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DTSTART;VALUE=DATE:20260319
DTEND;VALUE=DATE:20270128
DTSTAMP:20260818T200949Z
CREATED:20260818T200949Z
LAST-MODIFIED:20260818T200949Z
UID:10003106-1773878400-1801094399@potluckasianamerica.org
SUMMARY:Buddha and Shiva\, Lotus and Dragon
DESCRIPTION:In celebration of Asia Society’s seventieth anniversary\, Asia Society Museum presents Buddha and Shiva\, Lotus and Dragon: Celebrating 70 Years of Asia Society and the Rockefeller Legacy. \nDisplaying seventy of the finest examples of Asian art in the United States drawn from Asia Society’s permanent collection\, the exhibition showcases the extraordinary range of bronzes\, ceramics\, and metalwork thoughtfully assembled between the 1950s and the 1970s by John D. Rockefeller 3rd (1906-1978) and his wife Blanchette Hooker Rockefeller (1909-1992). John D. Rockefeller 3rd founded Asia Society in 1956 with the mission to promote greater knowledge of Asia in the United States; the bequest of the collection to Asia Society in 1979 underscores the Rockefellers’ conviction that an aesthetic encounter with great works of art promotes deep cross-cultural understanding. \nWith highlights including spectacular Buddhist and Hindu sculptures\, and rare Chinese\, Korean\, and Japanese ceramics\, Buddha and Shiva\, Lotus and Dragon celebrates historic achievements in Asian art spanning more than two millennia. The exhibition foregrounds the transformative power of faith and the catalyzing potential of international trade in the creation of great works of art across Asia. \nBuddha and Shiva\, Lotus and Dragon presents a special opportunity for museum visitors to experience the unparalleled quality of the Mr. and Mrs. John D. Rockefeller Thrid Collection at its home at Asia Society Museum in New York City.
URL:https://potluckasianamerica.org/event/buddha-and-shiva-lotus-and-dragon/
LOCATION:Asia Society\, 725 Park Avenue\, New York\, NY\, 10021
CATEGORIES:Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Buddha.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260403
DTEND;VALUE=DATE:20270104
DTSTAMP:20260818T202009Z
CREATED:20260818T202009Z
LAST-MODIFIED:20260818T202009Z
UID:10003107-1775174400-1799020799@potluckasianamerica.org
SUMMARY:Shu Lea Cheang\, LOVER LOVE
DESCRIPTION:LOVER LOVE\, a new commission for the Leslie-Lohman Museum of Art by Shu Lea Cheang\, begins with a portal. A window is flung open and the gray wall of an apartment block dissolves into a turbulent\, overcast sky\, against which a smoky being is enveloped by a six-winged seraphim—an angel of the highest order. \nThis opening transition is both a gesture to Cheang’s longtime collaborator\, musician Aérea Negrot (1980–2023)\, who died by suicide\, and a marker of an entry into a hybrid space of documentation and imagination. For this film\, presented as a four-channel installation\, Cheang worked with eight intergenerational performers in Tucson\, Arizona\, all of whom contributed their own experiences\, narratives\, and dreams of and for trans and gender nonconforming life in today’s United States. \nThis collaboratively scripted film moves between physical and virtual space: between performances in a motel room\, a junkyard\, and city streets amid surrounding nature\, we can see desert plants blooming anthropomorphic appendages and souls escaping inhuman oppression to take transhuman flight. \nThe gallery’s four screens\, themselves portals to the film’s world\, can be shifted by viewers into and out of the path of each projector. Each movement triggers a segment of Negrot’s 2011 track “It’s Lover\, Love”—a dreamy\, minimalist meditation on the lingering traces of broken promises and vanished love. These aural and physical shifts create new compositions\, morphing the installation into an active landscape in which to navigate agency\, survival\, and intimacy in a time of escalating political precarity.
URL:https://potluckasianamerica.org/event/shu-lea-cheang-lover-love/
LOCATION:The Leslie-Lohman Museum of Art\, 26 Wooster Street\, New York\, NY\, 10013\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Shua-Lea.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260502
DTEND;VALUE=DATE:20261217
DTSTAMP:20260818T202523Z
CREATED:20260818T202523Z
LAST-MODIFIED:20260818T202523Z
UID:10003108-1777680000-1797465599@potluckasianamerica.org
SUMMARY:Bangladesh Not "Bhaangadesh"
DESCRIPTION:This exhibition explores how Bangladeshis in Bangladesh and beyond took actions during the 2024 mass uprisings against the quota system in place\, since 1972\, immediately after the birth of the country in 1971. Featuring articles such as printed international artworks by Bangladeshi artists\, handcrafted tools\, and relevant media\, the exhibition serves as a homage to learn\, reflect\, discuss\, and heal. \nBangladesh\, Not “Bhaangadesh” seeks to raise social (in)justice awareness through showcasing Bangladeshi artistic expression\, and persistent crimes against humanity from the summer of 2024–of government-implemented curfews\, with “shoot-on-sight” commands\, country-wide internet revoked\, houses raids\, innocent lives taken\, and unnecessary arrests made\, etc. After decades of corruption and nepotism\, Bangladeshi students stood up against the unjust quota system of prioritizing government positions rather than basing hiring on skill\, talent\, and merit–for descendants of ancestors prominent in the Bangladesh Liberation War of 1971.
URL:https://potluckasianamerica.org/event/bangladesh-not-bhaangadesh/
LOCATION:King Manor Museum\, 150-03 Jamaica Ave\, Jamaica\, NY\, 11432\, United States
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Bhaangadesh_Flyer.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260514
DTEND;VALUE=DATE:20270125
DTSTAMP:20260915T010618Z
CREATED:20260522T200133Z
LAST-MODIFIED:20260915T010618Z
UID:10002669-1778716800-1800835199@potluckasianamerica.org
SUMMARY:Exhibition: Ed Young’s Bright Worlds
DESCRIPTION:For over 60 years\, Ed Young (1931–2023) invigorated the world of children’s books through intimate storytelling\, inventive artistry\, and potent emotionality. This first U.S. retrospective features original artwork from 15 of his most significant projects—focusing on works drawn from his personal story and Chinese folktales—alongside a selection of his sketchbooks\, family photos\, and personal effects. \nYoung achieved distinction as a beloved storyteller and illustrator who challenged younger audiences with pictorial and moral complexity. He was a towering figure in children’s literature\, reaching wide audiences while earning the field’s top honors. His retelling of the Chinese “Little Red Riding Hood\,” Lon Po Po\, introduced generations of children to Chinese folklore and won the Caldecott Medal; he also received two Caldecott Honors for earlier works. Across his career\, he garnered numerous accolades\, including multiple selections for The New York Times’ “10 Best Illustrated Children’s Books” list. \nThe exhibition traces Young’s family life in Shanghai\, where he was the fourth youngest of five children. As a teenager\, he and his brother were sent to live in Hong Kong to flee the civil war in China. He immigrated to America for college\, eventually earning an art degree from the ArtCenter School in Los Angeles\, and then moved to New York. “I set out with $20 borrowed money in my pocket to bet my life in New York City\,” he wrote. After being laid off from an advertising studio\, he submitted sketches to children’s book publisher Ursula Nordstrom\, who hired him to illustrate The Mean Mouse and Other Mean Stories (1962)\, launching a career that would span over 100 books. \nHis most memorable projects were deeply personal. Ed Young’s Bright Worlds guides viewers through key moments of his life and oeuvre with original artwork from The House Baba Built (2011)\, about his childhood in Japan-occupied Shanghai; Voices of the Heart (1997)\, exploring Chinese culture through the relationship between writing\, image and his lifelong tai chi practice; My Mei Mei (2006)\, on adopting his daughters; and Bright World (2024)\, a book published posthumously in China\, meditating on the cyclical nature of life. \n“So many of us grew up on Ed Young’s art and storytelling\,” said Herb Tam\, MOCA’s Chief Curator. “This exhibition will reveal what went into crafting masterworks of the children’s book form. Visitors will be enchanted by his fluent handling of media—from pastel and cut paper to pen\, ink\, and collage—and inspired by his story as a resourceful immigrant striving to make his mark in a creative field.” \n“As a father of three\, I’ve seen firsthand how children’s books shape the way we see the world\,” said Michael Lee\, MOCA’s President. “The imagery and storytelling stay with us—they become part of our family conversations\, our imaginations\, and even the way we share stories later in life. It’s a special honor to explore the life and mind of Ed Young\, whose work has inspired generations. Through this exhibition\, we not only celebrate his extraordinary achievements but also revisit how deeply his art was shaped by his journey as a Chinese American—reflecting his early life in China and the graceful balance he found as a lifelong practitioner of tai chi.” \nEd Young’s Bright Worlds is part of MOCA’s Luminaries for America250\, a yearlong celebration of Chinese American historymakers at the Semiquincentennial. For more about the Luminaries project\, visit https://www.mocanyc.org/2026/01/02/moca-luminaries-for-america250/ \nPhoto of Ed Young by Sean Kernan
URL:https://potluckasianamerica.org/event/exhibition-ed-youngs-bright-worlds/
LOCATION:Museum of Chinese in America\, 215 Centre Street\, New York\, NY\, 10013
CATEGORIES:Art,Book,Grades K–5
ATTACH;FMTTYPE=image/png:https://potluckasianamerica.org/wp-content/uploads/2026/05/Screenshot-2026-05-22-at-3.54.46-PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260910
DTEND;VALUE=DATE:20261129
DTSTAMP:20260911T220300Z
CREATED:20260911T220300Z
LAST-MODIFIED:20260911T220300Z
UID:10003346-1788998400-1795910399@potluckasianamerica.org
SUMMARY:John Pai - Meditation: Myth and Memory
DESCRIPTION:Gallery Hyundai is pleased to present “Meditation: Myth and Memory”\, an exhibition of Korean American sculptor John Pai\, a major force in the Korean American diaspora of the last half-century. The opening reception takes place on Thursday September 10\, 6-8pm at Gallery Hyundai New York Project Space. \nThis exhibition seeks to provide a space for meditation where myth and memory\, as in Pai’s world\, could be considered as companions—at times synchronous\, and at times on their own path\, but never stagnant. Centering around his two major series Heaven and Earth (2024) and Entropy’s Sirens (1997) trio\, it marks the first occasion the trio is presented as a group including two previously unseen pieces\, also accompanied by a selection of sculptures and drawings. \nNotably in the Heaven and Earth series\, a single point becomes a line\, then a form\, and appears to trail off to gesture to the space around it\, going past the artist’s agency and into another realm. This work manifests Pai’s guiding ethos\, where the artist’s mind (and the memories and ideas contained within the artist) inform his beginning but the work ultimately develops in conversation with the material and work’s own response. This conversational and improvisational method demonstrates Pai’s understanding that memories are not stable but shift with the everchanging present\, sometimes appearing closer to myth rather than reality. Completed when Pai was eighty-seven years old\, this grouping of sculptures reveal an artist in his maturity who still remains playful and deeply curious. \nPai is gaining heightened recognition for his indisputable contributions to sculpting with steel as well as his groundbreaking pedagogical methods since becoming the youngest appointed professor at Pratt Institute in 1965\, eventually becoming the director of fine art\, then chairman of the sculpture department\, a post he remained in for thirty-seven years. Referred to as “drawing in space\,” his signature use of numerous thin\, short steel rods with a hand-held welding tool reflected Pai’s active engagements with burgeoning movements in postwar New York such as the American Bauhaus and Neo-Avant-Garde. Pai’s sculptures are born out of a dynamic field of inquiry\, unbridled by discipline\, such as topology\, physics\, phenomenology\, and musical processes of improvisation. Following his major retrospective exhibition held in April 2024 at the Korean Cultural Center in New York called John Pai: Eternal Moment and his solo exhibition Shared Destinies at Gallery Hyundai in Seoul later that year\, this presentation is an opportunity for closer examination of Pai’s guiding ethos; a process of intimate surrender\, both with materials\, as well as his relationship to the world.
URL:https://potluckasianamerica.org/event/john-pai-meditation-myth-and-memory/
LOCATION:Gallery Hyundai New York Project Space\, 529 W 20th St\, Room 6E\, New York\, NY\, 10011\, United States
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/John-Pai-copy.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260910
DTEND;VALUE=DATE:20270104
DTSTAMP:20260818T214831Z
CREATED:20260818T214831Z
LAST-MODIFIED:20260818T214831Z
UID:10003122-1788998400-1799020799@potluckasianamerica.org
SUMMARY:Celebrating Sixty Years of China Institute Gallery: 1966-2026
DESCRIPTION:Founded in 1966\, the China Institute Gallery has presented the history of Chinese art from antiquity to the present through superb and thought-provoking exhibitions. The masterworks featured in Celebrating Sixty Years of China Institute Gallery: 1966-2026 exemplify what has made the Institute’s exhibitions groundbreaking. From presentations of exquisite jades and bronze vessels\, to the symbolism of old trees\, to Chinese ceramics\, calligraphy\, and architecture—China Institute’s displays have consistently illuminated pathways to a deeper understanding of the culture of China.
URL:https://potluckasianamerica.org/event/celebrating-sixty-years-of-china-institute-gallery-1966-2026/
LOCATION:China Institute Gallery\, 100 Washington Street\, New York\, NY\, 10006\, United States
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/China-Institute.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260911
DTEND;VALUE=DATE:20261122
DTSTAMP:20260902T215808Z
CREATED:20260902T215710Z
LAST-MODIFIED:20260902T215808Z
UID:10003297-1789084800-1795305599@potluckasianamerica.org
SUMMARY:Theresa Hak Kyung Cha: Multiple Offerings
DESCRIPTION:Artists Space presents “Multiple Offerings”\, the first retrospective in twenty-five years dedicated to the groundbreaking work of the artist Theresa Hak Kyung Cha. She produced an expansive range of works comprising performances for film and video\, installation\, photography\, artist’s books (including her genre-defying book Dictée from 1982)\, and works on paper\, which will fill Artists Space’s entire first floor. In her lifetime\, Cha contributed to experimental art scenes in New York City\, San Francisco\, Paris\, and beyond. Her work has had a quietly profound influence on subsequent generations of artists. \nAfter emigrating from South Korea to the United States\, Cha enrolled at UC Berkeley in 1969\, where she studied art practice\, comparative literature\, and film. Keenly attuned to the active role that audiences play in the creation of meaning\, she prioritized nonlinear narratives to allow for more open-ended forms of interpretation—what she termed a method of “Multiple Telling with Multiple Offering.” This retrospective adopts her framework to allow for a range of entry points into the work\, guiding visitors through the themes—memory\, displacement\, and the mutability of language\, among others—that recur in Cha’s oeuvre. \nCha moved to New York City in 1980\, where she supported herself with several jobs while pursuing her artistic career. She worked as an administrative assistant in the European Sculpture and Decorative Arts Department at the Metropolitan Museum of Art\, taught video art at Elizabeth Seton College in Yonkers\, and served as an editor at Tanam Press\, a publishing imprint dedicated to artists’ books that was founded by her friend and collaborator Reese Williams. \nOn November 5\, 1982\, Cha’s short but prolific career came to an end when she was murdered just weeks before her planned exhibition at Artists Space. At the time of her death\, Cha was producing a new photographic series inspired by her time working at the Met. Multiple Offerings presents that unfinished series of black-and-white prints alongside nearly one hundred artworks and archival materials from across her career\, highlighting the inventive\, playful\, and meditative methods of Cha’s practice.
URL:https://potluckasianamerica.org/event/theresa-hak-kyung-cha-multiple-offerings/
LOCATION:Artists Space\, 11 Cortlandt Alley\, New York\, NY\, 10013\, United States
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Theresa-Cha-copy.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260914
DTEND;VALUE=DATE:20270511
DTSTAMP:20260819T023556Z
CREATED:20260819T023258Z
LAST-MODIFIED:20260819T023556Z
UID:10003133-1789344000-1809993599@potluckasianamerica.org
SUMMARY:Teaching Asian American and Pacific Islander Histories Webinar Series
DESCRIPTION:As a valued friend of Foundations and Futures\, we cordially invite you to a free webinar series co-sponsored by the UCLA Asian American Studies Center\, UCLA Center X\, the American Federation of Teachers (AFT)\, and the National Education Association (NEA). The Teaching Asian American and Pacific Islander Histories Webinar Series will take place once a month on Mondays throughout the school year and will highlight chapters from the Foundations and Futures Multimedia Textbook. \nEach webinar session will take place via zoom on a Monday from 4:00-5:30 PM Pacific Time. \nSales end on Sep 14\, 2026 \nWebinar Schedule: \n\nSeptember 14\, 2026: We Are Here Because You Were There: Race\, Colonialism\, and Migration\nOctober 19\, 2026: Kānaka ʻŌiwi: Indigenous Hawaiian Identity\, Culture\, and Rebirth of the Sacred\nNovember 9\, 2026: Asian American Popular Culture: Representation\, Propaganda\, and the Media\nJanuary 11\, 2027: Asian American Exclusion: Aliens Ineligible to Citizenship\nFebruary 8\, 2027: Asian Americans in the US South: Labor\, Civil Rights\, and Identity\nMarch 8\, 2027: South Asian Americans before 1965: Stories of Perseverance\, Activism\, and Cultural Exchange\nApril 12\, 2027: Vietnamese American Experiences: Learning From Refugee Experiences\nMay 10\, 2027: Youth Organizing: Building Multiracial Solidarities\n\nSessions will feature a special guest presentation from one of the chapter authors. Two teachers will then present lesson plans and examples of use in their classrooms. \nYou can register for a webinar at this link: bit.ly/TeachingAAPI. On the Eventbrite link\, click “Check Availability” and select a session date and time. A pop-up with all the webinar sessions will appear and you can select all the sessions you would like to attend. You will receive a follow-up email with the Zoom link for each upcoming session.
URL:https://potluckasianamerica.org/event/teaching-asian-american-and-pacific-islander-histories-webinar-series/
LOCATION:
CATEGORIES:Education,History
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/UCLA-History.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260917
DTEND;VALUE=DATE:20261205
DTSTAMP:20260902T221003Z
CREATED:20260902T220929Z
LAST-MODIFIED:20260902T221003Z
UID:10003299-1789603200-1796428799@potluckasianamerica.org
SUMMARY:Afterlayers: Tai Hwa Goh & Julia Kwon
DESCRIPTION:Opening reception: Thursday\, September 17\, 2026\, 5-7pm \nTwo artists transform traditional materials–textile and paper–to explore themes of identity and memory. Tai Hwa Goh creates intricate\, layered installations from printed and cut paper\, inspired by organic forms\, landscapes\, and the relationship between the interior and exterior. Goh’s process pushes the limits of traditional printmaking\, as she modifies the characteristics of paper and thin fabric by covering with batik or ironing thin sheets of beeswax onto her prints\, deliberately obscuring the underlying images. She then uses techniques like sewing\, gluing\, and manipulating printed materials to construct intricate\, honeycomb-like structures. Found objects seamlessly integrate into the work\, reflecting the blending of the personal and the universal\, as well as natural and artificial elements.Through this process\, the imagery gradually moves away from recognizable forms\, and the dense layers serve as a space where nature\, memory\, and personal experience intertwine. Her installations invite viewers to contemplate the balance between the natural world and human existence\, and how everyday moments can reveal deeper insights into our lives. \nJulia Kwon sews interpretive Korean textiles\, specifically in the form of patchwork bojagi (Korean object-wrapping cloth)\, to critique received notions of Asiatic femininity and challenge reductive\, easily legible identities. Although her bojagi textiles may initially be perceived as traditionally Korean\, the patchwork designs are actually derived from urgent contemporary sociopolitical issues and events. Her work moves beyond simply representing minority identities as she aims to comment on the interconnected systems of oppression. Kwon’s practice contests the notion of authenticity and explores the complexities involved in constructing identities within the current framework of cultural hybridity\, intersectionality\, and the collective pursuit of social justice \nThe Korea Society Gallery is open only by appointment.\nThe appointment must be made at least 24 hours prior to the scheduled visit. \nGallery Hours: Monday-Friday 10 AM-4:30 PM\nBy Appointment Only
URL:https://potluckasianamerica.org/event/afterlayers-tai-hwa-goh-julia-kwon/
LOCATION:The Korea Society\, 350 Madison Avenue\, 24th Floor\, New York\, NY\, 10017
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/fterlayers-copy.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260917
DTEND;VALUE=DATE:20270401
DTSTAMP:20260911T234039Z
CREATED:20260911T234039Z
LAST-MODIFIED:20260911T234039Z
UID:10003349-1789603200-1806537599@potluckasianamerica.org
SUMMARY:Zine* Together
DESCRIPTION:Please join Asia Art Archive in America on Thursday\, September 17th from 5-8pm for the opening reception of their exhibition\, Zine﹡ Together. \nZine﹡ Together is the first exhibition of its kind to examine Asian American zines not only as objects\, but as actions—creative\, collective\, and relational. Drawing from Asia Art Archive in America’s Reading Room collection\, this exhibition highlights collaboratively produced zines from 2010 to the present\, alongside newly commissioned projects and prompts that trace zine-making as a mode of shared authorship and community building. \nIn the 1960s and 1970s\, zines (short for “magazines” or “fan-zines”) were characterized by their photo-copied\, staple-bound formats and emerged as popular do-it-yourself platforms for sharing counter-cultural socio-political programs and avant-garde art practice. In more recent decades and particularly in Asian American communities\, zines have served as a place to explore artistic narratives\, diasporic histories\, and collective responses to marginalization. \nKey to this exhibition is a commissioned research project and essay by Michelle Yee\, PhD\, and Elizabeth Chung that investigates the recent history of Asian American zines in relation to the 2020 COVID-19 pandemic and the parallel rise in anti-Asian violence across the United States. Situating zine-making within this moment of crisis\, the research frames the medium as one of many grassroots strategies for care\, documentation\, and solidarity. Together\, the exhibition and research project position zines not as peripheral ephemera\, but as vital cultural tools that register and record how communities respond in times of uncertainty. \nZine﹡ Together\, itself a collaborative project\, is organized by Claire Kim\, Susanna Chang\, Sarula Bao\, Michelle Yee\, Elizabeth Chung\, Mary Y. Yang\, Chen Luo\, and Tasnima Tanzim.
URL:https://potluckasianamerica.org/event/zine-together/
LOCATION:Asia Art Archive in America\, 23 Cranberry Street\, Ground Floor\, Brooklyn\, NY\, 11201\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Zine-copy.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260926
DTEND;VALUE=DATE:20270208
DTSTAMP:20260924T203746Z
CREATED:20260924T203746Z
LAST-MODIFIED:20260924T203746Z
UID:10003408-1790380800-1802044799@potluckasianamerica.org
SUMMARY:Yoshitaka Amano: Origins at the American Academy of Arts and Letters
DESCRIPTION:Yoshitaka Amano (b. 1952\, Shizuoka\, Japan) creates worlds. It’s something he’s done since he was fifteen\, when he moved to Tokyo and began working as a character designer for an anime studio. There\, drawing was always an act of translation. His task was to convert narrative into illustrated concepts\, drawings that would become the connective tissue of a fictional universe. Throughout his career as an independent artist and as a character designer for storied anime and video game franchises\, such as Final Fantasy and Vampire Hunter D\, drawing has always been a way of describing the porousness between the real and the fantastic. “I want to depict a world I myself have never seen\,” Amano says of the feeling from which his work begins. \nOrigins 始源 takes up Amano’s interest in primordial beginnings. Over the last few years\, Amano has been absorbed in Greek and Shinto mythology\, making drawings of the characters that animate these stories. Here\, he presents Pandora\, a series of drawings of the Greek myth of the first mortal woman; they circle the gallery like an ancient frieze\, or the storyboards for an animation. Alongside these works\, a selection of illustrations\, animation\, and popular materials from the 1980s and ’90s\, including the anime film Angel’s Egg and sensual depictions of The Tale of Genji\, is presented in our library. In all the stories Amano is drawn to\, origins are an eternal structure\, a threshold where being emerges. For him\, that threshold is the page; his figures seem to move and drift across its surface\, entering into worlds that exist beyond our lived reality. \nThis exhibition\, Amano’s first institutional solo show in New York\, offers a chance to encounter an artist whose drawings continue to have extended lives in the world around us. Right now\, more likely than not\, you could find them appearing on someone’s gaming console as they play Final Fantasy and livestream it to Twitch; on a Gatchaman Uniqlo tee worn in the streets of Tokyo; or even on an iPhone as someone watches Angel’s Egg on the subway\, in bed\, or really anywhere streaming is available. \nArts and Letters commissioned an essay\, Shining Genji\, by Sean Thor Conroe\, which accompanies the exhibition as part of our Reader series.
URL:https://potluckasianamerica.org/event/yoshitaka-amano-origins-at-the-american-academy-of-arts-and-letters/
LOCATION:American Academy of Arts and Letters\, Audubon Terrace\, New York\, NY\, 10032\, United States
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Yoshita-copy-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261003
DTEND;VALUE=DATE:20270201
DTSTAMP:20260821T183629Z
CREATED:20260821T183629Z
LAST-MODIFIED:20260821T183629Z
UID:10003186-1790985600-1801439999@potluckasianamerica.org
SUMMARY:Art of Manga
DESCRIPTION:Be drawn into the world of manga.\nArt of Manga is the first major exhibition in the Americas to explore manga—Japanese comics and graphic novels—as an art form. Marking its East Coast debut\, the Brooklyn Museum’s presentation is packed with more than 600 drawings that showcase manga’s immersive power and social impact. Don’t miss this rare opportunity for US audiences to encounter an astonishing selection of original manga artworks\, including examples from beloved series Inuyasha\, JoJo’s Bizarre Adventure\, Ōoku: The Inner Chambers\, ONE PIECE\, and many more. \nA global phenomenon\, manga is driven by those who design\, draw\, and very often author the stories that define the medium. Discover influential manga artists\, or mangaka\, and their distinct approaches to storytelling. Through compelling narratives and captivating imagery\, each mangaka’s work invents a universe that may be familiar or supernatural\, historical or futuristic\, contemplative or action-packed. These tales address universal themes such as coming of age\, tapping into hidden strengths\, and finding beauty in the ordinary—as well as contemporary issues such as environmentalism\, gender roles\, LGBTQ+ rights\, and socioeconomic inequality. Whether you enter as an otaku or a novice\, you’ll leave Art of Manga fluent in this vital medium. \nGo all-access with “Art of Manga.” The Manga Fan Pass gives one adult and one guest unlimited entry throughout the exhibition’s run—plus a slew of other perks especially for manga fans. \nThe $75 pass includes… \n⚫ Unlimited entry for you and a guest to “Art of Manga” (subject to availability) as well as general admission to Museum galleries \n⚫ Invites to Member Previews and select Member Evenings for “Art of Manga” \n⚫ Exclusive presale access to “Art of Manga” public programs \n⚫ 10% discount at the Café and Museum Shop (excluding gashapon machines) \n⚫ A collectible badge for you to wear and show off your love of manga (wear your badge each time you return to get a new pin to build your collection!)
URL:https://potluckasianamerica.org/event/art-of-manga/
LOCATION:Brooklyn Museum\, 200 Eastern Parkway\, Brooklyn\, NY\, 11238\, United States
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Art-of-Manga-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261006
DTEND;VALUE=DATE:20270111
DTSTAMP:20260805T153101Z
CREATED:20260805T153101Z
LAST-MODIFIED:20260805T153101Z
UID:10003008-1791244800-1799625599@potluckasianamerica.org
SUMMARY:Gen’ichirō Inokuma’s NYC Salon
DESCRIPTION:Gen’ichirō Inokuma’s NYC Salon is the first New York solo museum exhibition of the Japanese modern artist Gen’ichirō Inokuma (1902–1993). Organized by Japan Society Gallery in collaboration with the Marugame Genichiro-Inokuma Museum of Contemporary Art (MIMOCA) in Marugame\, Japan\, the exhibition explores Inokuma’s paintings shown at the Willard Gallery and various multimedia works created during his twenty-year residence in NYC (1955–1975). Along with important holdings from MIMOCA\, the exhibition presents Inokuma’s works in the Japan Society collection and the recently discovered Hirose Family Collection. \nInokuma’s Manhattan sojourn was shaped by meaningful connections with the American avant-garde: Jasper Johns\, Mark Rothko\, Robert Rauschenberg\, Alexander Calder\, David Smith\, Isamu Noguchi\, Yoko Ono\, John Cage\, Merce Cunningham\, and many others. Inokuma and his wife\, Fumiko\, also served as a social and cultural bridge between American and visiting Japanese artists and architects\, often hosting gatherings at their New York apartments. The exhibition features photographs\, film footage\, and ephemera documenting these artistic interactions. \nBy illuminating Inokuma’s little-known role in postwar American art history\, NYC Salon brings new insights into New York City’s mid-20th-century art world—both its collaborative artistic atmosphere\, and its vibrant international social scene \nTimed Tickets: $20 Nonmembers\, $15 Students and seniors \nGallery Exhibition Hours\n\nTuesdays-Fridays: 11 am-5 pm\n\n\nSaturdays & Sundays: noon-6 pm\n\n\nFree First Fridays: 5 pm-7 pm*\n\n\n*October 9\, 2026; November 6\, 2026; December 4\, 2026\, January 8\, 2027
URL:https://potluckasianamerica.org/event/genichiro-inokumas-nyc-salon/
LOCATION:Japan Society\, 333 East 47th Street\, New York\, NY\, 10017\, United States
CATEGORIES:Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Genichiro-Art-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261022
DTEND;VALUE=DATE:20270125
DTSTAMP:20260902T205725Z
CREATED:20260902T205725Z
LAST-MODIFIED:20260902T205725Z
UID:10003291-1792627200-1800835199@potluckasianamerica.org
SUMMARY:Hilda Shen: Their Landscapes
DESCRIPTION:Hilda Shen’s Their Landscapes inaugurates Solo Artist Projects (SAP)\, a MOCA initiative dedicated to presenting compelling artistic voices through one-person exhibitions of new work. The Brooklyn-based artist will present an arrangement of recent ceramic sculptures and prints in the museum’s Cheng Gallery. \nShen’s artistic practice is characterized by an inquisitive scrutiny of nature and an instinct for deconstruction. The forms can appear both ancient and futuristic\, naturally occurring and handmade\, undergoing construction and decay. Their details and motifs open up conversations that cut across post-minimalism\, Chinese landscape painting\, and architectural space. \nAbout the artist \nHilda Shen was born in Minneapolis (1954) and spent much of her childhood in upstate  New York before settling in New York City in the 1970s. Her father grew up in Beijing while her mother was raised in Hangzhou. Shen studied classical music at Oberlin College before shifting to the visual arts. She lives and works in Brooklyn. \nShen’s sculpture\, prints\, drawings\, and installations have been shown throughout the New York City area\, Seattle\, and Beijing\, and most recently in a solo show at Starr Suites in Brooklyn. She has created large installations at WaveHill in the Bronx\, the Tenri Cultural Center in NY\, China2000 in NY\, and the Smithsonian Flushing Town Hall in Queens. She has been an artist in residence at Willapa Bay AIR\, The Bloedel Reserve\, Millay Colony for the Arts\, Yosemite National Park\, and Platte Clove. Her work is in private collections in the United States\, Belgium\, and Beijing. Shen’s work has been reviewed in The New York Times\, The Brooklyn Rail\, ArtAsiaPacific\, and ARTnews. \nAbout Solo Artist Projects \nMOCA’s Solo Artist Projects (SAP) embraces a broad and open-ended exploration of contemporary art\, presenting a wide range of mediums\, practices\, traditions and ideas. It will feature artists of Chinese descent\, living and working in New York City. SAP will be a space for artists with established careers\, emerging artists\, those who live and work in and around Chinatown\, and art historical figures who deserve institutional attention. We will begin accepting submissions for Solo Artists Projects through an open call process in early 2027\, eligible to NYC-based artists of Chinese descent. Details forthcoming on MOCA’s website.
URL:https://potluckasianamerica.org/event/hilda-shen-their-landscapes/
LOCATION:Museum of Chinese in America (MOCA)\, 215 Centre Street\, New York\, NY\, 10013\, United States
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Hilda-Shen_web-banner-copy.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261029
DTEND;VALUE=DATE:20261213
DTSTAMP:20260825T035429Z
CREATED:20260825T035144Z
LAST-MODIFIED:20260825T035429Z
UID:10003221-1793232000-1797119999@potluckasianamerica.org
SUMMARY:Yoshitomo Nara Exhibition
DESCRIPTION:David Zwirner is pleased to present an exhibition by Japanese artist Yoshitomo Nara (b. 1959) featuring new paintings and drawings\, recent sculptures\, and early works selected by the artist. Spanning the gallery’s 537 West 20th Street and 533 West 19th Street locations in New York\, this exhibition will be the artist’s first solo presentation with David Zwirner and his first major solo exhibition in New York in nearly a decade. \nSince the mid-1980s\, Nara’s multidisciplinary approach has produced a distinctive and varied body of work. His artistic sensibilities were uniquely formed and shaped by his solitary childhood in rural northern Japan. Nara’s formative encounters with nature\, folklore\, and children’s fables\, and his revelatory discovery of popular music through his self-built radio\, are the source of his creativity. Through introspection\, Nara freely reimagines his past experiences\, and they have determined his visual language and steered his stylistic development for four decades. \nThrough philosophical dialogues with his intrinsic self\, Nara creates personified entities. Depicted with big heads and wide eyes\, they are celebrated for their characterful demeanor and perceived to possess both innocence and defiance. Nara understands these figures as self-portraits\, and when his dynamic imagery emerged in the 1990s\, it was recognized as an expression of raw emotion\, carrying a spirit comparable to punk and rock music in its directness and intensity. Over time\, it has come to function differently. Today\, many people see Nara’s characters as projections of themselves\, mirroring their own sentiments and vulnerabilities. As a result\, these images have transcended their original impetus and become cultural touchstones\, resonating with a global audience and influencing younger generations of artists and viewers alike. \nBringing together foundational works from the 1980s and paintings from 2026\, this exhibition will illuminate the latest evolutions of Nara’s singular proxies. Newly completed paintings on canvas—front-facing portraits with direct gazes—show a significant development in his color palette. Over the past year\, his intricately layered colors have become more muted and highly nuanced\, while his increasingly diffused brushwork\, through which his forms materialize\, creates richly atmospheric depths across the surface. Other paintings reveal a new method in which Nara sketches compositions in colored pencil\, developing a framework drawing before applying washes of translucent acrylic—the figures adopt natural poses\, and their tear-filled eyes communicate an air of uncertainty. In tandem\, recent large-format\, monochrome drawings made with industrial oil-based paint sticks will be exhibited. By contrast\, these works are emphatically linear\, demonstrating the breadth of Nara’s two-dimensional output. On the surface\, his imagery may appear formally divergent\, but it captures a shared emotional intensity\, evoking universal feelings. \nNara integrated his drawing style into his painting practice as a student\, simplifying his compositions\, paring down his use of color\, and introducing an economy of line. Unbound by conventional methods\, Nara employs paint in ways aligned with how he uses pen and pencil. Whichever medium or implement he chooses\, for him drawing is an assured action\, the result of an immediate inspiration—it is a state of mind. In what Nara calls his “line” paintings\, he enlarges his bold notebook sketches through projection and reanimates them in paint. The deceptively simple outlines retain their original creative impulse and the freedom that drawing allows—the rapid execution and fluid delineation. \nIn conjunction with the presentation of paintings and drawings at 20th Street\, thirteen of Nara’s 10-times sculptural enlargements from 2024 will be on display at the 19th Street gallery. Coated in white urethane paint\, the matte surface affording an apparent softness\, these large-scale bronze heads recall the snow “monsters” that Nara knew from childhood winters\, created by heavy snowfall. He envisaged the enlargements as he sculpted their palm-sized clay prototypes\, fascinated by the potential psychological impacts of experiencing the small\, evidently hand-molded heads on a monumental scale. Encountering the magnification of their simple facial expressions\, and the play of light and shadow across their smooth surfaces\, nurtures conditions for serenity and contemplation. \nThis exhibition will coincide with the opening of Yoshitomo Nara: Sentinels of Stillness at the Hirshhorn Sculpture Garden in Washington\, DC. Three monumental sculptures\, sixteen-times enlargements of Nara’s small clay heads\, will inaugurate the Annual West Lawn Series and be on view from October 31\, 2026 through November 7\, 2027.
URL:https://potluckasianamerica.org/event/yoshitomo-nara-exhibition/
LOCATION:Multiple NYC locations
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Yoshitomo-Nara-copy.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261119T190000
DTEND;TZID=America/New_York:20261119T230000
DTSTAMP:20260814T050351Z
CREATED:20260814T050231Z
LAST-MODIFIED:20260814T050351Z
UID:10003088-1795114800-1795129200@potluckasianamerica.org
SUMMARY:70 After Dark: Festival of Light
DESCRIPTION:70 After Dark: Festival of Light\nCelebrate the close of Asia Society’s 70th anniversary with 70 After Dark: Festival of Light\, an immersive evening inspired by Diwali and the shared traditions of light celebrated across Asia. Guests will enjoy after-hours museum access\, live music\, culinary experiences\, and interactive activations in a vibrant celebration of culture\, connection\, and new beginnings. \nEarly Bird pricing end Monday\, September 7. Reserve your tickets today to enjoy discounted pricing and be part of one of the season’s most anticipated celebrations. Join us for an unforgettable evening marking Asia Society’s 70th anniversary. Early Bird pricing end Monday\, September 7. \nDress Code: Festive Cocktail / Cultural Elegance
URL:https://potluckasianamerica.org/event/70-after-dark-festival-of-light/
LOCATION:Asia Society\, 725 Park Avenue\, New York\, NY\, 10021
CATEGORIES:Festival,Food,Music
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/70AAfterDark_Cla1_0.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261120T180000
DTEND;TZID=America/New_York:20261120T193000
DTSTAMP:20260823T033946Z
CREATED:20260720T081506Z
LAST-MODIFIED:20260823T033946Z
UID:10002900-1795197600-1795203000@potluckasianamerica.org
SUMMARY:Changing Cultures: Zhen Guo\, A Retrospective
DESCRIPTION:Artist Zhen Guo will discuss her recent milestone exhibition at Baruch College’s Mishkin Gallery\, Changing Cultures: Zhen Guo\, A Retrospective.
URL:https://potluckasianamerica.org/event/changing-cultures-zhen-guo-a-retrospective/
LOCATION:Asian American / Asian Research Institute – CUNY\, 25 West 43rd Street\, Room 1000\, New York\, NY\, 10036\, United States
CATEGORIES:Discussion
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/07/d207d08537dd0e1383aa09ff257dd6a7.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261120T183000
DTEND;TZID=America/New_York:20261120T200000
DTSTAMP:20260911T213646Z
CREATED:20260911T213646Z
LAST-MODIFIED:20260911T213646Z
UID:10003344-1795199400-1795204800@potluckasianamerica.org
SUMMARY:Jung Chang: My Life After China
DESCRIPTION:Join us at Asia Society⁠ for a special conversation with Jung Chang\, the internationally acclaimed author of the multimillion-copy bestseller Wild Swans\, as she discusses her powerful new memoir\, Fly\, Wild Swans: My Mother\, Myself\, and China (Harper\, January 2026). Moderated by New Yorker staff writer Jiayang Fan\, this event offers a rare opportunity to hear from one of the most influential chroniclers of modern Chinese history and memory. \nIn Fly\, Wild Swans\, Chang returns to the themes that made Wild Swans a landmark work\, while charting a deeply personal new chapter. The memoir intertwines two lives separated by geography but bound by history: Chang’s own journey after leaving China in 1978 to begin a new life abroad\, and the story of her mother\, who remained behind as China entered a period of profound transformation. Across continents and decades\, mother and daughter navigate distance\, longing\, and the lasting emotional consequences of political upheaval. \nWith her signature clarity and narrative force\, Chang reflects on exile\, belonging and the enduring pull of home. The book mirrors the ups and downs of China’s transformation from an isolated state to a world power\, illuminating the human dimensions of China’s dramatic social and political changes in the late twentieth century. Through personal memory and historical reflection\, Fly\, Wild Swans explores what it means to leave a country without ever fully leaving its past behind. \nCopies of Fly\, Wild Swans will be on sale\, with the author available to sign them. \nJung Chang is the bestselling author of Wild Swans\, Mao: the Unknown Story (co-written with Jon Halliday)\, Empress Dowager Cixi\, Big Sister\, Little Sister\, Red Sister\, and most recently Fly\, Wild Swans (2026). She was born in China in 1952\, moved to England in 1978\, and has been awarded a CBE (Commander of the Order of the British Empire) for services to literature and history. She lives in London with her husband. \nJiayang Fan is a Chinese-American journalist and staff writer for The New Yorker since 2016. She was born in Chongqing and immigrated to the United States at the age of seven. Her works include cultural and political commentary\, personal history\, and food critique. She published her first book Motherland in 2024.
URL:https://potluckasianamerica.org/event/jung-chang-my-life-after-china/
LOCATION:Asia Society\, 725 Park Avenue\, New York\, NY\, 10021
CATEGORIES:Book,Discussion
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Jung-Chang-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261120T190000
DTEND;TZID=America/New_York:20261120T203000
DTSTAMP:20260903T093719Z
CREATED:20260514T061457Z
LAST-MODIFIED:20260903T093719Z
UID:10002635-1795201200-1795206600@potluckasianamerica.org
SUMMARY:Laughing Lassi – The #1 South Asian Stand-Up Comedy Show in New York City!
DESCRIPTION:Laughing Lassi brings the funniest South Asian comedians from NYC and around the world to one stage. \n\n\nAfter four years of sold-out shows\, we’re kicking off 2026 with a killer lineup and fresh programming. \nGET YOUR TICKETS NOW! \nLaughing Lassi is New York City’s premier South Asian stand-up comedy show\, featuring the best Desi and Indian-American comedians from NYC and beyond. \nAs featured in TimeOut NYC\, The New Yorker\, and India Tribune\, this monthly comedy event has become a must-see cultural experience\, a place where laughter meets identity\, storytelling\, and community. \nWhether you’re South Asian or simply love smart\, diverse humor\, Laughing Lassi promises a night of non-stop laughter and unforgettable energy. Each lineup features top comedians who have performed on Comedy Central\, Netflix\, and major festivals around the world. \n📅 When: Doors open at 6:15 PM | Show starts 7:00 PM sharp (no “Brown Time” here!)\n📍 Where: Midtown Manhattan – Convenient NYC location\n🍸 Venue Policy: 2-drink minimum (alcoholic & non-alcoholic options available) \nJoin hundreds of fans who’ve made Laughing Lassi a monthly tradition for celebrating South Asian talent and NYC comedy. \nThe show is in English\, welcoming audiences of all backgrounds. Perfect for a night out with friends\, family\, or coworkers. \n🎟️ Tickets: Shows sell out fast\, grab yours now!\n💬 Follow Us: IG @LaughingLassi | Medium @LaughingLassi | TikTok @LaughingLassi \n🚨 Important Information\nLineups are subject to change due to last-minute cancellations.\nTickets cover the main show (7:00 PM – 8:30 PM)\, not your drinks.\nRefunds available up to 24 hours before the event; no refunds on the day of or after the show as we have limited seating. \nJoin us at Laughing Lassi to celebrate South Asian talent and experience a comedy show like no other. Don’t miss your chance to be part of NYC’s most talked-about South Asian comedy event. \n\n\n 
URL:https://potluckasianamerica.org/event/laughing-lassi-the-1-south-asian-stand-up-comedy-show-in-new-york-city-11/
LOCATION:Broadway Comedy Club\, 318 West 53rd Street\, New York\, NY\, 10019\, United States
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/07/385a2553ef5f36a28dc5bdf9b39832ae.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261121T170000
DTEND;TZID=America/New_York:20261121T183000
DTSTAMP:20260926T231445Z
CREATED:20260926T231255Z
LAST-MODIFIED:20260926T231445Z
UID:10003439-1795280400-1795285800@potluckasianamerica.org
SUMMARY:Discovery within Traditions – Ebisu / Big Three Bon Odori
DESCRIPTION:JPA Annual Performance\nProgram: Japanese traditional dance\, Yukata fashion show\, Kagura\, and the Big Three Bon Odori Festivals \nJapan Performing Arts\, Inc.’s Autumn Free Public Program features “Discovery within Traditions – Ebisu / Big Three Bon Odori. Across Japan\, there is a Shinto ritual dance known as Kagura\, which has spread to various regions. From the Kagura tradition\, we will present Ebisu—a dance dedicated to the god of the sea—performed as an offering in the Iwami region of Shimane Prefecture.
URL:https://potluckasianamerica.org/event/discovery-within-traditions-ebisu-big-three-bon-odori/
LOCATION:The Salvation Army Thrift Store & Donation Center\, 536 West 46th Street\, New York\, NY\, 10036\, United States
CATEGORIES:Dance
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/5d83a900257393700b5625cc865a42f4.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261122T170000
DTEND;TZID=America/New_York:20261122T183000
DTSTAMP:20260927T190549Z
CREATED:20260927T190549Z
LAST-MODIFIED:20260927T190549Z
UID:10003475-1795366800-1795372200@potluckasianamerica.org
SUMMARY:GUT: In Search of Life’s Seasons
DESCRIPTION:Long before KPop Demon Hunters\, there was Gut\, the Korean tradition of spirit-confronting performance\, where music\, dance\, drama\, ritual\, and healing became one. This production of Gut: In Search of Life’s Seasons offers a rare opportunity to experience the living cultural and spiritual heritage that inspired today’s stories of demon hunters\, performed by Jeongwook Park\, one of the foremost contemporary practitioners of the art form and a recognized preserver of Korea’s intangible cultural heritage. \nPerformers\nMaster Jeongwook Park\nHyeong Suk Kim\, Piri and Taepyeongso\nYoungme Im\, Sangjanggo\nByungtae Kim\, Jing\nWanah Kim\, Singer
URL:https://potluckasianamerica.org/event/gut-in-search-of-lifes-seasons/
LOCATION:Zankel Hall at Carnegie Hall\, 881 7th Ave.\, New York\, NY\, 10019\, United States
CATEGORIES:Performance
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/GUT_poster-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261123T183000
DTEND;TZID=America/New_York:20261123T205800
DTSTAMP:20260916T140022Z
CREATED:20260916T140022Z
LAST-MODIFIED:20260916T140022Z
UID:10003388-1795458600-1795467480@potluckasianamerica.org
SUMMARY:Burning
DESCRIPTION:Burning is the searing examination of an alienated young man\, Jongsu (Ah-in Yoo)\, a frustrated introvert whose already difficult life is complicated by the appearance of two people in his orbit: first\, Haemi (newcomer Jong-seo Jun)\, a spirited woman who offers the romantic possibility\, and then\, Ben (Steven Yeun\, The Walking Dead and Sorry to Bother You)\, a wealthy and sophisticated young man she returns from a trip with. However\, when Jongsu learns of Ben’s mysterious hobby and Haemi suddenly disappears\, his confusion and obsessions begin to mount\, culminating in a stunning finale. \nLANGUAGE\nKorean with English subtitles
URL:https://potluckasianamerica.org/event/burning/
LOCATION:Paris Theater\, 4 West 58th St.\, New York\, NY\, 10019\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Burning.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261203
DTEND;VALUE=DATE:20261221
DTSTAMP:20260907T045840Z
CREATED:20260907T045839Z
LAST-MODIFIED:20260907T045840Z
UID:10003320-1796256000-1797811199@potluckasianamerica.org
SUMMARY:Saigon
DESCRIPTION:In a bustling restaurant in both 1950s Vietnam and 1990s France\, strangers gather to eat\, drink\, sing\, argue\, remember\, and mourn. Across decades and continents\, lives intersect as people reckon with exile\, longing\, and the lasting impact of history. \nCreated by acclaimed director Caroline Guiela Nguyen\, Saigon is an epic and deeply personal portrait of migration\, memory\, and belonging. As characters search for lost homes\, lost loves\, and lost versions of themselves\, ordinary encounters unfold into a sweeping story of resilience and connection. \nBy turns intimate and expansive\, joyful and heartbreaking\, Saigon is a richly diverse theatrical experience that celebrates the lives shaped by movement across borders and generations.
URL:https://potluckasianamerica.org/event/saigon/
LOCATION:St. Ann’s Warehouse\, 45 Water Street\, Brooklyn\, NY\, 11201\, United States
CATEGORIES:Theater
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Saigon-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261209T190000
DTEND;TZID=America/New_York:20261209T210000
DTSTAMP:20260825T032839Z
CREATED:20260817T045206Z
LAST-MODIFIED:20260825T032839Z
UID:10003104-1796842800-1796850000@potluckasianamerica.org
SUMMARY:An Evening with Min Jin Lee | Fundraiser for New Life Community Development
DESCRIPTION:This event is benefiting New Life Community Development Corporation\, a 501c3 nonprofit serving low income individuals in Elmhurst and Corona. \nDoors open at 6:30! \nJoin Min Jin Lee in conversation with Lucy Yu in the bestselling author’s very own hometown of Elmhurst\, NY\, to celebrate the arrival of her latest novel American Hagwon\, and to fundraise for an Elmhurst-based non-profit. \nTicket price will include a signed copy and a donation to New Life Community Development Corporation\, a 501c3 organization serving low income individuals in Elmhurst and Corona with a food pantry\, health center\, financial literacy\, and social emotional wellness programming. \n10% of each purchased copy of American Hagwon will also be donated towards New Life Community Development Corporation. \nABOUT THE BOOK \nThe National Book Award finalist and New York Times bestselling author of Pachinko returns with a breathtaking contemporary epic: a masterpiece by turns sweeping and intimate\, that reckons with ambition and moderation\, lust and loyalty\, personal dreams and familial duty. \nMin Jin Lee brings grand ambition\, fierce heart\, and the tenderest hope to a novel I didn’t want to end.” —Roxane Gay\, bestselling author of Bad Feminist and Hunger \nIn schools and churches\, hotel rooms and nail salons\, law firms and fried-fish shops; in cramped\, dingy apartments and luxury\, gated communities\, the men\, women\, and children in American Hagwon struggle to find satisfaction and meaning in a world that seems to grow less forgiving with each passing year. Once comfortably middle class in Korea\, John and Helen Koh and their three children—Bo\, DH\, and Mido—find their lives upended\, first by a shocking betrayal by John’s oldest friend\, then by the 1997 Asian financial crisis. \nDesperately striving to regain their footing\, they leave Seoul for Sydney and eventually settle in Southern California—where new vistas of opportunity open up for the children as their parents\, strangers in a strange land\, must adjust to a new life in which their experience and education mean little\, and they set their sights on whatever it takes to provide for their children’s futures. The Kohs\, their friends\, relatives\, and even their foes move in and out of each other’s lives as they navigate new courses across the years\, always nursing the almost all-consuming faith that education will lead the next generation to success and security. \nIn American Hagwon\, Min Jin Lee has crafted an unforgettable\, panoramic novel where the smallest of gestures can have enormous repercussions\, where the bonds of family and of memory twist and fray but rarely break\, and where willful self-sacrifice—for the benefit of loved ones and even strangers—is a kind of prayer. \nABOUT THE AUTHOR \nMin Jin Lee was born in Seoul\, South Korea and immigrated to Queens\, New York with her family when she was seven years old. She is a writer whose award-winning fiction explores the intersection of race\, ethnicity\, immigration\, class\, religion\, gender\, and identity of a diasporic people. \nLee’s debut novel Free Food for Millionaires (2007) was a Top 10 Books of the Year for The Times of London\, NPR’s Fresh Air\, USA Today\, and a national bestseller. Pachinko\, her second novel\, is an epic story which follows a Korean family who migrates to Japan; it is the first novel written for an adult\, English-speaking audience about the Korean-Japanese people. Pachinko was a finalist for the National Book Award for Fiction\, runner-up for the Dayton Literary Peace Prize\, winner of the Medici Book Club Prize\, a New York Times 10 Best Books of 2017\, and is one of Kirkus Review’s Best Books of the 21st Century (So Far). A New York Times Bestseller\, Pachinko was also a Top 10 Books of the Year for the BBC\, Canadian Broadcasting Corporation\, and the New York Public Library. Pachinko was a selection for “Now Read This\,” the joint book club of PBS NewsHour and The New York Times. It was on over 75 best books of the year lists\, including NPR\, PBS\, and CNN. Pachinko has been translated into over 35 languages and is an international bestseller. President Barack Obama selected Pachinko for his recommended reading list\, calling it\, “a powerful story about resilience and compassion.” In 2024 Pachinko (#15) was named one of the New York Times Book Review’s 100 Best Books of the 21st Century. \nIN CONVERSATION WITH \nLucy Yu is a writer and multi-disciplinary artist living in Brooklyn\, New York. She is also the owner of Yu & Me Books in Manhattan’s Chinatown\, the first queer Asian American bookstore in New York City. Yu & Me Books specializes in immigrant stories\, writers of color\, and historically marginalized experiences. \nAbout the New Life Community Development Corporation \nFounded in 1994 by members of New Life Fellowship Church\, New Life Community Development Corporation seeks to serve the poor and marginalized in Elmhurst and Corona\, NY. New Life CDC envisions a neighborhood where every neighbor has the financial\, emotional\, and social resources to thrive\, and every neighbor is valued and recognized as worthy\, capable\, and deserving of investment and support. Annually\, New Life CDC serves over 1\,400 children\, youth\, adults\, and senior neighbors through culturally and linguistically accessible programs and services. New Life CDC’s programs provide relief\, cultivate restoration\, deepen relationships and model reinvestment with neighbors across the spectrum of poverty\, including those experiencing food or housing insecurity\, uninsured community members\, undocumented day laborers living on the streets\, survivors of domestic violence\, and working class families. Its core programs include a food and clothing pantry\, health center\, financial empowerment programs\, and social emotional wellness programs for low-income families at local schools and shelters.
URL:https://potluckasianamerica.org/event/an-evening-with-min-jin-lee-fundraiser-for-new-life-community-development/
LOCATION:New Life Community Development Corporation\, 82-10 Queens Boulevard\, Elmhurst\, NY\, 11373\, United States
CATEGORIES:Book,Discussion,Fundraiser
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DTSTART;TZID=America/New_York:20261210T183000
DTEND;TZID=America/New_York:20261210T210000
DTSTAMP:20260810T010930Z
CREATED:20260810T010930Z
LAST-MODIFIED:20260810T010930Z
UID:10003055-1796927400-1796936400@potluckasianamerica.org
SUMMARY:MOCA x NYAFF Film Club: Full Moon in New York
DESCRIPTION:MOCA x NYAFF Film Club is a quarterly program celebrating the brilliance and boldness of Asian and Asian American cinema. This series highlights films of historic and cultural significance under the theme Margin\, spotlighting daring films that challenge the norm\, rewrite narratives\, and push boundaries. \nEach session is more than just a movie night—it’s an opportunity to connect\, discover\, and engage. This year’s screenings are scheduled for May 7\, June 11\, September 24\, and December 10. Following the screening\, join us for a moderated conversation to explore the film’s themes\, creative impact\, and cultural context. Attendees are encouraged to share their thoughts and continue the dialogue during a casual networking reception afterward. \nDon’t miss this chance to immerse yourself in the world of bold cinema and meaningful connections. Let’s watch\, chat\, and celebrate together! \nFull Moon in New York (2019)\nDirected by: Stanley Kwan\nRuntime: 89 minutes \nDirected by Stanley Kwan 關錦鵬\, Full Moon in New York (1989) is a landmark drama that follows three Chinese-speaking women from mainland China\, Hong Kong\, and Taiwan as they forge an unlikely friendship while building new lives in New York City. Starring Sylvia Chang\, Maggie Cheung\, and Siqin Gaowa\, the film explores the complexities of migration\, cultural identity\, homesickness\, and belonging\, revealing how shared experiences can bridge political\, linguistic\, and personal differences within the Chinese diaspora. \nWidely regarded as one of Kwan’s defining works\, Full Moon in New York received critical acclaim across the Chinese-speaking world. At the 26th Golden Horse Awards\, it won Best Feature Film and Best Actress for Maggie Cheung\, while becoming the ceremony’s most nominated film with 11 nominations and its biggest winner with eight awards. More than three decades after its release\, the film remains a poignant portrait of the immigrant experience and a rare cinematic exploration of the diverse identities that shape the global Chinese diaspora. \nStarring:Sylvia Chang 張艾嘉\, Maggie Cheung 張曼玉\, and Siqin Gaowa 斯琴高娃 \nStay after the screening for a conversation between MOCA’s Curator and NYAFF’s Programmer\, starting around 8:10 PM. Explore the film’s deeper meanings and behind-the-scenes context before engaging in further discussions with fellow attendees over beverages.
URL:https://potluckasianamerica.org/event/moca-x-nyaff-film-club-full-moon-in-new-york/
LOCATION:Museum of Chinese in America (MOCA)\, 215 Centre Street\, New York\, NY\, 10013\, United States
CATEGORIES:Discussion,Film
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DTSTART;TZID=America/New_York:20261211T180000
DTEND;TZID=America/New_York:20261211T210000
DTSTAMP:20260929T202703Z
CREATED:20260929T202550Z
LAST-MODIFIED:20260929T202703Z
UID:10003504-1797012000-1797022800@potluckasianamerica.org
SUMMARY:AAARI 25th Annual Gala
DESCRIPTION:Save the date! Join AAARI 12/11 for our 25th annual gala! Check our website for updated info on honorees and to purchase tickets\, http://www.aaari.info.
URL:https://potluckasianamerica.org/event/aaari-2026-gala/
LOCATION:House of Joy\, 28 Pell Street\, New York\, 10013\, United States
CATEGORIES:Gala
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261211T200000
DTEND;TZID=America/New_York:20261211T213000
DTSTAMP:20260824T051009Z
CREATED:20260824T051009Z
LAST-MODIFIED:20260824T051009Z
UID:10003207-1797019200-1797024600@potluckasianamerica.org
SUMMARY:White Stones
DESCRIPTION:A stone can mark a boundary. Or it can open one… Japanese-American musician Kaoru Watanabe and Lakota performance/visual artist Kite (Suzanne Kite) bring two inheritances together\, asking what it means to seek ancestral guidance in a country built on forgetting. On Japanese drums\, flute\, koto\, voice\, violin\, electronics and invented instruments\, they weave a soundscape moving between meditative stillness and ritual intensity\, while Kite’s sovereign AI\, built entirely from Indigenous worldviews and ancestral stories\, shapes what unfolds in real time. Drawing on the sacred vocabularies of Noh theater and Lakota ceremonial practice — both centered on stone\, here cast in patterns across the performance space — the artists forge the friction of these visions into something neither tradition could reach alone.
URL:https://potluckasianamerica.org/event/white-stones/
LOCATION:Japan Society\, 333 East 47th Street\, New York\, NY\, 10017\, United States
CATEGORIES:Music,Performance
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DTSTART;TZID=America/New_York:20261212T190000
DTEND;TZID=America/New_York:20261212T203000
DTSTAMP:20260710T190059Z
CREATED:20260710T190059Z
LAST-MODIFIED:20260710T190059Z
UID:10002829-1797102000-1797107400@potluckasianamerica.org
SUMMARY:American Hagwon: A Conversation with Min Jin Lee
DESCRIPTION:Join internationally acclaimed author Min Jin Lee for a special evening celebrating the release of her highly anticipated new novel\, American Hagwon. \nFrom the bestselling author of Pachinko comes an epic\, deeply moving saga that follows a Korean family across Seoul\, Sydney\, and California’s Orange County from 1992 to 2007. Through the lives of the Koh family and those around them\, Lee explores the pursuit of opportunity\, the pressures of academic achievement\, the impact of economic upheaval\, and the enduring bonds between parents and children. \nAt the heart of the novel is the world of the hagwon—Korea’s private education system and a powerful symbol of ambition\, sacrifice\, and social mobility. As fortunes rise and fall against the backdrop of the Asian financial crisis and the Korean diaspora experience\, American Hagwon asks timeless questions about identity\, success\, family\, and what ultimately makes a good life. In this special live conversation\, Min Jin Lee will discuss the inspiration behind her sweeping new novel\, her creative process\, and the themes that have made her one of the most important literary voices of our time. A book signing will follow the program. \nDon’t miss this rare opportunity to hear from the celebrated author of Pachinko as she introduces her most ambitious work yet. \nTickets: $15 + fees (Event Ticket Only); $45 + fees (Event Ticket + Copy of American Hagwon\, Pick-Up at Kew & Willow Books in Kew Gardens); $51 + fees (Event Ticket + Copy of American Hagwon\, U.S. Shipping Included). \nBook pick-up and shipping will begin on September 29\, 2026\, the official publication date of American Hagwon. Limited signed editions by Min Jin Lee available—don’t wait\, order now! \nPlease note that discounts on tickets are only available for Queens College students. With a valid QC student ID\, Queens College students receive 50% off the Event Ticket. The student discount is available for in-person purchases at the KCA Box Office only. Students may also purchase the Event Ticket + Book Pick-Up option; though the 50% discount applies to the Event Ticket portion only. Instead of picking up the book at Kew & Willow Books\, Queens College students will receive their book at Colden Auditorium on the day of the event. \nFor any additional questions\, please contact our Box Office at (718) 793-8080.
URL:https://potluckasianamerica.org/event/american-hagwon-a-conversation-with-min-jin-lee/
LOCATION:Queens College – Colden Auditorium\, 153-49 Reeves Avenue\, Flushing\, NY\, 11367
CATEGORIES:Book,Discussion
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