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DTSTART;VALUE=DATE:20260917
DTEND;VALUE=DATE:20261025
DTSTAMP:20260912T015055Z
CREATED:20260912T014818Z
LAST-MODIFIED:20260912T015055Z
UID:10003359-1789603200-1792886399@potluckasianamerica.org
SUMMARY:Tchah Sup Kim: The Key to a New World
DESCRIPTION:Tchah Sup Kim (1940–2022) was an artist whose lifelong practice explored fundamental questions of civilization\, the universe\, existence\, and humanity. Moving beyond formal experimentation\, his work sought new ways of seeing and understanding the world—often by challenging established boundaries between East and West\, the individual and the cosmos\, and the finite and the infinite. \nKim moved to New York in 1974 and studied printmaking at Pratt Institute\, where he began developing a distinctive visual language. His landmark etching Triangle Between Infinites (1976)\, now in the collection of The Museum of Modern Art\, New York\, introduced the triangle as a central motif in his practice. Rather than treating it as a closed geometric form\, Kim opened its vertex\, transforming the triangle into a structure of openness\, circulation\, and connection. \nThroughout the 1980s\, his work reflected his experiences of migration\, otherness\, and diasporic identity in New York. After returning to Korea in 1990\, his inquiry expanded toward broader questions of civilization\, history\, and the origins of humanity. \nNew York played a pivotal role in this artistic and intellectual journey. It was here that Kim encountered the center of Western modernism while also beginning to question its prevailing systems of thought. Presented now in New York\, The Key to a New World revisits that formative relationship and considers his practice through a contemporary lens. The exhibition title comes from a phrase found in one of Kim’s own notes. For him\, a “new world” was not simply a vision of the future\, but the possibility of thinking and seeing beyond existing frameworks. \n\nTuesday – Friday: 10 AM – 6 PM / Saturday: 11 AM – 5 PM\nClosed on Sunday and Monday.\n\n\n  \n\n\n\nAbout the Artist \n\n\n\n\n\n\nTchah Sup Kim received his BFA from Seoul National University in 1963. With a grant from John D. Rockefeller 3rd Fund Fellowship\, he completed his MFA at the Pratt Institute in New York in 1976. \nWorking primarily in paint and mixed media\, Kim explores the principles of cosmos through nature and its phenomena. He raises questions regarding the universal truth that human beings have sought in and out of history. His artistic journey can be divided into three major periods: from 1965 to 1982\, during his early years in Korea and New York\, his work is characterized by a focus on geometry; from 1983 to 1993\, during his New York period\, he turns toward geopolitical and historical themes; and from 1993 to 2022\, after leaving New York for the rural village of Naepyung-ri in Korea\, and later alternating between the two locations\, he focuses his work on geography and nature. \nTchah Sup Kim’s artwork is currently housed in the collections of many renowned institutions\, including the Museum of Modern Art (NY)\, the Metropolitan Museum of Art (NY)\, and the National Museum of Contemporary Art (Gwacheon\, Korea).
URL:https://potluckasianamerica.org/event/tchah-sup-kim-the-key-to-a-new-world/
LOCATION:Korean Cultural Center New York\, 122 East 32nd Street\, New York\, NY\, 10016\, United States
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Tchah-Sup-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260917
DTEND;VALUE=DATE:20261205
DTSTAMP:20260902T221003Z
CREATED:20260902T220929Z
LAST-MODIFIED:20260902T221003Z
UID:10003299-1789603200-1796428799@potluckasianamerica.org
SUMMARY:Afterlayers: Tai Hwa Goh & Julia Kwon
DESCRIPTION:Opening reception: Thursday\, September 17\, 2026\, 5-7pm \nTwo artists transform traditional materials–textile and paper–to explore themes of identity and memory. Tai Hwa Goh creates intricate\, layered installations from printed and cut paper\, inspired by organic forms\, landscapes\, and the relationship between the interior and exterior. Goh’s process pushes the limits of traditional printmaking\, as she modifies the characteristics of paper and thin fabric by covering with batik or ironing thin sheets of beeswax onto her prints\, deliberately obscuring the underlying images. She then uses techniques like sewing\, gluing\, and manipulating printed materials to construct intricate\, honeycomb-like structures. Found objects seamlessly integrate into the work\, reflecting the blending of the personal and the universal\, as well as natural and artificial elements.Through this process\, the imagery gradually moves away from recognizable forms\, and the dense layers serve as a space where nature\, memory\, and personal experience intertwine. Her installations invite viewers to contemplate the balance between the natural world and human existence\, and how everyday moments can reveal deeper insights into our lives. \nJulia Kwon sews interpretive Korean textiles\, specifically in the form of patchwork bojagi (Korean object-wrapping cloth)\, to critique received notions of Asiatic femininity and challenge reductive\, easily legible identities. Although her bojagi textiles may initially be perceived as traditionally Korean\, the patchwork designs are actually derived from urgent contemporary sociopolitical issues and events. Her work moves beyond simply representing minority identities as she aims to comment on the interconnected systems of oppression. Kwon’s practice contests the notion of authenticity and explores the complexities involved in constructing identities within the current framework of cultural hybridity\, intersectionality\, and the collective pursuit of social justice \nThe Korea Society Gallery is open only by appointment.\nThe appointment must be made at least 24 hours prior to the scheduled visit. \nGallery Hours: Monday-Friday 10 AM-4:30 PM\nBy Appointment Only
URL:https://potluckasianamerica.org/event/afterlayers-tai-hwa-goh-julia-kwon/
LOCATION:The Korea Society\, 350 Madison Avenue\, 24th Floor\, New York\, NY\, 10017
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/fterlayers-copy.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260926
DTEND;VALUE=DATE:20270208
DTSTAMP:20260924T203746Z
CREATED:20260924T203746Z
LAST-MODIFIED:20260924T203746Z
UID:10003408-1790380800-1802044799@potluckasianamerica.org
SUMMARY:Yoshitaka Amano: Origins at the American Academy of Arts and Letters
DESCRIPTION:Yoshitaka Amano (b. 1952\, Shizuoka\, Japan) creates worlds. It’s something he’s done since he was fifteen\, when he moved to Tokyo and began working as a character designer for an anime studio. There\, drawing was always an act of translation. His task was to convert narrative into illustrated concepts\, drawings that would become the connective tissue of a fictional universe. Throughout his career as an independent artist and as a character designer for storied anime and video game franchises\, such as Final Fantasy and Vampire Hunter D\, drawing has always been a way of describing the porousness between the real and the fantastic. “I want to depict a world I myself have never seen\,” Amano says of the feeling from which his work begins. \nOrigins 始源 takes up Amano’s interest in primordial beginnings. Over the last few years\, Amano has been absorbed in Greek and Shinto mythology\, making drawings of the characters that animate these stories. Here\, he presents Pandora\, a series of drawings of the Greek myth of the first mortal woman; they circle the gallery like an ancient frieze\, or the storyboards for an animation. Alongside these works\, a selection of illustrations\, animation\, and popular materials from the 1980s and ’90s\, including the anime film Angel’s Egg and sensual depictions of The Tale of Genji\, is presented in our library. In all the stories Amano is drawn to\, origins are an eternal structure\, a threshold where being emerges. For him\, that threshold is the page; his figures seem to move and drift across its surface\, entering into worlds that exist beyond our lived reality. \nThis exhibition\, Amano’s first institutional solo show in New York\, offers a chance to encounter an artist whose drawings continue to have extended lives in the world around us. Right now\, more likely than not\, you could find them appearing on someone’s gaming console as they play Final Fantasy and livestream it to Twitch; on a Gatchaman Uniqlo tee worn in the streets of Tokyo; or even on an iPhone as someone watches Angel’s Egg on the subway\, in bed\, or really anywhere streaming is available. \nArts and Letters commissioned an essay\, Shining Genji\, by Sean Thor Conroe\, which accompanies the exhibition as part of our Reader series.
URL:https://potluckasianamerica.org/event/yoshitaka-amano-origins-at-the-american-academy-of-arts-and-letters/
LOCATION:American Academy of Arts and Letters\, Audubon Terrace\, New York\, NY\, 10032\, United States
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Yoshita-copy-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260929T110000
DTEND;TZID=America/New_York:20260929T120000
DTSTAMP:20260926T213304Z
CREATED:20260926T213100Z
LAST-MODIFIED:20260926T213304Z
UID:10003419-1790679600-1790683200@potluckasianamerica.org
SUMMARY:Sonya Rhie Mace in conversation with Molly Emma Aitken
DESCRIPTION:The Tenth Edition of JLF New York continues at the National Arts Club with two blockbuster events. \n\nJLF New York  @ NAC \nWith hundreds of thousands of spectators worldwide\, and mini-festivals from Houston to Doha\, India’s iconic Jaipur Literature Festival is known as “the greatest literary show on Earth” (Tina Brown). \nIn conjunction with the Asia Society and the Center for Fiction\, NAC will host the tenth edition of JLF New York\, an international edition of the Jaipur Literature Festival —which celebrates conversation\, bold ideas and exceptional storytelling\, in the voices of speakers ranging from novelist Alka Joshi and curator Sonya Rhie Mace to Oppenheimer biographer Kai Bird. \nSession 1 at 11 a.m. \nPahari Paintings: Art and Stories – Sonya Rhie Mace in conversation with Molly Emma Aitken \nBetween the seventeenth and nineteenth centuries\, the Pahari kingdoms of the northwestern Himalayas created a luminous world of painting—intimate\, expressive and richly coloured. In this richly illustrated session\, celebrated curator Sonya Rhie Mace explores a remarkably dispersed collection that offers new ways of seeing these works. Moving beyond questions of attribution\, the conversation with art historian and professor Molly Emma Aitken\, traces artists\, patrons and practices across regions\, revealing a shared visual culture shaped by movement and exchange. \n\nThis event occurs in person. RSVP does not guarantee entry. Our coat check is limited. Please do not bring any large bags or backpacks.
URL:https://potluckasianamerica.org/event/jaipur-nac-sonya-rhie-mace-in-conversation-with-molly-emma-aitken/
LOCATION:The National Arts Club\, 15 Gramercy Park South\, New York\, NY\, 10003\, United States
CATEGORIES:Art,Discussion
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/7db5f78fef945d79d6470c936e1f352f.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260929T200000
DTEND;TZID=America/New_York:20260930T000000
DTSTAMP:20260912T002851Z
CREATED:20260912T002851Z
LAST-MODIFIED:20260912T002851Z
UID:10003354-1790712000-1790726400@potluckasianamerica.org
SUMMARY:Gay Asian Drink & Draw
DESCRIPTION:A Figure Drawing Group by GAYSIAN ART GANG. Come draw and mingle with Queer Asian creatives. POC models & artists encouraged to join. \nHosts:\nDerek (@theotherderekluu)\nSammy (@sammysinsss)\nZihao (@people_i_love__) \n30 Seat Capacity. Doors open at 7:30pm.\nBring your own supplies.\n$15 at the door. Cash/Venmo accepted.\nDiscounted tickets available online through DICE app. \n\nLocation\nC’mon Everybody\n325 Franklin Ave.\nBrooklyn\, NY 11238
URL:https://potluckasianamerica.org/event/gay-asian-drink-draw/
LOCATION:NY
CATEGORIES:Art,Meetup
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Gay-Draw-copy.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261003
DTEND;VALUE=DATE:20270201
DTSTAMP:20260821T183629Z
CREATED:20260821T183629Z
LAST-MODIFIED:20260821T183629Z
UID:10003186-1790985600-1801439999@potluckasianamerica.org
SUMMARY:Art of Manga
DESCRIPTION:Be drawn into the world of manga.\nArt of Manga is the first major exhibition in the Americas to explore manga—Japanese comics and graphic novels—as an art form. Marking its East Coast debut\, the Brooklyn Museum’s presentation is packed with more than 600 drawings that showcase manga’s immersive power and social impact. Don’t miss this rare opportunity for US audiences to encounter an astonishing selection of original manga artworks\, including examples from beloved series Inuyasha\, JoJo’s Bizarre Adventure\, Ōoku: The Inner Chambers\, ONE PIECE\, and many more. \nA global phenomenon\, manga is driven by those who design\, draw\, and very often author the stories that define the medium. Discover influential manga artists\, or mangaka\, and their distinct approaches to storytelling. Through compelling narratives and captivating imagery\, each mangaka’s work invents a universe that may be familiar or supernatural\, historical or futuristic\, contemplative or action-packed. These tales address universal themes such as coming of age\, tapping into hidden strengths\, and finding beauty in the ordinary—as well as contemporary issues such as environmentalism\, gender roles\, LGBTQ+ rights\, and socioeconomic inequality. Whether you enter as an otaku or a novice\, you’ll leave Art of Manga fluent in this vital medium. \nGo all-access with “Art of Manga.” The Manga Fan Pass gives one adult and one guest unlimited entry throughout the exhibition’s run—plus a slew of other perks especially for manga fans. \nThe $75 pass includes… \n⚫ Unlimited entry for you and a guest to “Art of Manga” (subject to availability) as well as general admission to Museum galleries \n⚫ Invites to Member Previews and select Member Evenings for “Art of Manga” \n⚫ Exclusive presale access to “Art of Manga” public programs \n⚫ 10% discount at the Café and Museum Shop (excluding gashapon machines) \n⚫ A collectible badge for you to wear and show off your love of manga (wear your badge each time you return to get a new pin to build your collection!)
URL:https://potluckasianamerica.org/event/art-of-manga/
LOCATION:Brooklyn Museum\, 200 Eastern Parkway\, Brooklyn\, NY\, 11238\, United States
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Art-of-Manga-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261010T110000
DTEND;TZID=America/New_York:20261010T123000
DTSTAMP:20260926T211909Z
CREATED:20260926T211623Z
LAST-MODIFIED:20260926T211909Z
UID:10003416-1791630000-1791635400@potluckasianamerica.org
SUMMARY:Permission to Create: A Discussion about Art\, Ambition\, and Diaspora
DESCRIPTION:Celebrate the launch of American Malayali Heritage Foundation’s Creative Collaborative. \n\nWhat does it take to choose art—and keep choosing it—when that path may not have been modeled for you? \nIn celebration of the launch of American Malayali Heritage Foundation’s (AMHF) Creative Collaborative\, and surrounded by the work of visual artist Melissa Joseph\, we’re excited to present this conversation about the importance of creative career paths in the South Asian diaspora. \nModerated by AMHF board member Anthony Palliparambil Jr.\, we will be joined by mixed media artist Melissa Joseph\, curator and gallerist Rajiv Menon\, dancer and performer Jeeno Joseph\, and actress and writer Anita Kalathara for a candid fireside discussion about creative work\, family expectations\, identity\, uncertainty\, and finding permission to build the life you want.
URL:https://potluckasianamerica.org/event/permission-to-create-a-discussion-about-art-ambition-and-diaspora/
LOCATION:Charles Moffett\, 394 Broadway\, #Second Floor\, New York\, NY\, 10013\, United States
CATEGORIES:Art,Discussion
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/ecab1106d35a3a545a1d762765875277.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261015T183000
DTEND;TZID=America/New_York:20261015T203000
DTSTAMP:20260927T013408Z
CREATED:20260927T013408Z
LAST-MODIFIED:20260927T013408Z
UID:10003446-1792089000-1792096200@potluckasianamerica.org
SUMMARY:Chinese Arts Workshop Series: Sip & Brush – Calligraphy
DESCRIPTION:Inspired by MOCA’s special exhibition Ed Young’s Bright Worlds\, the Chinese Arts Workshop Series at the Museum of Chinese in America (MOCA) invites participants to explore traditional and contemporary Chinese art through creative practice. This fall\, discover the cultural histories\, philosophies\, and stories behind Chinese art forms in a welcoming space for learning\, experimentation\, and connection. \nThe series opens with two evenings of Chinese calligraphy led by Teaching Artist Yu Rong. In a relaxed\, social studio setting\, participants will learn foundational brush techniques and create characters and compositions inspired by autumn. They will also have the opportunity to practice writing their names in Chinese calligraphy\, with personalized guidance from the artist. \nAll materials are provided. Just bring your curiosity and enjoy an evening of artistic exploration at MOCA. You’ll leave with your own calligraphy artwork\, new creative skills\, and a deeper appreciation of Chinese artistic traditions. \nRegistration Notes \nPlease register using your full name and include your Chinese name if you have one. If you do not have a Chinese name\, the artist will prepare a phonetic rendering of your name in Chinese characters. Please also register at least one week before the workshop date to give the artist time to prepare personalized writing instructions. All art supplies\, including Chinese calligraphy brushes and ink\, are included. \nAbout Yu Rong \nYu Rong is a New York–based multimedia artist and educator whose practice blends Eastern and Western art traditions. She works across painting\, printmaking\, ceramics\, digital art\, and fiber arts\, with exhibitions at Milan Design Week\, London Design Fair\, Prague Design Week\, Ceres Gallery\, and ARC Gallery. Yu holds a BFA from Parsons School of Design and an MFA from the New York Studio School. As a teaching artist at the Museum of Chinese in America and a workshop leader for organizations such as Microsoft\, Google\, and Columbia University\, she fosters creativity\, cultural exchange\, and well-being through art. Learn more at www.yurong.work and @yurong.work
URL:https://potluckasianamerica.org/event/chinese-arts-workshop-series-sip-brush-calligraphy/
LOCATION:Museum of Chinese in America (MOCA)\, 215 Centre Street\, New York\, NY\, 10013\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Chinese-Arts-Workshop-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261022
DTEND;VALUE=DATE:20270125
DTSTAMP:20260902T205725Z
CREATED:20260902T205725Z
LAST-MODIFIED:20260902T205725Z
UID:10003291-1792627200-1800835199@potluckasianamerica.org
SUMMARY:Hilda Shen: Their Landscapes
DESCRIPTION:Hilda Shen’s Their Landscapes inaugurates Solo Artist Projects (SAP)\, a MOCA initiative dedicated to presenting compelling artistic voices through one-person exhibitions of new work. The Brooklyn-based artist will present an arrangement of recent ceramic sculptures and prints in the museum’s Cheng Gallery. \nShen’s artistic practice is characterized by an inquisitive scrutiny of nature and an instinct for deconstruction. The forms can appear both ancient and futuristic\, naturally occurring and handmade\, undergoing construction and decay. Their details and motifs open up conversations that cut across post-minimalism\, Chinese landscape painting\, and architectural space. \nAbout the artist \nHilda Shen was born in Minneapolis (1954) and spent much of her childhood in upstate  New York before settling in New York City in the 1970s. Her father grew up in Beijing while her mother was raised in Hangzhou. Shen studied classical music at Oberlin College before shifting to the visual arts. She lives and works in Brooklyn. \nShen’s sculpture\, prints\, drawings\, and installations have been shown throughout the New York City area\, Seattle\, and Beijing\, and most recently in a solo show at Starr Suites in Brooklyn. She has created large installations at WaveHill in the Bronx\, the Tenri Cultural Center in NY\, China2000 in NY\, and the Smithsonian Flushing Town Hall in Queens. She has been an artist in residence at Willapa Bay AIR\, The Bloedel Reserve\, Millay Colony for the Arts\, Yosemite National Park\, and Platte Clove. Her work is in private collections in the United States\, Belgium\, and Beijing. Shen’s work has been reviewed in The New York Times\, The Brooklyn Rail\, ArtAsiaPacific\, and ARTnews. \nAbout Solo Artist Projects \nMOCA’s Solo Artist Projects (SAP) embraces a broad and open-ended exploration of contemporary art\, presenting a wide range of mediums\, practices\, traditions and ideas. It will feature artists of Chinese descent\, living and working in New York City. SAP will be a space for artists with established careers\, emerging artists\, those who live and work in and around Chinatown\, and art historical figures who deserve institutional attention. We will begin accepting submissions for Solo Artists Projects through an open call process in early 2027\, eligible to NYC-based artists of Chinese descent. Details forthcoming on MOCA’s website.
URL:https://potluckasianamerica.org/event/hilda-shen-their-landscapes/
LOCATION:Museum of Chinese in America (MOCA)\, 215 Centre Street\, New York\, NY\, 10013\, United States
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Hilda-Shen_web-banner-copy.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261024T140000
DTEND;TZID=America/New_York:20261024T160000
DTSTAMP:20260927T014049Z
CREATED:20260927T014049Z
LAST-MODIFIED:20260927T014049Z
UID:10003447-1792850400-1792857600@potluckasianamerica.org
SUMMARY:MOCACREATE: Journey to the West Shadow Stories with Teaching Artist Yu Rong
DESCRIPTION:Celebrate spooky season with shadow puppets inspired by Ed Young’s illustrations of the story of the Monkey King\, or Sun Wukong. The Monkey King had countless adventures\, but one of the spookiest was his meeting with the White Bone Demon. This terrifying skeleton demon can shapeshift to disguise herself. Will she deceive Sun Wukong long enough to attack? Find out with us\, and explore two more beloved stories from Journey to the West in Birth of the Monkey King and Dragon King’s Palace. \nFree with admission! RSVP appreciated. MOCA Members should enter their promo code to access complimentary tickets. NYC residents can purchase pay-what-you wish tickets online or with our Visitor Services team. \nYu Rong is a New York–based multidisciplinary artist and educator whose practice bridges Eastern and Western artistic traditions. Working across a range of media\, she has exhibited internationally at venues including Milan Design Week\, London Design Fair\, Ceres Gallery in New York\, and ARC Gallery in Chicago. Yu serves as a teaching artist at the Museum of Chinese in America and leads creative workshops for organizations such as Microsoft\, Google\, and Columbia University.
URL:https://potluckasianamerica.org/event/mocacreate-journey-to-the-west-shadow-stories-with-teaching-artist-yu-rong/
LOCATION:Museum of Chinese in America (MOCA)\, 215 Centre Street\, New York\, NY\, 10013\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/MOCA-Shadow-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261029
DTEND;VALUE=DATE:20261213
DTSTAMP:20260825T035429Z
CREATED:20260825T035144Z
LAST-MODIFIED:20260825T035429Z
UID:10003221-1793232000-1797119999@potluckasianamerica.org
SUMMARY:Yoshitomo Nara Exhibition
DESCRIPTION:David Zwirner is pleased to present an exhibition by Japanese artist Yoshitomo Nara (b. 1959) featuring new paintings and drawings\, recent sculptures\, and early works selected by the artist. Spanning the gallery’s 537 West 20th Street and 533 West 19th Street locations in New York\, this exhibition will be the artist’s first solo presentation with David Zwirner and his first major solo exhibition in New York in nearly a decade. \nSince the mid-1980s\, Nara’s multidisciplinary approach has produced a distinctive and varied body of work. His artistic sensibilities were uniquely formed and shaped by his solitary childhood in rural northern Japan. Nara’s formative encounters with nature\, folklore\, and children’s fables\, and his revelatory discovery of popular music through his self-built radio\, are the source of his creativity. Through introspection\, Nara freely reimagines his past experiences\, and they have determined his visual language and steered his stylistic development for four decades. \nThrough philosophical dialogues with his intrinsic self\, Nara creates personified entities. Depicted with big heads and wide eyes\, they are celebrated for their characterful demeanor and perceived to possess both innocence and defiance. Nara understands these figures as self-portraits\, and when his dynamic imagery emerged in the 1990s\, it was recognized as an expression of raw emotion\, carrying a spirit comparable to punk and rock music in its directness and intensity. Over time\, it has come to function differently. Today\, many people see Nara’s characters as projections of themselves\, mirroring their own sentiments and vulnerabilities. As a result\, these images have transcended their original impetus and become cultural touchstones\, resonating with a global audience and influencing younger generations of artists and viewers alike. \nBringing together foundational works from the 1980s and paintings from 2026\, this exhibition will illuminate the latest evolutions of Nara’s singular proxies. Newly completed paintings on canvas—front-facing portraits with direct gazes—show a significant development in his color palette. Over the past year\, his intricately layered colors have become more muted and highly nuanced\, while his increasingly diffused brushwork\, through which his forms materialize\, creates richly atmospheric depths across the surface. Other paintings reveal a new method in which Nara sketches compositions in colored pencil\, developing a framework drawing before applying washes of translucent acrylic—the figures adopt natural poses\, and their tear-filled eyes communicate an air of uncertainty. In tandem\, recent large-format\, monochrome drawings made with industrial oil-based paint sticks will be exhibited. By contrast\, these works are emphatically linear\, demonstrating the breadth of Nara’s two-dimensional output. On the surface\, his imagery may appear formally divergent\, but it captures a shared emotional intensity\, evoking universal feelings. \nNara integrated his drawing style into his painting practice as a student\, simplifying his compositions\, paring down his use of color\, and introducing an economy of line. Unbound by conventional methods\, Nara employs paint in ways aligned with how he uses pen and pencil. Whichever medium or implement he chooses\, for him drawing is an assured action\, the result of an immediate inspiration—it is a state of mind. In what Nara calls his “line” paintings\, he enlarges his bold notebook sketches through projection and reanimates them in paint. The deceptively simple outlines retain their original creative impulse and the freedom that drawing allows—the rapid execution and fluid delineation. \nIn conjunction with the presentation of paintings and drawings at 20th Street\, thirteen of Nara’s 10-times sculptural enlargements from 2024 will be on display at the 19th Street gallery. Coated in white urethane paint\, the matte surface affording an apparent softness\, these large-scale bronze heads recall the snow “monsters” that Nara knew from childhood winters\, created by heavy snowfall. He envisaged the enlargements as he sculpted their palm-sized clay prototypes\, fascinated by the potential psychological impacts of experiencing the small\, evidently hand-molded heads on a monumental scale. Encountering the magnification of their simple facial expressions\, and the play of light and shadow across their smooth surfaces\, nurtures conditions for serenity and contemplation. \nThis exhibition will coincide with the opening of Yoshitomo Nara: Sentinels of Stillness at the Hirshhorn Sculpture Garden in Washington\, DC. Three monumental sculptures\, sixteen-times enlargements of Nara’s small clay heads\, will inaugurate the Annual West Lawn Series and be on view from October 31\, 2026 through November 7\, 2027.
URL:https://potluckasianamerica.org/event/yoshitomo-nara-exhibition/
LOCATION:Multiple NYC locations
CATEGORIES:Art,Art Exhibit
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DTSTART;TZID=America/New_York:20261112T183000
DTEND;TZID=America/New_York:20261112T193000
DTSTAMP:20260911T212651Z
CREATED:20260911T212651Z
LAST-MODIFIED:20260911T212651Z
UID:10003342-1794508200-1794511800@potluckasianamerica.org
SUMMARY:Maya Lin on Art\, Nature\, and Memory
DESCRIPTION:Join us at Asia Society’s New York headquarters for a special evening featuring renowned artist and architectural designer Maya Lin. As part of our 70th-anniversary milestone series\, she will share her perspectives on how creative practice engages with memory\, landscape\, and the natural environment. The discussion will explore how art\, architectural design\, and environmental thinking foster reflection\, responsibility\, and a deeper sense of connection across cultures and generations. \nSpeaker: \nMaya Lin is a visionary artist who has created a remarkable and complex body of work\, encompassing sculpture\, architecture\, and memorials\, that have explored our history and culture\, our relationship with the natural environment\, and the passage of time. \nFrom her very first work\, the Vietnam Veterans Memorial in Washington D.C. – which she designed when she was a 21-year-old undergraduate student at Yale\, she has forged a unique and highly acclaimed path practicing in both architecture and art\, whilst still maintaining her memory works – five memorials that have focused on some of the critical issues of our time\, that have been groundbreaking in their design. \nArchitectural works such as Novartis Cambridge Campus and the Nielsen Library for Smith College as well as a performing arts lab center for Bard College\, are exemplary for their design\, sustainability\, sensitivity to the environment\, and their deeply human spaces. Her artworks have created a unique voice in large scale environmental earthworks and her studio sculptures are in the collections of the Metropolitan Museum of Art\, the Whitney Museum and the National Gallery of Art amongst others. Most recently “Seeing Through the Universe”\, two sculptural fountains were unveiled at the Obama Presidential Center in Chicago. \nSeen as a whole\, Lin’s body of work is a remarkable achievement. To have achieved consistent success and renown in three distinct disciplines – art\, architecture\, and the creation of memorials – is extremely rare; to have done so as a woman and as the child of immigrants\, in fields still overwhelmingly dominated by male practitioners\, is unparalleled. \nLin’s achievements have been widely recognized. She was one of the youngest women to be inducted into the Women’s Hall of Fame\, and she has been elected to membership in both the American Academy of Arts and Letters and the American Academy of Arts and Sciences. She has been profiled in TIME\, The New York Times Magazine and The New Yorker\, among many other outlets. Freida Lee Mock’s 1996 documentary about her\, Maya Lin: A Strong Clear Vision\, won the Academy Award for Best Documentary. In 2009\, she was awarded the National Medal of Arts\, the nation’s highest honor for artistic excellence\, and in 2016\, President Barack Obama awarded her the nation’s highest civilian honor\, the Presidential Medal of Freedom\, praising her for a celebrated career in both art and architecture\, and for creating a sacred place of healing in our nation’s capital. \nTickets: $20 Members\, $30 Nonmembers. Students and Seniors: Use coupon SENSTU at check out.
URL:https://potluckasianamerica.org/event/maya-lin-on-art-nature-and-memory/
LOCATION:Asia Society\, 725 Park Avenue\, New York\, NY\, 10021
CATEGORIES:Art,Discussion
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DTSTART;TZID=America/New_York:20261112T183000
DTEND;TZID=America/New_York:20261112T203000
DTSTAMP:20260927T015048Z
CREATED:20260927T015048Z
LAST-MODIFIED:20260927T015048Z
UID:10003449-1794508200-1794515400@potluckasianamerica.org
SUMMARY:Chinese Arts Workshop Series: Sip & Brush – Calligraphy
DESCRIPTION:Inspired by MOCA’s special exhibition Ed Young’s Bright Worlds\, the Chinese Arts Workshop Series at the Museum of Chinese in America (MOCA) invites participants to explore traditional and contemporary Chinese art through creative practice. This fall\, discover the cultural histories\, philosophies\, and stories behind Chinese art forms in a welcoming space for learning\, experimentation\, and connection. \nThe series opens with two evenings of Chinese calligraphy led by Teaching Artist Yu Rong. In a relaxed\, social studio setting\, participants will learn foundational brush techniques and create characters and compositions inspired by autumn. They will also have the opportunity to practice writing their names in Chinese calligraphy\, with personalized guidance from the artist. \nAll materials are provided. Just bring your curiosity and enjoy an evening of artistic exploration at MOCA. You’ll leave with your own calligraphy artwork\, new creative skills\, and a deeper appreciation of Chinese artistic traditions. \nRegistration Notes \nPlease register using your full name and include your Chinese name if you have one. If you do not have a Chinese name\, the artist will prepare a phonetic rendering of your name in Chinese characters. Please also register at least one week before the workshop date to give the artist time to prepare personalized writing instructions. All art supplies\, including Chinese calligraphy brushes and ink\, are included. \nAbout Yu Rong \nYu Rong is a New York–based multimedia artist and educator whose practice blends Eastern and Western art traditions. She works across painting\, printmaking\, ceramics\, digital art\, and fiber arts\, with exhibitions at Milan Design Week\, London Design Fair\, Prague Design Week\, Ceres Gallery\, and ARC Gallery. Yu holds a BFA from Parsons School of Design and an MFA from the New York Studio School. As a teaching artist at the Museum of Chinese in America and a workshop leader for organizations such as Microsoft\, Google\, and Columbia University\, she fosters creativity\, cultural exchange\, and well-being through art. Learn more at www.yurong.work and @yurong.work
URL:https://potluckasianamerica.org/event/chinese-arts-workshop-series-sip-brush-calligraphy-2/
LOCATION:Museum of Chinese in America (MOCA)\, 215 Centre Street\, New York\, NY\, 10013\, United States
CATEGORIES:Art
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DTSTART;TZID=America/New_York:20261114T120000
DTEND;TZID=America/New_York:20261114T200000
DTSTAMP:20260926T211400Z
CREATED:20260926T211005Z
LAST-MODIFIED:20260926T211400Z
UID:10003415-1794657600-1794686400@potluckasianamerica.org
SUMMARY:Pakistani American Artists' Convention
DESCRIPTION:A one-day celebration of Pakistani and Pakistani American creativity\, bringing together artists\, filmmakers\, musicians\, and entrepreneurs. \n\n\nPAAC ’26 — Pakistani-American Artists’ Convention is a one-day celebration of Pakistani and Pakistani-American creativity\, culture\, and community in New York City. \nThe convention brings together artists\, filmmakers\, musicians\, entrepreneurs\, and cultural leaders for a day designed to connect\, showcase\, and inspire. Attendees will experience: \n\nArt Gallery — A curated exhibition showcasing the work of emerging and established Pakistani and Pakistani-American artists.\nCommunity Mixer — An opportunity to meet fellow artists\, creators\, entrepreneurs\, and members of the broader Pakistani-American community.\nPanels & Conversations — Thought-provoking discussions with creatives\, entrepreneurs\, and cultural leaders exploring the ideas\, challenges\, and opportunities shaping our community.\nFilm Screening — A featured film presentation followed by a director Q&A.\nSpecial Guest Performance — A live musical performance from Natasha Noorani!\n\nPAAC is more than a showcase. It is a space to build relationships\, exchange ideas\, and strengthen the ecosystem for Pakistani-American creative and entrepreneurial culture. \nCome experience the art\, meet the community\, hear the conversations\, watch the film\, and enjoy the performance.
URL:https://potluckasianamerica.org/event/pakistani-american-artists-convention/
LOCATION:Rollin Studios\, 259 Green Street\, Brooklyn\, NY\, 11222\, United States
CATEGORIES:Art,Convention
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