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DTSTART;VALUE=DATE:20260917
DTEND;VALUE=DATE:20261205
DTSTAMP:20260902T221003Z
CREATED:20260902T220929Z
LAST-MODIFIED:20260902T221003Z
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SUMMARY:Afterlayers: Tai Hwa Goh & Julia Kwon
DESCRIPTION:Opening reception: Thursday\, September 17\, 2026\, 5-7pm \nTwo artists transform traditional materials–textile and paper–to explore themes of identity and memory. Tai Hwa Goh creates intricate\, layered installations from printed and cut paper\, inspired by organic forms\, landscapes\, and the relationship between the interior and exterior. Goh’s process pushes the limits of traditional printmaking\, as she modifies the characteristics of paper and thin fabric by covering with batik or ironing thin sheets of beeswax onto her prints\, deliberately obscuring the underlying images. She then uses techniques like sewing\, gluing\, and manipulating printed materials to construct intricate\, honeycomb-like structures. Found objects seamlessly integrate into the work\, reflecting the blending of the personal and the universal\, as well as natural and artificial elements.Through this process\, the imagery gradually moves away from recognizable forms\, and the dense layers serve as a space where nature\, memory\, and personal experience intertwine. Her installations invite viewers to contemplate the balance between the natural world and human existence\, and how everyday moments can reveal deeper insights into our lives. \nJulia Kwon sews interpretive Korean textiles\, specifically in the form of patchwork bojagi (Korean object-wrapping cloth)\, to critique received notions of Asiatic femininity and challenge reductive\, easily legible identities. Although her bojagi textiles may initially be perceived as traditionally Korean\, the patchwork designs are actually derived from urgent contemporary sociopolitical issues and events. Her work moves beyond simply representing minority identities as she aims to comment on the interconnected systems of oppression. Kwon’s practice contests the notion of authenticity and explores the complexities involved in constructing identities within the current framework of cultural hybridity\, intersectionality\, and the collective pursuit of social justice \nThe Korea Society Gallery is open only by appointment.\nThe appointment must be made at least 24 hours prior to the scheduled visit. \nGallery Hours: Monday-Friday 10 AM-4:30 PM\nBy Appointment Only
URL:https://potluckasianamerica.org/event/afterlayers-tai-hwa-goh-julia-kwon/
LOCATION:The Korea Society\, 350 Madison Avenue\, 24th Floor\, New York\, NY\, 10017
CATEGORIES:Art,Art Exhibit
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260917
DTEND;VALUE=DATE:20270401
DTSTAMP:20260911T234039Z
CREATED:20260911T234039Z
LAST-MODIFIED:20260911T234039Z
UID:10003349-1789603200-1806537599@potluckasianamerica.org
SUMMARY:Zine* Together
DESCRIPTION:Please join Asia Art Archive in America on Thursday\, September 17th from 5-8pm for the opening reception of their exhibition\, Zine﹡ Together. \nZine﹡ Together is the first exhibition of its kind to examine Asian American zines not only as objects\, but as actions—creative\, collective\, and relational. Drawing from Asia Art Archive in America’s Reading Room collection\, this exhibition highlights collaboratively produced zines from 2010 to the present\, alongside newly commissioned projects and prompts that trace zine-making as a mode of shared authorship and community building. \nIn the 1960s and 1970s\, zines (short for “magazines” or “fan-zines”) were characterized by their photo-copied\, staple-bound formats and emerged as popular do-it-yourself platforms for sharing counter-cultural socio-political programs and avant-garde art practice. In more recent decades and particularly in Asian American communities\, zines have served as a place to explore artistic narratives\, diasporic histories\, and collective responses to marginalization. \nKey to this exhibition is a commissioned research project and essay by Michelle Yee\, PhD\, and Elizabeth Chung that investigates the recent history of Asian American zines in relation to the 2020 COVID-19 pandemic and the parallel rise in anti-Asian violence across the United States. Situating zine-making within this moment of crisis\, the research frames the medium as one of many grassroots strategies for care\, documentation\, and solidarity. Together\, the exhibition and research project position zines not as peripheral ephemera\, but as vital cultural tools that register and record how communities respond in times of uncertainty. \nZine﹡ Together\, itself a collaborative project\, is organized by Claire Kim\, Susanna Chang\, Sarula Bao\, Michelle Yee\, Elizabeth Chung\, Mary Y. Yang\, Chen Luo\, and Tasnima Tanzim.
URL:https://potluckasianamerica.org/event/zine-together/
LOCATION:Asia Art Archive in America\, 23 Cranberry Street\, Ground Floor\, Brooklyn\, NY\, 11201\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260919
DTEND;VALUE=DATE:20261109
DTSTAMP:20260927T170404Z
CREATED:20260927T170404Z
LAST-MODIFIED:20260927T170404Z
UID:10003457-1789776000-1794182399@potluckasianamerica.org
SUMMARY:Synthetic Mobility
DESCRIPTION:Fou Gallery is pleased to present “Synthetic Mobility”\, a two-person exhibition featuring Tokyo- and New York-based artist Ai Makita and China-born\, Houston-based kinetic artist Sizhu Li\, on view from September 19 through November 8\, 2026. The exhibition brings to the fore important questions about the interaction between technology and humans\, considering how larger societal shifts affect the way artists represent humanity and reconstituted spaces. \nThe concept of the exhibition is connected to Timothy Morton’s idea of hyperobjects\, according to which we cannot fully perceive larger structures surrounding us and widely distributed across space and time\, but can try to describe their attributes and make a reasonable guess about their true nature. Synthetic mobility – the artificial generation of realistic human movement patterns using advanced algorithms – is a phenomenon related to the new acceleration of living rhythms promoted by digital progress. As the world is enveloped in ideological and cultural conflicts\, Makita and Li consider what it means to remain individuals today\, and how changes in technology alter our sense of perception and our mode of existence. \nAi Makita presents oil paintings\, several of them developed in conjunction with the AI model Midjourney and others based on images created in Photoshop by folding aluminum sheets. The depicted forms represent abstract conjunctions of pipes\, conduits\, and industrial infrastructure. Folded materials result in labyrinths of fluidity and line resembling a circulatory or nervous system\, an organism’s internal anatomy\, or an invisible technological network now made visible. The created conduits recall flowing rivers\, transcended thresholds\, and the linearity of time. Close conceptual connection with Minimalism makes Makita’s stretched lines internally connected to Donald Judd looking at the properties and the rigidity of the structures as well as relation of this (in)stability to the current historical moment. Process art likewise plays a significant role in Makita’s practice\, albeit in a form more appropriate to its new\, updated version\, where the digital has taken the place of the physical. Her paintings leave the viewer with a sense of wonder about where these meandering curves are leading and whether there is any specific destination. Mystery emerges not through mystical effects\, but through the inability to grasp the full picture\, pushing us to step away while also looking closer. \nSizhu Li presents sculptures made primarily from aluminum sheets and industrial fans. In Pushing Hands (2024–present)\, opposing forces travel through an industrial metal wave\, creating a rhythm of tension and equilibrium that references the Taoist principle of balance. The title directly refers to the fundamental Tai Chi practice of Tui Shou\, or “pushing hands\,” centered on sensing\, yielding to\, and balancing opposing forces. Evolving from her earlier project Moonment\, Li uses programmed fans and suspended aluminum sheets to construct a live\, percussive environment of moving metallic waves. In Yuanbao (2026)\, she brings the traditional Chinese symbol of wealth and blessing into conversation with the ephemeral form of clouds\, moving between material and spiritual aspirations\, permanence and transience. Meanwhile\, Oops\, Caught’ya! (2026) turns the clamp into both a generative and restraining device\, using movement\, suspension\, and pressure to consider freedom\, constraint\, instability\, and balance. \nTogether\, the two artists create a dialogue in which materials work as experimental tools to devise new understandings of where we are as a human species. Both artists look at motion\, structure\, and encounter as facilitated by materials\, planes\, and color. Makita’s paintings examine the transformations and limits caused by new synthetic mobility\, while Li’s sculptures engage the same idea through three-dimensional objects. Neither artist provides specific arguments or answers; instead\, they offer aesthetic tools that can help broaden our understanding of the technological forces increasingly shaping contemporary life.
URL:https://potluckasianamerica.org/event/synthetic-mobility/
LOCATION:Fou Gallery\, 89 5th Avenue\, # 701\, New York\, NY\, 10003\, United States
CATEGORIES:Art Exhibit
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260919T160000
DTEND;TZID=America/New_York:20261031T000000
DTSTAMP:20260514T035110Z
CREATED:20260514T035110Z
LAST-MODIFIED:20260514T035110Z
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SUMMARY:Queens Night Market
DESCRIPTION:The Queens Night Market is a large\, family-friendly open-air night market in Queens\, featuring over 100 independent vendors selling merchandise\, art\, and food and featuring small-scale cultural performances\, all celebrating the rich cultural diversity and heritage of NYC and Queens. \nEvery Saturday from  4pm to midnight \nApril.18 to  August 22  and  September 19 to October 31. 2026 \nWe’re located behind the New York Hall of Science in Flushing Meadow Corona Park in Queens NYC \n 
URL:https://potluckasianamerica.org/event/queens-night-market-3/
LOCATION:New York Hall of Science\, 47-01 111th St\, Corona\, NY\, 11368\, United States
CATEGORIES:In Person,Night Market
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260926
DTEND;VALUE=DATE:20261102
DTSTAMP:20260927T172328Z
CREATED:20260927T172328Z
LAST-MODIFIED:20260927T172328Z
UID:10003460-1790380800-1793577599@potluckasianamerica.org
SUMMARY:Moving Rasa Discovery Cards Inside/Outside
DESCRIPTION:Move what’s inside\, outside. Move what’s outside\, inside. \nWhat happens when something you’re carrying inside—a feeling\, question\, image\, memory\, impulse—gets to take shape in the world around you? \nAnd what happens when the world answers back? \nOver six gatherings\, we’ll use the Moving Rasa Discovery Cards to improvise between our inner and outer worlds. We might climb onto something\, lean into another person\, follow the shape of a tree\, move with a wall\, let a card change our attention\, or allow an unexpected impulse to lead somewhere new. \nWe’ll work with group improvisation\, contact\, imagination\, questions\, and the environments we enter. Some gatherings will happen indoors. Others will take us outside into different NYC places. Each environment becomes part of what we discover. \nThere is no movement to get right and no fixed meaning to find in a card. We’ll notice what emerges through the relationships we make—with ourselves\, one another\, the cards\, and the places around us. \nLocation:\nReal World Sculptures: Norman A Rockefellar Park\nRiver Terrace and\, Chambers St\nNew York City\, NY 10282
URL:https://potluckasianamerica.org/event/moving-rasa-discovery-cards-inside-outside/
LOCATION:NY
CATEGORIES:Dance
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260926
DTEND;VALUE=DATE:20270208
DTSTAMP:20260924T203746Z
CREATED:20260924T203746Z
LAST-MODIFIED:20260924T203746Z
UID:10003408-1790380800-1802044799@potluckasianamerica.org
SUMMARY:Yoshitaka Amano: Origins at the American Academy of Arts and Letters
DESCRIPTION:Yoshitaka Amano (b. 1952\, Shizuoka\, Japan) creates worlds. It’s something he’s done since he was fifteen\, when he moved to Tokyo and began working as a character designer for an anime studio. There\, drawing was always an act of translation. His task was to convert narrative into illustrated concepts\, drawings that would become the connective tissue of a fictional universe. Throughout his career as an independent artist and as a character designer for storied anime and video game franchises\, such as Final Fantasy and Vampire Hunter D\, drawing has always been a way of describing the porousness between the real and the fantastic. “I want to depict a world I myself have never seen\,” Amano says of the feeling from which his work begins. \nOrigins 始源 takes up Amano’s interest in primordial beginnings. Over the last few years\, Amano has been absorbed in Greek and Shinto mythology\, making drawings of the characters that animate these stories. Here\, he presents Pandora\, a series of drawings of the Greek myth of the first mortal woman; they circle the gallery like an ancient frieze\, or the storyboards for an animation. Alongside these works\, a selection of illustrations\, animation\, and popular materials from the 1980s and ’90s\, including the anime film Angel’s Egg and sensual depictions of The Tale of Genji\, is presented in our library. In all the stories Amano is drawn to\, origins are an eternal structure\, a threshold where being emerges. For him\, that threshold is the page; his figures seem to move and drift across its surface\, entering into worlds that exist beyond our lived reality. \nThis exhibition\, Amano’s first institutional solo show in New York\, offers a chance to encounter an artist whose drawings continue to have extended lives in the world around us. Right now\, more likely than not\, you could find them appearing on someone’s gaming console as they play Final Fantasy and livestream it to Twitch; on a Gatchaman Uniqlo tee worn in the streets of Tokyo; or even on an iPhone as someone watches Angel’s Egg on the subway\, in bed\, or really anywhere streaming is available. \nArts and Letters commissioned an essay\, Shining Genji\, by Sean Thor Conroe\, which accompanies the exhibition as part of our Reader series.
URL:https://potluckasianamerica.org/event/yoshitaka-amano-origins-at-the-american-academy-of-arts-and-letters/
LOCATION:American Academy of Arts and Letters\, Audubon Terrace\, New York\, NY\, 10032\, United States
CATEGORIES:Art,Art Exhibit
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261002
DTEND;VALUE=DATE:20261024
DTSTAMP:20260927T003557Z
CREATED:20260927T003302Z
LAST-MODIFIED:20260927T003557Z
UID:10003443-1790899200-1792799999@potluckasianamerica.org
SUMMARY:SLEEPLESS NIGHT
DESCRIPTION:Chinese American Counci is pleased to present SLEEPLESS NIGHT\, a solo exhibition by Xuhong Shang\, on view from October 2 through October 23. \n\n\n\n\nSLEEPLESS NIGHT is an exhibition that explores the unstable boundary between reality and dream\, presence and absence\, movement and confinement. Through installation\, photographic fragments\, painting\, video\, sound\, and spatial intervention\, Xuhong Shang creates an environment where perception is interrupted and certainty becomes fragile. \nThe exhibition is centered around the single-channel video Sleepless Night and expands into a physical installation composed of dark surfaces\, fragmented images\, linear structures\, and layered visual interruptions. The exhibition suggests a space where images appear partially concealed\, crossed\, taped\, and suspended within a field of darkness. These elements create a visual rhythm of obstruction and passage\, suggesting windows\, routes\, barriers\, memories\, and psychological thresholds. The viewer is invited not only to look at the work\, but to move through a condition of uncertainty. \nThe title SLEEPLESS NIGHT evokes a state of wakefulness between consciousness and dream. In this in-between condition\, time becomes stretched\, thoughts become fragmented\, and ordinary images take on emotional and symbolic weight. The exhibition reflects this mental space through fractured compositions\, grayscale imagery\, and stark contrasts between light and shadow. The visible world appears unstable\, as if caught between documentation and imagination. \nThe dark wall surface may be understood as a night sky\, an interior void\, or a psychological field. Across this darkness\, white strip boards cut through the canvas images and extend outward into the surrounding space. These sharp white lines suggest lightning crossing the night\, sudden flashes of thought\, or cracks breaking through the surface of memory. They connect the images while also damaging and disrupting them\, creating a tension between illumination and rupture. As the strips move from image to dark space\, they become more than formal devices; they operate as psychological forces\, exposing the instability of perception and the fragile condition of the mind during sleeplessness. \nTravel\, architecture\, and transitional spaces emerge as recurring visual references. Airplanes\, airport-like structures\, passages\, and abstracted silhouettes suggest movement across distance\, yet this movement is never fully free. Instead\, it is crossed by interruptions\, invisible borders\, and psychological weight. The white linear forms may be read as paths\, fractures\, signals\, restrictions\, or flashes of anxiety. They point toward direction and disorientation at the same time. \nIn Shang’s work\, ambiguity functions as a space of possibility. Rather than presenting a fixed narrative\, SLEEPLESS NIGHT asks viewers to confront the uncertain nature of perception itself. The exhibition reflects on how memory\, migration\, globalization\, and cultural experience shape the way we understand reality. It questions how images carry traces of personal and collective history\, and how the intangible forces of dream\, anxiety\, nostalgia\, and desire can become physically present within space. \nThe video Sleepless Night\, a single-channel work with sound\, becomes both an anchor and an atmosphere for the exhibition. Its duration suggests an intimate encounter with time\, while its presence extends the installation into a psychological and sensory field. Sound and moving image deepen the feeling of suspended consciousness\, placing the viewer within a state where the real and the imagined overlap. \nUltimately\, SLEEPLESS NIGHT is an exhibition about uncertainty as a condition of contemporary life. It invites viewers into a contemplative space where images are incomplete\, meanings remain open\, and the familiar becomes strange. Between darkness and light\, movement and stillness\, dream and reality\, the exhibition asks: what remains visible when certainty disappears?
URL:https://potluckasianamerica.org/event/sleepless-night/
LOCATION:Chinese American Arts Council / Gallery 456\, 456 Broadway\, 3rd Floor\, New York\, NY\, 10013\, United States
CATEGORIES:Art Exhibit
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261002
DTEND;VALUE=DATE:20261107
DTSTAMP:20260902T204709Z
CREATED:20260902T204709Z
LAST-MODIFIED:20260902T204709Z
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SUMMARY:MOCA PERFORMS – Echoes of Arrival: Becoming
DESCRIPTION:Immigration is never a single arrival but an ongoing process of becoming. Beyond legal status and paperwork\, immigrants navigate displacement\, alienation\, adaptation\, and the long\, sometimes complicated journey toward belonging. What did you have to learn to survive and build a life in the United States? What did you choose to carry with you from the culture you came from? What was lost in translation? And what new part of yourself emerged along the way? \nEchoes of Arrival returns to the Museum of Chinese in America for a new iteration\, Becoming. Through a collection of personal stories\, the ensemble explores the many ways immigrants remake themselves while making a life in a new country. These stories of change\, resilience\, loss\, discovery\, and belonging illuminate how immigration does not simply transform individuals. It continues to shape the rich and ever-evolving cultural fabric of the United States. \nCREATIVE TEAM\nConceived by Dennis Yueh-Yeh Li\nDevised & Performed by Shan Y. Chuang\, Nikkiesha N. McLeod\, Timmy Ong\, Pascal Phoa\, Jeremy Rafal\, Nedelka Sotelo\, Fang Tseng\n  \nPERFORMANCE SCHEDULE\nFriday 10/2\nShan Y. Chuang\, Nikkiesha N. McLeod\, Pascal Phoa\, Jeremy Rafal\, Fang Tseng\nThursday 10/8\nShan Y. Chuang\, Timmy Ong\, Pascal Phoa\, Jeremy Rafal\, Fang Tseng\nFriday 10/16\nShan Y. Chuang\, Timmy Ong\, Pascal Phoa\, Jeremy Rafal\, Nedelka Sotelo\nThursday 10/22\nShan Y. Chuang\, Nikkiesha N. McLeod\, Timmy Ong\, Nedelka Sotelo\, Fang Tseng\nFriday 11/6\nNikkiesha N. McLeod\, Timmy Ong\, Jeremy Rafal\, Nedelka Sotelo\, Fang Tseng
URL:https://potluckasianamerica.org/event/moca-performs-echoes-of-arrival-becoming/
LOCATION:Museum of Chinese in America (MOCA)\, 215 Centre Street\, New York\, NY\, 10013\, United States
CATEGORIES:Music
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261003
DTEND;VALUE=DATE:20270201
DTSTAMP:20260821T183629Z
CREATED:20260821T183629Z
LAST-MODIFIED:20260821T183629Z
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SUMMARY:Art of Manga
DESCRIPTION:Be drawn into the world of manga.\nArt of Manga is the first major exhibition in the Americas to explore manga—Japanese comics and graphic novels—as an art form. Marking its East Coast debut\, the Brooklyn Museum’s presentation is packed with more than 600 drawings that showcase manga’s immersive power and social impact. Don’t miss this rare opportunity for US audiences to encounter an astonishing selection of original manga artworks\, including examples from beloved series Inuyasha\, JoJo’s Bizarre Adventure\, Ōoku: The Inner Chambers\, ONE PIECE\, and many more. \nA global phenomenon\, manga is driven by those who design\, draw\, and very often author the stories that define the medium. Discover influential manga artists\, or mangaka\, and their distinct approaches to storytelling. Through compelling narratives and captivating imagery\, each mangaka’s work invents a universe that may be familiar or supernatural\, historical or futuristic\, contemplative or action-packed. These tales address universal themes such as coming of age\, tapping into hidden strengths\, and finding beauty in the ordinary—as well as contemporary issues such as environmentalism\, gender roles\, LGBTQ+ rights\, and socioeconomic inequality. Whether you enter as an otaku or a novice\, you’ll leave Art of Manga fluent in this vital medium. \nGo all-access with “Art of Manga.” The Manga Fan Pass gives one adult and one guest unlimited entry throughout the exhibition’s run—plus a slew of other perks especially for manga fans. \nThe $75 pass includes… \n⚫ Unlimited entry for you and a guest to “Art of Manga” (subject to availability) as well as general admission to Museum galleries \n⚫ Invites to Member Previews and select Member Evenings for “Art of Manga” \n⚫ Exclusive presale access to “Art of Manga” public programs \n⚫ 10% discount at the Café and Museum Shop (excluding gashapon machines) \n⚫ A collectible badge for you to wear and show off your love of manga (wear your badge each time you return to get a new pin to build your collection!)
URL:https://potluckasianamerica.org/event/art-of-manga/
LOCATION:Brooklyn Museum\, 200 Eastern Parkway\, Brooklyn\, NY\, 11238\, United States
CATEGORIES:Art,Art Exhibit
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261006
DTEND;VALUE=DATE:20261116
DTSTAMP:20260909T024920Z
CREATED:20260909T023835Z
LAST-MODIFIED:20260909T024920Z
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SUMMARY:King of the Yees
DESCRIPTION:For nearly twenty years\, Larry Yee has been the heart and soul of the Yee Fung Toy Family Association\, a fraternal organization in San Francisco’s iconic Chinatown. But to his daughter Lauren\, a playwright living in New York\, the association is an obsolete relic of a vanishing world. When Larry suddenly disappears\, Lauren sets off on a wild quest to find him\, embarking on a surreal\, magical journey through the history and myths of her own lineage. KING OF THE YEES is a hilarious and heartfelt “kind of true” story by Signature resident artist Lauren Yee\, who turns her incisive comedic eye on what we inherit and what it means to truly be a Yee.  \n \nAbout the Playwright \n \nLAUREN YEE is proud to be a Signature Theatre resident playwright. She is an award-winning playwright\, screenwriter\, and librettist based in New York City. Prior to the pandemic\, Lauren was named by American Theatre as the second-most-produced playwright of that upcoming season. Recent plays include Cambodian Rock Band with music by Dengue Fever (South Coast Rep\, Oregon Shakespeare Festival\, La Jolla Playhouse\, Signature Theatre\, East West Players)\, The Great Leap (Denver Center\, Seattle Rep\, Atlantic Theatre\, Steppenwolf\, American Conservatory Theatre)\, King of the Yees (Goodman Theatre\, Center Theatre Group)\, and Mother Russia (Seattle Rep\, Signature Theatre\, upcoming at Hampstead Theatre\, South Coast Rep\, Trinity Rep). She is writing the book for the musical adaptation of Madeleine L’Engle’s A Wrinkle in Time\, with music and lyrics by Heather Christian. Honors include the Doris Duke Artists Award\, Whiting Award\, Steinberg/ATCA Award\, American Academy of Arts and Letters literature award\, Horton Foote Prize\, Kesselring Prize\, Primus Prize\, a Hodder Fellowship at Princeton\, and the #1 and #2 plays on the 2017 Kilroys List. TV: ”Pachinko” (Apple)\, “Soundtrack” (Netflix)\, “Interior Chinatown” (Hulu)\, “Billions” (Showtime)\, “Clipped” (FX). She’s previously developed pilots for Netflix and Apple and is currently developing TV and feature projects for Netflix and Universal. BA: Yale\, MFA: UCSD. laurenyee.com
URL:https://potluckasianamerica.org/event/king-of-the-yees/
LOCATION:Signature Theatre\, 480 W 42nd St.\, New York\, NY\, 10036\, United States
CATEGORIES:Theater
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261006
DTEND;VALUE=DATE:20270111
DTSTAMP:20260805T153101Z
CREATED:20260805T153101Z
LAST-MODIFIED:20260805T153101Z
UID:10003008-1791244800-1799625599@potluckasianamerica.org
SUMMARY:Gen’ichirō Inokuma’s NYC Salon
DESCRIPTION:Gen’ichirō Inokuma’s NYC Salon is the first New York solo museum exhibition of the Japanese modern artist Gen’ichirō Inokuma (1902–1993). Organized by Japan Society Gallery in collaboration with the Marugame Genichiro-Inokuma Museum of Contemporary Art (MIMOCA) in Marugame\, Japan\, the exhibition explores Inokuma’s paintings shown at the Willard Gallery and various multimedia works created during his twenty-year residence in NYC (1955–1975). Along with important holdings from MIMOCA\, the exhibition presents Inokuma’s works in the Japan Society collection and the recently discovered Hirose Family Collection. \nInokuma’s Manhattan sojourn was shaped by meaningful connections with the American avant-garde: Jasper Johns\, Mark Rothko\, Robert Rauschenberg\, Alexander Calder\, David Smith\, Isamu Noguchi\, Yoko Ono\, John Cage\, Merce Cunningham\, and many others. Inokuma and his wife\, Fumiko\, also served as a social and cultural bridge between American and visiting Japanese artists and architects\, often hosting gatherings at their New York apartments. The exhibition features photographs\, film footage\, and ephemera documenting these artistic interactions. \nBy illuminating Inokuma’s little-known role in postwar American art history\, NYC Salon brings new insights into New York City’s mid-20th-century art world—both its collaborative artistic atmosphere\, and its vibrant international social scene \nTimed Tickets: $20 Nonmembers\, $15 Students and seniors \nGallery Exhibition Hours\n\nTuesdays-Fridays: 11 am-5 pm\n\n\nSaturdays & Sundays: noon-6 pm\n\n\nFree First Fridays: 5 pm-7 pm*\n\n\n*October 9\, 2026; November 6\, 2026; December 4\, 2026\, January 8\, 2027
URL:https://potluckasianamerica.org/event/genichiro-inokumas-nyc-salon/
LOCATION:Japan Society\, 333 East 47th Street\, New York\, NY\, 10017\, United States
CATEGORIES:Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Genichiro-Art-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261015
DTEND;VALUE=DATE:20261026
DTSTAMP:20260918T013140Z
CREATED:20260918T013137Z
LAST-MODIFIED:20260918T013140Z
UID:10003400-1792022400-1792972799@potluckasianamerica.org
SUMMARY:1st New York Korean Independent Film Festival
DESCRIPTION:🎬 ANNOUNCING THE 1ST NEW YORK KOREAN INDEPENDENT FILM FESTIVAL (NYKIFF) 🎞️✨ \nMark your calendars! This October\, the Korean Cultural Center New York proudly presents the inaugural New York Korean Independent Film Festival (NYKIFF). \nDedicated to bold storytelling and visionary filmmaking\, NYKIFF brings the most compelling voices of contemporary Korean independent cinema to New York City—featuring 15 films and 10 special guests attending in person for screenings\, talks\, and Q&As. \nMore exciting details\, guest announcements\, and special events will be unveiled soon\, so stay tuned! 🔥 \n🗓️ FESTIVAL DATES\nOctober 15 – October 25\, 2026 \n📍 LOCATION\nKorean Cultural Center New York\n(122 E 32nd St\, New York\, NY) \n⏰ MARK YOUR CALENDAR:\n📢 Full Lineup Reveal: Tuesday\, Sept 22 @ 12:00 PM EST\n🎟️ RSVP Open: Thursday\, Sept 24 @ 12:00 PM EST
URL:https://potluckasianamerica.org/event/1st-new-york-korean-independent-film-festival/
LOCATION:Korean Cultural Center New York\, 122 East 32nd Street\, New York\, NY\, 10016\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/KCS-Film-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261022
DTEND;VALUE=DATE:20261023
DTSTAMP:20260902T191438Z
CREATED:20260902T191438Z
LAST-MODIFIED:20260902T191438Z
UID:10003279-1792627200-1792713599@potluckasianamerica.org
SUMMARY:Diwali on the Hudson
DESCRIPTION:Join us this October to celebrate the Festival of Lights in the heart of New York City while creating meaningful impact for women and children in rural India. \nNow in its 13th year\, Diwali on the Hudson has become one of NYC’s most anticipated Diwali celebrations! Each year brings together philanthropists\, professionals\, creatives\, and changemakers for a night of culture\, connection\, and purpose. \nEvery ticket purchased directly supports the Desai Foundation’s programs focused on health\, livelihood\, and menstrual equity across rural India. \n📍 HK Hall\, New York City\n📅 October 22\, 2026\n⏰ 7:00 PM onwards
URL:https://potluckasianamerica.org/event/diwali-on-the-hudson/
LOCATION:HK Hall\, 605 West 48 St.\, New York\, NY\, 10036\, United States
CATEGORIES:Festival
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Diwali-on-Hudson-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261022
DTEND;VALUE=DATE:20261023
DTSTAMP:20261011T205314Z
CREATED:20261011T205314Z
LAST-MODIFIED:20261011T205314Z
UID:10003535-1792627200-1792713599@potluckasianamerica.org
SUMMARY:Rooted in Community: MinKwon Center Annual Gala
DESCRIPTION:This year\, MinKwon Center for Community Action will celebrate its 42nd anniversary with our gala\, “Rooted In Community.” As we honor our past achievements and look towards our future\, we invite you to partner with us for our 42nd Anniversary Gala\, which will take place on October 22\, 2026 at the Riverside Church in Morningside Heights. Our 42nd year celebration provides a moment to reflect on our collective journey — the challenges we’ve faced\, the victories we’ve won\, and the work that lies ahead. It’s also a time to recommit ourselves to serving and empowering our community\, especially in times of uncertainty.​ \nTogether we build America’s future.​ \nMinKwon’s 42nd Anniversary Gala will bring together over 200 attendees. With your support\, MinKwon can continue to provide our community members with free-of-cost services and programming\, in addition to advocacy and organizing efforts throughout the New York Metropolitan area. As a sponsor\, you will help us (1) advocate for those who fall through the gaps in our society\, (2) provide culturally and linguistically appropriate services\, (3) strengthen MinKwon’s infrastructure and grow as an organization\, and (4) dream big about our future.​ \nWe invite you to join us in cultivating a culture of community action with a sponsorship that helps enrich our community. For any inquiries\, please write to gala@minkwon.org or call (718) 460-5600 x315.
URL:https://potluckasianamerica.org/event/rooted-in-community-minkwon-center-annual-gala/
LOCATION:The Riverside Church\, 490 Riverside Drive\, New York\, NY\, 10027\, United States
CATEGORIES:Gala
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/10/MinKwon-Gala-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261022
DTEND;VALUE=DATE:20270125
DTSTAMP:20260902T205725Z
CREATED:20260902T205725Z
LAST-MODIFIED:20260902T205725Z
UID:10003291-1792627200-1800835199@potluckasianamerica.org
SUMMARY:Hilda Shen: Their Landscapes
DESCRIPTION:Hilda Shen’s Their Landscapes inaugurates Solo Artist Projects (SAP)\, a MOCA initiative dedicated to presenting compelling artistic voices through one-person exhibitions of new work. The Brooklyn-based artist will present an arrangement of recent ceramic sculptures and prints in the museum’s Cheng Gallery. \nShen’s artistic practice is characterized by an inquisitive scrutiny of nature and an instinct for deconstruction. The forms can appear both ancient and futuristic\, naturally occurring and handmade\, undergoing construction and decay. Their details and motifs open up conversations that cut across post-minimalism\, Chinese landscape painting\, and architectural space. \nAbout the artist \nHilda Shen was born in Minneapolis (1954) and spent much of her childhood in upstate  New York before settling in New York City in the 1970s. Her father grew up in Beijing while her mother was raised in Hangzhou. Shen studied classical music at Oberlin College before shifting to the visual arts. She lives and works in Brooklyn. \nShen’s sculpture\, prints\, drawings\, and installations have been shown throughout the New York City area\, Seattle\, and Beijing\, and most recently in a solo show at Starr Suites in Brooklyn. She has created large installations at WaveHill in the Bronx\, the Tenri Cultural Center in NY\, China2000 in NY\, and the Smithsonian Flushing Town Hall in Queens. She has been an artist in residence at Willapa Bay AIR\, The Bloedel Reserve\, Millay Colony for the Arts\, Yosemite National Park\, and Platte Clove. Her work is in private collections in the United States\, Belgium\, and Beijing. Shen’s work has been reviewed in The New York Times\, The Brooklyn Rail\, ArtAsiaPacific\, and ARTnews. \nAbout Solo Artist Projects \nMOCA’s Solo Artist Projects (SAP) embraces a broad and open-ended exploration of contemporary art\, presenting a wide range of mediums\, practices\, traditions and ideas. It will feature artists of Chinese descent\, living and working in New York City. SAP will be a space for artists with established careers\, emerging artists\, those who live and work in and around Chinatown\, and art historical figures who deserve institutional attention. We will begin accepting submissions for Solo Artists Projects through an open call process in early 2027\, eligible to NYC-based artists of Chinese descent. Details forthcoming on MOCA’s website.
URL:https://potluckasianamerica.org/event/hilda-shen-their-landscapes/
LOCATION:Museum of Chinese in America (MOCA)\, 215 Centre Street\, New York\, NY\, 10013\, United States
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Hilda-Shen_web-banner-copy.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261022T170000
DTEND;TZID=America/New_York:20261022T190000
DTSTAMP:20260828T170248Z
CREATED:20260828T170248Z
LAST-MODIFIED:20260828T170248Z
UID:10003254-1792688400-1792695600@potluckasianamerica.org
SUMMARY:Coffee & Canvass
DESCRIPTION:Walk the neighborhood with us and help build a real-time database of Chinatown’s storefronts! \nVolunteers who register will receive a code for free co-working (9am–5pm) at the Hub for the day of the event. \nWhy canvass storefronts? \n​Chinatown has been on the defensive for decades. Critical support often only arrives after it’s too late: After a legacy business closes\, after a block loses its character\, after displacement is irreversible. To change that\, we need to understand what’s happening in real time. \nThrough storefront canvassing\, we can: \n\nTrack closures and openings\, and see what businesses immediately need WtC support\nSpot trends in business types\, and identify commercial corridor shifts – what’s growing\, what’s disappearing\nAdvocate with real evidence\, and give policymakers and media the data they need to support Chinatown’s future\nPreserve culture and legacy by building a historical record of Chinatown’s commercial corridor\n\n​This is a monthly event that will take place every 4th Thursday of the month
URL:https://potluckasianamerica.org/event/coffee-canvass-2/
LOCATION:Welcome to Chinatown\, 115 Bowery\, New York\, NY\, 10002\, United States
CATEGORIES:Small Business
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Coffee-and-Canvas-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261022T173000
DTEND;TZID=America/New_York:20261022T203000
DTSTAMP:20260911T212038Z
CREATED:20260911T212038Z
LAST-MODIFIED:20260911T212038Z
UID:10003341-1792690200-1792701000@potluckasianamerica.org
SUMMARY:Comedy Night with JEST ASIANS: Asia Unfiltered
DESCRIPTION:Join us for the return of the JEST ASIANS comedy showcase for a night of laughs at the Asia Society! Featuring comedians from the global Asian Diaspora\, the show offers comedic styles ranging from candid deadpan humor to sharp and witty observations. \n\nCash Bar open from 5:30PM\nComedy Show from 6:30PM\n\nTickets: $20 Members\, $30 Nonmembers. Students and Seniors: Use coupon SENSTU at check out. \nPerformers: \nTony Chou (Host & Producer) is one of the very few native Chinese comedians touring the world performing stand-up in English. Based in New York\, he has performed across the U.S.\, China\, the U.K.\, Australia\, and Southeast Asia. He is the co-founder of The Humor Section\, a comedy platform launched in Beijing by Des Bishop in 2013\, and previously co-hosted the hit late-night show The Vicious Liang Huan Show. His work has been featured by major media including the BBC\, CNN\, The Atlantic and more. \nJenny Tian is an Australian comedian whose sharp wit has seen her sell out shows internationally. Off the back of her stand up success\, Jenny secured a spot on the lineup for the televised 2024 and 2025 Melbourne International Comedy Festival Gala and as a cast member in season 2 of Taskmaster AU. \nJamie Wang is a Shanghai-born\, Taiwan-bred comedian\, who has quickly ascended as a rising star in the Asian comedy circuit. Jamie performed on the JFL Singapore 2026 gala\, and has opened for industry heavyweights including Atsuko and Sheng Wang. Her refreshing comedic voice has garnered widespread international attention\, featuring on NPR\, Al Jazeera\, and more. At the 2024 Melbourne International Comedy Festival\, Jamie was awarded “Best New International Act” by the Comic’s Lounge\, Australia’s most prestigious comedy club. She is also a finalist for the 2025 BBC Funny Women “Content Creator Award.” Jamie’s perspective as a Chinese citizen who lives in Taiwan as an outsider\, combined with her cutting wit and hard-hitting punchlines gives her a unique angle proving very popular with western and eastern audiences alike. \n 
URL:https://potluckasianamerica.org/event/comedy-night-with-jest-asians-asia-unfiltered/
LOCATION:Asia Society\, 725 Park Avenue\, New York\, NY\, 10021
CATEGORIES:Comedy
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Jest-Asians-copy.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261022T180000
DTEND;TZID=America/New_York:20261022T190000
DTSTAMP:20260927T164053Z
CREATED:20260927T162804Z
LAST-MODIFIED:20260927T164053Z
UID:10003454-1792692000-1792695600@potluckasianamerica.org
SUMMARY:Book Launch | Bone Symphony by Michelle Phương Hồ
DESCRIPTION:Michelle Phương Hồ’s Bone Symphony mines the wreckage of colonialism and imperialist warfare in Vietnam and attempts to reassemble the bones.  \nTold in three movements spanning lyric\, documentary\, and hybrid forms\, Bone Symphony uncovers a world turned upside-down by war: evil is good\, saviors are toddlers\, children die before their mothers\, and civil servants—like the poet’s grandfather—become enemies of the state. The detritus of a shattered nation\, family\, and psyche serve as building blocks Hồ rearranges with playful irreverence\, giving rise to healing poetic turns. One can surrender not just to military powers\, but to love. The prison cell where a dissident is held transforms into the womb of God. In a world where no symbol is stable\, Bone Symphony reorients us toward curiosity\, kinship\, and the kind of mercy that sets free those held captive within our imaginations: “Every face / I’ve ever held / hostage\,” the poet beholds\, “is beginning to bleed.” \nABOUT THE AUTHOR \nMichelle Phương Hồ is the author of Bone Symphony (Boa Editions\, 2026)\, chosen by Aracelis Girmay as a Blessing the Boats Selection. Her work appears in Nat Brut\, The Offing\, POETRY\, Poetry Northwest\, and elsewhere. Her honors include a Friends of Literature Award from POETRY\, a Connecticut Artistic Excellence Award\, a BRINK Literary Journal Award for Hybrid Writing\, and fellowships from the Asian Cultural Council\, the I-Park Foundation\, and Vermont Studio Center. She received her MFA in poetry from NYU. Born to Vietnamese refugees in San Jose\, CA\, she lives in New Haven\, CT\, where she teaches poetry in university classrooms\, community book spaces\, and living rooms. \nIN CONVERSATION WITH \nMonica Sok is the author of A Nail the Evening Hangs On (Copper Canyon Press\, 2020) and Year Zero\, winner of a 2015 Poetry Society of America Chapbook Fellowship. She has received support from the Anderson Center\, Art Omi\, Hedgebrook\, Kundiman\, MacDowell\, National Endowment for the Arts\, Storyknife\, and the Wallace Stegner Fellowship at Stanford University. She earned her MFA in Creative Writing at NYU and recently graduated from an acting program at the William Esper Studio. Her latest poems have appeared in The Believer Magazine\, Best American Poetry\, Michigan Quarterly Review\, New England Review\, POETRY\, The Paris Review\, and others. She has taught poetry at Barnard College\, Stanford University\, and the Center for Empowering Refugees and Immigrants. She is based in New York City.
URL:https://potluckasianamerica.org/event/book-launch-bone-symphony-by-michelle-phuong-ho/
LOCATION:Yu and Me Books\, 44 Mulberry St.\, New York\, NY\, 10013\, United States
CATEGORIES:Book,Discussion
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/10.22.26MichellePh_ngH-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261022T183000
DTEND;TZID=America/New_York:20261022T193000
DTSTAMP:20260926T212817Z
CREATED:20260926T212632Z
LAST-MODIFIED:20260926T212817Z
UID:10003418-1792693800-1792697400@potluckasianamerica.org
SUMMARY:FIVE TASTES: An Evening with Fuchsia Dunlop
DESCRIPTION:Fuchsia tackles the “five tastes” which a Chinese chef needs to be able to marshal harmoniously: salty\, sweet\, sour\, bitter and pungent. \n\n\n‘Fuchsia Dunlop has done more to explain real Chinese cooking to non-Chinese cooks than anyone’\, according to The New York Times. Dunlop\, a four-time James Beard award winner and TV food expert (Chef’s Table; Anthony Bourdain’s Parts Unknown) has already explored Hunan cooking and Szechuan food with her large legion of readers. Now\, in her latest book\, she tackles the “five tastes” which a Chinese chef needs to be able to marshal harmoniously: salty\, sweet\, sour\, bitter and pungent. The delectable result might be green beans with “strange-flavor” sauce\, spicy peanut butter noodles\, or a steamed fish that sings with citrus notes. Join Dunlop as she explores the magical complexity of one of the world’s greatest cuisines.
URL:https://potluckasianamerica.org/event/five-tastes-an-evening-with-fuchsia-dunlop/
LOCATION:The National Arts Club\, 15 Gramercy Park South\, New York\, NY\, 10003\, United States
CATEGORIES:Discussion,Food
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Fuchsia-Dunlop-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261022T190000
DTEND;TZID=America/New_York:20261022T210000
DTSTAMP:20260926T215054Z
CREATED:20260926T214754Z
LAST-MODIFIED:20260926T215054Z
UID:10003422-1792695600-1792702800@potluckasianamerica.org
SUMMARY:Pinch of Us - The Immigrant Artist Biennial and Talk & Taste Edition
DESCRIPTION:Fold dumplings\, share stories. Join us for an evening of making\, tasting & connecting—from domestic ritual into collective art experience. \n\n\nAbout the Event \nCurated by Sofia Thiệu D’Amico and Anna Khimasia for The Immigrant Artist Biennial \nPinch of Us is more than a cooking class—it’s a participatory workshop series led by multidisciplinary artist LuLu Meng and collaborators. The project transforms the Essex Kitchen into a communal studio for the 2026 edition of The Immigrant Artist Biennial: Identity Card and Talk & Taste. \nInspired by the Lunar New Year traditions of Meng’s Taiwanese family\, the project draws on the dumpling as a symbol of prosperity and care\, centered on collective labor. For this edition of the workshop\, curators Anna Khimasia and Sofia Thiệu D’Amico invited artist Amanda Phingbodhipakkiya and Rujuta Rao to share their own dumpling-making traditions with distinct folding techniques\, flavors\, and histories. We will be making a Goan vegetarian Patoleo and a Thai vegetarian and pescatarian Miang Kham. The workshop creates space for participants to explore the idea of the multicultural self. \nAbout the artists \nLuLu Meng works across media to explore the interplay between oneself\, others\, and the broader environment in contemporary society. Having moved between different worlds—chemical engineering\, costume design\, and life as a queer artist from Taiwan now based in NYC—Meng found that this crossing of disciplines and selves became the source of a lasting inquiry: what makes us\, and what we make in turn. Their concept-based approach examines quotidian life to surface cross-cultural commonalities and differences\, posing the question outward to the viewer: What shapes us? What brings people together? Using everyday materials\, data\, digital components\, drawings\, and images\, Meng creates durational\, participatory installations that invite reflection and engagement. @lulumeng.space | @pinch.of.us | https://www.lulumeng.space \nAmanda Phingbodhipakkiya is a sculptor and installation artist based in Brooklyn\, New York. Born in Atlanta to Thai and Indonesian-Chinese immigrants\, her work traces how forces of trade\, conquest\, and dispossession are pressed into bodies\, land\, and memory\, and what persists in their wake. Phingbodhipakkiya’s has been exhibited at MoMA\, the Brooklyn Museum\, the Bangkok Art and Culture Centre\, and the Victoria and Albert Museum. @alonglastname | alonglastname.com \nRujuta Rao’s practice spans sculpture\, installation\, book art\, beverage\, and social practice\, alongside conceptual and functional garments through her gender expansive clothing line RUGA. Research-driven and personal\, her work uses material investigation to explore migration\, place\, family history\, and hospitality. Rao is curious about how artworks and publications can transform into spaces for gathering\, creating conditions for connection and dialogue between the artist and audience. Rao received her MFA in Interdisciplinary Art from Parsons School of Design\, New York\, and her BFA in Sculpture from Maharaja Sayajirao University of Baroda. She is a certified Japanese Sake Adviser through the Sake Service Institute International\, Tokyo\, and a sake sommelier candidate. In 2026\, Rao is a member at NEW INC\, the New Museum’s cultural incubator\, a dual resident at Dieu Donné and Artists Alliance Inc.\, and has been awarded a fellowship at Initial Research in New York. @rujutarao l rujutarao.com \nAbout the curators \nSofia Thiệu D’Amico\, the Lesley Bodzy Co.curator\, is a curator\, writer\, and researcher based in New York. She is co-director of Transmitter\, a collaborative curatorial initiative in Brooklyn\, and previously served as assistant curator at Canal Projects. Her work focuses on migration\, ritual\, labor\, and place\, examining how artistic practice engages the politics of historical memory through archives\, performance\, and collaborative research. Her writing has appeared in Hyperallergic\, Artforum\, Office magazine\, and other publications. She holds an MA from Bard College’s Center for Curatorial Studies\, and her research will appear in Borders of Art: Migration\, Mobility and Artistic Practice (American University in Cairo Press\, 2026). She has been a visiting critic at NARS Foundation\, ISCP\, Residency Unlimited\, Triangle Arts\, and the Elizabeth Foundation for the Arts. | @sofia.thieu \nAnna Khimasia\, the Cynthia Wu Co-curator\, is an independent curator and has curated exhibitions and performance events in both Canada and the United States. Her curatorial projects are often collaborative and focus on underrepresented voices and histories. She was the 2023–24 AIRspace Curator-in-Residence at Abrons Arts Center and is a co-founder of International Arrivals (IA)\, a NYFA-sponsored project supporting artists hailing from countries in conflict. She produces and hosts the IA podcast\, which features conversations with international artists about displacement\, migration\, and transnational belonging. Recent publications include a new essay on Harold Offeh’s early performance video work and an assistant editor role for Kambui Olujimi: North Star\, Meditations on Boundlessness. She has taught courses on contemporary art and performance at Carleton University\, UCLA\, and Rutgers University\, where she is currently a lecturer. She received her Ph.D. from the Institute of Comparative Studies in Literature\, Art and Culture (ICSLAC) at Carleton University. | @annakhimasia_art \nAbout the partners \nThe Immigrant Artist Biennial is a nomadic platform that presents the work of immigrant artists across diverse formats\, including exhibitions\, public programs\, and publishing. It engages broad national and international audiences while maintaining a strong presence in New York. Through its multi-venue and interdisciplinary approach\, the biennial creates space for dialogue\, visibility\, and exchange\, amplifying immigrant voices and fostering connections between artists\, institutions\, and the public. Founded in 2019 by Katya Grokhovsky\, TIAB has shown more than 175 artists\, including Bianca Abdi-Boragi\, Blanka Amezkua\, Felipe Baeza\, Marcelo Brodsky\, Esperanza Cortés\, Linnéa Gad\, Maria Kulikovska\, Raul de Lara\, Jiaoyang Li and Jinjin Xu\, Anina Major\, Ana Mendieta\, Coralina Rodriguez Meyer\, Anna Ting Möller\, Yali Romagoza/Cuquita the Cuban Doll\, Nida Sinnokrot\, and Tariku Shiferaw. theimmigrantartistbiennial.com l @theimmigrantartistbiennial \nEssex Market is New York City’s flagship public market. For over two centuries\, it has nourished the Lower East Side community as an important public asset—a legacy made possible by local activists\, past and present\, who have fought to keep its doors open. In addition to being a historic public market\, Essex Market hosts free public events year-round. essexmarket.nyc | @essexmarket \nSince 2023\, Essex Market’s Talk & Taste program has dived food-first into the past\, present\, and future of food culture in New York City. Hosted at Essex Market’s community kitchen\, each Talk & Taste evening welcomes historians\, food writers\, chefs\, and cultural experts to join the public in conversation with Essex Market vendors\, followed by cooking demonstrations and tastings. Special guests have included New York Times best-selling author Priya Krishna\, Top Chef host Kristen Kish\, and Milk Bar’s Christina Tosi. \nArtists Alliance Inc. cultivates art practices that challenge how we experience ourselves\, our communities\, and our world through three core initiatives–LES Studio Program\, Cuchifritos Gallery\, established inside Essex Market in 2001\, and Public Works–designed as interconnected stages of sustained arts investment\, providing artists with essential resources from the studio to public presentation to civic engagement. artistsallianceinc.org | @aai_nyc \nPinch of Us @ Essex Market is generously supported by Artists Alliance Inc.\, The Lower East Side Partnership\, and The Immigrant Artist Biennial 2026: Identity Card. \nDisclaimer/ Liability Waiver \nThis is a cooking workshop operating in a private setting with participants from the public who will make food alongside each other for private consumption. By participating in this event\, you acknowledge and waive certain risks\, including but not limited to choking\, food-borne illness\, allergic reactions\, and other potential injuries. \nBy registering\, I agree that organizers (Pinch of Us/Cuchifritos/The Immigrant Artist Biennial) and the venue (Lower East Side Partnership and New York City Economic Development Corporation) are not liable for any harm\, injury\, or damages resulting from my participation. \n*If cost is prohibitive\, please reach out directly to gallery@artistsallianceinc.org for sliding scale options. \n*Space offered first-come-first-served. Open to all ages\, including children accompanied by caretakers.
URL:https://potluckasianamerica.org/event/pinch-of-us-the-immigrant-artist-biennial-and-talk-taste-edition/
LOCATION:Essex Market\, 88 Essex Street\, New York\, NY\, 10002\, United States
CATEGORIES:Food,Workshop
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Pinch-of-Us-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261022T193000
DTEND;TZID=America/New_York:20261022T210000
DTSTAMP:20260927T185615Z
CREATED:20260927T185615Z
LAST-MODIFIED:20260927T185615Z
UID:10003474-1792697400-1792702800@potluckasianamerica.org
SUMMARY:Nai-Ni Chen Dance Company at American Dance Guild 70th Anniversary Festival
DESCRIPTION:Nai-Ni Chen Dance Company\, one of the nation’s leading contemporary dance ensembles\, founded by Chinese-American choreographer Nai-Ni Chen and now led by Artistic Director Greta Campo and Executive Director Andy Chiang\, will be part of the American Dance Guild’s 70th Anniversary Festival at Ailey Citigroup Theater\, 405 West 55th Street\, New York\, NY 10019\, on October 22\, 2026\, at 7:30pm. Tickets start at $20 and can be purchased at https://www.zeffy.com/en-US/ticketing/70th-anniversary-festival. \nThe opening night of the four-day Festival\, Thursday\, October 22 at 7:30pm\, will feature a tribute to choreographer Nai-Ni Chen\, whose work was deeply rooted in both Chinese and American dance traditions. The evening will also include works by Mireille Nina Buisson\, Beth Jucovy/Dance Visions NY\, Lola Rose Jenkins\, Dances We Dance/Performing Ensemble\, Ishmael Konney\, The Bang Group\, West Devaney and the Murray Louis Foundation. The evening will be followed by a reception at 9:30pm. \nThis October\, four days of performances will feature 28 festival artists and companies\, special guest companies\, award recipients\, and tributes honoring four luminaries of dance. \nAwardees\nPat Catterson (Lifetime Achievement)\nSally Sommer (Excellence in Journalism/ Dance Historian/ Writer) \nGuest Companies\nBallet Tech\, LaGuardia Performing Arts School/Dance Department\, Limón2\,\nMurray Louis Foundation and Graham 2 \nTributes\nPaul Sanasardo\, Carla Maxwell\, Nai Ni Chen\, Janet Collins
URL:https://potluckasianamerica.org/event/nai-ni-chen-dance-company-at-american-dance-guild-70th-anniversary-festival/
LOCATION:Ailey Citigroup Theater\, 405 W 55th St.\, New York\, NY\, 10019\, United States
CATEGORIES:Dance
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Nai-Ni-copy.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261022T193000
DTEND;TZID=America/New_York:20261022T223000
DTSTAMP:20260926T224045Z
CREATED:20260926T223828Z
LAST-MODIFIED:20260926T224045Z
UID:10003432-1792697400-1792708200@potluckasianamerica.org
SUMMARY:Rei’s Winter Break 레이의 겨울방학
DESCRIPTION:PARK SUK-YOUNG 박석영 • 2025 • Fiction • 75 min \n\n\n🎬 Seoul Independent Film Festival Choice \n🗓️ Thursday\, October 22 • 7:30 PM\n📍 Korean Cultural Center New York\n(122 E 32nd Street\, New York\, NY 10016) \nSynopsis \nRei\, a middle school girl living in Tokyo\, begins her winter break. Around the same time\, Gyuri\, a Korean high school student\, arrives in the city to visit her father\, who is working there. With both of their parents busy and absent\, the two girls are left to drift through their own quiet\, aimless days. \nAwards & Festival Selections \n\n51st Seoul Independent Film Festival — Second Prize & NEXT LINK Award\n\n  \nTicket: FREE (RSVP REQUIRED) \n\nRSVP and seating are first come\, first served.\nLimited same-day standby tickets available.\nCancellations must be made at least 48 hours in advance.\nYour tickets will be released to the standby line 10 minutes before the show\, so we recommend you arrive early to secure your seats.\nAll films featuring Korean dialogue will have English subtitles available.\nFor additional questions\, please contact: film@koreanculture.org\n\nPresented by Korean Cultural Center New York\nIn Collaboration with Seoul Independent Film Festival \nFor more details: www.koreanculture.org/films/2026/10/15/the-1st-nykiff
URL:https://potluckasianamerica.org/event/reis-winter-break-%eb%a0%88%ec%9d%b4%ec%9d%98-%ea%b2%a8%ec%9a%b8%eb%b0%a9%ed%95%99/
LOCATION:Korean Cultural Center New York\, 122 East 32nd Street\, New York\, NY\, 10016\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Rei-copy.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261022T200000
DTEND;TZID=America/New_York:20261022T210000
DTSTAMP:20261009T020049Z
CREATED:20261009T015831Z
LAST-MODIFIED:20261009T020049Z
UID:10003532-1792699200-1792702800@potluckasianamerica.org
SUMMARY:South Asian Education on Health\, Aging & Life Transitions
DESCRIPTION:SAPHA + SAAPRI are coming together for a webinar on exploring brain health\, healthy aging\, and caregiving in South Asian communities. \nWe’re kicking things off with a conversation on Brain Health in South Asian Communities featuring experts in aging\, medicine\, and public health.
URL:https://potluckasianamerica.org/event/south-asian-education-on-health-aging-life-transitions/
LOCATION:
CATEGORIES:Health & Wellness
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/10/SAAPRI-copy.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20261023
DTEND;VALUE=DATE:20261026
DTSTAMP:20261004T164254Z
CREATED:20260909T022226Z
LAST-MODIFIED:20261004T164254Z
UID:10003325-1792713600-1792972799@potluckasianamerica.org
SUMMARY:Japanese Food Expo
DESCRIPTION:Japanese Food Expo 2026 is coming to New York! 🗽 \n📍 Japan Village\n934 3rd Ave\, Brooklyn\, NY 11232 \n📅 Dates & Hours\nOctober 23 (Fri) | 12:00 PM–7:00 PM\nOctober 24 (Sat) | 11:00 AM–8:00 PM\nOctober 25 (Sun) | 11:00 AM–6:00 PM \nGet ready to experience Japanese food and culture right here in New York! 🍣🍜✨
URL:https://potluckasianamerica.org/event/japanese-food-expo/
LOCATION:Japan Village\, 934 3rd Avenue\, Brooklyn\, NY\, 11232\, United States
CATEGORIES:Festival,Food
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Japan-Food-Expo-copy.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261023T160000
DTEND;TZID=America/New_York:20261023T170000
DTSTAMP:20261009T235237Z
CREATED:20261009T235237Z
LAST-MODIFIED:20261009T235237Z
UID:10003534-1792771200-1792774800@potluckasianamerica.org
SUMMARY:KAFSC’s 29th Annual Silent March Against Domestic Violence
DESCRIPTION:For nearly three decades\, KAFSC’s Silent March Against Domestic Violence has brought our community together to honor survivors and remember those whose lives have been lost to domestic and gender-based violence. \nWe march in silence for those whose voices have been suppressed by fear\, stigma\, and isolation—especially immigrant survivors who face additional language\, immigration\, and financial barriers to seeking safety. Yet together\, our presence sends a powerful message: survivors are not alone. \nJoin us as we turn silence into solidarity and break the silence to end the violence. \nFriday\, October 23\, 2026 | 4 PM\nThe march begins at the NYPD 109th Precinct and concludes with speeches at Queens Public Library. \nWe hope to see you there! 💜
URL:https://potluckasianamerica.org/event/kafscs-29th-annual-silent-march-against-domestic-violence/
LOCATION:NY
CATEGORIES:March
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/10/Silent-March-copy.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261023T180000
DTEND;TZID=America/New_York:20261023T193000
DTSTAMP:20260823T032949Z
CREATED:20260720T081505Z
LAST-MODIFIED:20260823T032949Z
UID:10002898-1792778400-1792783800@potluckasianamerica.org
SUMMARY:Livonia Chow Mein: A Novel
DESCRIPTION:Author Abigail Savitch-Lew will discuss her debut novel Livonia Chow Mein — a gripping\, four-generation saga set in Brownsville\, Brooklyn\, centered on a Chinese family-owned restaurant and its deep roots in a neighborhood shaped by waves of immigrant and working-class communities.
URL:https://potluckasianamerica.org/event/livonia-chow-mein-a-novel/
LOCATION:Asian American / Asian Research Institute – CUNY\, 25 West 43rd Street\, Room 1000\, New York\, NY\, 10036\, United States
CATEGORIES:Book,Discussion
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/07/760d8e7cd664703a0765dc7f8af880f9.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261023T193000
DTEND;TZID=America/New_York:20261023T204000
DTSTAMP:20260912T023331Z
CREATED:20260912T022821Z
LAST-MODIFIED:20260912T023331Z
UID:10003364-1792783800-1792788000@potluckasianamerica.org
SUMMARY:Juliet & Jul-Yingtai
DESCRIPTION:Juliet & Jul-Yingtai  \nWritten by Wisteria Deng\, Directed by Sissi Chen \n“She carries it on her back first\, but it strains her neck.\nKicking it forward hurts her legs\, and it screeches too.\nWhen loaded on her arms\, it presses into old wounds.\nNow she tries hugging it\, shifting forward in tiny shuffles.\nBut when it grows bigger\, she can no longer see the road.” \nGenerations of women have sought a room of one’s own. It is a small yet powerful ask — with a room\, one can dream. But what if a room is not enough? We need a stage of our own — a world of our own. In our world\, we define power on our terms. 我们创造自己的游戏。 \nJuliet & Jul-Yingtai is a world of our own. Here\, one does not conquer through violent fits. Instead\, we take root in the deep earth. Come spring\, we offer shades to each other\, leaves holding hands\, ushering in the next season. Here\, power lives in the memory. Always an uphill battle\, remembrance is a statement of resistance\, a decision to stay true to oneself\, and an expression of tender\, endless love. \nUltimately\, this is a story of love — of how women love. We have been taught to love as mothers\, daughters\, wives\, sisters. But when was the last time someone taught us to love ourselves? To love someone the way we love ourselves? Our body is not an apology. Our memory is not a curse. Our love is not a weakness. We invite you into this world of our own. In the next hour\, experience the power of an ancient Goddess\, the act of choosing to remember\, the journey of women learning to love one another\, then — against all odds — learning to love themselves.
URL:https://potluckasianamerica.org/event/juliet-jul-yingtai/
LOCATION:Jersey City Theater Center at White Eagle Hall\, 337 Newark Ave.\, Jersey City\, NJ\, 07302\, United States
CATEGORIES:Theater
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Juliet-copy.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261023T193000
DTEND;TZID=America/New_York:20261023T220000
DTSTAMP:20260926T222617Z
CREATED:20260926T222500Z
LAST-MODIFIED:20260926T222617Z
UID:10003428-1792783800-1792792800@potluckasianamerica.org
SUMMARY:The Gorals 산양들
DESCRIPTION:YOO JAEWOOK 유재욱 • 2025 • Fiction • 107 min \n\n\n🎬 Muju Film Festival Choice \n🗓️ Friday\, October 23 • 7:30 PM\n📍 Korean Cultural Center New York\n(122 E 32nd Street\, New York\, NY 10016) \nSynopsis \nWith 200 days left until college entrance exams\, while everyone is focused on studying\, In-hye\, who is in charge of the animal pen\, is busy lecturing a duck. One day\, as punishment for carrying a knife\, Seo-hee joins In-hye in cleaning the animal pen. The two discover an abandoned meadow and lose Hee-seon(the duck) there. \nMeanwhile\, teacher Kim Ah-tae gathers four students—In-hye\, Seo-hee\, Jung-ae\, and Soo-min—who have been given up on by their school\, parents\, and even themselves\, and forms a “college interview prep group.” On the day of their university interviews\, In-hye and Seo-hee ditch school and head to the meadow in search of Hee-seon. They pitch a tent and spend nights in the woods\, gradually adapting to life in the wild. \nAwards & Festival Selections \n\n14th Muju Film Festival — Chang: Korean Feature Competition\n30th Busan International Film Festival — Vision Section\, Official Selection\n51st Seoul Independent Film Festival — Feature Competition\, Official Selection\n25th Asian Film Festival of Dallas — Official Selection\n\n  \nTicket: FREE (RSVP REQUIRED) \n\nRSVP and seating are first come\, first served.\nLimited same-day standby tickets available.\nCancellations must be made at least 48 hours in advance.\nYour tickets will be released to the standby line 10 minutes before the show\, so we recommend you arrive early to secure your seats.\nAll films featuring Korean dialogue will have English subtitles available.\nFor additional questions\, please contact: film@koreanculture.org\n\nPresented by Korean Cultural Center New York\nIn Collaboration with Muju Film Festival \nFor more details: www.koreanculture.org/films/2026/10/15/the-1st-nykiff
URL:https://potluckasianamerica.org/event/the-gorals-%ec%82%b0%ec%96%91%eb%93%a4/
LOCATION:Korean Cultural Center New York\, 122 East 32nd Street\, New York\, NY\, 10016\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/f1148ffc900b4d1e5862f00ce0423014.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261024
DTEND;VALUE=DATE:20261025
DTSTAMP:20260928T175305Z
CREATED:20260928T175150Z
LAST-MODIFIED:20260928T175305Z
UID:10003489-1792800000-1792886399@potluckasianamerica.org
SUMMARY:Diwali at Times Square
DESCRIPTION:Diwali at Times Square is the biggest Diwali celebration outside India that brings the Festival of Lights to the heart of New York City\, uniting communities through music\, dance\, art\, and culture. Over the years\, the event has grown into one of the largest South Asian cultural showcases in North America\, featuring world-class performers\, dignitaries\, and leading global brands\, while positioning Times Square as a platform for cultural unity and global visibility.
URL:https://potluckasianamerica.org/event/diwali-at-times-square/
LOCATION:NY
CATEGORIES:Festival
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/2025-Festival-47-copy.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20261024
DTEND;VALUE=DATE:20261026
DTSTAMP:20261009T012613Z
CREATED:20261009T012613Z
LAST-MODIFIED:20261009T012613Z
UID:10003528-1792800000-1792972799@potluckasianamerica.org
SUMMARY:Between Wet Hands
DESCRIPTION:As part of the Hudson Yards Hell’s Kitchen Alliance’s 2026 Cultural Crawl\, Signature Theatre is pleased to present Between Wet Hands\, an exhibition featuring installation\, painting\, and multimedia work that considers ideas of creation and origin alongside histories of migration\, labor\, and resistance within the Chinese American experience. \nFeaturing work by Katie Chin\, Weihui Lu\, and Gao Xintong. \nWHEN: Saturday\, October 24 (12:30 – 8:00 PM) & Sunday\, October 25 (12:30 – 5:00 PM)\nLOCATION: Pershing Square Signature Center\, 480 West 42nd Street\, New York\, NY 10036 \nFREE. Walk-ins are welcome any time during the posted hours.
URL:https://potluckasianamerica.org/event/between-wet-hands/
LOCATION:Pershing Square Signature Center\, 480 West 42nd St.\, New York\, NY\, 10036\, United States
CATEGORIES:Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/10/Between-Wet-Hands-copy.jpg
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