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DTSTART;TZID=America/New_York:20250925T180000
DTEND;TZID=America/New_York:20250925T200000
DTSTAMP:20250920T092117Z
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SUMMARY:Art Exhibit Opening: Talkin’ Bout a Revolution: Pyaari Azaadi
DESCRIPTION:Talkin’ Bout a Revolution: Pyaari Azaadi\nSeptember 25th – December 13th\, 2025 \nTalkin’ Bout a Revolution is a solo exhibition spotlighting the work of Pyaari Azaadi\, formerly known as Jaishri Abichandani. Taking its title from Tracy Chapman’s iconic 1988 song\, the exhibition reflects Azaadi’s lifelong commitment to art\, activism\, and community. Known for her fearless approach to materials and form\, Azaadi is an acclaimed painter and sculptor who continually embraces a multidisciplinary practice that challenges dominant narratives and centers feminist and decolonial perspectives. \nIn this exhibit\, Azaadi’s work explores and celebrates feminist\, queer\, racialized\, and en-casted bodies\, specifically through the lens of South Asian identity and with social justice playing a key role. This groundbreaking exhibit\, Talkin’ Bout a Revolution\, is an opportunity to amplify the bold voices of anti-caste activists and South Asian feminists. A special set of paintings also feature Dalit\, Bahujan\, and Adivasi leaders. \nThis exhibit is so meaningful to our communities because it challenges dominant narratives in South Asia by centering feminist\, decolonial\, debrahminised perspectives. Azaadi seamlessly intertwines her art with activism as well as BIPOC/feminist/queer/DBA identities\, and\, now more than ever\, we need to see this type of representation. \nA fully illustrated exhibition catalogue will accompany the show\, featuring essays by prominent voices offering a range of perspectives on Azaadi’s work and its impact across disciplines including: lawrence-minh bùi davis\, (curator of Asian Pacific American Studies at the Smithsonian Asian Pacific American Center)\, Yashica Dutt (is a leading anti-caste expert\, journalist and the award-winning author of the non-fiction memoir Coming Out as Dalit)\, Mona Eltahawy\, (an award-winning writer focusing on Arab and Muslim issues and global feminism whose works have appeared in various publications including The Washington Post\, The New York Times)\, Carmen Hermo (Lorraine and Alan Bressler Curator of Contemporary Art at the Museum of Fine Arts Boston)\, Pamela Sneed\, (poet\, performer\, visual artist\, and educator)\, Hrag Vartanian (arts writer\, curator\, and editor-in-chief and co-founder of Hyperallergic)\, and Anuradha Vikram (writer\, curator\, and educator. Vikram is the author of Decolonizing Culture and has written for art periodicals and publications from Paper Monument\, Heyday Press\, Routledge\, and Oxford University Press). \nPyaari Azaadi (she/her; b. 1969\, Bombay\, India) immigrated to the US in 1984. She received her MFA from Goldsmiths College\, University of London. Pyaari has continued to intertwine studio and social practice\, art and activism\, creating transformative work with Queer\, BIPoC communities in New York for three decades. She founded the South Asian Women’s Creative Collective (SAWCC) in New York (1997) and London (2004). She is a recipient of the Huntington Arts Council Fellowship and a grant from New York Foundation for the Arts. Azaadi has exhibited internationally including a critically acclaimed solo exhibition\, Flower Headed Children at the Craft Contemporary Museum in Los Angeles in 2022. Group exhibitions include P.S.1/MoMA\, the Queens Museum of Art\, and Asia Society in New York\, 798 Beijing Biennial and Guangzhou Triennial in China\, the Mori Art Museum in Tokyo\, IVAM in Valencia\, Spain\, and the House of World Cultures in Berlin\, Germany. \nTalkin’ Bout a Revolution: Pyaari Azaadi
URL:https://potluckasianamerica.org/event/aer-exhibit-opening-talkin-bout-a-revolution-pyaari-azaadi/
LOCATION:Pen + Brush\, 29 E 22nd St\,\, New York\, NY\, 10010\, United States
CATEGORIES:Art Exhibit,In Person,Opening Reception
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DTSTART;TZID=America/New_York:20250726T150000
DTEND;TZID=America/New_York:20250726T173000
DTSTAMP:20250722T111944Z
CREATED:20250722T111944Z
LAST-MODIFIED:20250722T111944Z
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SUMMARY:LIFE IS ART IS MOTHERHOOD IS ART: Closing Reception & Mother Artist Salon
DESCRIPTION:Please join us on July 26\, 2025\, from 3 – 5:30 pm (doors open 3 pm\, program starts 3:30 pm)  for the Closing Reception for the exhibition LIFE IS ART IS MOTHERHOOD IS ART. At the reception\, mother artists Sita Chay (violin) and Rema Hasumi (keyboards) will perform and join a conversation with the exhibition artists on the exhibition’s themes. The event will take place at Tenri Cultural Institute of New York. Admission is free and no RSVP is required. Families with children are welcome! \nFollowing the conversation\, Vietnamese mother artist and author / peacemaker / philanthropist Le Ly Hayslip will share her thoughts and weave them into a larger conversation about the lessons not learned from the American War in Vietnam — this year marks the 50th anniversary of the end of the war as well as the 80th anniversary of the end of WWII — and the need to envision a society where the value of inspiration\, creation\, mutual care\, and unconditional love is recognized and integrated into every aspect of life\, without discrimination. \nThe event is the last of a series of Mother Artist Salons being held in conjunction with the exhibition LIFE IS ART IS MOTHERHOOD IS ART. Check the exhibition announcement or CRS calendar for details. \nABOUT THE ARTISTS \n\nSITA CHAY is a violinist\, composer\, and performance artist who won a 2017 Latin Grammy Award for Best Mariachi Album\, as violinist of the Flor de Toloache. She is an awardee of New York Foundation for the Arts Women’s Fund\, NYSCA/NYFA Artist Fellowship\, New Music USA’s Creator Development Fund\, Lower Manhattan Cultural Council’s Creative Engagement Grant\, and Foundation for Contemporary Arts\, and was invited for residencies at the Stone\, Joe’s Pub\, and the Cell Theatre for various projects she is envisioning. Her collaborators include Satoshi Takeishi\, Shoko Nagai\, Sidra Bell\, and Leo Genovese and with them she performed in numerous festivals such as Progressive Chamber Music Festival 2023\, Outfest 2024\, and Multicultural Music Festival 2024. \n\n\nHer most recent project\, “Multidimensionally Human\,” is an interdisciplinary series that she collaborates on with Dr. Nikolai Chapochnikov\, a neuroscientist and psychotherapist. Through this project\, she weaves the psychotherapy modality Internal Family Systems using narrative\, dance\, visual art\, and music as a performance artist. \n\n\nIn 2023\, she released a music narrative film “Ritual of Le Sac” which tells a story of a fish-like life of a baby swimming inside the womb. This project was inspired by her recent journey of becoming a mom and experiencing the kindness and gentle curiosity from various strangers on the street for carrying a life inside. She intended this film to reflect and rediscover the innate human capacity and desire to care and honor life. \n\n\nMs. Chay is the director and a founder of the Korean Shaman Music Ritual\, SaaWee\, which international critics have called as a “delicate powerhouse.” For SaaWee\, she has interwoven her theatrical experiences from Broadway shows\, folkloric spirituality from Korean shaman rituals\, and contemporary music flair from New York jazz scenes. SaaWee’s Return of Songbirds debuted at Lincoln Center as part of #Restartstage project in 2021 and was invited to Ars Electronica Festival 2021. SaaWee won the California Music Video Awards 2022 in Best World Music category. \n\nhttps://www.sitachay.com \nREMA HASUMI is a New York-based sound designer and improviser\, whose eclectic background spans classical\, jazz\, and experimental music. The foundation of her music is grounded in a wide range of pianistic expressions that are at times contemplative and at others assertive. Her recent work involves compositions and improvisations with analog synthesizers\, electronics\, and vocals. Hasumi’s music has been described as one that “is able to capture those elusive moments when silence becomes music and music becomes silence” (Jakob Baekgaard\, All About Jazz) and that “begins with a delicate piano rumination\, wandering\, searching\, finding a state of gentle deliberation that suddenly fades” (Dan McClenaghan\, All About Jazz). Her musical influences span across various musicians\, including Alice Coltrane\, Sun Ra\, Masabumi Kikuchi\, Paul Bley\, Terry Riley\, Arthur Russel\, and many more. \nHasumi’s “Mothers\,” a seven-track album dedicated to the collective experience of motherhood\, will be released digitally on July 1\, 2025. The music represents the journey of mothers striving to protect their creative paths while navigating the deep emotions that come with parenting and the process of redefining their identities. Each track explores a different emotional landscape\, yet all share excerpts of piano improvisation from a single recording session\, which serves as an undercurrent throughout the album. This undercurrent reflects the ongoing\, profound\, and dynamic experience of motherhood. The album features a series of collaged soundscapes\, consisting of synthesizers\, piano\, and vocals performed by Hasumi\, with contributions from Austin White on electric bass and synthesizers on three tracks. Each track’s sound elements are improvised separately and then combined using a collage approach rather than traditional composition. The final mix is designed to offer a three-dimensional\, holistic\, and stimulating listening experience. The album will be available for digital download and streaming\, with a beautiful cover photograph by Aline Müller. Her works\, including the album cover photo\, are part of the Life Is Art Is Motherhood Is Art exhibition. The development of “Mothers” was made possible\, in part\, by a grant provided by CRS (Center for Remembering & Sharing). \nhttps://rema-hasumi.com/ \nLE LY HAYSLIP is an internationally known Vietnamese-American author\, philanthropist\, peace activist\, speaker\, and mother. She grew up in Ky La (now known as Xa Hoa Quy)\, Vietnam during the American-Vietnam War. She wrote two best-selling memoirs—When Heaven and Earth Changed Places and Child of War\, Woman of Peace\, based on her painful and ultimately triumphant journey from a traumatizing childhood in war-ravaged Vietnam to her new life in America. Having grown up in Central Vietnam as a woman\, Le Ly shares a perspective that is unique when it comes to the Vietnam War. She received raving reviews for both books\, including from The New York Times and The Washington Post. When Heaven and Earth Changed Places was included in the 1990 edition of Reader’s Digest’s Today’s Best Nonfiction. Her memoirs\, having been published in 17 different languages throughout the world\, are now used in several universities as course material to study women in history\, the American/Vietnam War\, and other topics. In 1993\, the books were adapted into the film “Heaven & Earth\,” directed by the award-winning director Oliver Stone and starring Hiep Thi Le and Tommy Lee Jones. \nLe Ly’s life as a humanitarian began after she arrived in the US in 1970 and became a US citizen\, but she returned to her native Vietnam in 1986. Her shock from the devastation\, poverty\, and illness left by the war became the impetus for her two philanthropic organizations\, East Meets West Foundation and Global Village Foundation. Both organizations dedicate their efforts to humanitarian relief\, education\, and development to help rebuild Vietnam through providing basic needs (shelter\, clean water\, medical facilities\, education)\, establishing revolving loan programs\, and finding homes for several hundred orphaned children. Hayslip continues to lead groups and delegations in cultural and anthropological studies in her home village. \nABOUT THE EXHIBITION \nLIFE IS ART IS MOTHERHOOD IS ART is an exhibition of five artists who are mothers of different generations — Daniela Kostova (Bulgaria)\, Aline Müller (Brazil)\, Quynh “Alex” Nguyễn (Vietnam)\, Katie Heller Saltoun (USA)\, and Satomi Shirai (Japan). Curated by CRS co-founder Christopher Pelham\, the exhibition will be on view at Tenri Cultural Institute of New York from July 21 – 26\, 2025. \n“Being an artist is to experience a vigorous\, experimental life of the mind and of the senses. Parenthood is another enriching experience: primal\, haptic and life-affirming. Why are the two still seen as incompatible?” — Jeffrey Boloten and Juliet Hacking\, Forward to How Not to Exclude Artist Mothers (and other parents) \nThis exhibition highlights the inspiring works being created worldwide by mother artists and examines the multifaceted relationship between motherhood and art-making. Through their diverse photography and 2D works\, we invite you to consider the challenges that working mother artists face and reflect on motherhood and child-rearing as fundamentally creative acts\, inseparably intertwined with art-making\, deserving of our loving attention\, respect\, and support. Learn more… \nEXHIBITION HOURS\nMonday\, July 21 – July 26\, 2025 (closed July 25)\nMon – Thu 12 – 6 pm\, Sat 12 – 3 pm \nTENRI GALLERY LOCATION\nTenri Cultural Institute of New York\, 43A W 13th St\, New York\, NY 10011\n212.645.2800
URL:https://potluckasianamerica.org/event/life-is-art-is-motherhood-is-art-closing-reception-mother-artist-salon/
LOCATION:Tenri Cultural Institute\, 43A W 13th St\, New York\, 10011
CATEGORIES:Concert,CRS Presents,Opening Reception
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ORGANIZER;CN="CRS (Center for Remembering &#038%3B Sharing)":MAILTO:info@crsny.org
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