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X-WR-CALDESC:Events for Potluck Asian America
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DTSTART;VALUE=DATE:20260911
DTEND;VALUE=DATE:20260928
DTSTAMP:20260913T140004Z
CREATED:20260913T122525Z
LAST-MODIFIED:20260913T140004Z
UID:10003372-1789084800-1790553599@potluckasianamerica.org
SUMMARY:Guest House: Welcome Home
DESCRIPTION:Portraiture is as old as the pharaohs of Egypt. While mediums such as drawing\, painting\, and photography dominate the practice\, rendering a three-dimensional likeness yielded astounding work across centuries\, from the chiseled marble of the Renaissance to Gian Lorenzo Bernini’s sensuous sculptures. Unlike marble\, stone\, or bronze\, wax possesses a luminosity that makes it ideal for human approximation. In the last century\, the art of the wax figure has evolved from commercial spectacle into a medium for serious artistic exploration. \nBased in Zhongshan\, China\, and with three decades of experience\, the artist Zhou Xuerong has created more than 900 wax figures through her studio Grand Orient Wax Art. In her first U.S. exhibition\, Guest House: Welcome Home\, she depicts human figures\, each a work of original artistic interpretation\, engaged in six rituals that shape Asian life. With a nod to American photographer Gregory Crewdson’s staged tableaux exploring the ennui of suburban life\, Zhou zooms in and situates her protagonists in common domestic scenes: sipping tea\, practicing calligraphy\, inserting acupuncture needles\, cooking with a wok\, sharing a meal\, and playing the erhu\, a two-stringed fiddle. \nEach figure is dressed in a qipao\, a historical silhouette that originated as loose-fitting military gowns worn by nobles during the Qing Dynasty. At the turn of the 20th century\, Shanghai became a center of international trade\, influencing local tailors to draw on Western design to nip the qipao’s waistline\, narrow its skirt\, and lengthen its side slit. Today\, the dress’s form is a fixture in both Eastern and Western fashion. \nThe figures’ faces evoke familiar presences — cultural icons reimagined and transplanted into a room where their identity dissolves into ambiguity\, fluctuating between the everyday and the uncanny. They sit at a tea table\, lift a calligraphy brush\, pluck at a classical instrument\, and together pose a critical question at the heart of the artist’s commentary: what happens when one culture’s icons are transposed into the traditions of another? \nZhou’s quiet interiority of place and person is an inheritance made visible — for insiders\, a mirror; for outsiders\, a window. We must consider how Chinese culture\, once mocked and derided\, has traveled\, and now shapes a global imagination. Above all\, Guest House: Welcome Home is a cultural bridge. Zhou illuminates connection through an emotive stillness: a turned wrist\, a pursed lip\, a downward gaze. Her wax guests partake in ritual as a form of welcome and practice as a gesture of love. \nGuest House: Welcome Home is an original work of fine art and cultural commentary by Zhou Xuerong. The exhibition is not sponsored by\, affiliated with\, or endorsed by any individual to whom the sculptures may bear a resemblance. \nDates: Sep 11 2026 to Sep 27 2026\nTimes: 12:00 PM – 6:00 PM
URL:https://potluckasianamerica.org/event/guest-house-welcome-home/
LOCATION:The Wang Contemporary\, 58 Bowery\, New York\, NY\, 10013\, United States
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Wang-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260911
DTEND;VALUE=DATE:20261122
DTSTAMP:20260902T215808Z
CREATED:20260902T215710Z
LAST-MODIFIED:20260902T215808Z
UID:10003297-1789084800-1795305599@potluckasianamerica.org
SUMMARY:Theresa Hak Kyung Cha: Multiple Offerings
DESCRIPTION:Artists Space presents “Multiple Offerings”\, the first retrospective in twenty-five years dedicated to the groundbreaking work of the artist Theresa Hak Kyung Cha. She produced an expansive range of works comprising performances for film and video\, installation\, photography\, artist’s books (including her genre-defying book Dictée from 1982)\, and works on paper\, which will fill Artists Space’s entire first floor. In her lifetime\, Cha contributed to experimental art scenes in New York City\, San Francisco\, Paris\, and beyond. Her work has had a quietly profound influence on subsequent generations of artists. \nAfter emigrating from South Korea to the United States\, Cha enrolled at UC Berkeley in 1969\, where she studied art practice\, comparative literature\, and film. Keenly attuned to the active role that audiences play in the creation of meaning\, she prioritized nonlinear narratives to allow for more open-ended forms of interpretation—what she termed a method of “Multiple Telling with Multiple Offering.” This retrospective adopts her framework to allow for a range of entry points into the work\, guiding visitors through the themes—memory\, displacement\, and the mutability of language\, among others—that recur in Cha’s oeuvre. \nCha moved to New York City in 1980\, where she supported herself with several jobs while pursuing her artistic career. She worked as an administrative assistant in the European Sculpture and Decorative Arts Department at the Metropolitan Museum of Art\, taught video art at Elizabeth Seton College in Yonkers\, and served as an editor at Tanam Press\, a publishing imprint dedicated to artists’ books that was founded by her friend and collaborator Reese Williams. \nOn November 5\, 1982\, Cha’s short but prolific career came to an end when she was murdered just weeks before her planned exhibition at Artists Space. At the time of her death\, Cha was producing a new photographic series inspired by her time working at the Met. Multiple Offerings presents that unfinished series of black-and-white prints alongside nearly one hundred artworks and archival materials from across her career\, highlighting the inventive\, playful\, and meditative methods of Cha’s practice.
URL:https://potluckasianamerica.org/event/theresa-hak-kyung-cha-multiple-offerings/
LOCATION:Artists Space\, 11 Cortlandt Alley\, New York\, NY\, 10013\, United States
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Theresa-Cha-copy.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260914
DTEND;VALUE=DATE:20270511
DTSTAMP:20260819T023556Z
CREATED:20260819T023258Z
LAST-MODIFIED:20260819T023556Z
UID:10003133-1789344000-1809993599@potluckasianamerica.org
SUMMARY:Teaching Asian American and Pacific Islander Histories Webinar Series
DESCRIPTION:As a valued friend of Foundations and Futures\, we cordially invite you to a free webinar series co-sponsored by the UCLA Asian American Studies Center\, UCLA Center X\, the American Federation of Teachers (AFT)\, and the National Education Association (NEA). The Teaching Asian American and Pacific Islander Histories Webinar Series will take place once a month on Mondays throughout the school year and will highlight chapters from the Foundations and Futures Multimedia Textbook. \nEach webinar session will take place via zoom on a Monday from 4:00-5:30 PM Pacific Time. \nSales end on Sep 14\, 2026 \nWebinar Schedule: \n\nSeptember 14\, 2026: We Are Here Because You Were There: Race\, Colonialism\, and Migration\nOctober 19\, 2026: Kānaka ʻŌiwi: Indigenous Hawaiian Identity\, Culture\, and Rebirth of the Sacred\nNovember 9\, 2026: Asian American Popular Culture: Representation\, Propaganda\, and the Media\nJanuary 11\, 2027: Asian American Exclusion: Aliens Ineligible to Citizenship\nFebruary 8\, 2027: Asian Americans in the US South: Labor\, Civil Rights\, and Identity\nMarch 8\, 2027: South Asian Americans before 1965: Stories of Perseverance\, Activism\, and Cultural Exchange\nApril 12\, 2027: Vietnamese American Experiences: Learning From Refugee Experiences\nMay 10\, 2027: Youth Organizing: Building Multiracial Solidarities\n\nSessions will feature a special guest presentation from one of the chapter authors. Two teachers will then present lesson plans and examples of use in their classrooms. \nYou can register for a webinar at this link: bit.ly/TeachingAAPI. On the Eventbrite link\, click “Check Availability” and select a session date and time. A pop-up with all the webinar sessions will appear and you can select all the sessions you would like to attend. You will receive a follow-up email with the Zoom link for each upcoming session.
URL:https://potluckasianamerica.org/event/teaching-asian-american-and-pacific-islander-histories-webinar-series/
LOCATION:
CATEGORIES:Education,History
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/UCLA-History.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260916
DTEND;VALUE=DATE:20260927
DTSTAMP:20260818T215029Z
CREATED:20260805T044221Z
LAST-MODIFIED:20260818T215029Z
UID:10003004-1789516800-1790467199@potluckasianamerica.org
SUMMARY:The Cherry Orchard
DESCRIPTION:Considered one of the great plays of the modern era\, Anton Chekhov’s final play about a family on the edge of ruin is radically reimagined by acclaimed director and dramatist Simon Stone\, who returns to the Armory following his blistering Obie-Award winning take on Federico García Lorca’s Yerma (2018). His refreshing adaptation resets the action from Russia to a rapidly transforming modern-day Seoul\, South Korea\, where the original noble siblings are now corporate heirs struggling to adapt to a world that has moved on without them\, suffocated by a rising middle class and wealthy self-made entrepreneurs. Caught between the past and the present\, hope and despair\, tradition and innovation\, the chaebol family is forced to grapple with the inevitable forces of change. \nJeon Do-yeon is well-known for her roles in You Are My Sunshine (2005) and Secret Sunshine (2007)\, for which she was awarded Best Actress at the 60th Cannes Film Festival and making her the first Korean actor to receive such recognition. The talented actress stars alongside Emmy-nominated actor Park Hae-soo of worldwide Squid Game fame as well as a stellar all-Korean ensemble cast in spontaneous\, immediate performances. Equal parts tragedy and comedy\, the story unfolds on a masterfully designed set by celebrated architectural designer Saul Kim that features a modern\, transparent glass house allowing audiences a voyeuristic peek into the characters’ private lives. An intimate\, bittersweet portrait that is deeply South Korean and yet universally moving\, this must-see reinterpretation is a timely reflection of loss\, change\, and social transformation. \nTickets start at $45 (including fees) \n🎟️ Special Offer for KCCNY followers!\n✨ Save 10% on tickets for all performances\n🎫 Use promo code: CHERRYKCCNY\n⏰ Offer valid through 11:59 PM (ET) on August 21\, 2026. Standard ticketing fees apply. \n🗣️ Performed in Korean with English captions. \nPhoto credit: Studio AL\, LG Arts Center
URL:https://potluckasianamerica.org/event/the-cherry-orchard/
LOCATION:Park Avenue Armory\, 643 Park Avenue\, New York\, NY\, 10065\, United States
CATEGORIES:In Person,Theater
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Cherry-Orchard-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260916
DTEND;VALUE=DATE:20261001
DTSTAMP:20260904T220910Z
CREATED:20260904T220737Z
LAST-MODIFIED:20260904T220910Z
UID:10003312-1789516800-1790812799@potluckasianamerica.org
SUMMARY:Tom Yum Week
DESCRIPTION:Something’s bubbling across New York 🌶️ \nTOM YUM WEEK\nSeptember 16–30\, 2026 \nA city-wide creative fest transforming Thai restaurants into creative spaces. Artists and creatives respond to special dishes\, signature food\, and drinks – creating multisensory experiences that go beyond the plate. \nEach collaboration takes a different form. \nSome live on the plate.\nSome on the wall.\nSome on a screen.\nSomewhere in between. \nOur first edition explores the theme YUM YUM YUM – inspired by the Thai idea of yum: to mix\, toss things around\, and somehow\, it usually comes together. \nYou can eat it.\nBut you might also watch it\, hear it\, read it\, or scan it. \nDifferent spots. Different mixes. One city-wide experiment. \n@charoenkrung_nyc\n@dockasianeatery\n@gigicurryandnoodlebar\n@godunknyc\n@katithaicuisinenyc\n@kru.bk\n@lalyn.nyc\n@luckybybar\n@narkaranyc\n@salathainyc\n@samyan.nyc\n@saolea.nyc\n@seathai_nyc\n@skyice_nyc\n@thaipavilion_nyc\n@vallatable\n@zabbputawn \nSeptember 16–30
URL:https://potluckasianamerica.org/event/tom-yum-week/
LOCATION:Multiple NYC locations
CATEGORIES:Food,Thai
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Tom-Yum-Week-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260917
DTEND;VALUE=DATE:20261014
DTSTAMP:20260928T233759Z
CREATED:20260928T231857Z
LAST-MODIFIED:20260928T233759Z
UID:10003500-1789603200-1791935999@potluckasianamerica.org
SUMMARY:Yuen Woo-ping Retrospective
DESCRIPTION:In a Hong Kong film industry overflowing with martial arts talent\, Yuen Woo-ping stands apart. His legendary influence\, in a career spanning more than five decades\, has earned him the widely celebrated\, industry-bestowed moniker “天下第一武指\,” which translates as “The Number One Martial Arts Director Under the Sky.” As both film director and action choreographer\, Yuen helped elevate martial arts cinema into a sophisticated art form\, blending technical precision with character\, poetry\, and astonishing physical invention. His choreography prioritizes movement legibility\, spatial clarity\, and expressive geometry over brute force\, reshaping the visual grammar of global action filmmaking. \nBorn into a family of Peking Opera performers\, Yuen grew up in a tradition where drama\, martial arts\, acrobatics\, and dance were inseparable—a heritage linking him to contemporaries like Jackie Chan and Sammo Hung\, who emerged from the same rigorous training. Yuen’s father\, Yuen Siu-tien\, an accomplished opera performer\, actor\, and martial arts director\, introduced his children to the film set. The Yuen siblings began as stunt performers and rose through the ranks. Together they formed the Yuen Clan\, becoming some of Hong Kong cinema’s most respected stunt performers and action directors. \nYuen’s first two films as a director\, Snake in the Eagle’s Shadow and Drunken Master (both 1978)\, launched Chan’s stardom. By shifting martial arts cinema away from solemn violence to wit\, personality\, and comedic invention\, the films established a template for Chan’s career. Yuen went on to collaborate with icons like Hung\, Jet Li\, Michelle Yeoh\, and Donnie Yen\, while consistently demonstrating an unparalleled ability to train performers of all backgrounds—including Hollywood stars like Keanu Reeves and Uma Thurman—in his intensive “fight camps.” \nYuen’s work on The Matrix (1999)\, which seamlessly integrates Hong Kong wirework—human-controlled harnesses and cables that propel and suspend performers—with science fiction\, fundamentally altered how Hollywood approaches action. With Crouching Tiger\, Hidden Dragon (2000) he showed that martial arts could deepen a film’s emotional and intellectual resonance as much as its spectacle. Yuen’s extraordinary adaptability made him the definitive collaborator for visually distinct auteurs as diverse as Stephen Chow\, Ang Lee\, Quentin Tarantino\, Tsui Hark\, the Wachowskis\, and Wong Kar Wai. Decades after his debut\, Yuen’s latest epic\, Blades of the Guardians (2026)\, proves his vision still dictates the rhythm of modern action cinema. \n\n\n\n\n\nIron Monkey (少年黃飛鴻之鐵馬騮).1993. Directed by Yuen Woo-ping\nTue\, Sep 29\, 4:30 p.m.\nThu\, Oct 8\, 6:30 p.m.\n\n\n\n\nFearless (aka Jet Li’s Fearless\, 霍元甲).\n2006. Directed by Ronny Yu\nTue\, Sep 29\, 7:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nKill Bill: Volume 2.\n2004. Directed by Quentin Tarantino\nWed\, Sep 30\, 4:00 p.m.\nSat\, Oct 10\, 6:30 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nBlades of the Guardians (鏢人:風起大漠).2026. Directed by Yuen Woo-ping\nWed\, Sep 30\, 7:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nIn the Line of Duty 4: Witness (皇家師姐IV：直擊證人).1989. Directed by Yuen Woo-ping\nThu\, Oct 1\, 4:30 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nIp Man 4: The Finale (葉問4：完結篇).2019. Directed by Wilson Yip\nThu\, Oct 1\, 7:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nOnce Upon a Time in China (黃飛鴻).\n1991. Directed by Tsui Hark\nFri\, Oct 2\, 4:00 p.m.\n\n\n\n\n\n\nThe Grandmaster (一代宗師). [Hong Kong cut].\n2013. Directed by Wong Kar Wai\nFri\, Oct 2\, 7:00 p.m.\n\n\n\n\n\nThe Matrix.\n1999. Written and directed by Lana and Lilly Wachowski\nSat\, Oct 3\, 4:00 p.m.\n\n\n\n\n\n\n\n\nThe Matrix Reloaded.\n2003. Written and directed by Lana and Lilly Wachowski\nSat\, Oct 3\, 7:00 p.m.\n\nSnake in the Eagle’s Shadow (蛇形刁手)\n1978. Directed by Yuen Woo-ping\nSun\, Oct 4\, 1:30 p.m.\n\n\n\n\n\n\n\n\n\n\nMaster Z: The Ip Man Legacy (葉問外傳：張天志).2018. Directed by Yuen Woo-ping\nSun\, Oct 4\, 4:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nFist of Legend (精武英雄).\n1994. Directed by Gordon Chan\nMon\, Oct 5\, 6:30 p.m.\nSun\, Oct 11\, 1:30 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nThe Miracle Fighters (奇門遁甲).1982. Directed by Yuen Woo-ping\nTue\, Oct 6\, 4:30 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nDreadnaught (勇者無懼).\n1981. Directed by Yuen Woo-ping\nTue\, Oct 6\, 7:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nTai Chi Master (太極張三豐).\n1993. Directed by Yuen Woo-ping\nThu\, Oct 8\, 4:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nOnce Upon a Time in China II (黃飛鴻之二：男兒當自強).\n1992. Directed by Tsui Hark\nFri\, Oct 9\, 4:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nDrunken Master (醉拳).\n1978. Directed by Yuen Woo-ping\nFri\, Oct 9\, 6:30 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nKill Bill: Volume 1.\n2003. Directed by Quentin Tarantino\nSat\, Oct 10\, 4:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nWing Chun (詠春).\n1994. Directed by Yuen Woo-ping\nSun\, Oct 11\, 4:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nThe Magnificent Butcher (林世榮).1979. Directed by Yuen Woo-ping\nTue\, Oct 13\, 4:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nCrouching Tiger\, Hidden Dragon (臥虎藏龍).\n2000. Directed by Ang Lee\nTue\, Oct 13\, 6:30 p.m.
URL:https://potluckasianamerica.org/event/yuen-woo-ping-retrospective/
LOCATION:Museum of Modern Art\, 11 West 53 Street\, New York\, NY\, 10019\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Yuen-Woo-Ping-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260917
DTEND;VALUE=DATE:20261018
DTSTAMP:20260818T233546Z
CREATED:20260818T233546Z
LAST-MODIFIED:20260818T233546Z
UID:10003124-1789603200-1792281599@potluckasianamerica.org
SUMMARY:Best by 07/21/2026
DESCRIPTION:A residency-then-exhibition Artists: Clare Hu\, Tianyi Sun\, and Shaan Ken Rao \n398 West Street\, New York\, NY 10014 Residency: July 21 – September 16\, 2026 Exhibition: September 17 – October 17\, 2026 Opening Reception with the artists: Thursday\, September 17\, 2026 | 6-8 PM \nEli Klein Gallery is pleased to present Best by 07/21/2026\, a residency-then-exhibition featuring artists Clare Hu\, Tianyi Sun\, and Shaan Ken Rao\, opening on its own expiration date. Following At-Will Adaptation (2024)\, the gallery’s residency program returns this year for its second installment\, running from July 21st and culminating in a three-artist exhibition on Thursday\, September 17th. The three artists\, working in various mediums such as sculpture\, weaving\, painting\, and photography\, will create entirely new bodies of work using Eli Klein Gallery as their studio. The gallery will be open to the public during normal business hours throughout the duration of the residency. \n“Can the concept of the human survive discovering how the “sausage” of us is actually made\, what we really look and smell like at the cellular level?” This question\, raised by the writer and scholar Sophie Lewis in her catalog essay “New Wombs for Old Men” of the New Museum’s inaugural exhibition “New Humans\,” challenges the default practice of separating the maker from their associated defecations during the formation of a public-facing identity. On a metaphorical and non-visceral level\, contemporary art’s birth-giving process today resembles an ectogenesis\, with the “sausage-making” process susceptible to both curated previews and packaged commercialization. An artist’s studio is only alive when it breathes and excretes\, and more so when the discarded substances are studied\, categorized\, archived\, and recycled.
URL:https://potluckasianamerica.org/event/best-by-07-21-2026/
LOCATION:Eli Klein\, 398 West Street\, New York\, NY\, 10014\, United States
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Eli-Klein-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260917
DTEND;VALUE=DATE:20261025
DTSTAMP:20260912T015055Z
CREATED:20260912T014818Z
LAST-MODIFIED:20260912T015055Z
UID:10003359-1789603200-1792886399@potluckasianamerica.org
SUMMARY:Tchah Sup Kim: The Key to a New World
DESCRIPTION:Tchah Sup Kim (1940–2022) was an artist whose lifelong practice explored fundamental questions of civilization\, the universe\, existence\, and humanity. Moving beyond formal experimentation\, his work sought new ways of seeing and understanding the world—often by challenging established boundaries between East and West\, the individual and the cosmos\, and the finite and the infinite. \nKim moved to New York in 1974 and studied printmaking at Pratt Institute\, where he began developing a distinctive visual language. His landmark etching Triangle Between Infinites (1976)\, now in the collection of The Museum of Modern Art\, New York\, introduced the triangle as a central motif in his practice. Rather than treating it as a closed geometric form\, Kim opened its vertex\, transforming the triangle into a structure of openness\, circulation\, and connection. \nThroughout the 1980s\, his work reflected his experiences of migration\, otherness\, and diasporic identity in New York. After returning to Korea in 1990\, his inquiry expanded toward broader questions of civilization\, history\, and the origins of humanity. \nNew York played a pivotal role in this artistic and intellectual journey. It was here that Kim encountered the center of Western modernism while also beginning to question its prevailing systems of thought. Presented now in New York\, The Key to a New World revisits that formative relationship and considers his practice through a contemporary lens. The exhibition title comes from a phrase found in one of Kim’s own notes. For him\, a “new world” was not simply a vision of the future\, but the possibility of thinking and seeing beyond existing frameworks. \n\nTuesday – Friday: 10 AM – 6 PM / Saturday: 11 AM – 5 PM\nClosed on Sunday and Monday.\n\n\n  \n\n\n\nAbout the Artist \n\n\n\n\n\n\nTchah Sup Kim received his BFA from Seoul National University in 1963. With a grant from John D. Rockefeller 3rd Fund Fellowship\, he completed his MFA at the Pratt Institute in New York in 1976. \nWorking primarily in paint and mixed media\, Kim explores the principles of cosmos through nature and its phenomena. He raises questions regarding the universal truth that human beings have sought in and out of history. His artistic journey can be divided into three major periods: from 1965 to 1982\, during his early years in Korea and New York\, his work is characterized by a focus on geometry; from 1983 to 1993\, during his New York period\, he turns toward geopolitical and historical themes; and from 1993 to 2022\, after leaving New York for the rural village of Naepyung-ri in Korea\, and later alternating between the two locations\, he focuses his work on geography and nature. \nTchah Sup Kim’s artwork is currently housed in the collections of many renowned institutions\, including the Museum of Modern Art (NY)\, the Metropolitan Museum of Art (NY)\, and the National Museum of Contemporary Art (Gwacheon\, Korea).
URL:https://potluckasianamerica.org/event/tchah-sup-kim-the-key-to-a-new-world/
LOCATION:Korean Cultural Center New York\, 122 East 32nd Street\, New York\, NY\, 10016\, United States
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Tchah-Sup-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260917
DTEND;VALUE=DATE:20261205
DTSTAMP:20260902T221003Z
CREATED:20260902T220929Z
LAST-MODIFIED:20260902T221003Z
UID:10003299-1789603200-1796428799@potluckasianamerica.org
SUMMARY:Afterlayers: Tai Hwa Goh & Julia Kwon
DESCRIPTION:Opening reception: Thursday\, September 17\, 2026\, 5-7pm \nTwo artists transform traditional materials–textile and paper–to explore themes of identity and memory. Tai Hwa Goh creates intricate\, layered installations from printed and cut paper\, inspired by organic forms\, landscapes\, and the relationship between the interior and exterior. Goh’s process pushes the limits of traditional printmaking\, as she modifies the characteristics of paper and thin fabric by covering with batik or ironing thin sheets of beeswax onto her prints\, deliberately obscuring the underlying images. She then uses techniques like sewing\, gluing\, and manipulating printed materials to construct intricate\, honeycomb-like structures. Found objects seamlessly integrate into the work\, reflecting the blending of the personal and the universal\, as well as natural and artificial elements.Through this process\, the imagery gradually moves away from recognizable forms\, and the dense layers serve as a space where nature\, memory\, and personal experience intertwine. Her installations invite viewers to contemplate the balance between the natural world and human existence\, and how everyday moments can reveal deeper insights into our lives. \nJulia Kwon sews interpretive Korean textiles\, specifically in the form of patchwork bojagi (Korean object-wrapping cloth)\, to critique received notions of Asiatic femininity and challenge reductive\, easily legible identities. Although her bojagi textiles may initially be perceived as traditionally Korean\, the patchwork designs are actually derived from urgent contemporary sociopolitical issues and events. Her work moves beyond simply representing minority identities as she aims to comment on the interconnected systems of oppression. Kwon’s practice contests the notion of authenticity and explores the complexities involved in constructing identities within the current framework of cultural hybridity\, intersectionality\, and the collective pursuit of social justice \nThe Korea Society Gallery is open only by appointment.\nThe appointment must be made at least 24 hours prior to the scheduled visit. \nGallery Hours: Monday-Friday 10 AM-4:30 PM\nBy Appointment Only
URL:https://potluckasianamerica.org/event/afterlayers-tai-hwa-goh-julia-kwon/
LOCATION:The Korea Society\, 350 Madison Avenue\, 24th Floor\, New York\, NY\, 10017
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/fterlayers-copy.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260917
DTEND;VALUE=DATE:20270401
DTSTAMP:20260911T234039Z
CREATED:20260911T234039Z
LAST-MODIFIED:20260911T234039Z
UID:10003349-1789603200-1806537599@potluckasianamerica.org
SUMMARY:Zine* Together
DESCRIPTION:Please join Asia Art Archive in America on Thursday\, September 17th from 5-8pm for the opening reception of their exhibition\, Zine﹡ Together. \nZine﹡ Together is the first exhibition of its kind to examine Asian American zines not only as objects\, but as actions—creative\, collective\, and relational. Drawing from Asia Art Archive in America’s Reading Room collection\, this exhibition highlights collaboratively produced zines from 2010 to the present\, alongside newly commissioned projects and prompts that trace zine-making as a mode of shared authorship and community building. \nIn the 1960s and 1970s\, zines (short for “magazines” or “fan-zines”) were characterized by their photo-copied\, staple-bound formats and emerged as popular do-it-yourself platforms for sharing counter-cultural socio-political programs and avant-garde art practice. In more recent decades and particularly in Asian American communities\, zines have served as a place to explore artistic narratives\, diasporic histories\, and collective responses to marginalization. \nKey to this exhibition is a commissioned research project and essay by Michelle Yee\, PhD\, and Elizabeth Chung that investigates the recent history of Asian American zines in relation to the 2020 COVID-19 pandemic and the parallel rise in anti-Asian violence across the United States. Situating zine-making within this moment of crisis\, the research frames the medium as one of many grassroots strategies for care\, documentation\, and solidarity. Together\, the exhibition and research project position zines not as peripheral ephemera\, but as vital cultural tools that register and record how communities respond in times of uncertainty. \nZine﹡ Together\, itself a collaborative project\, is organized by Claire Kim\, Susanna Chang\, Sarula Bao\, Michelle Yee\, Elizabeth Chung\, Mary Y. Yang\, Chen Luo\, and Tasnima Tanzim.
URL:https://potluckasianamerica.org/event/zine-together/
LOCATION:Asia Art Archive in America\, 23 Cranberry Street\, Ground Floor\, Brooklyn\, NY\, 11201\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Zine-copy.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260919
DTEND;VALUE=DATE:20261109
DTSTAMP:20260927T170404Z
CREATED:20260927T170404Z
LAST-MODIFIED:20260927T170404Z
UID:10003457-1789776000-1794182399@potluckasianamerica.org
SUMMARY:Synthetic Mobility
DESCRIPTION:Fou Gallery is pleased to present “Synthetic Mobility”\, a two-person exhibition featuring Tokyo- and New York-based artist Ai Makita and China-born\, Houston-based kinetic artist Sizhu Li\, on view from September 19 through November 8\, 2026. The exhibition brings to the fore important questions about the interaction between technology and humans\, considering how larger societal shifts affect the way artists represent humanity and reconstituted spaces. \nThe concept of the exhibition is connected to Timothy Morton’s idea of hyperobjects\, according to which we cannot fully perceive larger structures surrounding us and widely distributed across space and time\, but can try to describe their attributes and make a reasonable guess about their true nature. Synthetic mobility – the artificial generation of realistic human movement patterns using advanced algorithms – is a phenomenon related to the new acceleration of living rhythms promoted by digital progress. As the world is enveloped in ideological and cultural conflicts\, Makita and Li consider what it means to remain individuals today\, and how changes in technology alter our sense of perception and our mode of existence. \nAi Makita presents oil paintings\, several of them developed in conjunction with the AI model Midjourney and others based on images created in Photoshop by folding aluminum sheets. The depicted forms represent abstract conjunctions of pipes\, conduits\, and industrial infrastructure. Folded materials result in labyrinths of fluidity and line resembling a circulatory or nervous system\, an organism’s internal anatomy\, or an invisible technological network now made visible. The created conduits recall flowing rivers\, transcended thresholds\, and the linearity of time. Close conceptual connection with Minimalism makes Makita’s stretched lines internally connected to Donald Judd looking at the properties and the rigidity of the structures as well as relation of this (in)stability to the current historical moment. Process art likewise plays a significant role in Makita’s practice\, albeit in a form more appropriate to its new\, updated version\, where the digital has taken the place of the physical. Her paintings leave the viewer with a sense of wonder about where these meandering curves are leading and whether there is any specific destination. Mystery emerges not through mystical effects\, but through the inability to grasp the full picture\, pushing us to step away while also looking closer. \nSizhu Li presents sculptures made primarily from aluminum sheets and industrial fans. In Pushing Hands (2024–present)\, opposing forces travel through an industrial metal wave\, creating a rhythm of tension and equilibrium that references the Taoist principle of balance. The title directly refers to the fundamental Tai Chi practice of Tui Shou\, or “pushing hands\,” centered on sensing\, yielding to\, and balancing opposing forces. Evolving from her earlier project Moonment\, Li uses programmed fans and suspended aluminum sheets to construct a live\, percussive environment of moving metallic waves. In Yuanbao (2026)\, she brings the traditional Chinese symbol of wealth and blessing into conversation with the ephemeral form of clouds\, moving between material and spiritual aspirations\, permanence and transience. Meanwhile\, Oops\, Caught’ya! (2026) turns the clamp into both a generative and restraining device\, using movement\, suspension\, and pressure to consider freedom\, constraint\, instability\, and balance. \nTogether\, the two artists create a dialogue in which materials work as experimental tools to devise new understandings of where we are as a human species. Both artists look at motion\, structure\, and encounter as facilitated by materials\, planes\, and color. Makita’s paintings examine the transformations and limits caused by new synthetic mobility\, while Li’s sculptures engage the same idea through three-dimensional objects. Neither artist provides specific arguments or answers; instead\, they offer aesthetic tools that can help broaden our understanding of the technological forces increasingly shaping contemporary life.
URL:https://potluckasianamerica.org/event/synthetic-mobility/
LOCATION:Fou Gallery\, 89 5th Avenue\, # 701\, New York\, NY\, 10003\, United States
CATEGORIES:Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Synthetic_Mobility-2026-_Poster_Print_vertical_-_15_x_26.67_in.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260919T160000
DTEND;TZID=America/New_York:20261031T000000
DTSTAMP:20260514T035110Z
CREATED:20260514T035110Z
LAST-MODIFIED:20260514T035110Z
UID:10002630-1789833600-1793404800@potluckasianamerica.org
SUMMARY:Queens Night Market
DESCRIPTION:The Queens Night Market is a large\, family-friendly open-air night market in Queens\, featuring over 100 independent vendors selling merchandise\, art\, and food and featuring small-scale cultural performances\, all celebrating the rich cultural diversity and heritage of NYC and Queens. \nEvery Saturday from  4pm to midnight \nApril.18 to  August 22  and  September 19 to October 31. 2026 \nWe’re located behind the New York Hall of Science in Flushing Meadow Corona Park in Queens NYC \n 
URL:https://potluckasianamerica.org/event/queens-night-market-3/
LOCATION:New York Hall of Science\, 47-01 111th St\, Corona\, NY\, 11368\, United States
CATEGORIES:In Person,Night Market
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/05/d1f96b63a658ebbeda62df6a082449b9_447a1362f691dbbafd225cc675073942.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260921
DTEND;VALUE=DATE:20261006
DTSTAMP:20260927T170813Z
CREATED:20260927T170813Z
LAST-MODIFIED:20260927T170813Z
UID:10003458-1789948800-1791244799@potluckasianamerica.org
SUMMARY:“A Tree Grows in Palestine” Outdoor Photo Exhibition
DESCRIPTION:“A Tree Grows in Palestine” is a free outdoor photography exhibition featuring 14 life-size portraits of Palestinian farmers\, photographed on their farms in the West Bank. Presented by Treedom for Palestine with support from Penny Appeal USA\, the exhibition is produced by Photoville and hosted by NYC DOT Art\, and will be installed in St. Andrew’s Plaza\, steps from City Hall. It opens September 21\, the International Day of Peace\, and runs through October 5.
URL:https://potluckasianamerica.org/event/a-tree-grows-in-palestine-outdoor-photo-exhibition/
LOCATION:Saint Andrews Plaza\, 1 Saint Andrews Plaza\, New York\, NY\, 10007\, United States
CATEGORIES:Exhibition,Photography
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Palestine-copy.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260923
DTEND;VALUE=DATE:20260925
DTSTAMP:20260918T010413Z
CREATED:20260918T010413Z
LAST-MODIFIED:20260918T010413Z
UID:10003396-1790121600-1790294399@potluckasianamerica.org
SUMMARY:Take Me Home
DESCRIPTION:Anna (Anna Sargent making her acting debut)\, a middle-aged Korean adoptee with a cognitive disability\, cares for her aging parents in a fragile balance of meeting one another’s needs. Alongside her sister Emily (Ali Ahn) and her father (Victor Slezak)\, they must confront challenging questions about the future\, but she remains determined to build a life where all of them can thrive. \nLiz Sargent’s intimate debut drama examines the shifting demands placed on a unique — and uniquely challenged — family in a Florida suburb. Expanded from Sargent’s acclaimed short (2023 Sundance Film Festival)\, Take Me Home exposes the indignities of the American health care system and the structural challenges faced by disabled people. The film also gently and imaginatively traces a path for Anna’s independence and connection to a community of chosen family. By turns quietly devastating and bracingly optimistic\, Take Me Home confronts us with an impossible situation\, while holding out hope for Anna’s future. \nWed\, Sep 23: 6:50 show introduced by recording artist Lachi\, plus Q&A with writer/director Liz Sargent & actors Ali Ahn\, Victor Slezak & Marceline Hugot! \nThu\, Sep 24: Q&A with writer/director Liz Sargent moderated by CNN/NBC/MSN NOW anchor Richard Lui\, hosted by Disability Belongs after 4:25 show!  \nThu\, Sep 24: 6:50 show introduced by Emmy Rossum and Steve Way\, plus Q&A with writer/director Liz Sargent\, actors Ali Ahn & Victor Slezak\, and exec. Prod. Lydia Storie! \nSat\, Sep 26: Q&A with writer/director Liz Sargent\, co-producer Aubrey Meiling\, and AHRC EVP/COO Lorelie Vargas moderated by filmmaker Charlotte Glynn\, hosted by AHRC & sibsNY after 4:25 show!  \nSun\, Sep 27: Q&A with writer/director Liz Sargent hosted by Best Buddies after the 4:25 show!  \nTues\, Sep 29: Post-screening conversation between Tribeca Studios’ Bryce Norbitz & line producer Jonathan Hsu. Hosted by Tribeca Studios\, an instrumental partner in the development of TAKE ME HOME\, after 7:00 show! 
URL:https://potluckasianamerica.org/event/take-me-home/
LOCATION:IFC Center\, 323 6th Avenue\, New York\, NY\, 10014\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Take-Me-Home-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260923
DTEND;VALUE=DATE:20260928
DTSTAMP:20260828T012954Z
CREATED:20260828T012954Z
LAST-MODIFIED:20260828T012954Z
UID:10003245-1790121600-1790553599@potluckasianamerica.org
SUMMARY:School of Visual Arts’ After School Special 2026
DESCRIPTION:Featuring some of School of Visual Arts’ most accomplished film\, television\, animation\, and visual effects alumni — the majority of whom are Asian or Asian American — this multi-day festival will include screenings and Q&A’s with industry insiders that offer behind-the-scenes looks at the world of television and cinema. A full schedule and list of participants is below (subject to change) and can also be found at svatheatre.eventbrite.com. \nSeating is on a first-come\, first-served basis. RSVPs via the Eventbrite pages are appreciated\, but not necessary\, and do not guarantee entrance — all events are first-come\, first-served. \nDoors will open approximately 30 minutes prior to each screening. Guests can enjoy a special selection of music videos from Annapurna Interactive’s RPG Musical\, People of Note\, in the lobby while waiting to enter. Alumni from SVA’s BFA Computer Art\, Computer Animation and Visual Effects program — Timothy Doolen and Ben Meyer — served on the creative team of the video game. \nAll events are free and open to the public and take place at SVA Theatre\, 333 West 23rd Street\, New York\, NY 10011. Directions\, as well as local restaurants\, hotels\, and attractions\, can be found here. SVA Theatre does not offer concessions\, but will offer water to guests. \nIf you would like to attend any of these events\, but require assistive devices and/or accommodations\, please email svatheatre@sva.edu or call 212-592-2980 at least one week prior to the event. \nWednesday 9/23/26\n7:00PM Anora (2024) \nHear from production sound mixer Boris Krichevsky (BFA 2017 Film)\, who was on set for the 2025 Best Picture winner\, which racked up a total of five Oscars and the Cannes Palme d’Or! See (and hear) it again — or for the very first time — on the big screen. \nThursday 9/24/26\n7:30PM Disability & Visibility \nAn evening dedicated to bringing visibility to the disability community. Take Me Home (2023) is director Liz Sargent and producer Minos Papas’ (BFA 2004 Film and Video) short film about a cognitively disabled woman struggling to move on after the death of a parent. Their proof-of-concept short led to the award-winning feature film of the same name that’s opening in New York this week! Following the short\, we’ll welcome director Ben Duffy (BFA 2014 Film and Video) with the world premiere of his experimental feature documentary\, No Pinnacle Without The Miraculous (2026)\, which centers on Duffy’s mental health struggles while filming a documentary about those with physical disabilities. \nFriday 9/25/26\n8:00PM SVA Premieres: Best of 2026 \nSchool of Visual Arts spotlights exceptional live action\, documentary\, and animated shorts by its most recent graduates. Join many of the filmmakers and artists\, who will be in attendance. Preceded by a music video from Annapurna Interactive’s RPG musical\, People of Note\, introduced by Ben Meyer (BFA 2022 Computer Art\, Computer Animation\, and Visual Effects) of the video game’s creative team. \nSaturday 9/26/26\n2:00PM KPop Demon Hunters (2025) \nJoin award-winning production designer Dave Bleich (BFA 1992 Illustration) for a screening of Netflix’s 2026 Best Animated Feature Oscar winner. Preceded by the NYC premiere of the animated short film “First Haircut” by Disney·Pixar artist Ivo Kos (MFA 1991 Computer Art). \n7:30PM The Stringer: The Man Who Took the Photo (2025) \nNetflix’s compelling documentary traces the origins of one of the most-recognized photographs of the 20th century\, “Napalm Girl”. Join director Bao Nguyen (MFA 2011 Social Documentary Film) for a remarkable discussion after the film. \nSunday 9/27/26\n2:00PM Cutting Through Rocks (2025) \nFilmmakers Sara Khaki (MFA 2011 Social Documentary Film) and Mohammadreza Eyni will be on hand to screen and discuss their riveting\, Academy Award-nominated documentary\, about the first female councilor of an Iranian village. \nPlease contact svatheatre@sva.edu with questions. Guests and films subject to change.
URL:https://potluckasianamerica.org/event/school-of-visual-arts-after-school-special-2026/
LOCATION:SVA Theatre\, 333 West 23rd Street\, New York\, NY\, 10011\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/SVA-After-School-copy.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260923T170000
DTEND;TZID=America/New_York:20260923T183000
DTSTAMP:20260910T192232Z
CREATED:20260910T191412Z
LAST-MODIFIED:20260910T192232Z
UID:10003330-1790182800-1790188200@potluckasianamerica.org
SUMMARY:Meet and Greet with Stephanie Evangelista Fukuda & Daigo Fukuda
DESCRIPTION:Join us on September 23 from 5PM as authors Stephanie Evangelista Fukuda (@mallowboo) and Daigo Fukuda (@diggymungo) visit Kinokuniya New York for a special author conversation\, meet & greet\, and book signing celebrating the release of PRESIDENT OF THE ANIME CLUB! 🎨📚✨ \nPerfect for fans of Fangirl: The Manga and The New Girl\, this charming manga-style YA graphic novel explores friendship\, crushes\, and rivalries through the lively world of a high school anime club! \nDon’t miss this special opportunity to hear from the authors\, celebrate graphic storytelling\, and connect with fellow readers and manga fans! \nLearn more:\nusa.kinokuniya.com/events
URL:https://potluckasianamerica.org/event/meet-and-greet-with-stephanie-evangelista-fukuda-daigo-fukuda/
LOCATION:Kinokuniya\, 1073 6th Ave.\, New York\, NY\, 10018\, United States
CATEGORIES:Anime,Book
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Anime-Club-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260923T173000
DTEND;TZID=America/New_York:20260923T203000
DTSTAMP:20260902T021600Z
CREATED:20260902T021600Z
LAST-MODIFIED:20260902T021600Z
UID:10003271-1790184600-1790195400@potluckasianamerica.org
SUMMARY:Town Hall: Community Building Session
DESCRIPTION:Our free weekly wellness circles for September are here 💙 \nHosted by Asian Mental Health Project\, “Stay in\, Check-in” is a series of free weekly wellness circles for folks to learn from educators in mental health and wellness\, as well as unpack feelings. These sessions are to provide a brave space to unpack\, share experiences\, gather resources and heal. \nWe’re also looking for speakers AND for anyone who wants to shape the future of Asian Mental Health Project. Along with our usual programming\, this month we are opening a town hall! We hope you’ll join us and make your voices heard!
URL:https://potluckasianamerica.org/event/town-hall-community-building-session/
LOCATION:NY
CATEGORIES:Health & Wellness
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Wellness-Circle-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260923T180000
DTEND;TZID=America/New_York:20260923T200000
DTSTAMP:20260915T010318Z
CREATED:20260915T010318Z
LAST-MODIFIED:20260915T010318Z
UID:10003377-1790186400-1790193600@potluckasianamerica.org
SUMMARY:On Cinematography - a talk with DP Tinx Chan
DESCRIPTION:Cinematographer Tinx Chan\, who works both in dramatic and documentaries\, talks about his work\, with tips for emergiing filmmakers. \nTinx Chan\, a native New York cinematographer\, has been working for two decades in film around the world- shooting narratives\, documentaries\, commercials and music videos. Named a 2023 “Rising Star” by ASC (American Society of Cinematographers)\, and a recipient of ICG’s Emerging Cinematographer Award in 2019\, his credits include Our Father the Devil\, Starring Jerry as Himself\, The Velvet Underground\, The Problem with Jon Stewart\, and more… \n\n\n\nHear from Tinx on his career\, getting into film\, and his thoughts on approaching work with directors and more. Light refreshments provided. \nWhen: Sept 23\, 2026 \nWhere: City College of NY\, Shepard Hall Room 290\, 259 Convent Avenue at 140th street (SE corner) #1 to 137th st\, ABCD to 145th Street. ID needed to enter building. \nA presentation of Third World Newsreel and the Documentary Forum at CCNY and cosponsored by AAARI\, Asian American/Asian Research Institute at CUNY
URL:https://potluckasianamerica.org/event/on-cinematography-a-talk-with-dp-tinx-chan/
LOCATION:NY
CATEGORIES:Discussion,Film
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Tinx-Chan-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260923T183000
DTEND;TZID=America/New_York:20260923T200000
DTSTAMP:20260810T003317Z
CREATED:20260810T003317Z
LAST-MODIFIED:20260810T003317Z
UID:10003050-1790188200-1790193600@potluckasianamerica.org
SUMMARY:MOCA TALKS with Clarissa Wei
DESCRIPTION:The Museum of Chinese in America (MOCA) welcomes award-winning food writer Clarissa Wei for an engaging conversation celebrating her new cookbook\, Sitting the Month: Postpartum Recipes for Rest & Recovery. In discussion with second-generation Taiwanese herbalist and recipe collaborator Stella Wang and moderated by food editor Genevieve Yam\, the program explores the rich culinary traditions surrounding postpartum recovery in Chinese culture and the enduring wisdom behind the practice of 坐月子 zuò yuè zi\, or “sitting the month.” \nAcross Chinese communities\, the first month after childbirth has long been regarded as a vital period of healing\, supported by rest\, herbal remedies\, and nourishing meals believed to restore strength and replenish the body. Inspired by her own experience as a new mother in Taiwan\, Wei combines 88 nourishing recipes with practical guidance and personal storytelling to illustrate a centuries-old tradition for contemporary home cooks. Together\, the speakers will discuss the intersections of food\, motherhood\, health\, and cultural identity while examining how culinary practices preserve family knowledge and connect us to our heritage. Whether you are an expectant or new parent\, a caregiver\, a food enthusiast\, or simply curious about culinary traditions\, this conversation offers a thoughtful exploration of care\, resilience\, and the enduring power of food to nourish both body and community. \nWith generous support from Chiyo\, which offers nutrition programs for fertility\, pregnancy\, and postpartum\, attendees can also enjoy complimentary bites of Gingery Chicken Congee\, Spiced Goji Berry Brownies\, and Astragalus & Jujube Tonic from the cookbook. \nAbout Clarissa Wei\nClarissa Wei is the author of Made in Taiwan\, winner of an IACP Award and finalist for a James Beard Award. Her writing has been published in The New Yorker\, The New York Times\, and Bon Appétit. The cofounder of single-origin soy sauce brand HEYDOH\, she lives in Taiwan with her husband and two children. \nAbout Stella Wang\nStella Wang is a second-generation Taiwanese herbalist\, mom\, and owner of EDD Herbs\, a herbal dessert and tea shop that she operates out of her father’s Chinese medicine shop in Taipei. \nAbout Genevieve Yam\nGenevieve Yam is a senior editor at Serious Eats. Prior to joining Serious Eats\, she was an editor at Epicurious and has contributed to Food52\, Bon Appétit\, King Arthur Baking\, and more. She grew up between Toronto and Hong Kong and is a graduate of the University of St Andrews in Scotland. She currently lives in New York with her husband\, two kids\, and two cats. You’ll often find her at the farmers market with a tote bag full of vegetables or at home burying her nose in a wrinkled copy of Nigella Lawson’s How to Eat.
URL:https://potluckasianamerica.org/event/moca-talks-with-clarissa-wei/
LOCATION:Museum of Chinese in America (MOCA)\, 215 Centre Street\, New York\, NY\, 10013\, United States
CATEGORIES:Discussion,Health & Wellness
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/MOCA-Postpartum-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260923T190000
DTEND;TZID=America/New_York:20260923T213000
DTSTAMP:20260901T010838Z
CREATED:20260901T010547Z
LAST-MODIFIED:20260901T010838Z
UID:10003266-1790190000-1790199000@potluckasianamerica.org
SUMMARY:Sharam Nahi Comedy
DESCRIPTION:We’re on our worst behavior again! Join us for our monthly comedy showcase\, featuring some of your favorite comedians from the Asian diaspora and beyond. \nCome laugh with us – 6 comedians\, a surprise guest\, and lots of delicious food and drink \n🩴@sharamnahicomedy 🩴\n🗓️Wednesday\, September 23rd\n🕗 Doors at 7:00 PM\, show at 8:00 PM \nJoin us at Cheeni for our monthly comedy showcase\, featuring some of your favorite comedians from the Asian diaspora and beyond: \nAli Sultan @alisultancomedy – Colbert\, Comedy Central\, PBS\nMaya Deshmukh @mayadesh – TruTV; HBO\nNeel Ghosh @neel.ghost – The Comedy Store; UCB\nSubha Agarwal @subhaha – Little Late with Lilly Singh; Comedy Central\nPriya Blunts @priyablunts – Broadway Comedy Club; the Comedy Store \nPLUS a surprise guest 🤫\nHosted by @kesav_wable \nAdvanced tickets via Resy – $20 (includes a free drink ☕ 🍺🥂)\nLimited tickets available at the door\, so get urs now
URL:https://potluckasianamerica.org/event/sharam-nahi-comedy/
LOCATION:Cheeni\, 485 Tompkins Ave\, Brooklyn\, NY\, 11216\, United States
CATEGORIES:Comedy
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Cheeni-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260923T193000
DTEND;TZID=America/New_York:20260923T213000
DTSTAMP:20260918T011311Z
CREATED:20260918T011041Z
LAST-MODIFIED:20260918T011311Z
UID:10003397-1790191800-1790199000@potluckasianamerica.org
SUMMARY:Mỹ Anh with Juliet By Night\, hosted by Leo Nguyen
DESCRIPTION:Vietnamese R&B and pop artist Mỹ Anh brings her first US headline run\, the phases of the moon tour\, to Brooklyn\, at Market Hotel. This is her first ever New York headline show. Known for her COLORS performance and appearances at Head in the Clouds LA and Vivid Sydney\, Mỹ Anh blends silky R&B vocals with self-produced pop. Supported by Juliet By Night\, hosted by Leo Nguyen. All ages. \nIG: instagram.com/myanhtruongg \nWatch her live: https://www.youtube.com/watch?v=_jN3HF7U0_A \nUse promo code MEKONG5 for $5 off your ticket.
URL:https://potluckasianamerica.org/event/my-anh-with-juliet-by-night-hosted-by-leo-nguyen/
LOCATION:NY
CATEGORIES:Concert,Music
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/My-Anh-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260923T200000
DTEND;TZID=America/New_York:20260923T210000
DTSTAMP:20260821T150454Z
CREATED:20260821T150454Z
LAST-MODIFIED:20260821T150454Z
UID:10003181-1790193600-1790197200@potluckasianamerica.org
SUMMARY:JH Art Talks #62 Jae Hi Ahn and Ellen Jing Xu
DESCRIPTION:Community Arts Grantee: JH Art Talks \nDate:\nWednesday\, September 23\, 2026 \nLocation:\nEspresso 77 Cafe\n35-55 77th St.\nJackson Heights\, NY 11372 \nSculptor/installation artists Jae Hi Ahn and Ellen Jing Xu will each present images of their work for 20-25 minutes\, followed by a Q&A in this informal community event. \n\nFor more information on JH Art Talks\, click here.
URL:https://potluckasianamerica.org/event/jh-art-talks-62-jae-hi-ahn-and-ellen-jing-xu/
LOCATION:NY
CATEGORIES:Art,Discussion
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/JH-Art-2-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260924
DTEND;VALUE=DATE:20260928
DTSTAMP:20260927T171218Z
CREATED:20260912T020258Z
LAST-MODIFIED:20260927T171218Z
UID:10003361-1790208000-1790553599@potluckasianamerica.org
SUMMARY:Maedeup: Weaving Shin Yun-bok
DESCRIPTION:Presented by La MaMa Experimental Theatre Club \nTickets: Free Admission (RSVP Required) \nA live\, non-verbal performance that reimagines Korean classical painting through contemporary performance \nNamed after the Korean word for “knot\,” maedeup evokes the weaving together of image\, movement\, sound\, and memory. Inspired by the visual world of Shin Yun-bok (Hyewon)\, an 18th-century Korean painter renowned for his portrayals of women and everyday life\, the work unfolds without spoken text. Foley performance\, tableau vivant\, live visuals\, and live camera work transform his paintings into living\, time-based events in which body\, sound\, and image converge in real time. Created by kNOT and produced by the Seoul Institute of the Arts with support from the Kansong Art and Culture Foundation\, the production offers an encounter with Korean visual heritage beyond language and cultural boundaries. \nAn artistic initiative of the Seoul Institute of the Arts\, the project brings Korean cultural heritage into contemporary performance and\, through its presentation at La MaMa\, into dialogue with international audiences. Led by director and professor Kim JiYoung\, the production brings together professional performers connected to SeoulArts in an interdisciplinary collaboration spanning theatre\, visual art\, sound\, photography\, and live media. Kim’s recent work explores new ways of connecting Korean tradition with contemporary expression. \nFor more information\, visit Maedeup: Weaving Shin Yun-bok – La MaMa – Experimental Theatre Club in New York
URL:https://potluckasianamerica.org/event/maedeup-weaving-shin-yun-bok/
LOCATION:The Downstairs Theatre at La Mama\, 66 E 4th St.\, New York\, NY\, 10003\, United States
CATEGORIES:Theater
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Maedeup_Livestream-copy.jpeg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260924
DTEND;VALUE=DATE:20261005
DTSTAMP:20260827T235435Z
CREATED:20260827T235413Z
LAST-MODIFIED:20260827T235435Z
UID:10003242-1790208000-1791158399@potluckasianamerica.org
SUMMARY:The Recursion of a Moth
DESCRIPTION:A story about time\, memory\, diaspora\, and the futures we dare to imagine\, can we break the cycles we are born into\, or are we destined to repeat them? \n\n\nOn the Moon\, Icarus dreams of soup. Across the ocean\, Mikey dreams of war. At Purdue\, Chrys dreams of a yellow house. In a future where time travel has become as mundane as bureaucracy\, three descendants of a diaspora try to find a corner in the universe to call home. When their efforts threaten to change the events of a predetermined timeline\, they must find a way to break their destructive\, cyclical realities; or face the violent\, memory-destroying consequences of the Reset. \nWritten by Brandon Zang\, directed by Seonjae Kim and produced by Cellunova Productions \n\n\n🎟️ Tickets are now on Early Bird Sale via LINK IN BIO! Use code EARLY15BIRD for a special discount. \n🎁 We’re also offering a limited special blind box gift donation package for the run! \n📅 PERFORMANCE SCHEDULE\nSeptember 24 – September 26 @ 7:30PM\nSeptember 27 @ 2PM\nOctober 1 – October 3 @ 7:30PM\nOctober 4 @ 2PM \n📍Teatro Circulo\, Second Stage\n64 East 4th Street\, New York\, NY 10003 \nIllustration by Tracy Li @ltracy006
URL:https://potluckasianamerica.org/event/the-recursion-of-a-moth/
LOCATION:Teatro Circulo\, 64 East 4th St.\, New York\, NY\, 10003\, United States
CATEGORIES:Theater
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Recursion-Moth-copy.jpeg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260924
DTEND;VALUE=DATE:20261019
DTSTAMP:20261003T035608Z
CREATED:20260903T012355Z
LAST-MODIFIED:20261003T035608Z
UID:10003306-1790208000-1792367999@potluckasianamerica.org
SUMMARY:Hold These Truths
DESCRIPTION:During World War II\, student Gordon Hirabayashi fights the US government’s orders to forcibly incarcerate people of Japanese ancestry on the West Coast. Struggling to reconcile his country’s betrayal with his passionate belief in the Constitution\, he journeys toward greater understanding of America’s triumphs – and confrontation with its failures. A 36-character solo play inspired by civil rights pioneer Gordon Hirabayashi. \nby Jeanne Sakata – directed by Lisa Rothe
URL:https://potluckasianamerica.org/event/hold-these-truths/
LOCATION:Luna Stage\, 555 Valley Rd.\, West Orange\, NJ\, 07052\, United States
CATEGORIES:Theater
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/13025-copy.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260924T170000
DTEND;TZID=America/New_York:20260924T190000
DTSTAMP:20260826T153254Z
CREATED:20260826T153156Z
LAST-MODIFIED:20260826T153254Z
UID:10003227-1790269200-1790276400@potluckasianamerica.org
SUMMARY:Coffee & Canvass
DESCRIPTION:Walk the neighborhood with us and help build a real-time database of Chinatown’s storefronts! \nVolunteers who register will receive a code for free co-working (9am–5pm) at the Hub for the day of the event. \nWhy canvass storefronts? \n​Chinatown has been on the defensive for decades. Critical support often only arrives after it’s too late: After a legacy business closes\, after a block loses its character\, after displacement is irreversible. To change that\, we need to understand what’s happening in real time. \nThrough storefront canvassing\, we can: \n\nTrack closures and openings\, and see what businesses immediately need WtC support\nSpot trends in business types\, and identify commercial corridor shifts – what’s growing\, what’s disappearing\nAdvocate with real evidence\, and give policymakers and media the data they need to support Chinatown’s future\nPreserve culture and legacy by building a historical record of Chinatown’s commercial corridor\n\n​This is a monthly event that will take place every 4th Thursday of the month
URL:https://potluckasianamerica.org/event/coffee-canvass/
LOCATION:Welcome to Chinatown\, 115 Bowery\, New York\, NY\, 10002\, United States
CATEGORIES:Small Business
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Coffee-and-Canvas-copy.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260924T180000
DTEND;TZID=America/New_York:20260924T190000
DTSTAMP:20260825T033126Z
CREATED:20260825T031647Z
LAST-MODIFIED:20260825T033126Z
UID:10003218-1790272800-1790276400@potluckasianamerica.org
SUMMARY:Book Launch | What's a Snow Leopard to You? by Chen-Fu Hsu
DESCRIPTION:ABOUT THE BOOK \n\n\n\n*Winner of the 2021 Taiwan Literature Award* \nA captivating fusion of travelogue\, fiction\, and cultural meditation that journeys deep into the heart of Tibet. \nChen-Fu Hsu’s debut novel begins with a young Taiwanese naturalist on an arduous quest for the elusive snow leopard\, weaving in excerpts from translated entries from a left behind diary of a fictional Japanese monk\, which bears witness to the seismic transformations of Tibet across the decades under Chinese rule. \nFollowing his deeply spiritual connection to Tibet\, the protagonist sets off on multiple journeys to the region\, describing in brilliant detail the vast beauty of the Tibetan plateau and the wildlife that has existed since time immemorial. However\, on his third visit to the region\, he is harassed at every turn by the Chinese police who confiscate his belongings\, including his books\, eventually forcing him to leave for Taiwan. One book overlooked by the Chinese police is the long-lost diary of Udagawa Ekai\, a Zen monk who traveled to Lhasa in the postwar years. The diary tells the monk’s story up until his death as a recluse\, and paints a picture of a Tibet that has a diverse and deeply religious culture that has fought against invaders on multiple fronts. \nHsu laces excerpts from Ekai’s diary within his narrative\, tracing the changes sparked from the horrors of the Chinese military annexation in the 1950s through the Cultural Revolution and into the contemporary age of forced economic development. Through encounters with the people of Tibet and their stories\, What’s a Snow Leopard to You? spans the divide between an intimate portrait of a land in flux and a philosophical inquiry into humanity’s fraught yet enduring bond with nature. This richly layered work braids history with myth\, environmentalism with art\, and creates a single story of change in one of the world’s most sparsely inhabited regions. \nABOUT THE AUTHOR \nChen-Fu Hsu (徐振輔) was born in Taipei in 1994. He holds a BS in Entomology and an MA in Geography from National Taiwan University. His work has long explored the entanglements between human and non-human worlds. He has been selected four times for the Chiu Ko Publishing Annual Prose Selection and has received several literary awards\, including the Taipei Literature Annuity. What’s a Snow Leopard to You? is his debut novel\, which has already received multiple literary awards in Taiwan. \nIN CONVERSATION WITH \nStephan Zguta is an editor at Skyhorse Publishing\, where he works primarily on titles for Arcade Publishing\, an imprint specializing in literary fiction and nonfiction from around the world. He lives in Queens\, New York\, with his wife and son.
URL:https://potluckasianamerica.org/event/book-launch-whats-a-snow-leopard-to-you-by-chen-fu-hsu/
LOCATION:Yu and Me Books\, 44 Mulberry St.\, New York\, NY\, 10013\, United States
CATEGORIES:Book,Discussion
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/09.24.26Chen-FuHsu_1-copy.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260924T180000
DTEND;TZID=America/New_York:20260924T190000
DTSTAMP:20260913T004529Z
CREATED:20260913T004529Z
LAST-MODIFIED:20260913T004529Z
UID:10003370-1790272800-1790276400@potluckasianamerica.org
SUMMARY:KCS Small Business Workshop
DESCRIPTION:The Korean Community Services (KCS)\, in partnership with Shinhan Bank America\, invites local small business owners to an upcoming Small Business Workshop focused on SBA loan options and resources to help support your business. \n🗓Thursday\, September 24\n⏰ 6:00 PM\n📍 KCS Bayside HQ\n203-05 32nd Ave\, Bayside\, NY 11361 \nTopics include SBA loan uses\, business acquisition\, starting or expanding a business\, refinancing\, and a Q&A session. \nCome learn\, ask questions\, and connect with resources that can help your business grow. 😊
URL:https://potluckasianamerica.org/event/kcs-small-business-workshop/
LOCATION:Korean Community Services (KCS)\, 203-05 32nd Ave.\, Bayside\, NY\, 11361\, United States
CATEGORIES:Small Business
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/KCS-Business-copy.jpg
ORGANIZER;CN="Korean Community Services (KCS)":MAILTO:info@kcsny.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260924T180000
DTEND;TZID=America/New_York:20260924T200000
DTSTAMP:20260902T222427Z
CREATED:20260902T222356Z
LAST-MODIFIED:20260902T222427Z
UID:10003301-1790272800-1790280000@potluckasianamerica.org
SUMMARY:Koreatown\, NYC: The Consumption of a Transnational Brand
DESCRIPTION:In the past decade\, Korean entertainment has gained global recognition\, with Korean movies and TV shows winning Oscars and Emmys\, and K-Pop groups becoming wildly popular. In Manhattan\, Koreatown has become a popular destination for both locals and tourists\, drawing them in with its bars\, restaurants\, and day spas. Jinwon Kim argues that Manhattan’s Koreatown has become a new type of ethnic enclave\, what she dubs a “transclave.” This commercialized ethnic space exists solely for consumption\, leisure\, and entertainment\, and has been shaped by South Korea’s nation-branding strategy\, new economic and cultural strategies\, patterns in Korean migration\, and shifts in tourism and urban policies in New York City. Kim posits that for many consumers in Koreatown\, especially those who are not of Korean descent\, the space has become a commercialized place where transnational culture meets the diverse racial and ethnic mosaic of New York City. Kim emphasizes how the space functions to “brand Korea” as a space to “consume ethnicity\,” reflecting the landscape of South Korea’s consumer culture through the physical appearance of buildings and stores and the inclusion of franchise brands. \nIn this talk\, Kim explores the recent popularity of Korean food in New York City by focusing on both transnational and domestic factors\, leading to the new trend of commercialization of ethnic food\, emphasis on authenticity\, and rise of the omnivore society\, by delivering the voices of ordinary people. While Koreatown’s authenticity has been largely defined by commercialized ethnic cuisine by local entrepreneurs\, the Korean government\, and franchises\, Kim argues that Koreatown’s authenticity has represented the collective imaginations and narratives of various consumer groups–Korean nationals\, Korean Americans\, and non-Koreans. \nThis program will be recorded then released on October 1. \nJinwon Kim is Assistant Professor of Sociology at Smith College. She is the author of Koreatown\, NYC: The Consumption of a Transnational Brand and a co-editor of Koreatowns: Exploring the Economics\, Politics\, and Identities of Korean Spatial Formations.
URL:https://potluckasianamerica.org/event/koreatown-nyc-the-consumption-of-a-transnational-brand-2/
LOCATION:The Korea Society\, 350 Madison Avenue\, 24th Floor\, New York\, NY\, 10017
CATEGORIES:Discussion
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Koreatown-copy.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260924T183000
DTEND;TZID=America/New_York:20260924T210000
DTSTAMP:20260810T004950Z
CREATED:20260810T004950Z
LAST-MODIFIED:20260810T004950Z
UID:10003052-1790274600-1790283600@potluckasianamerica.org
SUMMARY:MOCA x NYAFF Film Club: Yellow Rose
DESCRIPTION:MOCA x NYAFF Film Club is a quarterly program celebrating the brilliance and boldness of Asian and Asian American cinema. This series highlights films of historic and cultural significance under the theme Margin\, spotlighting daring films that challenge the norm\, rewrite narratives\, and push boundaries. \nEach session is more than just a movie night—it’s an opportunity to connect\, discover\, and engage. This year’s screenings are scheduled for May 7\, June 11\, September 24\, and December 10. Following the screening\, join us for a moderated conversation to explore the film’s themes\, creative impact\, and cultural context. Attendees are encouraged to share their thoughts and continue the dialogue during a casual networking reception afterward. \nDon’t miss this chance to immerse yourself in the world of bold cinema and meaningful connections. Let’s watch\, chat\, and celebrate together! \nYellow Rose (2019)\nDirected by: Diane Paragas\nRuntime: 94 minutes \nYellow Rose is a coming-of-age musical drama that follows Rose Garcia\, a Filipina teenager growing up undocumented in a small Texas town. When her mother is detained by Immigration and Customs Enforcement (ICE)\, Rose is forced to navigate an uncertain future while pursuing her dream of becoming a country music singer. Starring Eva Noblezada in her feature film debut alongside Lea Salonga\, the film explores identity\, belonging\, resilience\, and the pursuit of the American dream through the unexpected lens of country music. \nPremiering at the Los Angeles Asian Pacific Film Festival in 2019\, Yellow Rose received widespread critical acclaim and became one of the first Filipino American films to receive a wide theatrical release from a major Hollywood studio. Balancing intimate storytelling with timely social issues\, the film offers a deeply human portrait of the undocumented immigrant experience while celebrating the power of music to provide hope\, community\, and self-expression. \nStarring: Eva Noblezada\, Dale Watson\, Princess Punzalan\, Lea Salonga \nStay after the screening for a conversation between MOCA’s Curator and NYAFF’s Programmer\, starting around 8:10 PM. Explore the film’s deeper meanings and behind-the-scenes context before engaging in further discussions with fellow attendees over beverages.
URL:https://potluckasianamerica.org/event/moca-x-nyaff-film-club-yellow-rose/
LOCATION:Museum of Chinese in America (MOCA)\, 215 Centre Street\, New York\, NY\, 10013\, United States
CATEGORIES:Discussion,Film
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/MOCA-x-NYAFF-Film-copy.jpg
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