Z
UID:10003312-1789516800-1790812799@potluckasianamerica.org
SUMMARY:Tom Yum Week
DESCRIPTION:Something’s bubbling across New York 🌶️ \nTOM YUM WEEK\nSeptember 16–30\, 2026 \nA city-wide creative fest transforming Thai restaurants into creative spaces. Artists and creatives respond to special dishes\, signature food\, and drinks – creating multisensory experiences that go beyond the plate. \nEach collaboration takes a different form. \nSome live on the plate.\nSome on the wall.\nSome on a screen.\nSomewhere in between. \nOur first edition explores the theme YUM YUM YUM – inspired by the Thai idea of yum: to mix\, toss things around\, and somehow\, it usually comes together. \nYou can eat it.\nBut you might also watch it\, hear it\, read it\, or scan it. \nDifferent spots. Different mixes. One city-wide experiment. \n@charoenkrung_nyc\n@dockasianeatery\n@gigicurryandnoodlebar\n@godunknyc\n@katithaicuisinenyc\n@kru.bk\n@lalyn.nyc\n@luckybybar\n@narkaranyc\n@salathainyc\n@samyan.nyc\n@saolea.nyc\n@seathai_nyc\n@skyice_nyc\n@thaipavilion_nyc\n@vallatable\n@zabbputawn \nSeptember 16–30
URL:https://potluckasianamerica.org/event/tom-yum-week/
LOCATION:Multiple NYC locations
CATEGORIES:Food,Thai
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Tom-Yum-Week-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260917
DTEND;VALUE=DATE:20261014
DTSTAMP:20260928T233759Z
CREATED:20260928T231857Z
LAST-MODIFIED:20260928T233759Z
UID:10003500-1789603200-1791935999@potluckasianamerica.org
SUMMARY:Yuen Woo-ping Retrospective
DESCRIPTION:In a Hong Kong film industry overflowing with martial arts talent\, Yuen Woo-ping stands apart. His legendary influence\, in a career spanning more than five decades\, has earned him the widely celebrated\, industry-bestowed moniker “天下第一武指\,” which translates as “The Number One Martial Arts Director Under the Sky.” As both film director and action choreographer\, Yuen helped elevate martial arts cinema into a sophisticated art form\, blending technical precision with character\, poetry\, and astonishing physical invention. His choreography prioritizes movement legibility\, spatial clarity\, and expressive geometry over brute force\, reshaping the visual grammar of global action filmmaking. \nBorn into a family of Peking Opera performers\, Yuen grew up in a tradition where drama\, martial arts\, acrobatics\, and dance were inseparable—a heritage linking him to contemporaries like Jackie Chan and Sammo Hung\, who emerged from the same rigorous training. Yuen’s father\, Yuen Siu-tien\, an accomplished opera performer\, actor\, and martial arts director\, introduced his children to the film set. The Yuen siblings began as stunt performers and rose through the ranks. Together they formed the Yuen Clan\, becoming some of Hong Kong cinema’s most respected stunt performers and action directors. \nYuen’s first two films as a director\, Snake in the Eagle’s Shadow and Drunken Master (both 1978)\, launched Chan’s stardom. By shifting martial arts cinema away from solemn violence to wit\, personality\, and comedic invention\, the films established a template for Chan’s career. Yuen went on to collaborate with icons like Hung\, Jet Li\, Michelle Yeoh\, and Donnie Yen\, while consistently demonstrating an unparalleled ability to train performers of all backgrounds—including Hollywood stars like Keanu Reeves and Uma Thurman—in his intensive “fight camps.” \nYuen’s work on The Matrix (1999)\, which seamlessly integrates Hong Kong wirework—human-controlled harnesses and cables that propel and suspend performers—with science fiction\, fundamentally altered how Hollywood approaches action. With Crouching Tiger\, Hidden Dragon (2000) he showed that martial arts could deepen a film’s emotional and intellectual resonance as much as its spectacle. Yuen’s extraordinary adaptability made him the definitive collaborator for visually distinct auteurs as diverse as Stephen Chow\, Ang Lee\, Quentin Tarantino\, Tsui Hark\, the Wachowskis\, and Wong Kar Wai. Decades after his debut\, Yuen’s latest epic\, Blades of the Guardians (2026)\, proves his vision still dictates the rhythm of modern action cinema. \n\n\n\n\n\nIron Monkey (少年黃飛鴻之鐵馬騮).1993. Directed by Yuen Woo-ping\nTue\, Sep 29\, 4:30 p.m.\nThu\, Oct 8\, 6:30 p.m.\n\n\n\n\nFearless (aka Jet Li’s Fearless\, 霍元甲).\n2006. Directed by Ronny Yu\nTue\, Sep 29\, 7:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nKill Bill: Volume 2.\n2004. Directed by Quentin Tarantino\nWed\, Sep 30\, 4:00 p.m.\nSat\, Oct 10\, 6:30 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nBlades of the Guardians (鏢人:風起大漠).2026. Directed by Yuen Woo-ping\nWed\, Sep 30\, 7:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nIn the Line of Duty 4: Witness (皇家師姐IV：直擊證人).1989. Directed by Yuen Woo-ping\nThu\, Oct 1\, 4:30 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nIp Man 4: The Finale (葉問4：完結篇).2019. Directed by Wilson Yip\nThu\, Oct 1\, 7:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nOnce Upon a Time in China (黃飛鴻).\n1991. Directed by Tsui Hark\nFri\, Oct 2\, 4:00 p.m.\n\n\n\n\n\n\nThe Grandmaster (一代宗師). [Hong Kong cut].\n2013. Directed by Wong Kar Wai\nFri\, Oct 2\, 7:00 p.m.\n\n\n\n\n\nThe Matrix.\n1999. Written and directed by Lana and Lilly Wachowski\nSat\, Oct 3\, 4:00 p.m.\n\n\n\n\n\n\n\n\nThe Matrix Reloaded.\n2003. Written and directed by Lana and Lilly Wachowski\nSat\, Oct 3\, 7:00 p.m.\n\nSnake in the Eagle’s Shadow (蛇形刁手)\n1978. Directed by Yuen Woo-ping\nSun\, Oct 4\, 1:30 p.m.\n\n\n\n\n\n\n\n\n\n\nMaster Z: The Ip Man Legacy (葉問外傳：張天志).2018. Directed by Yuen Woo-ping\nSun\, Oct 4\, 4:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nFist of Legend (精武英雄).\n1994. Directed by Gordon Chan\nMon\, Oct 5\, 6:30 p.m.\nSun\, Oct 11\, 1:30 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nThe Miracle Fighters (奇門遁甲).1982. Directed by Yuen Woo-ping\nTue\, Oct 6\, 4:30 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nDreadnaught (勇者無懼).\n1981. Directed by Yuen Woo-ping\nTue\, Oct 6\, 7:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nTai Chi Master (太極張三豐).\n1993. Directed by Yuen Woo-ping\nThu\, Oct 8\, 4:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nOnce Upon a Time in China II (黃飛鴻之二：男兒當自強).\n1992. Directed by Tsui Hark\nFri\, Oct 9\, 4:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nDrunken Master (醉拳).\n1978. Directed by Yuen Woo-ping\nFri\, Oct 9\, 6:30 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nKill Bill: Volume 1.\n2003. Directed by Quentin Tarantino\nSat\, Oct 10\, 4:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nWing Chun (詠春).\n1994. Directed by Yuen Woo-ping\nSun\, Oct 11\, 4:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nThe Magnificent Butcher (林世榮).1979. Directed by Yuen Woo-ping\nTue\, Oct 13\, 4:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nCrouching Tiger\, Hidden Dragon (臥虎藏龍).\n2000. Directed by Ang Lee\nTue\, Oct 13\, 6:30 p.m.
URL:https://potluckasianamerica.org/event/yuen-woo-ping-retrospective/
LOCATION:Museum of Modern Art\, 11 West 53 Street\, New York\, NY\, 10019\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Yuen-Woo-Ping-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260917
DTEND;VALUE=DATE:20261018
DTSTAMP:20260818T233546Z
CREATED:20260818T233546Z
LAST-MODIFIED:20260818T233546Z
UID:10003124-1789603200-1792281599@potluckasianamerica.org
SUMMARY:Best by 07/21/2026
DESCRIPTION:A residency-then-exhibition Artists: Clare Hu\, Tianyi Sun\, and Shaan Ken Rao \n398 West Street\, New York\, NY 10014 Residency: July 21 – September 16\, 2026 Exhibition: September 17 – October 17\, 2026 Opening Reception with the artists: Thursday\, September 17\, 2026 | 6-8 PM \nEli Klein Gallery is pleased to present Best by 07/21/2026\, a residency-then-exhibition featuring artists Clare Hu\, Tianyi Sun\, and Shaan Ken Rao\, opening on its own expiration date. Following At-Will Adaptation (2024)\, the gallery’s residency program returns this year for its second installment\, running from July 21st and culminating in a three-artist exhibition on Thursday\, September 17th. The three artists\, working in various mediums such as sculpture\, weaving\, painting\, and photography\, will create entirely new bodies of work using Eli Klein Gallery as their studio. The gallery will be open to the public during normal business hours throughout the duration of the residency. \n“Can the concept of the human survive discovering how the “sausage” of us is actually made\, what we really look and smell like at the cellular level?” This question\, raised by the writer and scholar Sophie Lewis in her catalog essay “New Wombs for Old Men” of the New Museum’s inaugural exhibition “New Humans\,” challenges the default practice of separating the maker from their associated defecations during the formation of a public-facing identity. On a metaphorical and non-visceral level\, contemporary art’s birth-giving process today resembles an ectogenesis\, with the “sausage-making” process susceptible to both curated previews and packaged commercialization. An artist’s studio is only alive when it breathes and excretes\, and more so when the discarded substances are studied\, categorized\, archived\, and recycled.
URL:https://potluckasianamerica.org/event/best-by-07-21-2026/
LOCATION:Eli Klein\, 398 West Street\, New York\, NY\, 10014\, United States
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Eli-Klein-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260917
DTEND;VALUE=DATE:20261025
DTSTAMP:20260912T015055Z
CREATED:20260912T014818Z
LAST-MODIFIED:20260912T015055Z
UID:10003359-1789603200-1792886399@potluckasianamerica.org
SUMMARY:Tchah Sup Kim: The Key to a New World
DESCRIPTION:Tchah Sup Kim (1940–2022) was an artist whose lifelong practice explored fundamental questions of civilization\, the universe\, existence\, and humanity. Moving beyond formal experimentation\, his work sought new ways of seeing and understanding the world—often by challenging established boundaries between East and West\, the individual and the cosmos\, and the finite and the infinite. \nKim moved to New York in 1974 and studied printmaking at Pratt Institute\, where he began developing a distinctive visual language. His landmark etching Triangle Between Infinites (1976)\, now in the collection of The Museum of Modern Art\, New York\, introduced the triangle as a central motif in his practice. Rather than treating it as a closed geometric form\, Kim opened its vertex\, transforming the triangle into a structure of openness\, circulation\, and connection. \nThroughout the 1980s\, his work reflected his experiences of migration\, otherness\, and diasporic identity in New York. After returning to Korea in 1990\, his inquiry expanded toward broader questions of civilization\, history\, and the origins of humanity. \nNew York played a pivotal role in this artistic and intellectual journey. It was here that Kim encountered the center of Western modernism while also beginning to question its prevailing systems of thought. Presented now in New York\, The Key to a New World revisits that formative relationship and considers his practice through a contemporary lens. The exhibition title comes from a phrase found in one of Kim’s own notes. For him\, a “new world” was not simply a vision of the future\, but the possibility of thinking and seeing beyond existing frameworks. \n\nTuesday – Friday: 10 AM – 6 PM / Saturday: 11 AM – 5 PM\nClosed on Sunday and Monday.\n\n\n  \n\n\n\nAbout the Artist \n\n\n\n\n\n\nTchah Sup Kim received his BFA from Seoul National University in 1963. With a grant from John D. Rockefeller 3rd Fund Fellowship\, he completed his MFA at the Pratt Institute in New York in 1976. \nWorking primarily in paint and mixed media\, Kim explores the principles of cosmos through nature and its phenomena. He raises questions regarding the universal truth that human beings have sought in and out of history. His artistic journey can be divided into three major periods: from 1965 to 1982\, during his early years in Korea and New York\, his work is characterized by a focus on geometry; from 1983 to 1993\, during his New York period\, he turns toward geopolitical and historical themes; and from 1993 to 2022\, after leaving New York for the rural village of Naepyung-ri in Korea\, and later alternating between the two locations\, he focuses his work on geography and nature. \nTchah Sup Kim’s artwork is currently housed in the collections of many renowned institutions\, including the Museum of Modern Art (NY)\, the Metropolitan Museum of Art (NY)\, and the National Museum of Contemporary Art (Gwacheon\, Korea).
URL:https://potluckasianamerica.org/event/tchah-sup-kim-the-key-to-a-new-world/
LOCATION:Korean Cultural Center New York\, 122 East 32nd Street\, New York\, NY\, 10016\, United States
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Tchah-Sup-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260917
DTEND;VALUE=DATE:20261205
DTSTAMP:20260902T221003Z
CREATED:20260902T220929Z
LAST-MODIFIED:20260902T221003Z
UID:10003299-1789603200-1796428799@potluckasianamerica.org
SUMMARY:Afterlayers: Tai Hwa Goh & Julia Kwon
DESCRIPTION:Opening reception: Thursday\, September 17\, 2026\, 5-7pm \nTwo artists transform traditional materials–textile and paper–to explore themes of identity and memory. Tai Hwa Goh creates intricate\, layered installations from printed and cut paper\, inspired by organic forms\, landscapes\, and the relationship between the interior and exterior. Goh’s process pushes the limits of traditional printmaking\, as she modifies the characteristics of paper and thin fabric by covering with batik or ironing thin sheets of beeswax onto her prints\, deliberately obscuring the underlying images. She then uses techniques like sewing\, gluing\, and manipulating printed materials to construct intricate\, honeycomb-like structures. Found objects seamlessly integrate into the work\, reflecting the blending of the personal and the universal\, as well as natural and artificial elements.Through this process\, the imagery gradually moves away from recognizable forms\, and the dense layers serve as a space where nature\, memory\, and personal experience intertwine. Her installations invite viewers to contemplate the balance between the natural world and human existence\, and how everyday moments can reveal deeper insights into our lives. \nJulia Kwon sews interpretive Korean textiles\, specifically in the form of patchwork bojagi (Korean object-wrapping cloth)\, to critique received notions of Asiatic femininity and challenge reductive\, easily legible identities. Although her bojagi textiles may initially be perceived as traditionally Korean\, the patchwork designs are actually derived from urgent contemporary sociopolitical issues and events. Her work moves beyond simply representing minority identities as she aims to comment on the interconnected systems of oppression. Kwon’s practice contests the notion of authenticity and explores the complexities involved in constructing identities within the current framework of cultural hybridity\, intersectionality\, and the collective pursuit of social justice \nThe Korea Society Gallery is open only by appointment.\nThe appointment must be made at least 24 hours prior to the scheduled visit. \nGallery Hours: Monday-Friday 10 AM-4:30 PM\nBy Appointment Only
URL:https://potluckasianamerica.org/event/afterlayers-tai-hwa-goh-julia-kwon/
LOCATION:The Korea Society\, 350 Madison Avenue\, 24th Floor\, New York\, NY\, 10017
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/fterlayers-copy.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260917
DTEND;VALUE=DATE:20270401
DTSTAMP:20260911T234039Z
CREATED:20260911T234039Z
LAST-MODIFIED:20260911T234039Z
UID:10003349-1789603200-1806537599@potluckasianamerica.org
SUMMARY:Zine* Together
DESCRIPTION:Please join Asia Art Archive in America on Thursday\, September 17th from 5-8pm for the opening reception of their exhibition\, Zine﹡ Together. \nZine﹡ Together is the first exhibition of its kind to examine Asian American zines not only as objects\, but as actions—creative\, collective\, and relational. Drawing from Asia Art Archive in America’s Reading Room collection\, this exhibition highlights collaboratively produced zines from 2010 to the present\, alongside newly commissioned projects and prompts that trace zine-making as a mode of shared authorship and community building. \nIn the 1960s and 1970s\, zines (short for “magazines” or “fan-zines”) were characterized by their photo-copied\, staple-bound formats and emerged as popular do-it-yourself platforms for sharing counter-cultural socio-political programs and avant-garde art practice. In more recent decades and particularly in Asian American communities\, zines have served as a place to explore artistic narratives\, diasporic histories\, and collective responses to marginalization. \nKey to this exhibition is a commissioned research project and essay by Michelle Yee\, PhD\, and Elizabeth Chung that investigates the recent history of Asian American zines in relation to the 2020 COVID-19 pandemic and the parallel rise in anti-Asian violence across the United States. Situating zine-making within this moment of crisis\, the research frames the medium as one of many grassroots strategies for care\, documentation\, and solidarity. Together\, the exhibition and research project position zines not as peripheral ephemera\, but as vital cultural tools that register and record how communities respond in times of uncertainty. \nZine﹡ Together\, itself a collaborative project\, is organized by Claire Kim\, Susanna Chang\, Sarula Bao\, Michelle Yee\, Elizabeth Chung\, Mary Y. Yang\, Chen Luo\, and Tasnima Tanzim.
URL:https://potluckasianamerica.org/event/zine-together/
LOCATION:Asia Art Archive in America\, 23 Cranberry Street\, Ground Floor\, Brooklyn\, NY\, 11201\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Zine-copy.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260919
DTEND;VALUE=DATE:20261109
DTSTAMP:20260927T170404Z
CREATED:20260927T170404Z
LAST-MODIFIED:20260927T170404Z
UID:10003457-1789776000-1794182399@potluckasianamerica.org
SUMMARY:Synthetic Mobility
DESCRIPTION:Fou Gallery is pleased to present “Synthetic Mobility”\, a two-person exhibition featuring Tokyo- and New York-based artist Ai Makita and China-born\, Houston-based kinetic artist Sizhu Li\, on view from September 19 through November 8\, 2026. The exhibition brings to the fore important questions about the interaction between technology and humans\, considering how larger societal shifts affect the way artists represent humanity and reconstituted spaces. \nThe concept of the exhibition is connected to Timothy Morton’s idea of hyperobjects\, according to which we cannot fully perceive larger structures surrounding us and widely distributed across space and time\, but can try to describe their attributes and make a reasonable guess about their true nature. Synthetic mobility – the artificial generation of realistic human movement patterns using advanced algorithms – is a phenomenon related to the new acceleration of living rhythms promoted by digital progress. As the world is enveloped in ideological and cultural conflicts\, Makita and Li consider what it means to remain individuals today\, and how changes in technology alter our sense of perception and our mode of existence. \nAi Makita presents oil paintings\, several of them developed in conjunction with the AI model Midjourney and others based on images created in Photoshop by folding aluminum sheets. The depicted forms represent abstract conjunctions of pipes\, conduits\, and industrial infrastructure. Folded materials result in labyrinths of fluidity and line resembling a circulatory or nervous system\, an organism’s internal anatomy\, or an invisible technological network now made visible. The created conduits recall flowing rivers\, transcended thresholds\, and the linearity of time. Close conceptual connection with Minimalism makes Makita’s stretched lines internally connected to Donald Judd looking at the properties and the rigidity of the structures as well as relation of this (in)stability to the current historical moment. Process art likewise plays a significant role in Makita’s practice\, albeit in a form more appropriate to its new\, updated version\, where the digital has taken the place of the physical. Her paintings leave the viewer with a sense of wonder about where these meandering curves are leading and whether there is any specific destination. Mystery emerges not through mystical effects\, but through the inability to grasp the full picture\, pushing us to step away while also looking closer. \nSizhu Li presents sculptures made primarily from aluminum sheets and industrial fans. In Pushing Hands (2024–present)\, opposing forces travel through an industrial metal wave\, creating a rhythm of tension and equilibrium that references the Taoist principle of balance. The title directly refers to the fundamental Tai Chi practice of Tui Shou\, or “pushing hands\,” centered on sensing\, yielding to\, and balancing opposing forces. Evolving from her earlier project Moonment\, Li uses programmed fans and suspended aluminum sheets to construct a live\, percussive environment of moving metallic waves. In Yuanbao (2026)\, she brings the traditional Chinese symbol of wealth and blessing into conversation with the ephemeral form of clouds\, moving between material and spiritual aspirations\, permanence and transience. Meanwhile\, Oops\, Caught’ya! (2026) turns the clamp into both a generative and restraining device\, using movement\, suspension\, and pressure to consider freedom\, constraint\, instability\, and balance. \nTogether\, the two artists create a dialogue in which materials work as experimental tools to devise new understandings of where we are as a human species. Both artists look at motion\, structure\, and encounter as facilitated by materials\, planes\, and color. Makita’s paintings examine the transformations and limits caused by new synthetic mobility\, while Li’s sculptures engage the same idea through three-dimensional objects. Neither artist provides specific arguments or answers; instead\, they offer aesthetic tools that can help broaden our understanding of the technological forces increasingly shaping contemporary life.
URL:https://potluckasianamerica.org/event/synthetic-mobility/
LOCATION:Fou Gallery\, 89 5th Avenue\, # 701\, New York\, NY\, 10003\, United States
CATEGORIES:Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Synthetic_Mobility-2026-_Poster_Print_vertical_-_15_x_26.67_in.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260919T160000
DTEND;TZID=America/New_York:20261031T000000
DTSTAMP:20260514T035110Z
CREATED:20260514T035110Z
LAST-MODIFIED:20260514T035110Z
UID:10002630-1789833600-1793404800@potluckasianamerica.org
SUMMARY:Queens Night Market
DESCRIPTION:The Queens Night Market is a large\, family-friendly open-air night market in Queens\, featuring over 100 independent vendors selling merchandise\, art\, and food and featuring small-scale cultural performances\, all celebrating the rich cultural diversity and heritage of NYC and Queens. \nEvery Saturday from  4pm to midnight \nApril.18 to  August 22  and  September 19 to October 31. 2026 \nWe’re located behind the New York Hall of Science in Flushing Meadow Corona Park in Queens NYC \n 
URL:https://potluckasianamerica.org/event/queens-night-market-3/
LOCATION:New York Hall of Science\, 47-01 111th St\, Corona\, NY\, 11368\, United States
CATEGORIES:In Person,Night Market
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/05/d1f96b63a658ebbeda62df6a082449b9_447a1362f691dbbafd225cc675073942.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260921
DTEND;VALUE=DATE:20261006
DTSTAMP:20260927T170813Z
CREATED:20260927T170813Z
LAST-MODIFIED:20260927T170813Z
UID:10003458-1789948800-1791244799@potluckasianamerica.org
SUMMARY:“A Tree Grows in Palestine” Outdoor Photo Exhibition
DESCRIPTION:“A Tree Grows in Palestine” is a free outdoor photography exhibition featuring 14 life-size portraits of Palestinian farmers\, photographed on their farms in the West Bank. Presented by Treedom for Palestine with support from Penny Appeal USA\, the exhibition is produced by Photoville and hosted by NYC DOT Art\, and will be installed in St. Andrew’s Plaza\, steps from City Hall. It opens September 21\, the International Day of Peace\, and runs through October 5.
URL:https://potluckasianamerica.org/event/a-tree-grows-in-palestine-outdoor-photo-exhibition/
LOCATION:Saint Andrews Plaza\, 1 Saint Andrews Plaza\, New York\, NY\, 10007\, United States
CATEGORIES:Exhibition,Photography
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Palestine-copy.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260923
DTEND;VALUE=DATE:20260928
DTSTAMP:20260828T012954Z
CREATED:20260828T012954Z
LAST-MODIFIED:20260828T012954Z
UID:10003245-1790121600-1790553599@potluckasianamerica.org
SUMMARY:School of Visual Arts’ After School Special 2026
DESCRIPTION:Featuring some of School of Visual Arts’ most accomplished film\, television\, animation\, and visual effects alumni — the majority of whom are Asian or Asian American — this multi-day festival will include screenings and Q&A’s with industry insiders that offer behind-the-scenes looks at the world of television and cinema. A full schedule and list of participants is below (subject to change) and can also be found at svatheatre.eventbrite.com. \nSeating is on a first-come\, first-served basis. RSVPs via the Eventbrite pages are appreciated\, but not necessary\, and do not guarantee entrance — all events are first-come\, first-served. \nDoors will open approximately 30 minutes prior to each screening. Guests can enjoy a special selection of music videos from Annapurna Interactive’s RPG Musical\, People of Note\, in the lobby while waiting to enter. Alumni from SVA’s BFA Computer Art\, Computer Animation and Visual Effects program — Timothy Doolen and Ben Meyer — served on the creative team of the video game. \nAll events are free and open to the public and take place at SVA Theatre\, 333 West 23rd Street\, New York\, NY 10011. Directions\, as well as local restaurants\, hotels\, and attractions\, can be found here. SVA Theatre does not offer concessions\, but will offer water to guests. \nIf you would like to attend any of these events\, but require assistive devices and/or accommodations\, please email svatheatre@sva.edu or call 212-592-2980 at least one week prior to the event. \nWednesday 9/23/26\n7:00PM Anora (2024) \nHear from production sound mixer Boris Krichevsky (BFA 2017 Film)\, who was on set for the 2025 Best Picture winner\, which racked up a total of five Oscars and the Cannes Palme d’Or! See (and hear) it again — or for the very first time — on the big screen. \nThursday 9/24/26\n7:30PM Disability & Visibility \nAn evening dedicated to bringing visibility to the disability community. Take Me Home (2023) is director Liz Sargent and producer Minos Papas’ (BFA 2004 Film and Video) short film about a cognitively disabled woman struggling to move on after the death of a parent. Their proof-of-concept short led to the award-winning feature film of the same name that’s opening in New York this week! Following the short\, we’ll welcome director Ben Duffy (BFA 2014 Film and Video) with the world premiere of his experimental feature documentary\, No Pinnacle Without The Miraculous (2026)\, which centers on Duffy’s mental health struggles while filming a documentary about those with physical disabilities. \nFriday 9/25/26\n8:00PM SVA Premieres: Best of 2026 \nSchool of Visual Arts spotlights exceptional live action\, documentary\, and animated shorts by its most recent graduates. Join many of the filmmakers and artists\, who will be in attendance. Preceded by a music video from Annapurna Interactive’s RPG musical\, People of Note\, introduced by Ben Meyer (BFA 2022 Computer Art\, Computer Animation\, and Visual Effects) of the video game’s creative team. \nSaturday 9/26/26\n2:00PM KPop Demon Hunters (2025) \nJoin award-winning production designer Dave Bleich (BFA 1992 Illustration) for a screening of Netflix’s 2026 Best Animated Feature Oscar winner. Preceded by the NYC premiere of the animated short film “First Haircut” by Disney·Pixar artist Ivo Kos (MFA 1991 Computer Art). \n7:30PM The Stringer: The Man Who Took the Photo (2025) \nNetflix’s compelling documentary traces the origins of one of the most-recognized photographs of the 20th century\, “Napalm Girl”. Join director Bao Nguyen (MFA 2011 Social Documentary Film) for a remarkable discussion after the film. \nSunday 9/27/26\n2:00PM Cutting Through Rocks (2025) \nFilmmakers Sara Khaki (MFA 2011 Social Documentary Film) and Mohammadreza Eyni will be on hand to screen and discuss their riveting\, Academy Award-nominated documentary\, about the first female councilor of an Iranian village. \nPlease contact svatheatre@sva.edu with questions. Guests and films subject to change.
URL:https://potluckasianamerica.org/event/school-of-visual-arts-after-school-special-2026/
LOCATION:SVA Theatre\, 333 West 23rd Street\, New York\, NY\, 10011\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/SVA-After-School-copy.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260924
DTEND;VALUE=DATE:20260928
DTSTAMP:20260927T171218Z
CREATED:20260912T020258Z
LAST-MODIFIED:20260927T171218Z
UID:10003361-1790208000-1790553599@potluckasianamerica.org
SUMMARY:Maedeup: Weaving Shin Yun-bok
DESCRIPTION:Presented by La MaMa Experimental Theatre Club \nTickets: Free Admission (RSVP Required) \nA live\, non-verbal performance that reimagines Korean classical painting through contemporary performance \nNamed after the Korean word for “knot\,” maedeup evokes the weaving together of image\, movement\, sound\, and memory. Inspired by the visual world of Shin Yun-bok (Hyewon)\, an 18th-century Korean painter renowned for his portrayals of women and everyday life\, the work unfolds without spoken text. Foley performance\, tableau vivant\, live visuals\, and live camera work transform his paintings into living\, time-based events in which body\, sound\, and image converge in real time. Created by kNOT and produced by the Seoul Institute of the Arts with support from the Kansong Art and Culture Foundation\, the production offers an encounter with Korean visual heritage beyond language and cultural boundaries. \nAn artistic initiative of the Seoul Institute of the Arts\, the project brings Korean cultural heritage into contemporary performance and\, through its presentation at La MaMa\, into dialogue with international audiences. Led by director and professor Kim JiYoung\, the production brings together professional performers connected to SeoulArts in an interdisciplinary collaboration spanning theatre\, visual art\, sound\, photography\, and live media. Kim’s recent work explores new ways of connecting Korean tradition with contemporary expression. \nFor more information\, visit Maedeup: Weaving Shin Yun-bok – La MaMa – Experimental Theatre Club in New York
URL:https://potluckasianamerica.org/event/maedeup-weaving-shin-yun-bok/
LOCATION:The Downstairs Theatre at La Mama\, 66 E 4th St.\, New York\, NY\, 10003\, United States
CATEGORIES:Theater
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260924
DTEND;VALUE=DATE:20261005
DTSTAMP:20260827T235435Z
CREATED:20260827T235413Z
LAST-MODIFIED:20260827T235435Z
UID:10003242-1790208000-1791158399@potluckasianamerica.org
SUMMARY:The Recursion of a Moth
DESCRIPTION:A story about time\, memory\, diaspora\, and the futures we dare to imagine\, can we break the cycles we are born into\, or are we destined to repeat them? \n\n\nOn the Moon\, Icarus dreams of soup. Across the ocean\, Mikey dreams of war. At Purdue\, Chrys dreams of a yellow house. In a future where time travel has become as mundane as bureaucracy\, three descendants of a diaspora try to find a corner in the universe to call home. When their efforts threaten to change the events of a predetermined timeline\, they must find a way to break their destructive\, cyclical realities; or face the violent\, memory-destroying consequences of the Reset. \nWritten by Brandon Zang\, directed by Seonjae Kim and produced by Cellunova Productions \n\n\n🎟️ Tickets are now on Early Bird Sale via LINK IN BIO! Use code EARLY15BIRD for a special discount. \n🎁 We’re also offering a limited special blind box gift donation package for the run! \n📅 PERFORMANCE SCHEDULE\nSeptember 24 – September 26 @ 7:30PM\nSeptember 27 @ 2PM\nOctober 1 – October 3 @ 7:30PM\nOctober 4 @ 2PM \n📍Teatro Circulo\, Second Stage\n64 East 4th Street\, New York\, NY 10003 \nIllustration by Tracy Li @ltracy006
URL:https://potluckasianamerica.org/event/the-recursion-of-a-moth/
LOCATION:Teatro Circulo\, 64 East 4th St.\, New York\, NY\, 10003\, United States
CATEGORIES:Theater
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Recursion-Moth-copy.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260924
DTEND;VALUE=DATE:20261019
DTSTAMP:20261003T035608Z
CREATED:20260903T012355Z
LAST-MODIFIED:20261003T035608Z
UID:10003306-1790208000-1792367999@potluckasianamerica.org
SUMMARY:Hold These Truths
DESCRIPTION:During World War II\, student Gordon Hirabayashi fights the US government’s orders to forcibly incarcerate people of Japanese ancestry on the West Coast. Struggling to reconcile his country’s betrayal with his passionate belief in the Constitution\, he journeys toward greater understanding of America’s triumphs – and confrontation with its failures. A 36-character solo play inspired by civil rights pioneer Gordon Hirabayashi. \nby Jeanne Sakata – directed by Lisa Rothe
URL:https://potluckasianamerica.org/event/hold-these-truths/
LOCATION:Luna Stage\, 555 Valley Rd.\, West Orange\, NJ\, 07052\, United States
CATEGORIES:Theater
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/13025-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260925
DTEND;VALUE=DATE:20260927
DTSTAMP:20260828T014150Z
CREATED:20260828T014150Z
LAST-MODIFIED:20260828T014150Z
UID:10003247-1790294400-1790467199@potluckasianamerica.org
SUMMARY:icchā by Barkha Patel Dance Co.
DESCRIPTION:icchā is an interdisciplinary solo kathak work by barkha patel dance co\, presented by Tribeca Performing Arts Center. \nicchā weaves original music\, film\, and set design with the Gujarati folk form garba to explore a question that many carry quietly: who do we hold within us\, and what do we owe them? \nIn Hindu philosophy\, vasanas (unfulfilled longings) are believed to survive the body and pass through bloodlines as living desire\, or icchā. In this work\, barkha is visited by her maternal ancestors in a dream\, women shaped by survival\, loss\, intimacy\, and the denial of dance and embodied selfhood. She becomes the vessel to express what they could not. \nIt’s a rare\, embodied meditation on matrilineal memory that honors the women whose stories often go unrecorded and untold. It reclaims dance and the body as sites of cultural inheritance\, at a moment when many South Asian diaspora communities are actively reckoning with what’s been lost and what’s worth reclaiming. It also offers a shared language\, ancestral reverence\, for audiences to process their own family histories together.
URL:https://potluckasianamerica.org/event/iccha-by-barkha-patel-dance-co/
LOCATION:Tribeca Performing Arts Center\, 199 Chambers St.\, New York\, NY\, 10007\, United States
CATEGORIES:Dance
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Barkha-copy.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260925
DTEND;VALUE=DATE:20260927
DTSTAMP:20260912T015649Z
CREATED:20260912T015649Z
LAST-MODIFIED:20260912T015649Z
UID:10003360-1790294400-1790467199@potluckasianamerica.org
SUMMARY:Yunie’s Magical Adventure: A Musical Dreamscape for the Whole Family
DESCRIPTION:Yunie’s Magical Adventure is an imaginative family music theater production that brings beloved Korean children’s songs and traditional games to life through storytelling\, multimedia\, and the vibrant sounds of both Western classical and Korean traditional music. \nThe story follows Yunie\, a curious young girl who discovers a magical world when tofu and bean sprouts suddenly come to life and become her new friends. Together\, they set off on a joyful adventure filled with music\, play\, friendship\, and unexpected discoveries. \nFeaturing a live chamber orchestra\, interactive games\, colorful visuals\, and engaging storytelling\, the performance invites children and families to experience some of Korea’s most beloved traditional games\, including Kkomaya Kkomaya (Little Child)\, Mugunghwa Flower Has Bloomed (Korean Red Light\, Green Light)\, Dong Dong Dongdaemun (Gate Game)\, Toad\, Toad (Sandcastle Game)\, Hide-and-Seek\, and Ganggangsullae (Circle Dance). \nThrough music\, movement\, and imaginative play\, Yunie’s Magical Adventure offers children and families a joyful introduction to Korean culture while exploring universal themes of family\, friendship\, imagination\, and belonging. \nTimed around Chuseok\, one of Korea’s most important traditional holidays\, the performance also celebrates the spirit of togetherness and shared memories that make the season especially meaningful for families. \n\nFriday\, September 25\, 2026 at 6PM\nSaturday\, September 26\, 2026 at 4PM\n\n\nGreat for families with children of all ages! \nAdmission: FREE (Pre-registration is Required) \n* RSVP and seating are on a first-come\, first-served basis.\n* Limited same-day standby tickets will be available.\n* Cancellations must be made at least 48 hours in advance.
URL:https://potluckasianamerica.org/event/yunies-magical-adventure-a-musical-dreamscape-for-the-whole-family/
LOCATION:Korean Cultural Center New York\, 122 East 32nd Street\, New York\, NY\, 10016\, United States
CATEGORIES:Theater
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/YUNI-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260925
DTEND;VALUE=DATE:20260927
DTSTAMP:20260912T021159Z
CREATED:20260912T021159Z
LAST-MODIFIED:20260912T021159Z
UID:10003362-1790294400-1790467199@potluckasianamerica.org
SUMMARY:HOME: Kinetic Roots
DESCRIPTION:About the Work  \nHome is not a fixed place\, but a space that continues to be created through the time and memories we have lived through\, and through the relationships we form with the people we meet along the way. \nBodies and sounds originating from different places and times follow the sensations of movement and memory\, departure and staying. \nBody and object\, music and poetry look at the same journey through different languages. \nThrough beings who move with memories of the past\, form relationships in unfamiliar spaces\, stay for a while\, and then leave again\, the work asks questions about the places where we stay and the relationships we create. \nPART 1. \nThe Body of the Past \nThe body exists in the present while carrying traces of time already lived. Images and objects call up the past; the body walks\, looks\, repeats and transforms\, moving between past and present. \nPART 2. \nHome in Relation \nDifferent bodies and sounds enter an emptied space. Poetry\, music and movement respond to one another\, creating temporary relationships and\, for a moment\, a home. \nSeptember 25 – 26\, 2026 at 7:30 PM
URL:https://potluckasianamerica.org/event/home-kinetic-roots/
LOCATION:Fridman Gallery\, 169 Bowery\, New York\, NY\, 10002
CATEGORIES:Performance
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Kinetic-Roots-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260925
DTEND;VALUE=DATE:20261005
DTSTAMP:20260927T171721Z
CREATED:20260927T171721Z
LAST-MODIFIED:20260927T171721Z
UID:10003459-1790294400-1791158399@potluckasianamerica.org
SUMMARY:Bridging the Connection
DESCRIPTION:Organized by Bangladeshi American Artists Forum (BAAF)\nCurated by Kaiser Kamal and Kyoko Sato \nArtist-in-Residence from Japan: Nobuko\nExhibiting Artists: Arthur Azad | Alma Leya | Barkia Azam | Bishwajit Chowdhury | Bonnie Astor | Dina Zaman | Dipa Debnath | Farhana Yasmin | Kaiser Kamal | Kaniz Husna Akbory | Kazol Anthony Das | Kyaw C Maung | Mohammed Hassan Rokon | Nobuko (Japan) | Ruddro Md Ayudh Jahangir | Salma Sinha Kaniz | Sazada Sultana | Shinobu (Japan) | Sherry X Chen | Shameem Subrana | Sujit Kumar Saha | Syed Azizur Rahaman | Tajul Imam | Tariq Julfiker | Zebun Nesa Kamal \nEach year from May through October\, more than two dozen arts and cultural organizations activate the historic houses on Governors Island through the Governors Island Arts’ Organizations in Residence program. The program provides a unique platform for artists and cultural organizations to present free exhibitions\, public programs\, workshops\, and artist residencies in one of New York City’s most distinctive cultural settings. Over the next decade\, New York City and the Trust for Governors Island plan to expand this seasonal initiative toward year-round permanent homes for cultural organizations on the Island. \nAgainst this extraordinary setting between the waters of New York Harbor and the city skyline\, the Bangladeshi American Artists Forum (BAAF) has been presenting Between River and Harbor: Stories That Carry Us\, a multidisciplinary cultural program exploring migration\, memory\, identity\, belonging\, and the ways stories travel across generations and borders. \nThis fall\, curated by Kaiser Kamal and Kyoko Sato\, the program transforms one of Governors Island’s historic houses into a space of encounter—a place where personal histories\, ancestral memories\, artistic practices\, and different cultural perspectives can meet and resonate with one another. \nA significant new dimension of this fall’s program is BAAF’s collaboration with New York–based curator Kyoko Sato\, with the support by the Art Incubation Association of Japan\, which brings artists from Japan into the Governors Island program for the first time. This collaboration expands the conversation beyond a single diasporic experience and creates a broader dialogue between Bangladeshi American and Japanese artistic perspectives.
URL:https://potluckasianamerica.org/event/bridging-the-connection/
LOCATION:Bangladeshi American Artists Forum\, 16 Nolan Park\, Governors Island\, New York\, NY\, 10004\, United States
CATEGORIES:Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/group_show_card.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260925T120000
DTEND;TZID=America/New_York:20260925T140000
DTSTAMP:20260918T204411Z
CREATED:20260918T204411Z
LAST-MODIFIED:20260918T204411Z
UID:10003402-1790337600-1790344800@potluckasianamerica.org
SUMMARY:KOBA Korean BBQ Free Lunch
DESCRIPTION:Lunch is on us\, FiDi! 🥢🌕 \nJoin KOBA Korean BBQ for FREE LUNCH as we celebrate Chuseok — the Korean Harvest Festival! \nWe’re celebrating with gratitude\, good food\, and our downtown community. Whether you’re a longtime regular or visiting for the first time\, we’d love to welcome you. ❤️ \n📅 Friday\, September 25\, 2026
🕛 12 PM–2 PM
📍 KOBA Korean BBQ
136 William St.
New York\, NY 10038 \nBring your coworkers\, bring a friend\, and celebrate with us! \nWhile supplies last. Limit one per customer. In-store only. William Street location only.
URL:https://potluckasianamerica.org/event/koba-korean-bbq-free-lunch/
LOCATION:NY
CATEGORIES:Food
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Korean-Lunch-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260925T120000
DTEND;TZID=America/New_York:20260925T160000
DTSTAMP:20260820T050636Z
CREATED:20260820T050217Z
LAST-MODIFIED:20260820T050636Z
UID:10003145-1790337600-1790352000@potluckasianamerica.org
SUMMARY:Authentic Japanese Tea Ceremony at K. Minamoto
DESCRIPTION:Experience an authentic Japanese tea ceremony\, enjoy freshly prepared matcha\, and savor a seasonal Japanese treat at K. Minamoto NYC. \n\n\nExperience an authentic Japanese tea ceremony at K. Minamoto New York 5th Avenue store. \nOur tea master will demonstrate the traditional way of preparing and serving matcha while explaining the meaning and philosophy behind each step. \nWhether you are new to Japanese tea ceremonies or already familiar with matcha culture\, this experience offers a relaxing and memorable moment in the heart of New York City. \nEach participant will enjoy:\n• A cup of freshly prepared Matcha\n• One piece of seasonal Japanese confectionery: \nLocation:\nK. Minamoto New York 5th Avenue\n604 5th Avenue\, New York\, NY 10020 \nDate:\nFriday\, Sep 25th 2026 \nTime Slots:\n12:00 PM\n1:00 PM\n2:00 PM\n3:00 PM\n(Approximately 40 minutes per session) \nFee:\n$30 per person\n(Includes matcha and confectionery) \nNon-refundable\nReservation Required
URL:https://potluckasianamerica.org/event/authentic-japanese-tea-ceremony-at-k-minamoto/
LOCATION:K. Minamoto\, 604 5th Avenue\, New York\, NY\, 10020\, United States
CATEGORIES:Drink
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/ee873c24412191836123a8773321892b.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260925T170000
DTEND;TZID=America/New_York:20260925T183000
DTSTAMP:20260910T192118Z
CREATED:20260910T192118Z
LAST-MODIFIED:20260910T192118Z
UID:10003331-1790355600-1790361000@potluckasianamerica.org
SUMMARY:Meet & Greet: Misako Rocks!
DESCRIPTION:Celebrate the release of Double Trouble: Lost in Japan and How to Draw Kawaii Manga PETS by Misako Rocks! with a meet & greet event at Kinokuniya New York! Get your copies of these exciting new releases and have them autographed by the author! There will also be an author talk followed by a fun manga drawing tutorial\, so be sure not to miss this special event. While you’re there\, don’t forget to check out the rest of the Bounce Back series\, too! \n*Please note book purchase is required to receive autograph // Available while supplies last
URL:https://potluckasianamerica.org/event/meet-greet-misako-rocks/
LOCATION:Kinokuniya\, 1073 6th Ave.\, New York\, NY\, 10018\, United States
CATEGORIES:Anime,Book
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Misako-copy.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260925T170000
DTEND;TZID=America/New_York:20260925T200000
DTSTAMP:20260918T205227Z
CREATED:20260918T003810Z
LAST-MODIFIED:20260918T205227Z
UID:10003393-1790355600-1790366400@potluckasianamerica.org
SUMMARY:Japan Village Night Market
DESCRIPTION:Join us for our last Night Market of the year🎤🍻 \nCome hang out with us at Japan Village for a night of live performances\, good food\, Japanese drinks\, beer\, and more. Bring your friends\, grab a bite\, have a drink\, and hang out with us for the night! \n📍Japan Village Courtyard\n🎟️ Free Entry
URL:https://potluckasianamerica.org/event/japan-village-night-market-3/
LOCATION:Japan Village\, 934 3rd Avenue\, Brooklyn\, NY\, 11232\, United States
CATEGORIES:Night Market
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Japan-Night-copy.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260925T183000
DTEND;TZID=America/New_York:20260925T213000
DTSTAMP:20260903T002028Z
CREATED:20260903T002028Z
LAST-MODIFIED:20260903T002028Z
UID:10003304-1790361000-1790371800@potluckasianamerica.org
SUMMARY:Modern Mooncake Making Workshop
DESCRIPTION:Mooncakes have been bringing families together for centuries — shared over tea\, under the full moon\, at the center of Mid-Autumn Festival. We’re putting our own spin on tradition with a light\, buttery shortbread crust and a decadent white lotus paste filling. \nCome make a batch of your own\, and take a little bit of the celebration home with you. \n*The lotus paste contains peanut oil.
URL:https://potluckasianamerica.org/event/modern-mooncake-making-workshop/
LOCATION:Kitsby\, 393 Broadway\, 5th Floor\, New York\, NY\, 10013\, United States
CATEGORIES:Food,Workshop
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Kitsby-mooncakes-copy.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260925T190000
DTEND;TZID=America/New_York:20260925T203000
DTSTAMP:20260810T005629Z
CREATED:20260810T005629Z
LAST-MODIFIED:20260810T005629Z
UID:10003053-1790362800-1790368200@potluckasianamerica.org
SUMMARY:MOCA PERFORMS – Wonggongchang Mega Explosive
DESCRIPTION:The Museum of Chinese in America proudly presents Wonggongchang Mega Explosive\, the second full-length album by Taiwanese composer\, electronic musician\, and producer Calvin Kaiˇ-Weiˉ Chang\, a.k.a Kaiwei. \nSet for 2026 release under AAPI artist collective Choaspace\, Wonggongchang Mega Explosive is a ten-track sonic narrative and song cycle centered on one of the deadliest man-made disasters in Chinese history: the 1626 Tianqi Explosion\, with over 20\,000 casualties. Drawing from ancient Chinese classical texts and historical documentations\, each piece reimagines anecdotal episodes from the event\, unfolding in a format influenced by anthological drama\, film and video game soundtracks. Through a contemporary lens\, the work integrates found sounds\, text-to-speech\, and Y2K-influenced sonic cues for explorations of artificiality\, emotional detachment\, and modern desensitization to large-scale violence in the age of information overload. \nAccompanied by live Mandarin narration\, texts\, and animations drawn by Taiwanese graphic artist Nancy Hsiaowen Hu\, the performance invites audiences to experience history\, through modern perspectives\, as a living\, resonant field shaped by sound\, story\, and interpretation. \nABOUT Tianqi Explosion \n\nThe Wanggongchang Explosion (also known as the Tianqi Explosion) was a catastrophic disaster that occurred on May 30\, 1626\, in Beijing during the late Ming Dynasty. Centered at a major gunpowder factory and armory\, the blast destroyed a large area of the city and reportedly killed around 20\,000 people. \nContemporary accounts describe a sudden rumbling sound\, followed by a massive explosion that flattened buildings within a radius of about 2 kilometers\, sent debris flying across the city\, and was felt over 150 kilometers away. \nThe exact cause of the explosion remains unknown. While many believe it was an accidental gunpowder detonation\, other theories—including a meteor airburst or natural gas explosion—have been proposed\, with no definitive consensus. \nBeyond the immediate destruction\, the disaster had major political and cultural consequences. It was widely interpreted at the time as a form of divine punishment\, weakening confidence in the Tianqi Emperor and further destabilizing the already declining Ming Dynasty. \n\nABOUT Calvin Kaiˇ-Weiˉ Chang \n\nKaiwei is the progressive electronic music project of Calvin Kaiˇ-Weiˉ Chang\, a NY-based Taiwanese electronic musician\, composer\, multi-instrumentalist and producer. Active in both NY and East Asia’s contemporary music scenes\, Chang’s style blends Industrial\, Noise\, Ambient\, Dance and Pop\, often explored through experimental techniques\, diverse composition methods\, and innovative forms. Chang’s works often combine a broad range of improvisational vocabularies with non-traditional post-production\, songwriting\, and sound design approaches. Chang composed for director Ichen Wang’s 2022 stage play\, “Dress In Code”. His debut LP\, “Reprocessor” (“darkly invigorating\, glitchy soundscapes\, touting a dynamic range from unsettling spaciousness to dexterous rhythmic haunts\, at times resembling a cross of Burial and Oneohtrix Point Never” – Obscure Sound 2024) was released under Long Echo Records\, 2023. Chang was a 2024 Found Sound Nation – OneBeat Taiwan fellow\, and was most recently a recipient of Taiwan’s National Cultures & Arts Foundation Grant for his production for composer Chloe Yuchun Hu’s 2025 record\, “The Impermanence Of Permanence”. His second LP\, Wonggongchang Mega Explosive\, is due for 2026 release under AAPI artist collective\, Choaspace.
URL:https://potluckasianamerica.org/event/moca-performs-wonggongchang-mega-explosive/
LOCATION:Museum of Chinese in America (MOCA)\, 215 Centre Street\, New York\, NY\, 10013\, United States
CATEGORIES:Concert,Music
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/MOCA-Wonggongchang.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260925T190000
DTEND;TZID=America/New_York:20260925T203000
DTSTAMP:20260903T093718Z
CREATED:20260813T092345Z
LAST-MODIFIED:20260903T093718Z
UID:10003081-1790362800-1790368200@potluckasianamerica.org
SUMMARY:Laughing Lassi – The #1 South Asian Stand-Up Comedy Show in New York City!
DESCRIPTION:Laughing Lassi brings the funniest South Asian comedians from NYC and around the world to one stage. \n\nAfter four years of sold-out shows\, we’re kicking off 2026 with a killer lineup and fresh programming. \nGET YOUR TICKETS NOW! \nLaughing Lassi is New York City’s premier South Asian stand-up comedy show\, featuring the best Desi and Indian-American comedians from NYC and beyond. \nAs featured in TimeOut NYC\, The New Yorker\, and India Tribune\, this monthly comedy event has become a must-see cultural experience\, a place where laughter meets identity\, storytelling\, and community. \nWhether you’re South Asian or simply love smart\, diverse humor\, Laughing Lassi promises a night of non-stop laughter and unforgettable energy. Each lineup features top comedians who have performed on Comedy Central\, Netflix\, and major festivals around the world. \n📅 When: Doors open at 6:15 PM | Show starts 7:00 PM sharp (no “Brown Time” here!)\n📍 Where: Midtown Manhattan – Convenient NYC location\n🍸 Venue Policy: 2-drink minimum (alcoholic & non-alcoholic options available) \nJoin hundreds of fans who’ve made Laughing Lassi a monthly tradition for celebrating South Asian talent and NYC comedy. \nThe show is in English\, welcoming audiences of all backgrounds. Perfect for a night out with friends\, family\, or coworkers. \n🎟️ Tickets: Shows sell out fast\, grab yours now!\n💬 Follow Us: IG @LaughingLassi | Medium @LaughingLassi | TikTok @LaughingLassi \n🚨 Important Information\nLineups are subject to change due to last-minute cancellations.\nTickets cover the main show (7:00 PM – 8:30 PM)\, not your drinks.\nRefunds available up to 24 hours before the event; no refunds on the day of or after the show as we have limited seating. \nJoin us at Laughing Lassi to celebrate South Asian talent and experience a comedy show like no other. Don’t miss your chance to be part of NYC’s most talked-about South Asian comedy event. \n\n 
URL:https://potluckasianamerica.org/event/laughing-lassi-the-1-south-asian-stand-up-comedy-show-in-new-york-city-13/
LOCATION:Broadway Comedy Club\, 318 West 53rd Street\, New York\, NY\, 10019\, United States
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/07/385a2553ef5f36a28dc5bdf9b39832ae.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260925T190000
DTEND;TZID=America/New_York:20260925T203000
DTSTAMP:20260912T000853Z
CREATED:20260912T000853Z
LAST-MODIFIED:20260912T000853Z
UID:10003352-1790362800-1790368200@potluckasianamerica.org
SUMMARY:Hina Oikawa Short Songs: Voices of a Hundred Poets
DESCRIPTION:Hina Oikawa Short Songs returns to Queens for a multisensory evening where a 10-piece jazz ensemble — horns\, rhythm section\, and vocals — performs in real-time dialogue with live visual art. The program features music from Hina Oikawa’s debut album\, Short Songs\, a large ensemble project that fuses improvised jazz with tanka\, the traditional Japanese poetic form\, alongside a new piece from the project’s next chapter\, Voices of a Hundred Poets\, inspired by the Ogura Hyakunin Isshu\, a classical anthology of one hundred waka poems. Oikawa was recently honored by the International Alliance for Women in Music for her tanka-inspired composition “Manhattan\,” also featured on the album. \nFriday\, September 25\, 7:00–8:30 PM at LeFrak Concert Hall\, Queens College. Free admission\, reservation required. \nhttps://www.youtube.com/watch?v=0rtG9MPhBMQ
URL:https://potluckasianamerica.org/event/hina-oikawa-short-songs-voices-of-a-hundred-poets/
LOCATION:Lefrak Concert Hall\, 153-49 Reeves Ave.\, Flushing\, NY\, 11367\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Hina-copy.jpeg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260926
DTEND;VALUE=DATE:20260927
DTSTAMP:20260904T221749Z
CREATED:20260904T221749Z
LAST-MODIFIED:20260904T221749Z
UID:10003313-1790380800-1790467199@potluckasianamerica.org
SUMMARY:Brooklyn Book Festival
DESCRIPTION:Come see us at @bkbookfest! 📚✨\nSaturday September 26th @ 11 AM join authors and illustrators @laborofloaf\, @stephstilwell\, @tinamcho\, and @cindysykang in creating Fantastical Floating Food Sculptures! Unleash your creativity and make a mobile using yummy treats as inspiration. (And the event is free!) \nTaking place in the Workshop Room @ Brooklyn Borough Hall\, 209 Joralemon Street. With a book signing to follow\, where you can get your own copy of Bread is Love\, The Kimchi Fridge\, and Slice of Nice. 🥖🥬🍕 Hope to see you there! \nDate: Saturday\, September 26\, 11:00 AM\nLocation: Workshop Room @ Brooklyn Borough Hall\, 209 Joralemon Street\, Brooklyn\, NY
URL:https://potluckasianamerica.org/event/brooklyn-book-festival/
LOCATION:Workshop Room\, 209 Joralemon St.\, Booklyn\, NY
CATEGORIES:Book,Festival
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Brooklyn-Book-Festival-copy.jpg
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