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X-WR-CALDESC:Events for Potluck Asian America
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DTSTART;VALUE=DATE:20260911
DTEND;VALUE=DATE:20260928
DTSTAMP:20260913T140004Z
CREATED:20260913T122525Z
LAST-MODIFIED:20260913T140004Z
UID:10003372-1789084800-1790553599@potluckasianamerica.org
SUMMARY:Guest House: Welcome Home
DESCRIPTION:Portraiture is as old as the pharaohs of Egypt. While mediums such as drawing\, painting\, and photography dominate the practice\, rendering a three-dimensional likeness yielded astounding work across centuries\, from the chiseled marble of the Renaissance to Gian Lorenzo Bernini’s sensuous sculptures. Unlike marble\, stone\, or bronze\, wax possesses a luminosity that makes it ideal for human approximation. In the last century\, the art of the wax figure has evolved from commercial spectacle into a medium for serious artistic exploration. \nBased in Zhongshan\, China\, and with three decades of experience\, the artist Zhou Xuerong has created more than 900 wax figures through her studio Grand Orient Wax Art. In her first U.S. exhibition\, Guest House: Welcome Home\, she depicts human figures\, each a work of original artistic interpretation\, engaged in six rituals that shape Asian life. With a nod to American photographer Gregory Crewdson’s staged tableaux exploring the ennui of suburban life\, Zhou zooms in and situates her protagonists in common domestic scenes: sipping tea\, practicing calligraphy\, inserting acupuncture needles\, cooking with a wok\, sharing a meal\, and playing the erhu\, a two-stringed fiddle. \nEach figure is dressed in a qipao\, a historical silhouette that originated as loose-fitting military gowns worn by nobles during the Qing Dynasty. At the turn of the 20th century\, Shanghai became a center of international trade\, influencing local tailors to draw on Western design to nip the qipao’s waistline\, narrow its skirt\, and lengthen its side slit. Today\, the dress’s form is a fixture in both Eastern and Western fashion. \nThe figures’ faces evoke familiar presences — cultural icons reimagined and transplanted into a room where their identity dissolves into ambiguity\, fluctuating between the everyday and the uncanny. They sit at a tea table\, lift a calligraphy brush\, pluck at a classical instrument\, and together pose a critical question at the heart of the artist’s commentary: what happens when one culture’s icons are transposed into the traditions of another? \nZhou’s quiet interiority of place and person is an inheritance made visible — for insiders\, a mirror; for outsiders\, a window. We must consider how Chinese culture\, once mocked and derided\, has traveled\, and now shapes a global imagination. Above all\, Guest House: Welcome Home is a cultural bridge. Zhou illuminates connection through an emotive stillness: a turned wrist\, a pursed lip\, a downward gaze. Her wax guests partake in ritual as a form of welcome and practice as a gesture of love. \nGuest House: Welcome Home is an original work of fine art and cultural commentary by Zhou Xuerong. The exhibition is not sponsored by\, affiliated with\, or endorsed by any individual to whom the sculptures may bear a resemblance. \nDates: Sep 11 2026 to Sep 27 2026\nTimes: 12:00 PM – 6:00 PM
URL:https://potluckasianamerica.org/event/guest-house-welcome-home/
LOCATION:The Wang Contemporary\, 58 Bowery\, New York\, NY\, 10013\, United States
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Wang-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260911
DTEND;VALUE=DATE:20261122
DTSTAMP:20260902T215808Z
CREATED:20260902T215710Z
LAST-MODIFIED:20260902T215808Z
UID:10003297-1789084800-1795305599@potluckasianamerica.org
SUMMARY:Theresa Hak Kyung Cha: Multiple Offerings
DESCRIPTION:Artists Space presents “Multiple Offerings”\, the first retrospective in twenty-five years dedicated to the groundbreaking work of the artist Theresa Hak Kyung Cha. She produced an expansive range of works comprising performances for film and video\, installation\, photography\, artist’s books (including her genre-defying book Dictée from 1982)\, and works on paper\, which will fill Artists Space’s entire first floor. In her lifetime\, Cha contributed to experimental art scenes in New York City\, San Francisco\, Paris\, and beyond. Her work has had a quietly profound influence on subsequent generations of artists. \nAfter emigrating from South Korea to the United States\, Cha enrolled at UC Berkeley in 1969\, where she studied art practice\, comparative literature\, and film. Keenly attuned to the active role that audiences play in the creation of meaning\, she prioritized nonlinear narratives to allow for more open-ended forms of interpretation—what she termed a method of “Multiple Telling with Multiple Offering.” This retrospective adopts her framework to allow for a range of entry points into the work\, guiding visitors through the themes—memory\, displacement\, and the mutability of language\, among others—that recur in Cha’s oeuvre. \nCha moved to New York City in 1980\, where she supported herself with several jobs while pursuing her artistic career. She worked as an administrative assistant in the European Sculpture and Decorative Arts Department at the Metropolitan Museum of Art\, taught video art at Elizabeth Seton College in Yonkers\, and served as an editor at Tanam Press\, a publishing imprint dedicated to artists’ books that was founded by her friend and collaborator Reese Williams. \nOn November 5\, 1982\, Cha’s short but prolific career came to an end when she was murdered just weeks before her planned exhibition at Artists Space. At the time of her death\, Cha was producing a new photographic series inspired by her time working at the Met. Multiple Offerings presents that unfinished series of black-and-white prints alongside nearly one hundred artworks and archival materials from across her career\, highlighting the inventive\, playful\, and meditative methods of Cha’s practice.
URL:https://potluckasianamerica.org/event/theresa-hak-kyung-cha-multiple-offerings/
LOCATION:Artists Space\, 11 Cortlandt Alley\, New York\, NY\, 10013\, United States
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Theresa-Cha-copy.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260914
DTEND;VALUE=DATE:20270511
DTSTAMP:20260819T023556Z
CREATED:20260819T023258Z
LAST-MODIFIED:20260819T023556Z
UID:10003133-1789344000-1809993599@potluckasianamerica.org
SUMMARY:Teaching Asian American and Pacific Islander Histories Webinar Series
DESCRIPTION:As a valued friend of Foundations and Futures\, we cordially invite you to a free webinar series co-sponsored by the UCLA Asian American Studies Center\, UCLA Center X\, the American Federation of Teachers (AFT)\, and the National Education Association (NEA). The Teaching Asian American and Pacific Islander Histories Webinar Series will take place once a month on Mondays throughout the school year and will highlight chapters from the Foundations and Futures Multimedia Textbook. \nEach webinar session will take place via zoom on a Monday from 4:00-5:30 PM Pacific Time. \nSales end on Sep 14\, 2026 \nWebinar Schedule: \n\nSeptember 14\, 2026: We Are Here Because You Were There: Race\, Colonialism\, and Migration\nOctober 19\, 2026: Kānaka ʻŌiwi: Indigenous Hawaiian Identity\, Culture\, and Rebirth of the Sacred\nNovember 9\, 2026: Asian American Popular Culture: Representation\, Propaganda\, and the Media\nJanuary 11\, 2027: Asian American Exclusion: Aliens Ineligible to Citizenship\nFebruary 8\, 2027: Asian Americans in the US South: Labor\, Civil Rights\, and Identity\nMarch 8\, 2027: South Asian Americans before 1965: Stories of Perseverance\, Activism\, and Cultural Exchange\nApril 12\, 2027: Vietnamese American Experiences: Learning From Refugee Experiences\nMay 10\, 2027: Youth Organizing: Building Multiracial Solidarities\n\nSessions will feature a special guest presentation from one of the chapter authors. Two teachers will then present lesson plans and examples of use in their classrooms. \nYou can register for a webinar at this link: bit.ly/TeachingAAPI. On the Eventbrite link\, click “Check Availability” and select a session date and time. A pop-up with all the webinar sessions will appear and you can select all the sessions you would like to attend. You will receive a follow-up email with the Zoom link for each upcoming session.
URL:https://potluckasianamerica.org/event/teaching-asian-american-and-pacific-islander-histories-webinar-series/
LOCATION:
CATEGORIES:Education,History
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/UCLA-History.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260916
DTEND;VALUE=DATE:20260920
DTSTAMP:20260903T054228Z
CREATED:20260902T220413Z
LAST-MODIFIED:20260903T054228Z
UID:10003298-1789516800-1789862399@potluckasianamerica.org
SUMMARY:Mom and I Go To The Temple
DESCRIPTION:Mom and I Go To The Temple — a one-man show by Michael Tay \n“Mom said we were just taking a simple trip to a temple hidden in the mountains of Malaysia.”\n“What she failed to mention was that this “temple” wasn’t quite what it seemed. As the journey grew stranger\, it became increasingly clear that mom knew far more than she was letting on – and that this wasn’t going to be a simple day of prayer.“\n“Based on a true story\, this is the tale of the most terrifying trip I’ve ever taken with my mother… and the reason I now ask a lot more questions before getting into the car.” \nContent Warning: suggestion of self harm \nFour nights only at The Tank (312 W 36th St)\, Sep 16-19\, 2026\, 9:30 PM\nTickets $20/$30/$40 in the intimate 56-seat theatre. \nBuy tickets → https://tickets.thetanknyc.org/EventAvailability?EventId=155801 \nAbout Michael:\nMichael Tay is a New York-based veteran screenwriter\, now making his NYC theater debut. A Columbia University MFA graduate in Screenwriting and Sundance alum\, his short film “Wet Season” screened at Sundance and won the Special Jury Prize at the Singapore International Film Festival and the Linda Mabalot New Visions Award. His TV writing was a finalist at the New York Festivals TV & Film Awards\, and his feature screenplay The Damned was optioned and presented at the 2024 Cannes Film Market. Before relocating to New York\, he wrote for Singapore television. Mom and I Go to the Temple is his first time stepping into the spotlight himself – and bringing his mother along for the ride. \nMichael Tay (performer + writer) | Eunice Lau (Director) | Augustus Loi (Producer)
URL:https://potluckasianamerica.org/event/mom-and-i-go-to-the-temple/
LOCATION:The Tank Theatre\, 312 W. 36 Street\, New York\, NY\, 10018\, United States
CATEGORIES:Theater
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Mom-and-I-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260916
DTEND;VALUE=DATE:20260927
DTSTAMP:20260818T215029Z
CREATED:20260805T044221Z
LAST-MODIFIED:20260818T215029Z
UID:10003004-1789516800-1790467199@potluckasianamerica.org
SUMMARY:The Cherry Orchard
DESCRIPTION:Considered one of the great plays of the modern era\, Anton Chekhov’s final play about a family on the edge of ruin is radically reimagined by acclaimed director and dramatist Simon Stone\, who returns to the Armory following his blistering Obie-Award winning take on Federico García Lorca’s Yerma (2018). His refreshing adaptation resets the action from Russia to a rapidly transforming modern-day Seoul\, South Korea\, where the original noble siblings are now corporate heirs struggling to adapt to a world that has moved on without them\, suffocated by a rising middle class and wealthy self-made entrepreneurs. Caught between the past and the present\, hope and despair\, tradition and innovation\, the chaebol family is forced to grapple with the inevitable forces of change. \nJeon Do-yeon is well-known for her roles in You Are My Sunshine (2005) and Secret Sunshine (2007)\, for which she was awarded Best Actress at the 60th Cannes Film Festival and making her the first Korean actor to receive such recognition. The talented actress stars alongside Emmy-nominated actor Park Hae-soo of worldwide Squid Game fame as well as a stellar all-Korean ensemble cast in spontaneous\, immediate performances. Equal parts tragedy and comedy\, the story unfolds on a masterfully designed set by celebrated architectural designer Saul Kim that features a modern\, transparent glass house allowing audiences a voyeuristic peek into the characters’ private lives. An intimate\, bittersweet portrait that is deeply South Korean and yet universally moving\, this must-see reinterpretation is a timely reflection of loss\, change\, and social transformation. \nTickets start at $45 (including fees) \n🎟️ Special Offer for KCCNY followers!\n✨ Save 10% on tickets for all performances\n🎫 Use promo code: CHERRYKCCNY\n⏰ Offer valid through 11:59 PM (ET) on August 21\, 2026. Standard ticketing fees apply. \n🗣️ Performed in Korean with English captions. \nPhoto credit: Studio AL\, LG Arts Center
URL:https://potluckasianamerica.org/event/the-cherry-orchard/
LOCATION:Park Avenue Armory\, 643 Park Avenue\, New York\, NY\, 10065\, United States
CATEGORIES:In Person,Theater
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Cherry-Orchard-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260916
DTEND;VALUE=DATE:20261001
DTSTAMP:20260904T220910Z
CREATED:20260904T220737Z
LAST-MODIFIED:20260904T220910Z
UID:10003312-1789516800-1790812799@potluckasianamerica.org
SUMMARY:Tom Yum Week
DESCRIPTION:Something’s bubbling across New York 🌶️ \nTOM YUM WEEK\nSeptember 16–30\, 2026 \nA city-wide creative fest transforming Thai restaurants into creative spaces. Artists and creatives respond to special dishes\, signature food\, and drinks – creating multisensory experiences that go beyond the plate. \nEach collaboration takes a different form. \nSome live on the plate.\nSome on the wall.\nSome on a screen.\nSomewhere in between. \nOur first edition explores the theme YUM YUM YUM – inspired by the Thai idea of yum: to mix\, toss things around\, and somehow\, it usually comes together. \nYou can eat it.\nBut you might also watch it\, hear it\, read it\, or scan it. \nDifferent spots. Different mixes. One city-wide experiment. \n@charoenkrung_nyc\n@dockasianeatery\n@gigicurryandnoodlebar\n@godunknyc\n@katithaicuisinenyc\n@kru.bk\n@lalyn.nyc\n@luckybybar\n@narkaranyc\n@salathainyc\n@samyan.nyc\n@saolea.nyc\n@seathai_nyc\n@skyice_nyc\n@thaipavilion_nyc\n@vallatable\n@zabbputawn \nSeptember 16–30
URL:https://potluckasianamerica.org/event/tom-yum-week/
LOCATION:Multiple NYC locations
CATEGORIES:Food,Thai
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Tom-Yum-Week-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260917
DTEND;VALUE=DATE:20260921
DTSTAMP:20260916T115139Z
CREATED:20260729T193510Z
LAST-MODIFIED:20260916T115139Z
UID:10002967-1789603200-1789948799@potluckasianamerica.org
SUMMARY:2026 Pacific Island Film Festival NYC
DESCRIPTION:Welcome to our 4th Pacific Island Film Festival New York. Experience the Pacific through powerful storytelling from Polynesia\, Micronesia\, and Melanesia. \nFrom award-winning films to emerging voices\, a celebration of the people\, cultures\, language and stories that connect our vast Moana to the heart of New York City. \nYou’re invited to discover wave-making Pacific Island filmmakers. Experience stories with us that inspire\, challenge\, and stay with you long after the credits roll. \nEvery ticket helps us continue creating space for Pacific stories to be seen\, celebrated\, and shared with the world.
URL:https://potluckasianamerica.org/event/2026-pacific-island-film-festival-nyc/
LOCATION:NY
CATEGORIES:Festival,Film
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/07/Pacific-Island-Film-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260917
DTEND;VALUE=DATE:20261014
DTSTAMP:20260928T233759Z
CREATED:20260928T231857Z
LAST-MODIFIED:20260928T233759Z
UID:10003500-1789603200-1791935999@potluckasianamerica.org
SUMMARY:Yuen Woo-ping Retrospective
DESCRIPTION:In a Hong Kong film industry overflowing with martial arts talent\, Yuen Woo-ping stands apart. His legendary influence\, in a career spanning more than five decades\, has earned him the widely celebrated\, industry-bestowed moniker “天下第一武指\,” which translates as “The Number One Martial Arts Director Under the Sky.” As both film director and action choreographer\, Yuen helped elevate martial arts cinema into a sophisticated art form\, blending technical precision with character\, poetry\, and astonishing physical invention. His choreography prioritizes movement legibility\, spatial clarity\, and expressive geometry over brute force\, reshaping the visual grammar of global action filmmaking. \nBorn into a family of Peking Opera performers\, Yuen grew up in a tradition where drama\, martial arts\, acrobatics\, and dance were inseparable—a heritage linking him to contemporaries like Jackie Chan and Sammo Hung\, who emerged from the same rigorous training. Yuen’s father\, Yuen Siu-tien\, an accomplished opera performer\, actor\, and martial arts director\, introduced his children to the film set. The Yuen siblings began as stunt performers and rose through the ranks. Together they formed the Yuen Clan\, becoming some of Hong Kong cinema’s most respected stunt performers and action directors. \nYuen’s first two films as a director\, Snake in the Eagle’s Shadow and Drunken Master (both 1978)\, launched Chan’s stardom. By shifting martial arts cinema away from solemn violence to wit\, personality\, and comedic invention\, the films established a template for Chan’s career. Yuen went on to collaborate with icons like Hung\, Jet Li\, Michelle Yeoh\, and Donnie Yen\, while consistently demonstrating an unparalleled ability to train performers of all backgrounds—including Hollywood stars like Keanu Reeves and Uma Thurman—in his intensive “fight camps.” \nYuen’s work on The Matrix (1999)\, which seamlessly integrates Hong Kong wirework—human-controlled harnesses and cables that propel and suspend performers—with science fiction\, fundamentally altered how Hollywood approaches action. With Crouching Tiger\, Hidden Dragon (2000) he showed that martial arts could deepen a film’s emotional and intellectual resonance as much as its spectacle. Yuen’s extraordinary adaptability made him the definitive collaborator for visually distinct auteurs as diverse as Stephen Chow\, Ang Lee\, Quentin Tarantino\, Tsui Hark\, the Wachowskis\, and Wong Kar Wai. Decades after his debut\, Yuen’s latest epic\, Blades of the Guardians (2026)\, proves his vision still dictates the rhythm of modern action cinema. \n\n\n\n\n\nIron Monkey (少年黃飛鴻之鐵馬騮).1993. Directed by Yuen Woo-ping\nTue\, Sep 29\, 4:30 p.m.\nThu\, Oct 8\, 6:30 p.m.\n\n\n\n\nFearless (aka Jet Li’s Fearless\, 霍元甲).\n2006. Directed by Ronny Yu\nTue\, Sep 29\, 7:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nKill Bill: Volume 2.\n2004. Directed by Quentin Tarantino\nWed\, Sep 30\, 4:00 p.m.\nSat\, Oct 10\, 6:30 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nBlades of the Guardians (鏢人:風起大漠).2026. Directed by Yuen Woo-ping\nWed\, Sep 30\, 7:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nIn the Line of Duty 4: Witness (皇家師姐IV：直擊證人).1989. Directed by Yuen Woo-ping\nThu\, Oct 1\, 4:30 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nIp Man 4: The Finale (葉問4：完結篇).2019. Directed by Wilson Yip\nThu\, Oct 1\, 7:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nOnce Upon a Time in China (黃飛鴻).\n1991. Directed by Tsui Hark\nFri\, Oct 2\, 4:00 p.m.\n\n\n\n\n\n\nThe Grandmaster (一代宗師). [Hong Kong cut].\n2013. Directed by Wong Kar Wai\nFri\, Oct 2\, 7:00 p.m.\n\n\n\n\n\nThe Matrix.\n1999. Written and directed by Lana and Lilly Wachowski\nSat\, Oct 3\, 4:00 p.m.\n\n\n\n\n\n\n\n\nThe Matrix Reloaded.\n2003. Written and directed by Lana and Lilly Wachowski\nSat\, Oct 3\, 7:00 p.m.\n\nSnake in the Eagle’s Shadow (蛇形刁手)\n1978. Directed by Yuen Woo-ping\nSun\, Oct 4\, 1:30 p.m.\n\n\n\n\n\n\n\n\n\n\nMaster Z: The Ip Man Legacy (葉問外傳：張天志).2018. Directed by Yuen Woo-ping\nSun\, Oct 4\, 4:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nFist of Legend (精武英雄).\n1994. Directed by Gordon Chan\nMon\, Oct 5\, 6:30 p.m.\nSun\, Oct 11\, 1:30 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nThe Miracle Fighters (奇門遁甲).1982. Directed by Yuen Woo-ping\nTue\, Oct 6\, 4:30 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nDreadnaught (勇者無懼).\n1981. Directed by Yuen Woo-ping\nTue\, Oct 6\, 7:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nTai Chi Master (太極張三豐).\n1993. Directed by Yuen Woo-ping\nThu\, Oct 8\, 4:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nOnce Upon a Time in China II (黃飛鴻之二：男兒當自強).\n1992. Directed by Tsui Hark\nFri\, Oct 9\, 4:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nDrunken Master (醉拳).\n1978. Directed by Yuen Woo-ping\nFri\, Oct 9\, 6:30 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nKill Bill: Volume 1.\n2003. Directed by Quentin Tarantino\nSat\, Oct 10\, 4:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nWing Chun (詠春).\n1994. Directed by Yuen Woo-ping\nSun\, Oct 11\, 4:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nThe Magnificent Butcher (林世榮).1979. Directed by Yuen Woo-ping\nTue\, Oct 13\, 4:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nCrouching Tiger\, Hidden Dragon (臥虎藏龍).\n2000. Directed by Ang Lee\nTue\, Oct 13\, 6:30 p.m.
URL:https://potluckasianamerica.org/event/yuen-woo-ping-retrospective/
LOCATION:Museum of Modern Art\, 11 West 53 Street\, New York\, NY\, 10019\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Yuen-Woo-Ping-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260917
DTEND;VALUE=DATE:20261018
DTSTAMP:20260818T233546Z
CREATED:20260818T233546Z
LAST-MODIFIED:20260818T233546Z
UID:10003124-1789603200-1792281599@potluckasianamerica.org
SUMMARY:Best by 07/21/2026
DESCRIPTION:A residency-then-exhibition Artists: Clare Hu\, Tianyi Sun\, and Shaan Ken Rao \n398 West Street\, New York\, NY 10014 Residency: July 21 – September 16\, 2026 Exhibition: September 17 – October 17\, 2026 Opening Reception with the artists: Thursday\, September 17\, 2026 | 6-8 PM \nEli Klein Gallery is pleased to present Best by 07/21/2026\, a residency-then-exhibition featuring artists Clare Hu\, Tianyi Sun\, and Shaan Ken Rao\, opening on its own expiration date. Following At-Will Adaptation (2024)\, the gallery’s residency program returns this year for its second installment\, running from July 21st and culminating in a three-artist exhibition on Thursday\, September 17th. The three artists\, working in various mediums such as sculpture\, weaving\, painting\, and photography\, will create entirely new bodies of work using Eli Klein Gallery as their studio. The gallery will be open to the public during normal business hours throughout the duration of the residency. \n“Can the concept of the human survive discovering how the “sausage” of us is actually made\, what we really look and smell like at the cellular level?” This question\, raised by the writer and scholar Sophie Lewis in her catalog essay “New Wombs for Old Men” of the New Museum’s inaugural exhibition “New Humans\,” challenges the default practice of separating the maker from their associated defecations during the formation of a public-facing identity. On a metaphorical and non-visceral level\, contemporary art’s birth-giving process today resembles an ectogenesis\, with the “sausage-making” process susceptible to both curated previews and packaged commercialization. An artist’s studio is only alive when it breathes and excretes\, and more so when the discarded substances are studied\, categorized\, archived\, and recycled.
URL:https://potluckasianamerica.org/event/best-by-07-21-2026/
LOCATION:Eli Klein\, 398 West Street\, New York\, NY\, 10014\, United States
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Eli-Klein-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260917
DTEND;VALUE=DATE:20261025
DTSTAMP:20260912T015055Z
CREATED:20260912T014818Z
LAST-MODIFIED:20260912T015055Z
UID:10003359-1789603200-1792886399@potluckasianamerica.org
SUMMARY:Tchah Sup Kim: The Key to a New World
DESCRIPTION:Tchah Sup Kim (1940–2022) was an artist whose lifelong practice explored fundamental questions of civilization\, the universe\, existence\, and humanity. Moving beyond formal experimentation\, his work sought new ways of seeing and understanding the world—often by challenging established boundaries between East and West\, the individual and the cosmos\, and the finite and the infinite. \nKim moved to New York in 1974 and studied printmaking at Pratt Institute\, where he began developing a distinctive visual language. His landmark etching Triangle Between Infinites (1976)\, now in the collection of The Museum of Modern Art\, New York\, introduced the triangle as a central motif in his practice. Rather than treating it as a closed geometric form\, Kim opened its vertex\, transforming the triangle into a structure of openness\, circulation\, and connection. \nThroughout the 1980s\, his work reflected his experiences of migration\, otherness\, and diasporic identity in New York. After returning to Korea in 1990\, his inquiry expanded toward broader questions of civilization\, history\, and the origins of humanity. \nNew York played a pivotal role in this artistic and intellectual journey. It was here that Kim encountered the center of Western modernism while also beginning to question its prevailing systems of thought. Presented now in New York\, The Key to a New World revisits that formative relationship and considers his practice through a contemporary lens. The exhibition title comes from a phrase found in one of Kim’s own notes. For him\, a “new world” was not simply a vision of the future\, but the possibility of thinking and seeing beyond existing frameworks. \n\nTuesday – Friday: 10 AM – 6 PM / Saturday: 11 AM – 5 PM\nClosed on Sunday and Monday.\n\n\n  \n\n\n\nAbout the Artist \n\n\n\n\n\n\nTchah Sup Kim received his BFA from Seoul National University in 1963. With a grant from John D. Rockefeller 3rd Fund Fellowship\, he completed his MFA at the Pratt Institute in New York in 1976. \nWorking primarily in paint and mixed media\, Kim explores the principles of cosmos through nature and its phenomena. He raises questions regarding the universal truth that human beings have sought in and out of history. His artistic journey can be divided into three major periods: from 1965 to 1982\, during his early years in Korea and New York\, his work is characterized by a focus on geometry; from 1983 to 1993\, during his New York period\, he turns toward geopolitical and historical themes; and from 1993 to 2022\, after leaving New York for the rural village of Naepyung-ri in Korea\, and later alternating between the two locations\, he focuses his work on geography and nature. \nTchah Sup Kim’s artwork is currently housed in the collections of many renowned institutions\, including the Museum of Modern Art (NY)\, the Metropolitan Museum of Art (NY)\, and the National Museum of Contemporary Art (Gwacheon\, Korea).
URL:https://potluckasianamerica.org/event/tchah-sup-kim-the-key-to-a-new-world/
LOCATION:Korean Cultural Center New York\, 122 East 32nd Street\, New York\, NY\, 10016\, United States
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Tchah-Sup-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260917
DTEND;VALUE=DATE:20261205
DTSTAMP:20260902T221003Z
CREATED:20260902T220929Z
LAST-MODIFIED:20260902T221003Z
UID:10003299-1789603200-1796428799@potluckasianamerica.org
SUMMARY:Afterlayers: Tai Hwa Goh & Julia Kwon
DESCRIPTION:Opening reception: Thursday\, September 17\, 2026\, 5-7pm \nTwo artists transform traditional materials–textile and paper–to explore themes of identity and memory. Tai Hwa Goh creates intricate\, layered installations from printed and cut paper\, inspired by organic forms\, landscapes\, and the relationship between the interior and exterior. Goh’s process pushes the limits of traditional printmaking\, as she modifies the characteristics of paper and thin fabric by covering with batik or ironing thin sheets of beeswax onto her prints\, deliberately obscuring the underlying images. She then uses techniques like sewing\, gluing\, and manipulating printed materials to construct intricate\, honeycomb-like structures. Found objects seamlessly integrate into the work\, reflecting the blending of the personal and the universal\, as well as natural and artificial elements.Through this process\, the imagery gradually moves away from recognizable forms\, and the dense layers serve as a space where nature\, memory\, and personal experience intertwine. Her installations invite viewers to contemplate the balance between the natural world and human existence\, and how everyday moments can reveal deeper insights into our lives. \nJulia Kwon sews interpretive Korean textiles\, specifically in the form of patchwork bojagi (Korean object-wrapping cloth)\, to critique received notions of Asiatic femininity and challenge reductive\, easily legible identities. Although her bojagi textiles may initially be perceived as traditionally Korean\, the patchwork designs are actually derived from urgent contemporary sociopolitical issues and events. Her work moves beyond simply representing minority identities as she aims to comment on the interconnected systems of oppression. Kwon’s practice contests the notion of authenticity and explores the complexities involved in constructing identities within the current framework of cultural hybridity\, intersectionality\, and the collective pursuit of social justice \nThe Korea Society Gallery is open only by appointment.\nThe appointment must be made at least 24 hours prior to the scheduled visit. \nGallery Hours: Monday-Friday 10 AM-4:30 PM\nBy Appointment Only
URL:https://potluckasianamerica.org/event/afterlayers-tai-hwa-goh-julia-kwon/
LOCATION:The Korea Society\, 350 Madison Avenue\, 24th Floor\, New York\, NY\, 10017
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/fterlayers-copy.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260917
DTEND;VALUE=DATE:20270401
DTSTAMP:20260911T234039Z
CREATED:20260911T234039Z
LAST-MODIFIED:20260911T234039Z
UID:10003349-1789603200-1806537599@potluckasianamerica.org
SUMMARY:Zine* Together
DESCRIPTION:Please join Asia Art Archive in America on Thursday\, September 17th from 5-8pm for the opening reception of their exhibition\, Zine﹡ Together. \nZine﹡ Together is the first exhibition of its kind to examine Asian American zines not only as objects\, but as actions—creative\, collective\, and relational. Drawing from Asia Art Archive in America’s Reading Room collection\, this exhibition highlights collaboratively produced zines from 2010 to the present\, alongside newly commissioned projects and prompts that trace zine-making as a mode of shared authorship and community building. \nIn the 1960s and 1970s\, zines (short for “magazines” or “fan-zines”) were characterized by their photo-copied\, staple-bound formats and emerged as popular do-it-yourself platforms for sharing counter-cultural socio-political programs and avant-garde art practice. In more recent decades and particularly in Asian American communities\, zines have served as a place to explore artistic narratives\, diasporic histories\, and collective responses to marginalization. \nKey to this exhibition is a commissioned research project and essay by Michelle Yee\, PhD\, and Elizabeth Chung that investigates the recent history of Asian American zines in relation to the 2020 COVID-19 pandemic and the parallel rise in anti-Asian violence across the United States. Situating zine-making within this moment of crisis\, the research frames the medium as one of many grassroots strategies for care\, documentation\, and solidarity. Together\, the exhibition and research project position zines not as peripheral ephemera\, but as vital cultural tools that register and record how communities respond in times of uncertainty. \nZine﹡ Together\, itself a collaborative project\, is organized by Claire Kim\, Susanna Chang\, Sarula Bao\, Michelle Yee\, Elizabeth Chung\, Mary Y. Yang\, Chen Luo\, and Tasnima Tanzim.
URL:https://potluckasianamerica.org/event/zine-together/
LOCATION:Asia Art Archive in America\, 23 Cranberry Street\, Ground Floor\, Brooklyn\, NY\, 11201\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Zine-copy.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260918
DTEND;VALUE=DATE:20260921
DTSTAMP:20260910T221711Z
CREATED:20260828T011500Z
LAST-MODIFIED:20260910T221711Z
UID:10003243-1789689600-1789948799@potluckasianamerica.org
SUMMARY:New York Premiere of Award-Winning Drama Mulan
DESCRIPTION:Use code DANCE30 for 30% off\nChina Arts and Entertainment Group (CAEG) presents the New York debut of the award-winning dance drama MULAN produced and performed by China Ningbo Performance & Arts Group\, with four performances only from September 18-20\, 2026 at the David H. Koch Theater at Lincoln Center for the Performing Arts\, 20 Lincoln Center Plaza\, NYC. Performances: Fri & Sat at 7:30pm\, Sat at 1:30pm\, Sun at 2:30pm. Tickets start at $30 and can be purchased online https://www.davidhkochtheater.com/tickets-and-events/mulan. \nWinner of the China Dance Lotus Award\, the highest honor in Chinese dance\, MULAN is a sweeping\, visually resplendent dance drama that reimagines one of China’s most enduring legends for global audiences. In that legend shaped by filial piety\, bravery\, and the yearning for peace\, a young Chinese heroine disguises herself as a man to take her father’s place on the battlefield — and rises to eternal renown. Beyond depicting a warrior’s journey\, it unfolds a profound narrative of self-identity\, inner growth\, and human compassion — the story of a woman who stands firm for her family\, her homeland\, and her true self. \nCreated by award-winning choreographers Zhou Liya and Han Zhen\, the production masterfully merges classical Chinese dance\, martial arts\, and epic theatrical aesthetics into a powerful movement language. Where traditional retellings focus solely on Mulan’s heroism\, this interpretation reveals her grace\, vulnerability\, and unwavering longing for peace. \nCentral to the production is a monumental 15-meter revolving stage\, which acts as a quiet yet expressive presence: heightening the intensity of battle scenes\, framing intimate emotional moments\, and symbolizing the cycle of life\, war\, and remembrance. Complemented by exquisitely crafted period costumes and atmospheric lighting\, the design elevates an ancient legend into an immersive contemporary theatrical experience — where East meets West\, tradition meets innovation\, and history comes vividly to life. Evocative original music weaves traditional Chinese folk instruments with dramatic symphonic orchestration. Transcending linguistic and cultural boundaries\, it resonates with universal values: loyalty\, sacrifice\, self-discovery\, and the eternal pursuit of peace.\nA flagship production of CAEG’s Image China initiative\, MULAN makes its New York debut at the David H. Koch Theater this fall. Majestic and unmissable\, MULAN is far more than a dance drama — it is a timeless human story crafted for the world stage. \nCreative Team\nChief Directors / Choreographers: Zhou Liya\, Han Zhen\nPlaywright: Zhu Hai\nComposition: Du Ming\nExecutive Directors: Li Chao\, Lv Zimin\nSet Design: Tan Ze’en\nLighting Design: Han Jiang\nCostume Design: Wang Yukuan\nMake-up Design: Jia Lei\nChoreographers: Han Zhen\, Zhou Liya\, Lv Zimin\, Li Chao\, Liu Wei \nLeading Roles (Casting Subject to Change)\nMulan: Tang Xinyi\nGeneral Wei: Xia Tian\, Wang Zheng\nRou’er: Wu Wei\nMulan’s Father: Wang Zheng\, Jiang An\nLittle Mulan: Liu Siyu\nEunuch: Du Boyan \nArtist Bios\nZhou Liya (Chief Director / Choreographer)\nA graduate of the Choreography Department at Beijing Dance Academy\, Zhou Liya is a resident choreographer and stage director with the China Oriental Song and Dance Troupe. Certified as a National Outstanding Expert by the Ministry of Culture and Tourism\, she received the 13th\, 14th and 18th Wenhua Director Award. Her productions have won the 13th\, 14th\, 15th\, 16th and 17th Grand Wenhua Award\, the 10th and 11th Lotus Award for Chinese Dance Drama\, plus the 13th\, 14th and 15th Best Works Award. Many of her pieces were selected for China’s National Program for Excellent Stage Art and have toured internationally to iconic venues including the Sydney Opera House\, EU Headquarters\, United Nations Headquarters\, Lincoln Center and the Kennedy Center. Her signature dance dramas include The Journey of a Legendary Landscape\, Wing Chun\, The Eternal Waves\, Mulan\, Dragon Boat Racing and Du Fu. \nHan Zhen (Chief Director / Choreographer)\nHan Zhen joined the China Oriental Song and Dance Troupe in 2019 and currently works as a graduate advisor at Beijing Dance Academy. She is a winner of the 14th and 18th Wenhua Director Award\, as well as the “Best Choreographer” honor at the 6th CCTV National Dance Competition. Her productions earned three consecutive Grand Wenhua Awards and three consecutive Best Works Awards\, along with two back-to-back Lotus Awards for Chinese Dance Drama. Two of her pieces were selected for the National Program for Excellent Stage Art. Her stage works have toured globally to the Sydney Opera House\, EU Headquarters\, United Nations Headquarters\, Lincoln Center and the Kennedy Center. Her well-known choreographed productions are The Journey of a Legendary Landscape\, Wing Chun\, The Eternal Waves\, Mulan\, Dragon Boat Racing and Du Fu.
URL:https://potluckasianamerica.org/event/new-york-premiere-of-award-winning-drama-mulan/
LOCATION:David H Koch Theater\, 20 Lincoln Center Plaza\, New York\, NY\, 10023\, United States
CATEGORIES:Dance
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Mulan-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260919
DTEND;VALUE=DATE:20260920
DTSTAMP:20260827T150018Z
CREATED:20260821T144351Z
LAST-MODIFIED:20260827T150018Z
UID:10003180-1789776000-1789862399@potluckasianamerica.org
SUMMARY:Galapagos Puppet Theater Presents: The Blazing Fire Mountain and Its Princess\, A Monkey King Tale
DESCRIPTION:DATE: Saturday\, September 19\, 2026 \nTIMES: 11 AM & 2 PM \nGeneral Admission: $15 Adults | $12 Members | $8 Children \nFamily programming \n“A rare experience of cultural legacy as a living\, breathing\, and playful entity.” —Diana Lu\, New England Theatre Geek  \nJoin the mischievous Monkey King as he takes on a mountain of fire! When Monk Tang and his disciples find their journey blocked by a blazing fire mountain\, they learn that only a magical fan can put out the flames—but the fan’s owner\, the powerful Iron Fan Princess\, has no intention of lending it out. Will the disciples’ powers of transformation\, persuasion\, and puppet martial arts be enough to win the fan and save the day? \nGalapagos Puppet Theater brings this beloved episode of Journey to the West\, the 400-year-old Chinese epic\, to life through the delicate and acrobatic art of Bu Dai Xi (Taiwanese hand puppetry). Expressive silk scarves and vividly crafted puppets move to live music on erhu\, bamboo flute\, and percussion\, courtesy of celebrated folk musician Jimmy Zhao and his ensemble. It’s a 40-minute journey through martial arts\, mischief\, and magic! \nOur 2 PM show will feature a Q&A in Chinese with the Master of Taiwanese puppetry. \nAbout Galapagos Puppet Theater  \nMadeleine Beresford and Margaret Moody met at Oberlin College and founded Galapagos Puppet Theater in 1987. Drawn to puppetry as a meeting point of sculpture\, theater\, and storytelling\, they create original fantasies alongside adaptations of folktales and beloved books. \nMargaret and Madeleine hand-make most of their own puppets\, including rod\, shadow\, hand\, and life-sized puppets\, while the puppets used in their Chinese folktales were crafted by Taiwan’s I Wan Jan Troupe. Both artists studied under the late master puppeteer Lee Tien-lu\, honored as a “national living treasure” in Taiwan\, who taught them the Chang Chung Hsi style\, known as the “theater of the palm of the hand.” That training now forms the foundation of their performances of three episodes from Journey to the West. \nTheir work has been supported by the Henson Foundation\, the Puffin Foundation\, and the Massachusetts Cultural Council\, and they’ve delighted audiences of children and adults at libraries\, schools\, and theaters across the region\, including a recent\, warmly received performance at the Puppet Showplace Theater in Brookline\, Massachusetts.
URL:https://potluckasianamerica.org/event/galapagos-puppet-theater-presents-the-blazing-fire-mountain-and-its-princess-a-monkey-king-tale/
LOCATION:Flushing Town Hall\, 137-35 Northern Blvd\, Flushing\, NY\, 11354\, United States
CATEGORIES:Puppet Show
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Galapagos-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260919
DTEND;VALUE=DATE:20260921
DTSTAMP:20260919T032808Z
CREATED:20260821T182135Z
LAST-MODIFIED:20260919T032808Z
UID:10003185-1789776000-1789948799@potluckasianamerica.org
SUMMARY:Erasing Borders Dance Festival 2026
DESCRIPTION:The 18th Annual Erasing Borders Dance Festival 2026 is here\, presented by Indo-American Arts Council (IAAC). Two nights of pure fire: classical Indian dance\, Kalaripayattu\, and contemporary brilliance. \n📅 Saturday\, September 19 & Sunday\, September 20🕕 6PM both nights📍 The Kaye Playhouse at Hunter College\, 68th St between Park & Lexington\, New York \nFeaturing:🔥 Bharatanatyam\, Kathak\, Odissi\, Kuchipudi\, Mohiniyattam\, Kalaripayattu & contemporary \nSaturday lineup: Ganesh Vasudeva & Nitya Narasimhan (Bharatanatyam duo)\, Travelling Bells (Kuchipudi solo)\, Shila Mehta (Kathak trio)\, Preeti Vasudevan (contemporary solo)\, Radhe Jaggi and Team (Bharatanatyam & Kalaripayattu group) \nSunday lineup: Radha Varadan (Kathak solo)\, Neena Prasad and Musicians (Mohiniyattam group)\, Aparna Sindhoor & Anil Natyaveda (Sindhoor Natya\, Navarasa group)\, Arushi Mudgal (Odissi trio) \nTickets start at just $25. Don’t miss this celebration of movement\, rhythm & culture.
URL:https://potluckasianamerica.org/event/erasing-borders-dance-festival-2026/
LOCATION:The Kaye Playhouse at Hunter College\, 695 Park Ave\, New York\, NY\, 10065\, United States
CATEGORIES:Dance
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Erasing-Borders-Dance-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260919
DTEND;VALUE=DATE:20261109
DTSTAMP:20260927T170404Z
CREATED:20260927T170404Z
LAST-MODIFIED:20260927T170404Z
UID:10003457-1789776000-1794182399@potluckasianamerica.org
SUMMARY:Synthetic Mobility
DESCRIPTION:Fou Gallery is pleased to present “Synthetic Mobility”\, a two-person exhibition featuring Tokyo- and New York-based artist Ai Makita and China-born\, Houston-based kinetic artist Sizhu Li\, on view from September 19 through November 8\, 2026. The exhibition brings to the fore important questions about the interaction between technology and humans\, considering how larger societal shifts affect the way artists represent humanity and reconstituted spaces. \nThe concept of the exhibition is connected to Timothy Morton’s idea of hyperobjects\, according to which we cannot fully perceive larger structures surrounding us and widely distributed across space and time\, but can try to describe their attributes and make a reasonable guess about their true nature. Synthetic mobility – the artificial generation of realistic human movement patterns using advanced algorithms – is a phenomenon related to the new acceleration of living rhythms promoted by digital progress. As the world is enveloped in ideological and cultural conflicts\, Makita and Li consider what it means to remain individuals today\, and how changes in technology alter our sense of perception and our mode of existence. \nAi Makita presents oil paintings\, several of them developed in conjunction with the AI model Midjourney and others based on images created in Photoshop by folding aluminum sheets. The depicted forms represent abstract conjunctions of pipes\, conduits\, and industrial infrastructure. Folded materials result in labyrinths of fluidity and line resembling a circulatory or nervous system\, an organism’s internal anatomy\, or an invisible technological network now made visible. The created conduits recall flowing rivers\, transcended thresholds\, and the linearity of time. Close conceptual connection with Minimalism makes Makita’s stretched lines internally connected to Donald Judd looking at the properties and the rigidity of the structures as well as relation of this (in)stability to the current historical moment. Process art likewise plays a significant role in Makita’s practice\, albeit in a form more appropriate to its new\, updated version\, where the digital has taken the place of the physical. Her paintings leave the viewer with a sense of wonder about where these meandering curves are leading and whether there is any specific destination. Mystery emerges not through mystical effects\, but through the inability to grasp the full picture\, pushing us to step away while also looking closer. \nSizhu Li presents sculptures made primarily from aluminum sheets and industrial fans. In Pushing Hands (2024–present)\, opposing forces travel through an industrial metal wave\, creating a rhythm of tension and equilibrium that references the Taoist principle of balance. The title directly refers to the fundamental Tai Chi practice of Tui Shou\, or “pushing hands\,” centered on sensing\, yielding to\, and balancing opposing forces. Evolving from her earlier project Moonment\, Li uses programmed fans and suspended aluminum sheets to construct a live\, percussive environment of moving metallic waves. In Yuanbao (2026)\, she brings the traditional Chinese symbol of wealth and blessing into conversation with the ephemeral form of clouds\, moving between material and spiritual aspirations\, permanence and transience. Meanwhile\, Oops\, Caught’ya! (2026) turns the clamp into both a generative and restraining device\, using movement\, suspension\, and pressure to consider freedom\, constraint\, instability\, and balance. \nTogether\, the two artists create a dialogue in which materials work as experimental tools to devise new understandings of where we are as a human species. Both artists look at motion\, structure\, and encounter as facilitated by materials\, planes\, and color. Makita’s paintings examine the transformations and limits caused by new synthetic mobility\, while Li’s sculptures engage the same idea through three-dimensional objects. Neither artist provides specific arguments or answers; instead\, they offer aesthetic tools that can help broaden our understanding of the technological forces increasingly shaping contemporary life.
URL:https://potluckasianamerica.org/event/synthetic-mobility/
LOCATION:Fou Gallery\, 89 5th Avenue\, # 701\, New York\, NY\, 10003\, United States
CATEGORIES:Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Synthetic_Mobility-2026-_Poster_Print_vertical_-_15_x_26.67_in.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260919T100000
DTEND;TZID=America/New_York:20260919T130000
DTSTAMP:20260829T030711Z
CREATED:20260829T030711Z
LAST-MODIFIED:20260829T030711Z
UID:10003260-1789812000-1789822800@potluckasianamerica.org
SUMMARY:In Person Pro Bono Legal Clinic
DESCRIPTION:Join the Korean American Bar Association of Greater New York (KALAGNY) for an in-person consultation for FREE legal consultations. If you have any legal issues\, English and Korean consultations will be provided at one of three different locations in New York and New Jersey. \n📆Date: September 19th\, 2026 from 10 AM to 1 PM\n📍Location 1: Palisades Park Library – 257 2nd St\, Palisades Park\, NJ 07650\n📍Location 2: Korean American Association of Greater New York (KAAGNY) – 149 W 24th ST #6\, NY\, 10011\n📍Location 3: Korean Community Services of Metropolitan NY\, Inc. (KCS) – 203-05 32nd Ave\, Bayside\, NY 11361
URL:https://potluckasianamerica.org/event/in-person-pro-bono-legal-clinic/
LOCATION:Multiple NYC locations
CATEGORIES:Legal
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Legal-Clinic-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260919T123000
DTEND;TZID=America/New_York:20260919T160000
DTSTAMP:20260910T203402Z
CREATED:20260910T203308Z
LAST-MODIFIED:20260910T203402Z
UID:10003334-1789821000-1789833600@potluckasianamerica.org
SUMMARY:Japanese Fall Festival
DESCRIPTION:Free\, open to the public! \nJapan Society of Fairfield County family-friendly fall festival\, featuring taiko drum performances\, Japanese folktale play – Bamboo cutter\, martial arts\, ikebana flower arranging\, calligraphy\, J-pop dance\, traditional Obon dancing\, and Japanese-related activities. Saturday 9/19\, raindate 9/20. Japanese Marketplace will open at 12:30. Performances 1pm-4pm \nLocation: Jesup Green\, Westport\, CT
URL:https://potluckasianamerica.org/event/japanese-fall-festival/
LOCATION:NY
CATEGORIES:Festival
ATTACH;FMTTYPE=image/png:https://potluckasianamerica.org/wp-content/uploads/2026/09/Japanese-Fall-Festival.png
ORGANIZER;CN="Japan Society of Fairfield County":MAILTO:info@japansocietyfc.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260919T130000
DTEND;TZID=America/New_York:20260919T170000
DTSTAMP:20260918T013849Z
CREATED:20260902T184344Z
LAST-MODIFIED:20260918T013849Z
UID:10003275-1789822800-1789837200@potluckasianamerica.org
SUMMARY:Afternoon Tea 下午茶: Mid-Autumn Edition
DESCRIPTION:There will be time slots for this event on Sat Sept 19: Session 1 is from 1-2:30PM   |   Session 2 is from 3:30-5PM.  \nAfternoon Tea 下午茶 is back! In celebration of the Mid-Autumn Festival\, join us for a special afternoon of exploring the rich cultural heritage of mooncakes and tea. Taste the many mooncakes of Chinatown\, NYC. \nWe’ll taste the different flavors and textures of each region’s mooncakes. From flaky crust and soft snowskin mooncakes to flavorful coconut and lotus fillings\, taste and learn about the different styles of Cantonese\, South East Asian\, and Fujianese style mooncakes made by artisans from our neighborhood\, Manhattan’s Chinatown. New this year: we’re excited to offer a vegan mooncake option from a local shop! We’ll also taste regional specific loose-leaf teas from our neighbors @annaye.tea\, @grandteaimports\, andJook Sing Pandathat complement each type of mooncake. \nBetween sips of fragrant tea and bites of rich mooncake we invite you to try your hand at serving tea in the traditional gongfu style\, expand your tea-tasting palate and make new friends over afternoon tea! While we taste\, we’ll also talk about the cultural significance of the Mid-Autumn Festival– take a look at beautiful wooden mooncake molds and explore different regional celebration customs.
URL:https://potluckasianamerica.org/event/afternoon-tea-%e4%b8%8b%e5%8d%88%e8%8c%b6-mid-autumn-edition-3/
LOCATION:Think!Chinatown\, 1 Pike Street\, New York\, NY\, 10002\, United States
CATEGORIES:Drink,Workshop
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/TC-Tea-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260919T133000
DTEND;TZID=America/New_York:20260919T150000
DTSTAMP:20260820T161531Z
CREATED:20260820T034611Z
LAST-MODIFIED:20260820T161531Z
UID:10003143-1789824600-1789830000@potluckasianamerica.org
SUMMARY:MOONRISE Japan Artists Ryota Kikuchi: Piano
DESCRIPTION:$20 senior and student tickets are available. Call the box office at 212 501 3330. \nRyota Kikuchi is an acclaimed Japanese pianist\, composer\, arranger\, and popular YouTuber. His unique style\, built on the solid technical foundation cultivated through classical music\, combined with outstanding improvisational and arrangement skills\, allows him to perform across various genres\, earning him high praise as a one-of-a-kind pianist. \nRyota Kikuchi\, piano \nGEORGE GERSHWIN – Rhapsody in Blue\nRYUICHI SAKAMOTO – Merry Christmas\, Mr. Lawrence\nAKIRA IFUKUBE – Bon Odori\nMovie Music Medley
URL:https://potluckasianamerica.org/event/moonrise-japan-artists-ryota-kikuchi-piano/
LOCATION:Merkin Hall – Kaufman Music Center\, 129 West 67th Street\, New York\, NY\, 10023\, United States
CATEGORIES:Concert,Music
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/RYOTA_KIKUCHI.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260919T140000
DTEND;TZID=America/New_York:20260919T153000
DTSTAMP:20260913T003436Z
CREATED:20260913T003436Z
LAST-MODIFIED:20260913T003436Z
UID:10003369-1789826400-1789831800@potluckasianamerica.org
SUMMARY:KCS Family Wellbeing Program
DESCRIPTION:Registration is closing soon for our ‘Family Wellbeing Program’! Don’t miss out on this amazing opportunity by KCS Mental Health Clinic to strengthen your family’s heart and create lasting memories together this fall. 🍂✨ \n🎨 Program Highlights\n• Family Art Therapy: Boost creativity and bond through weekly Saturday sessions starting 9/19 (12 weeks)!\n• Family Counseling Sessions: Personalized guidance to enhance communication and strengthen family dynamics.\n• Family Connection Experiences: Enjoy meaningful\, complimentary activities designed for the whole family. \n📍 Orientation Info\n• When: Saturday\, September 19 | 2PM~3:30PM\n• Where: KCS Bayside\n• Contact: infomhc@kcsny.org
URL:https://potluckasianamerica.org/event/kcs-family-wellbeing-program/
LOCATION:Korean Community Services (KCS)\, 203-05 32nd Ave.\, Bayside\, NY\, 11361\, United States
CATEGORIES:Health & Wellness
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/KCS-Family-copy.jpg
ORGANIZER;CN="Korean Community Services (KCS)":MAILTO:info@kcsny.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260919T140000
DTEND;TZID=America/New_York:20260919T160000
DTSTAMP:20260820T172905Z
CREATED:20260820T172230Z
LAST-MODIFIED:20260820T172905Z
UID:10003172-1789826400-1789833600@potluckasianamerica.org
SUMMARY:Ikebana Workshop: Intro to Japanese Flower Arrangement
DESCRIPTION:A beginner-friendly ikebana workshop where you’ll create and take home your own arrangement. \nWhat to Expect \n\nIn this hands-on session\, you’ll create a floral arrangement inspired by the Ikenobo tradition of Ikebana. You’ll be guided step by step through the process\, from understanding the materials to building structure and placing each element in the arrangement. \nBy the end of the session\, you’ll leave with your own finished arrangement to take home or gift\, along with an introduction to the basic principles of Japanese flower arranging. \n*No prior experience is required. Sessions are intentionally kept small to create a relaxed and personal experience. Instruction is available in English and/or Chinese. \n\nWhat’s Included \n\nFresh seasonal flowers and plant materials\nA ceramic vase and traditional kenzan (flower frog)\nTea during the session\nA completed Ikebana arrangement to take home—\n\n*Flower materials may vary from those shown in images. \n \n\n\nAbout the Instructor\nNisboa \n\n\n\n 
URL:https://potluckasianamerica.org/event/ikebana-workshop-intro-to-japanese-flower-arrangement/
LOCATION:7s Art Labo\, 36 E Broadway\, Second Floor\, New York\, NY\, 10002\, United States
CATEGORIES:Arts and Crafts,Workshop
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Ikebana-copy.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260919T140000
DTEND;TZID=America/New_York:20260919T220000
DTSTAMP:20260827T010816Z
CREATED:20260827T010816Z
LAST-MODIFIED:20260827T010816Z
UID:10003236-1789826400-1789855200@potluckasianamerica.org
SUMMARY:Pacific Cinema All Day Long
DESCRIPTION:Experience a full day of extraordinary Pacific cinema\, featuring award-winning documentaries\, feature films and short film collections from across Oceania. \nDiscover powerful stories of identity\, culture\, resilience and community that celebrate the voices and traditions shaping the Pacific today. Join us at the Angelika Film Center for an unforgettable celebration of Pacific storytelling.
URL:https://potluckasianamerica.org/event/pacific-cinema-all-day-long/
LOCATION:Angelika Film Center\, 18 West Houston St\, New York\, NY\, 10012\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Pacific-Cinema-Copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260919T150000
DTEND;TZID=America/New_York:20260919T163000
DTSTAMP:20260819T152455Z
CREATED:20260819T152323Z
LAST-MODIFIED:20260819T152455Z
UID:10003137-1789830000-1789835400@potluckasianamerica.org
SUMMARY:Queens Reading Series: Poetry Edition
DESCRIPTION:Welcome to the fourth Queens Reading Series Event — ~❀poetry❀~ edition with some brilliant poets and writers. \n​The readers are: \n​Hannah Lee Nahar is a writer and teaching artist. Their work is published in Best New Poets\, No\, Dear\, West Branch\, Salt Hill\, Mississippi Review\, and elsewhere. They live in Brooklyn. \n​Naomi Shuyama-Gómez is a writer based in the greater NYC area\, on ancestral and unceded Munsee Lenape land. Her fiction and poetry appear in EcoTheo Review\, Meniscus Literary Journal\, The Boiler\, Joyland\, Denver Quarterly\, The Margins\, Gulf Coast Journal\, The Cincinnati Review\, The Journal\, Michigan Quarterly Review\, The Florida Review\, and the minnesota review among others. \n​c. melín lara (a.k.a Car Lara) is a multidisciplinary artist and experimental writer of Mexican and Honduran heritage\, born and living in Queens\, NYC on Lenapehoking land. Their multilingual work explores transculturality and mythic-domestic entanglements through translation play\, formal experiments with typographical symbols and asemic transliterations. \n​Andrew Chi Keong Yim was born and raised in Honolulu\, Hawaiʻi. His debut poetry collection\, The Ninth Island\, is forthcoming from University of Pittsburgh Press on February 9\, 2027. His poems have appeared or are forthcoming in Best New Poets\, Alaska Quarterly Review\, either/or magazine\, Voicemail Poems and other publications. Andrew lives in Queens and is a New York City public school teacher. \n​Sreshtha Sen is a poet from Delhi. They studied Literatures in English from Delhi University\, completed their MFA at Sarah Lawrence College\, and their PhD at the University of Nevada\, Las Vegas. Their work can be found published or forthcoming in Apogee\, bitch media\, Gulf Coast\, Hyperallergic\, Hyphen Magazine\, Kenyon Review\, The Margins\, Mcsweeney’s\, Rumpus and elsewhere. They live in Jackson Heights. \n​Holly Zhou is a poet and mixed-media artist from the California desert\, the unceded territory of the Cahuilla and Mojave peoples. Holly’s poetry and prose has appeared in The Kenyon Review\, Michigan Quarterly Review\, Seventh Wave & elsewhere. When not writing\, they can be found exploring rocks by the ocean or in the mountains.
URL:https://potluckasianamerica.org/event/queens-reading-series-poetry-edition/
LOCATION:The World’s Borough Bookshop\, 34-06 73rd Street\, Queens\, NY\, 11372\, United States
CATEGORIES:Poetry
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/World-Bookshop-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260919T150000
DTEND;TZID=America/New_York:20260919T170000
DTSTAMP:20260918T000440Z
CREATED:20260918T000440Z
LAST-MODIFIED:20260918T000440Z
UID:10003391-1789830000-1789837200@potluckasianamerica.org
SUMMARY:Koh Kazama - NYC Homecoming Recital
DESCRIPTION:After a year-long concert tour across Japan\, classical guitarist Koh Kazama returns to New York City for his first solo recital since coming home. \nFrom intimate cafés and community spaces to concert halls across Japan\, this journey was shaped by the people\, places\, and musical traditions encountered along the way. This special recital brings those experiences together in a program that celebrates both the classical guitar repertoire and the journey that inspired it. \nJoin Koh for an afternoon of music featuring works by Bach\, Yocoh\, Villa-Lobos\, Piazzolla\, and other composers\, along with selections inspired by his travels through Japan. \nProgram\nVerano Porteño – Astor Piazzolla\nSonata in E major\, K. 380 – Domenico Scarlatti\nSakura Variations – Yuquijiro Yocoh\nEtudes No. 8 & No. 7 – Heitor Villa-Lobos\nAsadoya Yunta – Okinawan folk song\nViolin Sonata No. 2\, Andante – J.S. Bach\nRecuerdos de la Alhambra – Francisco Tárrega\nEtudes – Benjamin Verdery\nFelicidade – Antônio Carlos Jobim (arr. Dyens)
URL:https://potluckasianamerica.org/event/koh-kazama-nyc-homecoming-recital/
LOCATION:The DiMenna Center for Classical Music\, 450 West 37th Street\, New York\, NY\, 10018\, United States
CATEGORIES:Concert,Music
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Koh-Kazama-copy.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260919T160000
DTEND;TZID=America/New_York:20261031T000000
DTSTAMP:20260514T035110Z
CREATED:20260514T035110Z
LAST-MODIFIED:20260514T035110Z
UID:10002630-1789833600-1793404800@potluckasianamerica.org
SUMMARY:Queens Night Market
DESCRIPTION:The Queens Night Market is a large\, family-friendly open-air night market in Queens\, featuring over 100 independent vendors selling merchandise\, art\, and food and featuring small-scale cultural performances\, all celebrating the rich cultural diversity and heritage of NYC and Queens. \nEvery Saturday from  4pm to midnight \nApril.18 to  August 22  and  September 19 to October 31. 2026 \nWe’re located behind the New York Hall of Science in Flushing Meadow Corona Park in Queens NYC \n 
URL:https://potluckasianamerica.org/event/queens-night-market-3/
LOCATION:New York Hall of Science\, 47-01 111th St\, Corona\, NY\, 11368\, United States
CATEGORIES:In Person,Night Market
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/05/d1f96b63a658ebbeda62df6a082449b9_447a1362f691dbbafd225cc675073942.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260919T163000
DTEND;TZID=America/New_York:20260919T180000
DTSTAMP:20260919T032956Z
CREATED:20260903T003421Z
LAST-MODIFIED:20260919T032956Z
UID:10003305-1789835400-1789840800@potluckasianamerica.org
SUMMARY:Between Here and Home Documentary
DESCRIPTION:In the lead-up to the theatrical release of @lizziesarge’s critically acclaimed feature film @take_me_home_film\, the Adoptee Film Fest invites you to join us for a screening of the film’s behind the scenes documentary\, Between Here and Home and a special Q&A moderated by @claireaudreye. \nAs an 2025 alumni of the fest and our 2026 Impact Award winner\, we are honored to work with Liz and her team to bring you this special event of film and discussion. \nAdditionally\, this is the kick-off to a historic weekend of adoptee centered storytelling programming in collaboration with our friends at @bipocadoptees and @also.known.asinc. \nIf you’ve been feeling like you need more adoptee media in your life and want to support adoptee creators telling stories by us for us this event is for you! \nWe hope to see you there! \nDetails:\n📆: Saturday 9/19 @ 4:30pm (EST)\n📍: DCTV 87 Lafayette Street\, New York\, NY 10013\n🎟️: Tickets are $10.50 and available in our link in bio \nHappy Hour 9/19 from 6:00 PM to 8:00 PM at Houston Hall\, 222 W. Houston\, NY\, NY 10014 \nAll ticket proceeds will help AFF cover venue costs\, screening fees.
URL:https://potluckasianamerica.org/event/between-here-and-home-documentary/
LOCATION:DCTV\, 87 Lafayette Street\, New York\, NY\, 10013\, United States
CATEGORIES:Discussion,Documentary,Film
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Here-and-Home-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260919T170000
DTEND;TZID=America/New_York:20260919T210000
DTSTAMP:20260807T100936Z
CREATED:20260807T100936Z
LAST-MODIFIED:20260807T100936Z
UID:10003021-1789837200-1789851600@potluckasianamerica.org
SUMMARY:Garba Around the Globe
DESCRIPTION:Celebrate Navratri at the Unisphere with Garba\, Dandiya\, DJ Magic Mike\, live dholi\, food stalls & fun for all ages!
URL:https://potluckasianamerica.org/event/garba-around-the-globe/
LOCATION:Unisphere\, Avenue of the Americas\, Queens\, NY\, 11354\, United States
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/c895273a633551988946ca88d056a471.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260919T190000
DTEND;TZID=America/New_York:20260919T203000
DTSTAMP:20260820T161319Z
CREATED:20260820T161319Z
LAST-MODIFIED:20260820T161319Z
UID:10003170-1789844400-1789849800@potluckasianamerica.org
SUMMARY:MOONRISE Japan Artists MAOSHO: Jazz & Shamisen
DESCRIPTION:$20 senior and student tickets are available. Call the box office at 212 501 3330. \nSho Asano is one of Japan’s leading shamisen performers and folk singers. Mao Sone is a jazz artist who masterfully performs on both piano and trumpet. Traditional Japanese music and jazz come together in a bold and unique collaboration. The powerful sound of Tsugaru shamisen\, the spirit of Japanese folk songs\, and the freedom of jazz improvisation create an energetic and emotional performance. Blending tradition and innovation\, East and West\, this one-of-a-kind stage experience pushes musical boundaries while honoring deep cultural roots. More than a concert\, it is a musical encounter that connects generations and cultures. “The heartbeat of Japan” comes alive in New York. \nSho Asano\, shamisen & voice\nMao Sone\, piano & trumpet\nKeita Ogawa\, guest drummer/percussionist \nMAO SONE – Sakura Sakura Fantasy\nMAO SONE – HAYASHI\nRICHARD RODGERS – My Favorite Things (arr. Sho Asano)\nJapanese Folk Song – Yagibushi (arr. Mao Sone)
URL:https://potluckasianamerica.org/event/moonrise-japan-artists-maosho-jazz-shamisen/
LOCATION:Merkin Hall – Kaufman Music Center\, 129 West 67th Street\, New York\, NY\, 10023\, United States
CATEGORIES:Concert,Music
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/MAOSHO_Evening.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260920T110000
DTEND;TZID=America/New_York:20260920T130000
DTSTAMP:20260918T204903Z
CREATED:20260918T204903Z
LAST-MODIFIED:20260918T204903Z
UID:10003403-1789902000-1789909200@potluckasianamerica.org
SUMMARY:Dumpling Social
DESCRIPTION:It’s a Dumpling Social. 🥟 \nBring your best dumpling dish—steamed\, fried\, boiled\, folded weird\, we don’t care\, as long as it’s a dumpling. Homemade or store-bought\, anything goes. We’ll handle the rest. \nSauce kits courtesy of Lee Kum Kee\, so come hungry and ready to dip! \nYou’ll also enjoy bubble tea from Xing Fu Tang\, sponge cake from Spongies Cafe\, and (more) dumplings from Mila. \nTaste your way through the table\, mingle with new people\, and leave with a box of your new favorite dumplings.
URL:https://potluckasianamerica.org/event/dumpling-social/
LOCATION:Kitsby\, 393 Broadway\, 5th Floor\, New York\, NY\, 10013\, United States
CATEGORIES:Food
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Kitsby-Dumpling-copy.jpg
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END:VCALENDAR