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DTSTART;VALUE=DATE:20260917
DTEND;VALUE=DATE:20261205
DTSTAMP:20260902T221003Z
CREATED:20260902T220929Z
LAST-MODIFIED:20260902T221003Z
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SUMMARY:Afterlayers: Tai Hwa Goh & Julia Kwon
DESCRIPTION:Opening reception: Thursday\, September 17\, 2026\, 5-7pm \nTwo artists transform traditional materials–textile and paper–to explore themes of identity and memory. Tai Hwa Goh creates intricate\, layered installations from printed and cut paper\, inspired by organic forms\, landscapes\, and the relationship between the interior and exterior. Goh’s process pushes the limits of traditional printmaking\, as she modifies the characteristics of paper and thin fabric by covering with batik or ironing thin sheets of beeswax onto her prints\, deliberately obscuring the underlying images. She then uses techniques like sewing\, gluing\, and manipulating printed materials to construct intricate\, honeycomb-like structures. Found objects seamlessly integrate into the work\, reflecting the blending of the personal and the universal\, as well as natural and artificial elements.Through this process\, the imagery gradually moves away from recognizable forms\, and the dense layers serve as a space where nature\, memory\, and personal experience intertwine. Her installations invite viewers to contemplate the balance between the natural world and human existence\, and how everyday moments can reveal deeper insights into our lives. \nJulia Kwon sews interpretive Korean textiles\, specifically in the form of patchwork bojagi (Korean object-wrapping cloth)\, to critique received notions of Asiatic femininity and challenge reductive\, easily legible identities. Although her bojagi textiles may initially be perceived as traditionally Korean\, the patchwork designs are actually derived from urgent contemporary sociopolitical issues and events. Her work moves beyond simply representing minority identities as she aims to comment on the interconnected systems of oppression. Kwon’s practice contests the notion of authenticity and explores the complexities involved in constructing identities within the current framework of cultural hybridity\, intersectionality\, and the collective pursuit of social justice \nThe Korea Society Gallery is open only by appointment.\nThe appointment must be made at least 24 hours prior to the scheduled visit. \nGallery Hours: Monday-Friday 10 AM-4:30 PM\nBy Appointment Only
URL:https://potluckasianamerica.org/event/afterlayers-tai-hwa-goh-julia-kwon/
LOCATION:The Korea Society\, 350 Madison Avenue\, 24th Floor\, New York\, NY\, 10017
CATEGORIES:Art,Art Exhibit
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260917
DTEND;VALUE=DATE:20270401
DTSTAMP:20260911T234039Z
CREATED:20260911T234039Z
LAST-MODIFIED:20260911T234039Z
UID:10003349-1789603200-1806537599@potluckasianamerica.org
SUMMARY:Zine* Together
DESCRIPTION:Please join Asia Art Archive in America on Thursday\, September 17th from 5-8pm for the opening reception of their exhibition\, Zine﹡ Together. \nZine﹡ Together is the first exhibition of its kind to examine Asian American zines not only as objects\, but as actions—creative\, collective\, and relational. Drawing from Asia Art Archive in America’s Reading Room collection\, this exhibition highlights collaboratively produced zines from 2010 to the present\, alongside newly commissioned projects and prompts that trace zine-making as a mode of shared authorship and community building. \nIn the 1960s and 1970s\, zines (short for “magazines” or “fan-zines”) were characterized by their photo-copied\, staple-bound formats and emerged as popular do-it-yourself platforms for sharing counter-cultural socio-political programs and avant-garde art practice. In more recent decades and particularly in Asian American communities\, zines have served as a place to explore artistic narratives\, diasporic histories\, and collective responses to marginalization. \nKey to this exhibition is a commissioned research project and essay by Michelle Yee\, PhD\, and Elizabeth Chung that investigates the recent history of Asian American zines in relation to the 2020 COVID-19 pandemic and the parallel rise in anti-Asian violence across the United States. Situating zine-making within this moment of crisis\, the research frames the medium as one of many grassroots strategies for care\, documentation\, and solidarity. Together\, the exhibition and research project position zines not as peripheral ephemera\, but as vital cultural tools that register and record how communities respond in times of uncertainty. \nZine﹡ Together\, itself a collaborative project\, is organized by Claire Kim\, Susanna Chang\, Sarula Bao\, Michelle Yee\, Elizabeth Chung\, Mary Y. Yang\, Chen Luo\, and Tasnima Tanzim.
URL:https://potluckasianamerica.org/event/zine-together/
LOCATION:Asia Art Archive in America\, 23 Cranberry Street\, Ground Floor\, Brooklyn\, NY\, 11201\, United States
CATEGORIES:Exhibition
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260919
DTEND;VALUE=DATE:20261109
DTSTAMP:20260927T170404Z
CREATED:20260927T170404Z
LAST-MODIFIED:20260927T170404Z
UID:10003457-1789776000-1794182399@potluckasianamerica.org
SUMMARY:Synthetic Mobility
DESCRIPTION:Fou Gallery is pleased to present “Synthetic Mobility”\, a two-person exhibition featuring Tokyo- and New York-based artist Ai Makita and China-born\, Houston-based kinetic artist Sizhu Li\, on view from September 19 through November 8\, 2026. The exhibition brings to the fore important questions about the interaction between technology and humans\, considering how larger societal shifts affect the way artists represent humanity and reconstituted spaces. \nThe concept of the exhibition is connected to Timothy Morton’s idea of hyperobjects\, according to which we cannot fully perceive larger structures surrounding us and widely distributed across space and time\, but can try to describe their attributes and make a reasonable guess about their true nature. Synthetic mobility – the artificial generation of realistic human movement patterns using advanced algorithms – is a phenomenon related to the new acceleration of living rhythms promoted by digital progress. As the world is enveloped in ideological and cultural conflicts\, Makita and Li consider what it means to remain individuals today\, and how changes in technology alter our sense of perception and our mode of existence. \nAi Makita presents oil paintings\, several of them developed in conjunction with the AI model Midjourney and others based on images created in Photoshop by folding aluminum sheets. The depicted forms represent abstract conjunctions of pipes\, conduits\, and industrial infrastructure. Folded materials result in labyrinths of fluidity and line resembling a circulatory or nervous system\, an organism’s internal anatomy\, or an invisible technological network now made visible. The created conduits recall flowing rivers\, transcended thresholds\, and the linearity of time. Close conceptual connection with Minimalism makes Makita’s stretched lines internally connected to Donald Judd looking at the properties and the rigidity of the structures as well as relation of this (in)stability to the current historical moment. Process art likewise plays a significant role in Makita’s practice\, albeit in a form more appropriate to its new\, updated version\, where the digital has taken the place of the physical. Her paintings leave the viewer with a sense of wonder about where these meandering curves are leading and whether there is any specific destination. Mystery emerges not through mystical effects\, but through the inability to grasp the full picture\, pushing us to step away while also looking closer. \nSizhu Li presents sculptures made primarily from aluminum sheets and industrial fans. In Pushing Hands (2024–present)\, opposing forces travel through an industrial metal wave\, creating a rhythm of tension and equilibrium that references the Taoist principle of balance. The title directly refers to the fundamental Tai Chi practice of Tui Shou\, or “pushing hands\,” centered on sensing\, yielding to\, and balancing opposing forces. Evolving from her earlier project Moonment\, Li uses programmed fans and suspended aluminum sheets to construct a live\, percussive environment of moving metallic waves. In Yuanbao (2026)\, she brings the traditional Chinese symbol of wealth and blessing into conversation with the ephemeral form of clouds\, moving between material and spiritual aspirations\, permanence and transience. Meanwhile\, Oops\, Caught’ya! (2026) turns the clamp into both a generative and restraining device\, using movement\, suspension\, and pressure to consider freedom\, constraint\, instability\, and balance. \nTogether\, the two artists create a dialogue in which materials work as experimental tools to devise new understandings of where we are as a human species. Both artists look at motion\, structure\, and encounter as facilitated by materials\, planes\, and color. Makita’s paintings examine the transformations and limits caused by new synthetic mobility\, while Li’s sculptures engage the same idea through three-dimensional objects. Neither artist provides specific arguments or answers; instead\, they offer aesthetic tools that can help broaden our understanding of the technological forces increasingly shaping contemporary life.
URL:https://potluckasianamerica.org/event/synthetic-mobility/
LOCATION:Fou Gallery\, 89 5th Avenue\, # 701\, New York\, NY\, 10003\, United States
CATEGORIES:Art Exhibit
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260919T160000
DTEND;TZID=America/New_York:20261031T000000
DTSTAMP:20260514T035110Z
CREATED:20260514T035110Z
LAST-MODIFIED:20260514T035110Z
UID:10002630-1789833600-1793404800@potluckasianamerica.org
SUMMARY:Queens Night Market
DESCRIPTION:The Queens Night Market is a large\, family-friendly open-air night market in Queens\, featuring over 100 independent vendors selling merchandise\, art\, and food and featuring small-scale cultural performances\, all celebrating the rich cultural diversity and heritage of NYC and Queens. \nEvery Saturday from  4pm to midnight \nApril.18 to  August 22  and  September 19 to October 31. 2026 \nWe’re located behind the New York Hall of Science in Flushing Meadow Corona Park in Queens NYC \n 
URL:https://potluckasianamerica.org/event/queens-night-market-3/
LOCATION:New York Hall of Science\, 47-01 111th St\, Corona\, NY\, 11368\, United States
CATEGORIES:In Person,Night Market
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260926
DTEND;VALUE=DATE:20261102
DTSTAMP:20260927T172328Z
CREATED:20260927T172328Z
LAST-MODIFIED:20260927T172328Z
UID:10003460-1790380800-1793577599@potluckasianamerica.org
SUMMARY:Moving Rasa Discovery Cards Inside/Outside
DESCRIPTION:Move what’s inside\, outside. Move what’s outside\, inside. \nWhat happens when something you’re carrying inside—a feeling\, question\, image\, memory\, impulse—gets to take shape in the world around you? \nAnd what happens when the world answers back? \nOver six gatherings\, we’ll use the Moving Rasa Discovery Cards to improvise between our inner and outer worlds. We might climb onto something\, lean into another person\, follow the shape of a tree\, move with a wall\, let a card change our attention\, or allow an unexpected impulse to lead somewhere new. \nWe’ll work with group improvisation\, contact\, imagination\, questions\, and the environments we enter. Some gatherings will happen indoors. Others will take us outside into different NYC places. Each environment becomes part of what we discover. \nThere is no movement to get right and no fixed meaning to find in a card. We’ll notice what emerges through the relationships we make—with ourselves\, one another\, the cards\, and the places around us. \nLocation:\nReal World Sculptures: Norman A Rockefellar Park\nRiver Terrace and\, Chambers St\nNew York City\, NY 10282
URL:https://potluckasianamerica.org/event/moving-rasa-discovery-cards-inside-outside/
LOCATION:NY
CATEGORIES:Dance
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260926
DTEND;VALUE=DATE:20270208
DTSTAMP:20260924T203746Z
CREATED:20260924T203746Z
LAST-MODIFIED:20260924T203746Z
UID:10003408-1790380800-1802044799@potluckasianamerica.org
SUMMARY:Yoshitaka Amano: Origins at the American Academy of Arts and Letters
DESCRIPTION:Yoshitaka Amano (b. 1952\, Shizuoka\, Japan) creates worlds. It’s something he’s done since he was fifteen\, when he moved to Tokyo and began working as a character designer for an anime studio. There\, drawing was always an act of translation. His task was to convert narrative into illustrated concepts\, drawings that would become the connective tissue of a fictional universe. Throughout his career as an independent artist and as a character designer for storied anime and video game franchises\, such as Final Fantasy and Vampire Hunter D\, drawing has always been a way of describing the porousness between the real and the fantastic. “I want to depict a world I myself have never seen\,” Amano says of the feeling from which his work begins. \nOrigins 始源 takes up Amano’s interest in primordial beginnings. Over the last few years\, Amano has been absorbed in Greek and Shinto mythology\, making drawings of the characters that animate these stories. Here\, he presents Pandora\, a series of drawings of the Greek myth of the first mortal woman; they circle the gallery like an ancient frieze\, or the storyboards for an animation. Alongside these works\, a selection of illustrations\, animation\, and popular materials from the 1980s and ’90s\, including the anime film Angel’s Egg and sensual depictions of The Tale of Genji\, is presented in our library. In all the stories Amano is drawn to\, origins are an eternal structure\, a threshold where being emerges. For him\, that threshold is the page; his figures seem to move and drift across its surface\, entering into worlds that exist beyond our lived reality. \nThis exhibition\, Amano’s first institutional solo show in New York\, offers a chance to encounter an artist whose drawings continue to have extended lives in the world around us. Right now\, more likely than not\, you could find them appearing on someone’s gaming console as they play Final Fantasy and livestream it to Twitch; on a Gatchaman Uniqlo tee worn in the streets of Tokyo; or even on an iPhone as someone watches Angel’s Egg on the subway\, in bed\, or really anywhere streaming is available. \nArts and Letters commissioned an essay\, Shining Genji\, by Sean Thor Conroe\, which accompanies the exhibition as part of our Reader series.
URL:https://potluckasianamerica.org/event/yoshitaka-amano-origins-at-the-american-academy-of-arts-and-letters/
LOCATION:American Academy of Arts and Letters\, Audubon Terrace\, New York\, NY\, 10032\, United States
CATEGORIES:Art,Art Exhibit
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260930
DTEND;VALUE=DATE:20261022
DTSTAMP:20260926T224740Z
CREATED:20260926T224542Z
LAST-MODIFIED:20260926T224740Z
UID:10003434-1790726400-1792627199@potluckasianamerica.org
SUMMARY:Midtown Dance: Bhangra in the Plaza
DESCRIPTION:Bollywood rhythm comes to the 34th Street district with performances and lessons that blend fitness with traditional Indian folk dance. \nEvery Wednesday from 9/30 through 10/21 at 6:00 PM
URL:https://potluckasianamerica.org/event/midtown-dance-bhangra-in-the-plaza/
LOCATION:Greeley Square Plaza (Broadway between 32nd and 33rd Streets)\, Greeley Square Park\, Broadway\, New York\, NY\, United States\, New York\, NY\, 10001\, United States
CATEGORIES:Dance
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261002
DTEND;VALUE=DATE:20261024
DTSTAMP:20260927T003557Z
CREATED:20260927T003302Z
LAST-MODIFIED:20260927T003557Z
UID:10003443-1790899200-1792799999@potluckasianamerica.org
SUMMARY:SLEEPLESS NIGHT
DESCRIPTION:Chinese American Counci is pleased to present SLEEPLESS NIGHT\, a solo exhibition by Xuhong Shang\, on view from October 2 through October 23. \n\n\n\n\nSLEEPLESS NIGHT is an exhibition that explores the unstable boundary between reality and dream\, presence and absence\, movement and confinement. Through installation\, photographic fragments\, painting\, video\, sound\, and spatial intervention\, Xuhong Shang creates an environment where perception is interrupted and certainty becomes fragile. \nThe exhibition is centered around the single-channel video Sleepless Night and expands into a physical installation composed of dark surfaces\, fragmented images\, linear structures\, and layered visual interruptions. The exhibition suggests a space where images appear partially concealed\, crossed\, taped\, and suspended within a field of darkness. These elements create a visual rhythm of obstruction and passage\, suggesting windows\, routes\, barriers\, memories\, and psychological thresholds. The viewer is invited not only to look at the work\, but to move through a condition of uncertainty. \nThe title SLEEPLESS NIGHT evokes a state of wakefulness between consciousness and dream. In this in-between condition\, time becomes stretched\, thoughts become fragmented\, and ordinary images take on emotional and symbolic weight. The exhibition reflects this mental space through fractured compositions\, grayscale imagery\, and stark contrasts between light and shadow. The visible world appears unstable\, as if caught between documentation and imagination. \nThe dark wall surface may be understood as a night sky\, an interior void\, or a psychological field. Across this darkness\, white strip boards cut through the canvas images and extend outward into the surrounding space. These sharp white lines suggest lightning crossing the night\, sudden flashes of thought\, or cracks breaking through the surface of memory. They connect the images while also damaging and disrupting them\, creating a tension between illumination and rupture. As the strips move from image to dark space\, they become more than formal devices; they operate as psychological forces\, exposing the instability of perception and the fragile condition of the mind during sleeplessness. \nTravel\, architecture\, and transitional spaces emerge as recurring visual references. Airplanes\, airport-like structures\, passages\, and abstracted silhouettes suggest movement across distance\, yet this movement is never fully free. Instead\, it is crossed by interruptions\, invisible borders\, and psychological weight. The white linear forms may be read as paths\, fractures\, signals\, restrictions\, or flashes of anxiety. They point toward direction and disorientation at the same time. \nIn Shang’s work\, ambiguity functions as a space of possibility. Rather than presenting a fixed narrative\, SLEEPLESS NIGHT asks viewers to confront the uncertain nature of perception itself. The exhibition reflects on how memory\, migration\, globalization\, and cultural experience shape the way we understand reality. It questions how images carry traces of personal and collective history\, and how the intangible forces of dream\, anxiety\, nostalgia\, and desire can become physically present within space. \nThe video Sleepless Night\, a single-channel work with sound\, becomes both an anchor and an atmosphere for the exhibition. Its duration suggests an intimate encounter with time\, while its presence extends the installation into a psychological and sensory field. Sound and moving image deepen the feeling of suspended consciousness\, placing the viewer within a state where the real and the imagined overlap. \nUltimately\, SLEEPLESS NIGHT is an exhibition about uncertainty as a condition of contemporary life. It invites viewers into a contemplative space where images are incomplete\, meanings remain open\, and the familiar becomes strange. Between darkness and light\, movement and stillness\, dream and reality\, the exhibition asks: what remains visible when certainty disappears?
URL:https://potluckasianamerica.org/event/sleepless-night/
LOCATION:Chinese American Arts Council / Gallery 456\, 456 Broadway\, 3rd Floor\, New York\, NY\, 10013\, United States
CATEGORIES:Art Exhibit
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261002
DTEND;VALUE=DATE:20261107
DTSTAMP:20260902T204709Z
CREATED:20260902T204709Z
LAST-MODIFIED:20260902T204709Z
UID:10003289-1790899200-1794009599@potluckasianamerica.org
SUMMARY:MOCA PERFORMS – Echoes of Arrival: Becoming
DESCRIPTION:Immigration is never a single arrival but an ongoing process of becoming. Beyond legal status and paperwork\, immigrants navigate displacement\, alienation\, adaptation\, and the long\, sometimes complicated journey toward belonging. What did you have to learn to survive and build a life in the United States? What did you choose to carry with you from the culture you came from? What was lost in translation? And what new part of yourself emerged along the way? \nEchoes of Arrival returns to the Museum of Chinese in America for a new iteration\, Becoming. Through a collection of personal stories\, the ensemble explores the many ways immigrants remake themselves while making a life in a new country. These stories of change\, resilience\, loss\, discovery\, and belonging illuminate how immigration does not simply transform individuals. It continues to shape the rich and ever-evolving cultural fabric of the United States. \nCREATIVE TEAM\nConceived by Dennis Yueh-Yeh Li\nDevised & Performed by Shan Y. Chuang\, Nikkiesha N. McLeod\, Timmy Ong\, Pascal Phoa\, Jeremy Rafal\, Nedelka Sotelo\, Fang Tseng\n  \nPERFORMANCE SCHEDULE\nFriday 10/2\nShan Y. Chuang\, Nikkiesha N. McLeod\, Pascal Phoa\, Jeremy Rafal\, Fang Tseng\nThursday 10/8\nShan Y. Chuang\, Timmy Ong\, Pascal Phoa\, Jeremy Rafal\, Fang Tseng\nFriday 10/16\nShan Y. Chuang\, Timmy Ong\, Pascal Phoa\, Jeremy Rafal\, Nedelka Sotelo\nThursday 10/22\nShan Y. Chuang\, Nikkiesha N. McLeod\, Timmy Ong\, Nedelka Sotelo\, Fang Tseng\nFriday 11/6\nNikkiesha N. McLeod\, Timmy Ong\, Jeremy Rafal\, Nedelka Sotelo\, Fang Tseng
URL:https://potluckasianamerica.org/event/moca-performs-echoes-of-arrival-becoming/
LOCATION:Museum of Chinese in America (MOCA)\, 215 Centre Street\, New York\, NY\, 10013\, United States
CATEGORIES:Music
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261003
DTEND;VALUE=DATE:20270201
DTSTAMP:20260821T183629Z
CREATED:20260821T183629Z
LAST-MODIFIED:20260821T183629Z
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SUMMARY:Art of Manga
DESCRIPTION:Be drawn into the world of manga.\nArt of Manga is the first major exhibition in the Americas to explore manga—Japanese comics and graphic novels—as an art form. Marking its East Coast debut\, the Brooklyn Museum’s presentation is packed with more than 600 drawings that showcase manga’s immersive power and social impact. Don’t miss this rare opportunity for US audiences to encounter an astonishing selection of original manga artworks\, including examples from beloved series Inuyasha\, JoJo’s Bizarre Adventure\, Ōoku: The Inner Chambers\, ONE PIECE\, and many more. \nA global phenomenon\, manga is driven by those who design\, draw\, and very often author the stories that define the medium. Discover influential manga artists\, or mangaka\, and their distinct approaches to storytelling. Through compelling narratives and captivating imagery\, each mangaka’s work invents a universe that may be familiar or supernatural\, historical or futuristic\, contemplative or action-packed. These tales address universal themes such as coming of age\, tapping into hidden strengths\, and finding beauty in the ordinary—as well as contemporary issues such as environmentalism\, gender roles\, LGBTQ+ rights\, and socioeconomic inequality. Whether you enter as an otaku or a novice\, you’ll leave Art of Manga fluent in this vital medium. \nGo all-access with “Art of Manga.” The Manga Fan Pass gives one adult and one guest unlimited entry throughout the exhibition’s run—plus a slew of other perks especially for manga fans. \nThe $75 pass includes… \n⚫ Unlimited entry for you and a guest to “Art of Manga” (subject to availability) as well as general admission to Museum galleries \n⚫ Invites to Member Previews and select Member Evenings for “Art of Manga” \n⚫ Exclusive presale access to “Art of Manga” public programs \n⚫ 10% discount at the Café and Museum Shop (excluding gashapon machines) \n⚫ A collectible badge for you to wear and show off your love of manga (wear your badge each time you return to get a new pin to build your collection!)
URL:https://potluckasianamerica.org/event/art-of-manga/
LOCATION:Brooklyn Museum\, 200 Eastern Parkway\, Brooklyn\, NY\, 11238\, United States
CATEGORIES:Art,Art Exhibit
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261006
DTEND;VALUE=DATE:20261116
DTSTAMP:20260909T024920Z
CREATED:20260909T023835Z
LAST-MODIFIED:20260909T024920Z
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SUMMARY:King of the Yees
DESCRIPTION:For nearly twenty years\, Larry Yee has been the heart and soul of the Yee Fung Toy Family Association\, a fraternal organization in San Francisco’s iconic Chinatown. But to his daughter Lauren\, a playwright living in New York\, the association is an obsolete relic of a vanishing world. When Larry suddenly disappears\, Lauren sets off on a wild quest to find him\, embarking on a surreal\, magical journey through the history and myths of her own lineage. KING OF THE YEES is a hilarious and heartfelt “kind of true” story by Signature resident artist Lauren Yee\, who turns her incisive comedic eye on what we inherit and what it means to truly be a Yee.  \n \nAbout the Playwright \n \nLAUREN YEE is proud to be a Signature Theatre resident playwright. She is an award-winning playwright\, screenwriter\, and librettist based in New York City. Prior to the pandemic\, Lauren was named by American Theatre as the second-most-produced playwright of that upcoming season. Recent plays include Cambodian Rock Band with music by Dengue Fever (South Coast Rep\, Oregon Shakespeare Festival\, La Jolla Playhouse\, Signature Theatre\, East West Players)\, The Great Leap (Denver Center\, Seattle Rep\, Atlantic Theatre\, Steppenwolf\, American Conservatory Theatre)\, King of the Yees (Goodman Theatre\, Center Theatre Group)\, and Mother Russia (Seattle Rep\, Signature Theatre\, upcoming at Hampstead Theatre\, South Coast Rep\, Trinity Rep). She is writing the book for the musical adaptation of Madeleine L’Engle’s A Wrinkle in Time\, with music and lyrics by Heather Christian. Honors include the Doris Duke Artists Award\, Whiting Award\, Steinberg/ATCA Award\, American Academy of Arts and Letters literature award\, Horton Foote Prize\, Kesselring Prize\, Primus Prize\, a Hodder Fellowship at Princeton\, and the #1 and #2 plays on the 2017 Kilroys List. TV: ”Pachinko” (Apple)\, “Soundtrack” (Netflix)\, “Interior Chinatown” (Hulu)\, “Billions” (Showtime)\, “Clipped” (FX). She’s previously developed pilots for Netflix and Apple and is currently developing TV and feature projects for Netflix and Universal. BA: Yale\, MFA: UCSD. laurenyee.com
URL:https://potluckasianamerica.org/event/king-of-the-yees/
LOCATION:Signature Theatre\, 480 W 42nd St.\, New York\, NY\, 10036\, United States
CATEGORIES:Theater
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261006
DTEND;VALUE=DATE:20270111
DTSTAMP:20260805T153101Z
CREATED:20260805T153101Z
LAST-MODIFIED:20260805T153101Z
UID:10003008-1791244800-1799625599@potluckasianamerica.org
SUMMARY:Gen’ichirō Inokuma’s NYC Salon
DESCRIPTION:Gen’ichirō Inokuma’s NYC Salon is the first New York solo museum exhibition of the Japanese modern artist Gen’ichirō Inokuma (1902–1993). Organized by Japan Society Gallery in collaboration with the Marugame Genichiro-Inokuma Museum of Contemporary Art (MIMOCA) in Marugame\, Japan\, the exhibition explores Inokuma’s paintings shown at the Willard Gallery and various multimedia works created during his twenty-year residence in NYC (1955–1975). Along with important holdings from MIMOCA\, the exhibition presents Inokuma’s works in the Japan Society collection and the recently discovered Hirose Family Collection. \nInokuma’s Manhattan sojourn was shaped by meaningful connections with the American avant-garde: Jasper Johns\, Mark Rothko\, Robert Rauschenberg\, Alexander Calder\, David Smith\, Isamu Noguchi\, Yoko Ono\, John Cage\, Merce Cunningham\, and many others. Inokuma and his wife\, Fumiko\, also served as a social and cultural bridge between American and visiting Japanese artists and architects\, often hosting gatherings at their New York apartments. The exhibition features photographs\, film footage\, and ephemera documenting these artistic interactions. \nBy illuminating Inokuma’s little-known role in postwar American art history\, NYC Salon brings new insights into New York City’s mid-20th-century art world—both its collaborative artistic atmosphere\, and its vibrant international social scene \nTimed Tickets: $20 Nonmembers\, $15 Students and seniors \nGallery Exhibition Hours\n\nTuesdays-Fridays: 11 am-5 pm\n\n\nSaturdays & Sundays: noon-6 pm\n\n\nFree First Fridays: 5 pm-7 pm*\n\n\n*October 9\, 2026; November 6\, 2026; December 4\, 2026\, January 8\, 2027
URL:https://potluckasianamerica.org/event/genichiro-inokumas-nyc-salon/
LOCATION:Japan Society\, 333 East 47th Street\, New York\, NY\, 10017\, United States
CATEGORIES:Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Genichiro-Art-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261015
DTEND;VALUE=DATE:20261026
DTSTAMP:20260918T013140Z
CREATED:20260918T013137Z
LAST-MODIFIED:20260918T013140Z
UID:10003400-1792022400-1792972799@potluckasianamerica.org
SUMMARY:1st New York Korean Independent Film Festival
DESCRIPTION:🎬 ANNOUNCING THE 1ST NEW YORK KOREAN INDEPENDENT FILM FESTIVAL (NYKIFF) 🎞️✨ \nMark your calendars! This October\, the Korean Cultural Center New York proudly presents the inaugural New York Korean Independent Film Festival (NYKIFF). \nDedicated to bold storytelling and visionary filmmaking\, NYKIFF brings the most compelling voices of contemporary Korean independent cinema to New York City—featuring 15 films and 10 special guests attending in person for screenings\, talks\, and Q&As. \nMore exciting details\, guest announcements\, and special events will be unveiled soon\, so stay tuned! 🔥 \n🗓️ FESTIVAL DATES\nOctober 15 – October 25\, 2026 \n📍 LOCATION\nKorean Cultural Center New York\n(122 E 32nd St\, New York\, NY) \n⏰ MARK YOUR CALENDAR:\n📢 Full Lineup Reveal: Tuesday\, Sept 22 @ 12:00 PM EST\n🎟️ RSVP Open: Thursday\, Sept 24 @ 12:00 PM EST
URL:https://potluckasianamerica.org/event/1st-new-york-korean-independent-film-festival/
LOCATION:Korean Cultural Center New York\, 122 East 32nd Street\, New York\, NY\, 10016\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/KCS-Film-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261018
DTEND;VALUE=DATE:20261020
DTSTAMP:20261009T005500Z
CREATED:20261009T005500Z
LAST-MODIFIED:20261009T005500Z
UID:10003523-1792281600-1792454399@potluckasianamerica.org
SUMMARY:NAAP's The Music Man (Concert Version)
DESCRIPTION:NAAP exists to lead in educating\, cultivating\, and stimulating audiences and artists\, current and future\, by showcasing exceptional work by vibrant artists of AANHPI descent. With a uniquely compelling American voice\, NAAP brings Meredith Willson’s Tony Award-winning musical comedy to the concert stage. \n​Wicked\, funny\, warm\, and romantic\, The Music Man follows fast-talking salesman Harold Hill as he cons River City\, Iowa\, into funding a boys’ band he can’t lead\, until he falls for Marian the librarian and finds himself transformed. It’s a story to be shared by every generation.
URL:https://potluckasianamerica.org/event/naaps-the-music-man-concert-version/
LOCATION:Ailey Citigroup Theater\, 405 W 55th St.\, New York\, NY\, 10019\, United States
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/10/Music-Man-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261018T171500
DTEND;TZID=America/New_York:20261020T181500
DTSTAMP:20260927T182824Z
CREATED:20260927T182400Z
LAST-MODIFIED:20260927T182824Z
UID:10003470-1792343700-1792520100@potluckasianamerica.org
SUMMARY:“Choreographies of Care” by Kim Ye
DESCRIPTION:The 30-minute movement-based performance combines choreography from the Asian tradition of park dancing with US military parade sequences\, Qigong\, and gestures taken from pregnancy\, childrearing\, and sex work. Performed by an intergenerational ensemble to a score that layers Chinese nursery rhymes\, traditional East Asian instrumentals\, in utero recordings\, and “Taps\,” the piece proposes caregiving as a form of national service that requires the sacrifice of feminized\, immigrant\, and Asian bodies. \nThe performance will be documented by aerial drone for further development as a video piece\, rendering heroic bodies that rupture under the collective weight of care. \nPERFORMED BY: Anh Vo\, Gentle Mothh\, Jas Lin\, Kim Ye\, and Tina Ye \nCHOREOGRAPHED BY: Jas Lin\, Gentle Mothh \nORIGINAL SCORE BY: Micah Huang\, featuring Tina Ye \nCOSTUME DESIGN BY: Gumamela Bloom\, made by House of Bloom
URL:https://potluckasianamerica.org/event/choreographies-of-care-by-kim-ye/
LOCATION:Model Airplane Field (Flushing Meadows Corona Park)\, Forest Hills\, NY\, 11375\, United States
CATEGORIES:Performance
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/CoC_graphic-landscape_FINAL.jpeg
GEO:40.73280633821;-73.836984622089
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261019T110000
DTEND;TZID=America/New_York:20261019T180000
DTSTAMP:20260902T192801Z
CREATED:20260902T192801Z
LAST-MODIFIED:20260902T192801Z
UID:10003281-1792407600-1792432800@potluckasianamerica.org
SUMMARY:Smorgasburg Diwali: Festival of Bites
DESCRIPTION:Join us for the first-ever Smorgasburg Diwali: Festival of Bites in partnership with @browngirlmag! \nA two-day celebration of South Asian flavors\, culture\, and community — featuring guest vendors\, specials from our resident vendors\, and plenty of festive surprises 🎉\n📍 Sunday\, Oct 19 — Prospect Park • 11AM – 6PM \nVendor Highlights 🍴:\n🥪 Vada Pav by @fontainhas_dukaan\n🌯 Paratha Rolls by @kolachirolls\n🍪 Rasmalai Cookies by @doughnitgoods\n🥟 Fuchka by @themonkeykingnyc\n🍬 Mithai by @tagmonyc\n☕ Chai by @chaistreet.co\n🍩 Indian Fusion Desserts by @kneadsomeloveny\n🥞 Dosas by @dosa.brooklyn\n🍗 Mala Fried Chicken by @chippow_nyc\n🌮 Butter Chicken Tacos by @tacomahalnyc\n🥜 Indian Fusion Snacks by @baabufoods\n🍂 Organic Teas by @ayursomewellness \n🎶💃 Plus!\n🎧 Beats by @discoauntie\n💃 Traditional dance by @columbiaraas\n🎨 Interactive Rangoli by @sam.hit.a\n🤲 Henna by @mehendibymonika\n🛺 Mock Indian wedding pics by @ragstorickshaws\n🎨 Arts and Crafts with @theculturetree \nCelebrate\, eat\, and vibe with us at the Festival of Lights — Smorg style 🪔🍴💛
URL:https://potluckasianamerica.org/event/smorgasburg-diwali-festival-of-bites/
LOCATION:Prospect Park\, Brooklyn
CATEGORIES:Festival,Food,Mental Health
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Diwali-Smorgasburg-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261020T180000
DTEND;TZID=America/New_York:20261020T190000
DTSTAMP:20260915T013722Z
CREATED:20260915T013722Z
LAST-MODIFIED:20260915T013722Z
UID:10003382-1792519200-1792522800@potluckasianamerica.org
SUMMARY:Book Launch | Needlemouth by K-Ming Chang
DESCRIPTION:ABOUT THE BOOK \nFrom the award-winning author of Bestiary\, three cousins are forced to complete an impossible and violent task set by a vengeful demon. \nCousins Cindy\, Yangyang\, and Mandy’s hot\, tedious summer unfolds in their grandmother’s hauntingly familiar house. Mandy\, the eldest\, seeks connection online and exchanges emails with a stranger. Yangyang\, the youngest\, retreats into her own imagination in search of meaning. But every morning Cindy wakes with strange objects in her mouth: a button\, a berry\, a coin. \nOne night\, a starved figure with a mouth the size of a needle-tip appears at Cindy’s bedside. She is hunger-afflicted\, a demon with no descendants to feed from: she is Needlemouth. Part vampire\, part hungry ghost\, Needlemouth forces the girls into a grim task to end a man’s life. \nCindy\, Yangyang\, and Mindy are plunged in and out of the demon realm\, where they are called to break out of the indifference and numbness of their claustrophobic worlds\, and where they are met with the most rageful and resistant parts of themselves. In a quest to satisfy the demon’s hunger\, they unravel their shared grief and reckon with the cyclical violence that shaped their family. For readers of Akwaeke Emezi and Carmen Maria Machado\, K-Ming Chang has crafted a reimagined coming of age novel that asks: what does it mean to become the monster instead of slaying it? \nABOUT THE AUTHOR \nK-Ming Chang is a Lambda Literary Award winner\, a National Book Foundation 5 Under 35 honoree\, a Kundiman Fellow\, and an O. Henry Prize Winner. She is the author of the novel BESTIARY (One World/Random House\, 2020)\, which was shortlisted for the Faulkner Award and longlisted for the Center for Fiction First Novel Prize\, the VCU Cabell First Novelist Award\, and the Otherwise Award. In 2021\, her chapbook BONE HOUSE was published by Bull City Press. Her story collection GODS OF WANT (One World/Random House) won a Lambda Literary Award\, and her books have been translated into Spanish\, Chinese\, Korean\, German\, Turkish\, and other languages. Her most recent books are ORGAN MEATS (One World\, 2023) and a novella titled CECILIA (Coffee House Press\, 2024). In 2026\, she will be making her YA debut with STRAIGHT TO THE SOURCE\, a romance forthcoming from Holiday House\, and her second YA project\, a novel-in-verse titled GIRL GODS\, will be forthcoming from Kokila (Penguin Random House) in 2027. Her writing is most frequently described as “not for everybody” and occasionally described as “for the freaks.” \nIN CONVERSATION WITH \nAlice Evelyn Yang is a Chinese American writer from Norfolk\, Virginia based in New York. Her debut novel\, A Beast Slinks Towards Beijing\, is out now from William Morrow and DeadInk Books. Her shorter work is published in Michigan Quarterly Review\, Apogee\, The Rumpus\, and AAWW’s The Margins\, among others. She is the recipient of the 2022-23 Jesmyn Ward Prize from MQR. Her work explores themes of environmental racism\, immigration\, intergenerational trauma\, and critical fabulation. She is at work on a second novel.
URL:https://potluckasianamerica.org/event/book-launch-needlemouth-by-k-ming-chang/
LOCATION:Yu and Me Books\, 44 Mulberry St.\, New York\, NY\, 10013\, United States
CATEGORIES:Book,Discussion
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/K-MingChang-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261020T183000
DTEND;TZID=America/New_York:20261020T200000
DTSTAMP:20261004T161154Z
CREATED:20261004T160758Z
LAST-MODIFIED:20261004T161154Z
UID:10003518-1792521000-1792526400@potluckasianamerica.org
SUMMARY:Silent Film in Sound w/the Stephanie Chou Quintet: The Curse of Quon Gwon
DESCRIPTION:Free concert for the public\, featuring a jazz ensemble led by Stephanie Chou with erhu musician\, Andy Lin. The first act will highlight jazz arrangements of Chinese folk songs and original compositions by Stephanie Chou. Followed by a screening of the silent film\, “The Curse of Quon Gwon” accompanied by live music from the jazz ensemble. \nThe Curse of Quon Gwon (Dir. Marion E. Wong\, 1916\, 33min.) is a pioneering\, partially lost silent film\, and the earliest known Chinese-American feature film. It’s one of the first films directed by a woman in the United States.The members of a Chinese family living in the US have a curse put upon them for becoming too “westernized”. \n \nStephanie Chou (composer/saxophonist/singer) seamlessly blends influences from her Chinese heritage with Western jazz and pop to create a bracingly original sound. With her band\, she will bring a unique cross-cultural expression and artistic vision to the stage for an evening treat for cinephiles and music aficionados alike. These vibrant scores pair music and movies in both traditional and innovative ways. \nABOUT THE ARTIST:‍ ‍Stephanie Chou is a composer/saxophonist/singer who blends influences from her Chinese heritage with Western jazz and pop to create a bracingly original sound. She’s performed at Carnegie Hall\, Lincoln Center\, Joe’s Pub\, City Winery\, and in jazz festivals across the US and Asia where her music creates immediate cross-cultural connections
URL:https://potluckasianamerica.org/event/silent-film-in-sound-w-the-stephanie-chou-quintet-the-curse-of-quon-gwon/
LOCATION:Elizabeth Street Garden\, Elazabeth Street\, New York\, NY\, 10012\, United States
CATEGORIES:Film,Music
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/10/GardenConcert_AdoraWang-85-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261020T183000
DTEND;TZID=America/New_York:20261020T213000
DTSTAMP:20260902T204020Z
CREATED:20260902T203912Z
LAST-MODIFIED:20260902T204020Z
UID:10003288-1792521000-1792531800@potluckasianamerica.org
SUMMARY:2026 Asia Game Changer Awards and Dinner
DESCRIPTION:The Asia Game Changer Awards\, launched by the Asia Society in New York in 2014\, are designed to fill a vital gap\, identifying and honoring true leaders who are making a positive contribution to the future of Asia. These awards are bestowed annually to individuals\, organizations\, and movements that have inspired\, enlightened\, and shown true leadership in areas that reflect Asia Society’s core pillars of policy and business\, arts and culture\, and education. \nAsia Society is thrilled to honor these people and their achievements\, and to share their triumphs with the rest of the world\, as they are each living representatives of the Asia Society mission: to promote mutual understanding and strengthen partnerships among peoples\, leaders\, and institutions of Asia\, the United States\, and the world. Nominations for the Asia Game Changers are solicited from the Asia Society global network. We invite you to join us in creating the atmosphere and conditions for future Asia Game Changers to develop and thrive. \nInaugural Mr. and Mrs. John D. Rockefeller 3rd Asia Game Changers Lifetime Achievement Award\nLulu C. Wang and Henrietta Holsman Fore \n2026 Honorees (list in formation): \nDavid and Susan Rockefeller \nSungai Watch \nArn Chorn-Pond \nFor more information about the Asia Game Changer Awards\, please contact Mariel Pezik Pajoow\, Director of Special Events\, at mpajoow@asiasociety.org.
URL:https://potluckasianamerica.org/event/2026-asia-game-changer-awards-and-dinner/
LOCATION:Cipriani\, 25 Broadway\, New York\, NY\, 10004\, United States
CATEGORIES:Gala
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/2026-Asia-Game-Changer-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261021T183000
DTEND;TZID=America/New_York:20261021T200000
DTSTAMP:20260929T031502Z
CREATED:20260929T031502Z
LAST-MODIFIED:20260929T031502Z
UID:10003502-1792607400-1792612800@potluckasianamerica.org
SUMMARY:Books in Conversation: Jiyoung Hand and Alice Evelyn Yang
DESCRIPTION:We invite you to an evening of books and humanitarian fundraising on October 21st. \nThroughout our publication season\, we noticed our titles in conversation with another: A Beast Slinks Towards Beijing and Honey in the Wound both share themes of anti-imperialism and magical realism as a means to explore intergenerational trauma and the legacy of Japanese colonialism. We wanted to use our books and platform to fundraise for the @rescueorg’s global humanitarian work\, for while our fictional characters remain in history\, the horrors of war they faced continue to affect many people today.
URL:https://potluckasianamerica.org/event/books-in-conversation-jiyoung-hand-and-alice-evelyn-yang/
LOCATION:The People’s Forum\, 320 West 37th St.\, New York\, NY\, United States
CATEGORIES:Book,Discussion
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Books-in-Convo-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261021T183000
DTEND;TZID=America/New_York:20261021T203000
DTSTAMP:20261004T161702Z
CREATED:20261004T161702Z
LAST-MODIFIED:20261004T161702Z
UID:10003519-1792607400-1792614600@potluckasianamerica.org
SUMMARY:Code-Switch Story Slam with Vietnamese Boat People
DESCRIPTION:Vietnamese Boat People is back at the Think!Chinatown Studio for the 7th Annual Story Slam—an evening of live storytelling\, community\, and connection. This year\, VBP invites 5 storytellers to share around the theme “Code-Switch”. Come celebrate our brave storytellers and leave inspired to keep telling your own stories too. \nStory Slam is an annual program  featuring 5 storytellers selected through an open call process to perform live. This program is presented by Vietnamese Boat People in collaboration with Think!Chinatown and hosted at Think!Chinatown Studio.
URL:https://potluckasianamerica.org/event/code-switch-story-slam-with-vietnamese-boat-people/
LOCATION:Think!Chinatown\, 1 Pike Street\, New York\, NY\, 10002\, United States
CATEGORIES:Storytelling
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/10/Viet-Slam-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261021T190000
DTEND;TZID=America/New_York:20261021T203000
DTSTAMP:20260909T023015Z
CREATED:20260909T023015Z
LAST-MODIFIED:20260909T023015Z
UID:10003326-1792609200-1792614600@potluckasianamerica.org
SUMMARY:Feng E
DESCRIPTION:At just 19 years old\, the Taiwanese virtuoso has already established himself as one of the most extraordinary young ukulele artists in the world—and on Wednesday\, October 21\, he takes the stage at **The Cutting Room in New York City.** \nFeng first attracted worldwide attention at only 10 years old when his breathtaking performance of Tommy Emmanuel’s arrangement of “Classical Gas” went viral. \nThen came **two appearances on *The Ellen DeGeneres Show***\, David Foster’s **Golden Buzzer on *Asia’s Got Talent*** and a run to the quarter-finals of *America’s Got Talent*. \nSince then\, Feng has grown from an astonishing child prodigy into a formidable young artist\, performing internationally\, winning competitions\, composing his own music and building a worldwide following with millions of video views. \nHis performances take the ukulele into an entirely new musical world. \nVirtuosic fingerstyle. Percussion. Rhythm. Melody. Intricate arrangements. Extraordinary technique. \nBut technique is only part of the story. \n**Feng E is an exceptional live performer.** \nThere is energy\, imagination and genuine musicality behind everything he plays—and the ukulele becomes capable of things you may never have imagined. \nIf you’ve watched Feng E online\, **come experience the real thing.** \nIf you’re discovering him for the first time\, this is your opportunity to see one of the most exciting young artists in the international ukulele world. \n📍 **The Cutting Room – New York City**\n📅 **Wednesday\, October 21**\n🚪 **Doors 6 PM | Show 7 PM**
URL:https://potluckasianamerica.org/event/feng-e/
LOCATION:The Cutting Room\, 44 E 32nd St.\, New York\, NY\, 10016\, United States
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Feng-E-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261021T190000
DTEND;TZID=America/New_York:20261021T220000
DTSTAMP:20260926T223110Z
CREATED:20260926T222818Z
LAST-MODIFIED:20260926T223110Z
UID:10003429-1792609200-1792620000@potluckasianamerica.org
SUMMARY:The Love of Truman 트루먼의 사랑
DESCRIPTION:KIM DUKJOONG 김덕중 • 2025 • Fiction • 146 min \n\n\n🎬 Special Screening \n🗓️ Wednesday\, October 21 • 7:00 PM\n📍 Korean Cultural Center New York\n(122 E 32nd Street\, New York\, NY 10016) \nSynopsis \nHyun-shik happens to meet Jee-yeon on the subway. The film begins with the story she tells him. Jee-yeon claims that their world is an artificial reality\, like the set of The Truman Show. She explains that strange phenomena known as “errors” occasionally occur. When an “error” happens\, the people in this world repeat whatever they were doing before gradually coming to a stop. Only a Truman remains unaffected by the “error” and can move freely. Saying that she is searching for another Truman besides herself\, Jee-yeon asks Hyun-shik an enigmatic question: \n“Are you a Truman?” \nAwards & Festival Selections \n\n30th Busan International Film Festival — Vision Section\, Official Selection\n\n  \nTicket: FREE (RSVP REQUIRED) \n\nRSVP and seating are first come\, first served.\nLimited same-day standby tickets available.\nCancellations must be made at least 48 hours in advance.\nYour tickets will be released to the standby line 10 minutes before the show\, so we recommend you arrive early to secure your seats.\nAll films featuring Korean dialogue will have English subtitles available.\nFor additional questions\, please contact: film@koreanculture.org\n\n  \nPresented by Korean Cultural Center New York \nFor more details: www.koreanculture.org/films/2026/10/15/the-1st-nykiff
URL:https://potluckasianamerica.org/event/the-love-of-truman-%ed%8a%b8%eb%a3%a8%eb%a8%bc%ec%9d%98-%ec%82%ac%eb%9e%91/
LOCATION:Korean Cultural Center New York\, 122 East 32nd Street\, New York\, NY\, 10016\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Truman-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261021T193000
DTEND;TZID=America/New_York:20261021T203000
DTSTAMP:20260915T015016Z
CREATED:20260915T014714Z
LAST-MODIFIED:20260915T015016Z
UID:10003383-1792611000-1792614600@potluckasianamerica.org
SUMMARY:Na Zhong with Rachel Heng
DESCRIPTION:Na Zhong presents Three\nIn conversation with Rachel Heng\nWine reception to follow \nNa Zhong\, writer\, translator\, and co-founder of Accent Accent\, presents her debut novella Three\, an expansive yet personal story of a prideful teacher\, her husband\, their quietly rebellious daughter\, and a town changed by the breakneck pressures of modernization. “A story of recent China but also a universal tale of young women’s emancipation\, Three is a taut and nuanced excavation of maternal love\, family bond\, and the cost of ambition and change\,” (Yiyun Li\, author of The Book of Goose)—for fans of Annie Ernaux’s The Years. Zhong reads and discusses the book with award-winning novelist Rachel Heng (The Great Reclamation)\, before an audience Q&A and signing.
URL:https://potluckasianamerica.org/event/book-launch-three-by-na-zhong/
LOCATION:Greenlight Bookstore\, 686 Fulton Street\, Brooklyn\, NY\, 11217\, United States
CATEGORIES:Book,Discussion
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Na-Zhong-2-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261021T193000
DTEND;TZID=America/New_York:20261021T220000
DTSTAMP:20260927T184209Z
CREATED:20260927T184209Z
LAST-MODIFIED:20260927T184209Z
UID:10003473-1792611000-1792620000@potluckasianamerica.org
SUMMARY:Unsound New York: FUJI|||||||||||TA & Ka Baird / Actress / Team Rolfes
DESCRIPTION:Unsound\, the Kraków-based avant-garde music festival\, kicks off its 2026 season in NYC with an astonishing three-set evening of US premieres and Lincoln Center debuts. Japanese sound artist FUJI|||||||||||TA joins composer-performer Ka Baird for the North American premiere of the Unsound commission\, Where Does Fire End?\, which sculpts breath\, pressure\, and resonance into tactile sound for an exploration of voice as tangible artistic material. Next\, electronic music pioneer and maverick Actress will present the US premiere of his new A/V show Radical Frame\, a landmark performance that reshapes and re-engineers Actress’s new and past output\, with an immersive visual experience by Polish artist Filip Popik and lighting design by Shaun Murphy. Closing the night is a special production of Mustang Speedrun\, a multimedia theater work by the virtual performance studio Team Rolfes\, featuring VR puppetry\, motion capture\, stage actors\, musicians\, a motorized racing simulator chair\, and edited-in-the-moment camerawork; musicians and actors to be announced.
URL:https://potluckasianamerica.org/event/unsound-new-york-fujita-ka-baird-actress-team-rolfes/
LOCATION:Alice Tully Hall\, 1941 Broadway\, New York\, NY\, 10023\, United States
CATEGORIES:Performance
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Fujita-copy.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261021T200000
DTEND;TZID=America/New_York:20261021T220000
DTSTAMP:20260926T225135Z
CREATED:20260926T224942Z
LAST-MODIFIED:20260926T225135Z
UID:10003435-1792612800-1792620000@potluckasianamerica.org
SUMMARY:ASIAN FEMINIST HORROR Panel: Featuring NEEDLEMOUTH
DESCRIPTION:Join us for a special evening as we celebrate Asian Feminism in Horror! \n\nWe’re celebrating K-Ming Chang‘s new novel\, NEEDLEMOUTH\, with a special panel at The Twisted Spine! Join K-Ming Chang\, Catherine Dang (WHAT HUNGER)\, Cassandra Khaw (FIND ME WHERE IT ENDS)\, and Jade Song (CHLORINE) as they discuss modern Asian Feminist perspectives in Horror. Chandra Claypool (@wherethehorrorsgrow) serves as moderator for this special event. \nCan’t make the event? Preorder your signed copy of NEEDLEMOUTH here! \nAbout NEEDLEMOUTH: \nCousins Cindy\, Yangyang\, and Mandy’s hot\, tedious summer unfolds in their grandmother’s hauntingly familiar house. Mandy\, the eldest\, seeks connection online and exchanges emails with a stranger. Yangyang\, the youngest\, retreats into her own imagination in search of meaning. But every morning Cindy wakes with strange objects in her mouth: a button\, a berry\, a coin. \nOne night\, a starved figure with a mouth the size of a needle-tip appears at Cindy’s bedside. She is hunger-afflicted\, a demon with no descendants to feed from: she is Needlemouth. Part vampire\, part hungry ghost\, Needlemouth forces the girls into a grim task to end a man’s life. \nCindy\, Yangyang\, and Mindy are plunged in and out of the demon realm\, where they are called to break out of the indifference and numbness of their claustrophobic worlds\, and where they are met with the most rageful and resistant parts of themselves. In a quest to satisfy the demon’s hunger\, they unravel their shared grief and reckon with the cyclical violence that shaped their family. For readers of Akwaeke Emezi and Carmen Maria Machado\, K-Ming Chang has crafted a reimagined coming of age novel that asks: what does it mean to become the monster instead of slaying it \n  \n\nK-Ming Chang is a Lambda Literary Award winner\, a National Book Foundation 5 Under 35 honoree\, and an O. Henry Prize winner. She is the author of Bestiary\, Gods of Want\, Organ Meats\, and a novella titled Cecilia. She has been longlisted for the Center for Fiction First Novel Prize\, the VCU Cabell First Novelist Award\, and the Otherwise Award. \nCatherine Dang is the author of the novels Nice Girls and What Hunger. A graduate of the University of Minnesota\, she currently resides in Brooklyn. \nCassandra Khaw is the USA Today bestselling and Bram Stoker Award-winning author of The Library at Hellebore\, Nothing But Blackened Teeth\, The Salt Grows Heavy\, Breakable Things\, and coauthor of The Dead Take the A Train with Richard Kadrey. They are an award-winning game writer. \nJade Song is an artist and the author of novels I Love You Don’t Die and Chlorine\, which was lauded as “visionary and disturbing\,” won the Alex Award and the Writer’s Center First Novel Prize\, and translated into five languages. Her third book\, Ox Ghost Snake Demon\, is a short story collection structured around the Chinese zodiac animals forthcoming January 2027. They pole dance and live with too many books in Brooklyn. \nChandra Claypool is a Queens based reader whose favorite genres are horror and psychological thrillers. Chandra has been consuming horror since the age of eight\, and now proudly reviewing for Cemetery Dance Online and Scream Horror Magazine. You can find her on Instagram and TikTok under @wherethehorrorsgrow\, talking about horror and thriller books and movies. \nEvent guidelines: \nAuthors will be avialble for signing after the panel. \nIf you have any questions about the guidelines or to request accessibility accommodations\, please contact info@twistedspinebooks.com.
URL:https://potluckasianamerica.org/event/asian-feminist-horror-panel-featuring-needlemouth/
LOCATION:The Twisted Spine\, 306 Grand Street\, Brooklyn\, NY\, 11211\, United States
CATEGORIES:Book,Discussion
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DTSTART;VALUE=DATE:20261022
DTEND;VALUE=DATE:20261023
DTSTAMP:20260902T191438Z
CREATED:20260902T191438Z
LAST-MODIFIED:20260902T191438Z
UID:10003279-1792627200-1792713599@potluckasianamerica.org
SUMMARY:Diwali on the Hudson
DESCRIPTION:Join us this October to celebrate the Festival of Lights in the heart of New York City while creating meaningful impact for women and children in rural India. \nNow in its 13th year\, Diwali on the Hudson has become one of NYC’s most anticipated Diwali celebrations! Each year brings together philanthropists\, professionals\, creatives\, and changemakers for a night of culture\, connection\, and purpose. \nEvery ticket purchased directly supports the Desai Foundation’s programs focused on health\, livelihood\, and menstrual equity across rural India. \n📍 HK Hall\, New York City\n📅 October 22\, 2026\n⏰ 7:00 PM onwards
URL:https://potluckasianamerica.org/event/diwali-on-the-hudson/
LOCATION:HK Hall\, 605 West 48 St.\, New York\, NY\, 10036\, United States
CATEGORIES:Festival
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20261022
DTEND;VALUE=DATE:20261023
DTSTAMP:20261011T205314Z
CREATED:20261011T205314Z
LAST-MODIFIED:20261011T205314Z
UID:10003535-1792627200-1792713599@potluckasianamerica.org
SUMMARY:Rooted in Community: MinKwon Center Annual Gala
DESCRIPTION:This year\, MinKwon Center for Community Action will celebrate its 42nd anniversary with our gala\, “Rooted In Community.” As we honor our past achievements and look towards our future\, we invite you to partner with us for our 42nd Anniversary Gala\, which will take place on October 22\, 2026 at the Riverside Church in Morningside Heights. Our 42nd year celebration provides a moment to reflect on our collective journey — the challenges we’ve faced\, the victories we’ve won\, and the work that lies ahead. It’s also a time to recommit ourselves to serving and empowering our community\, especially in times of uncertainty.​ \nTogether we build America’s future.​ \nMinKwon’s 42nd Anniversary Gala will bring together over 200 attendees. With your support\, MinKwon can continue to provide our community members with free-of-cost services and programming\, in addition to advocacy and organizing efforts throughout the New York Metropolitan area. As a sponsor\, you will help us (1) advocate for those who fall through the gaps in our society\, (2) provide culturally and linguistically appropriate services\, (3) strengthen MinKwon’s infrastructure and grow as an organization\, and (4) dream big about our future.​ \nWe invite you to join us in cultivating a culture of community action with a sponsorship that helps enrich our community. For any inquiries\, please write to gala@minkwon.org or call (718) 460-5600 x315.
URL:https://potluckasianamerica.org/event/rooted-in-community-minkwon-center-annual-gala/
LOCATION:The Riverside Church\, 490 Riverside Drive\, New York\, NY\, 10027\, United States
CATEGORIES:Gala
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DTSTART;VALUE=DATE:20261022
DTEND;VALUE=DATE:20270125
DTSTAMP:20260902T205725Z
CREATED:20260902T205725Z
LAST-MODIFIED:20260902T205725Z
UID:10003291-1792627200-1800835199@potluckasianamerica.org
SUMMARY:Hilda Shen: Their Landscapes
DESCRIPTION:Hilda Shen’s Their Landscapes inaugurates Solo Artist Projects (SAP)\, a MOCA initiative dedicated to presenting compelling artistic voices through one-person exhibitions of new work. The Brooklyn-based artist will present an arrangement of recent ceramic sculptures and prints in the museum’s Cheng Gallery. \nShen’s artistic practice is characterized by an inquisitive scrutiny of nature and an instinct for deconstruction. The forms can appear both ancient and futuristic\, naturally occurring and handmade\, undergoing construction and decay. Their details and motifs open up conversations that cut across post-minimalism\, Chinese landscape painting\, and architectural space. \nAbout the artist \nHilda Shen was born in Minneapolis (1954) and spent much of her childhood in upstate  New York before settling in New York City in the 1970s. Her father grew up in Beijing while her mother was raised in Hangzhou. Shen studied classical music at Oberlin College before shifting to the visual arts. She lives and works in Brooklyn. \nShen’s sculpture\, prints\, drawings\, and installations have been shown throughout the New York City area\, Seattle\, and Beijing\, and most recently in a solo show at Starr Suites in Brooklyn. She has created large installations at WaveHill in the Bronx\, the Tenri Cultural Center in NY\, China2000 in NY\, and the Smithsonian Flushing Town Hall in Queens. She has been an artist in residence at Willapa Bay AIR\, The Bloedel Reserve\, Millay Colony for the Arts\, Yosemite National Park\, and Platte Clove. Her work is in private collections in the United States\, Belgium\, and Beijing. Shen’s work has been reviewed in The New York Times\, The Brooklyn Rail\, ArtAsiaPacific\, and ARTnews. \nAbout Solo Artist Projects \nMOCA’s Solo Artist Projects (SAP) embraces a broad and open-ended exploration of contemporary art\, presenting a wide range of mediums\, practices\, traditions and ideas. It will feature artists of Chinese descent\, living and working in New York City. SAP will be a space for artists with established careers\, emerging artists\, those who live and work in and around Chinatown\, and art historical figures who deserve institutional attention. We will begin accepting submissions for Solo Artists Projects through an open call process in early 2027\, eligible to NYC-based artists of Chinese descent. Details forthcoming on MOCA’s website.
URL:https://potluckasianamerica.org/event/hilda-shen-their-landscapes/
LOCATION:Museum of Chinese in America (MOCA)\, 215 Centre Street\, New York\, NY\, 10013\, United States
CATEGORIES:Art,Art Exhibit
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DTSTART;TZID=America/New_York:20261022T170000
DTEND;TZID=America/New_York:20261022T190000
DTSTAMP:20260828T170248Z
CREATED:20260828T170248Z
LAST-MODIFIED:20260828T170248Z
UID:10003254-1792688400-1792695600@potluckasianamerica.org
SUMMARY:Coffee & Canvass
DESCRIPTION:Walk the neighborhood with us and help build a real-time database of Chinatown’s storefronts! \nVolunteers who register will receive a code for free co-working (9am–5pm) at the Hub for the day of the event. \nWhy canvass storefronts? \n​Chinatown has been on the defensive for decades. Critical support often only arrives after it’s too late: After a legacy business closes\, after a block loses its character\, after displacement is irreversible. To change that\, we need to understand what’s happening in real time. \nThrough storefront canvassing\, we can: \n\nTrack closures and openings\, and see what businesses immediately need WtC support\nSpot trends in business types\, and identify commercial corridor shifts – what’s growing\, what’s disappearing\nAdvocate with real evidence\, and give policymakers and media the data they need to support Chinatown’s future\nPreserve culture and legacy by building a historical record of Chinatown’s commercial corridor\n\n​This is a monthly event that will take place every 4th Thursday of the month
URL:https://potluckasianamerica.org/event/coffee-canvass-2/
LOCATION:Welcome to Chinatown\, 115 Bowery\, New York\, NY\, 10002\, United States
CATEGORIES:Small Business
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