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X-WR-CALDESC:Events for Potluck Asian America
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DTSTART;VALUE=DATE:20260917
DTEND;VALUE=DATE:20261014
DTSTAMP:20260928T233759Z
CREATED:20260928T231857Z
LAST-MODIFIED:20260928T233759Z
UID:10003500-1789603200-1791935999@potluckasianamerica.org
SUMMARY:Yuen Woo-ping Retrospective
DESCRIPTION:In a Hong Kong film industry overflowing with martial arts talent\, Yuen Woo-ping stands apart. His legendary influence\, in a career spanning more than five decades\, has earned him the widely celebrated\, industry-bestowed moniker “天下第一武指\,” which translates as “The Number One Martial Arts Director Under the Sky.” As both film director and action choreographer\, Yuen helped elevate martial arts cinema into a sophisticated art form\, blending technical precision with character\, poetry\, and astonishing physical invention. His choreography prioritizes movement legibility\, spatial clarity\, and expressive geometry over brute force\, reshaping the visual grammar of global action filmmaking. \nBorn into a family of Peking Opera performers\, Yuen grew up in a tradition where drama\, martial arts\, acrobatics\, and dance were inseparable—a heritage linking him to contemporaries like Jackie Chan and Sammo Hung\, who emerged from the same rigorous training. Yuen’s father\, Yuen Siu-tien\, an accomplished opera performer\, actor\, and martial arts director\, introduced his children to the film set. The Yuen siblings began as stunt performers and rose through the ranks. Together they formed the Yuen Clan\, becoming some of Hong Kong cinema’s most respected stunt performers and action directors. \nYuen’s first two films as a director\, Snake in the Eagle’s Shadow and Drunken Master (both 1978)\, launched Chan’s stardom. By shifting martial arts cinema away from solemn violence to wit\, personality\, and comedic invention\, the films established a template for Chan’s career. Yuen went on to collaborate with icons like Hung\, Jet Li\, Michelle Yeoh\, and Donnie Yen\, while consistently demonstrating an unparalleled ability to train performers of all backgrounds—including Hollywood stars like Keanu Reeves and Uma Thurman—in his intensive “fight camps.” \nYuen’s work on The Matrix (1999)\, which seamlessly integrates Hong Kong wirework—human-controlled harnesses and cables that propel and suspend performers—with science fiction\, fundamentally altered how Hollywood approaches action. With Crouching Tiger\, Hidden Dragon (2000) he showed that martial arts could deepen a film’s emotional and intellectual resonance as much as its spectacle. Yuen’s extraordinary adaptability made him the definitive collaborator for visually distinct auteurs as diverse as Stephen Chow\, Ang Lee\, Quentin Tarantino\, Tsui Hark\, the Wachowskis\, and Wong Kar Wai. Decades after his debut\, Yuen’s latest epic\, Blades of the Guardians (2026)\, proves his vision still dictates the rhythm of modern action cinema. \n\n\n\n\n\nIron Monkey (少年黃飛鴻之鐵馬騮).1993. Directed by Yuen Woo-ping\nTue\, Sep 29\, 4:30 p.m.\nThu\, Oct 8\, 6:30 p.m.\n\n\n\n\nFearless (aka Jet Li’s Fearless\, 霍元甲).\n2006. Directed by Ronny Yu\nTue\, Sep 29\, 7:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nKill Bill: Volume 2.\n2004. Directed by Quentin Tarantino\nWed\, Sep 30\, 4:00 p.m.\nSat\, Oct 10\, 6:30 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nBlades of the Guardians (鏢人:風起大漠).2026. Directed by Yuen Woo-ping\nWed\, Sep 30\, 7:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nIn the Line of Duty 4: Witness (皇家師姐IV：直擊證人).1989. Directed by Yuen Woo-ping\nThu\, Oct 1\, 4:30 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nIp Man 4: The Finale (葉問4：完結篇).2019. Directed by Wilson Yip\nThu\, Oct 1\, 7:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nOnce Upon a Time in China (黃飛鴻).\n1991. Directed by Tsui Hark\nFri\, Oct 2\, 4:00 p.m.\n\n\n\n\n\n\nThe Grandmaster (一代宗師). [Hong Kong cut].\n2013. Directed by Wong Kar Wai\nFri\, Oct 2\, 7:00 p.m.\n\n\n\n\n\nThe Matrix.\n1999. Written and directed by Lana and Lilly Wachowski\nSat\, Oct 3\, 4:00 p.m.\n\n\n\n\n\n\n\n\nThe Matrix Reloaded.\n2003. Written and directed by Lana and Lilly Wachowski\nSat\, Oct 3\, 7:00 p.m.\n\nSnake in the Eagle’s Shadow (蛇形刁手)\n1978. Directed by Yuen Woo-ping\nSun\, Oct 4\, 1:30 p.m.\n\n\n\n\n\n\n\n\n\n\nMaster Z: The Ip Man Legacy (葉問外傳：張天志).2018. Directed by Yuen Woo-ping\nSun\, Oct 4\, 4:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nFist of Legend (精武英雄).\n1994. Directed by Gordon Chan\nMon\, Oct 5\, 6:30 p.m.\nSun\, Oct 11\, 1:30 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nThe Miracle Fighters (奇門遁甲).1982. Directed by Yuen Woo-ping\nTue\, Oct 6\, 4:30 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nDreadnaught (勇者無懼).\n1981. Directed by Yuen Woo-ping\nTue\, Oct 6\, 7:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nTai Chi Master (太極張三豐).\n1993. Directed by Yuen Woo-ping\nThu\, Oct 8\, 4:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nOnce Upon a Time in China II (黃飛鴻之二：男兒當自強).\n1992. Directed by Tsui Hark\nFri\, Oct 9\, 4:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nDrunken Master (醉拳).\n1978. Directed by Yuen Woo-ping\nFri\, Oct 9\, 6:30 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nKill Bill: Volume 1.\n2003. Directed by Quentin Tarantino\nSat\, Oct 10\, 4:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nWing Chun (詠春).\n1994. Directed by Yuen Woo-ping\nSun\, Oct 11\, 4:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nThe Magnificent Butcher (林世榮).1979. Directed by Yuen Woo-ping\nTue\, Oct 13\, 4:00 p.m.\n\n\n\n\n\n\n\n\n\n\n\n\n\nCrouching Tiger\, Hidden Dragon (臥虎藏龍).\n2000. Directed by Ang Lee\nTue\, Oct 13\, 6:30 p.m.
URL:https://potluckasianamerica.org/event/yuen-woo-ping-retrospective/
LOCATION:Museum of Modern Art\, 11 West 53 Street\, New York\, NY\, 10019\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Yuen-Woo-Ping-copy.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261001T193000
DTEND;TZID=America/New_York:20261001T213100
DTSTAMP:20260912T025420Z
CREATED:20260912T025420Z
LAST-MODIFIED:20260912T025420Z
UID:10003366-1790883000-1790890260@potluckasianamerica.org
SUMMARY:2026 Korea on Screen: House of the Seasons (장손)
DESCRIPTION:The Korean Cultural Center New York proudly presents Peafowl as part of its Korea on Screen series—a year-long screening series celebrating the depth and diversity of Korean cinema. Through feature films\, documentaries\, short films\, and independent productions\, the series aims to broaden access to and appreciation of Korean cinema in New York City. \nOh Jung-min’s House of the Seasons begins on a sweltering summer day as three generations of a family gather at their hometown in Daegu for an ancestral memorial rite. Seong-jin’s father has inherited and now runs the family tofu factory\, with other family members helping with the business. What at first appears to be a harmonious family gathering gradually begins to unravel after the memorial rite\, as differing perspectives and long-standing tensions come to the surface. In the midst of the growing conflict\, Seong-jin makes a startling declaration: he has no intention of taking over the family business. Following the lives of this three-generation family with a calm and restrained gaze\, Oh Jung-min reflects on what disappears and what is passed on to the next generation. \nHouse of the Seasons premiered at the 28th Busan International Film Festival\, where it won three awards: the KBS Independent Film Award\, the Aurora Media Award\, and the CGK Award. The film was recognized for its nuanced portrayal of multigenerational family life\, Korean tradition\, and generational conflict. \nTicket: FREE (RSVP REQUIRED)\n * RSVP and seating are first come\, first served.\n* Doors open 30 minutes before showtime.\n* Your tickets will be released to the standby line 10 minutes before the show\, so we recommend you arrive early to secure your seats.
URL:https://potluckasianamerica.org/event/2026-korea-on-screen-house-of-the-seasons-%ec%9e%a5%ec%86%90/
LOCATION:Korean Cultural Center New York\, 122 East 32nd Street\, New York\, NY\, 10016\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/House-of-Seasons-copy.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261003T120000
DTEND;TZID=America/New_York:20261003T135100
DTSTAMP:20260916T121232Z
CREATED:20260916T120651Z
LAST-MODIFIED:20260916T121232Z
UID:10003384-1791028800-1791035460@potluckasianamerica.org
SUMMARY:Green Fish
DESCRIPTION:Released from his mandatory military service\, Makdong (Han Suk-gyu) returns to a hometown he no longer recognizes. After rescuing a beautiful young woman from harassment on a train\, his life takes an unexpected turn when she unwittingly lures him into the criminal underworld. Finding himself in a dangerous love triangle with the local crime boss\, Makdong must face the dire consequences of his choices. \nWinner of the Best Film and Best New Director awards from the Korean Film Critics Association\, Lee Chang-dong’s Green Fish is a “wrenching\, tonally nuanced first film” (Senses of Cinema) that combines “strong narrative drive\, powerful visuals and a mind-blowing central performance” (Eastern Kicks). \nLANGUAGE\nKorean with English subtitles
URL:https://potluckasianamerica.org/event/green-fish/
LOCATION:Paris Theater\, 4 West 58th St.\, New York\, NY\, 10019\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Green-Fish-copy.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261004T120000
DTEND;TZID=America/New_York:20261004T141300
DTSTAMP:20260916T134442Z
CREATED:20260916T134442Z
LAST-MODIFIED:20260916T134442Z
UID:10003385-1791115200-1791123180@potluckasianamerica.org
SUMMARY:Oasis
DESCRIPTION:Fresh out of prison\, Hong Jong-du (Sul Kyung-gu) finds an unlikely soulmate in Gong-ju (Moon So-ri)\, the daughter of the victim of the hit-and-run accident for which he went to jail. Wheelchair-bound and suffering from severe cerebral palsy\, Gong-ju is kept cloistered in a cheap apartment by her brother\, whose only concern is the government assistance she receives. Over a series of clandestine meetings\, the two begin an improbable relationship that defies the judgment and cruelty of the world around them. \nWinner of the Silver Lion for Best Director and Best Young Actress at the Venice Film Festival\, Lee Chang-dong’s Oasis is a “brave film” that “shows two people who find any relationship almost impossible\, and yet find a way to make theirs work” (Roger Ebert\, Chicago Sun-Times). \nLANGUAGE\nKorean with English subtitles
URL:https://potluckasianamerica.org/event/oasis/
LOCATION:Paris Theater\, 4 West 58th St.\, New York\, NY\, 10019\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Oasis.jpg
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