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DTSTART;VALUE=DATE:20260204
DTEND;VALUE=DATE:20260914
DTSTAMP:20260818T235641Z
CREATED:20260818T235641Z
LAST-MODIFIED:20260818T235641Z
UID:10003126-1770163200-1789343999@potluckasianamerica.org
SUMMARY:Noguchi’s New York
DESCRIPTION:In 1922\, Isamu Noguchi first moved to New York—a city that would remain his on-again\, off-again home for the remainder of his life. Though he was an avid traveler who built meaningful connections and temporary homes around the world\, Noguchi always returned to New York. It was here that he created some of his most iconic artworks and imagined countless others. \nThis exhibition examines Noguchi’s deep and dynamic relationship with New York City\, exploring how its material\, cultural\, social\, and political landscape indelibly transformed his artwork and thinking\, and how he in turn transformed the city. It also highlights Noguchi’s unflagging attempts to give back by sculpting communal spaces for exploration and play—efforts often thwarted\, most notably by the influential NYC Parks Commissioner Robert Moses. \nNoguchi’s New York encompasses more than 50 works\, including sculptures\, project models\, photographs\, and archival materials. The exhibition also brings to life Noguchi’s visions for unrealized playgrounds and playground equipment through a series of hand-painted animated films by Jack Cunningham and Nicolas Ménard of Eastend Western. \nOrganized on the 40th anniversary of The Isamu Noguchi Foundation and Garden Museum\, this exhibition celebrates the Museum itself as one of Noguchi’s most profound gifts to this city he called home. \nPhoto credit: Isamu Noguchi\, 1980
URL:https://potluckasianamerica.org/event/noguchis-new-york/
LOCATION:Noguchi Museum\, Noguchi Museum\, 9-01 33rd Rd\, Astoria\, NY 11106\, USA\, Astoria\, NY\, 11106\, United States
CATEGORIES:Art,Art Exhibit,Photography
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Noguchi-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260319
DTEND;VALUE=DATE:20270128
DTSTAMP:20260818T200949Z
CREATED:20260818T200949Z
LAST-MODIFIED:20260818T200949Z
UID:10003106-1773878400-1801094399@potluckasianamerica.org
SUMMARY:Buddha and Shiva\, Lotus and Dragon
DESCRIPTION:In celebration of Asia Society’s seventieth anniversary\, Asia Society Museum presents Buddha and Shiva\, Lotus and Dragon: Celebrating 70 Years of Asia Society and the Rockefeller Legacy. \nDisplaying seventy of the finest examples of Asian art in the United States drawn from Asia Society’s permanent collection\, the exhibition showcases the extraordinary range of bronzes\, ceramics\, and metalwork thoughtfully assembled between the 1950s and the 1970s by John D. Rockefeller 3rd (1906-1978) and his wife Blanchette Hooker Rockefeller (1909-1992). John D. Rockefeller 3rd founded Asia Society in 1956 with the mission to promote greater knowledge of Asia in the United States; the bequest of the collection to Asia Society in 1979 underscores the Rockefellers’ conviction that an aesthetic encounter with great works of art promotes deep cross-cultural understanding. \nWith highlights including spectacular Buddhist and Hindu sculptures\, and rare Chinese\, Korean\, and Japanese ceramics\, Buddha and Shiva\, Lotus and Dragon celebrates historic achievements in Asian art spanning more than two millennia. The exhibition foregrounds the transformative power of faith and the catalyzing potential of international trade in the creation of great works of art across Asia. \nBuddha and Shiva\, Lotus and Dragon presents a special opportunity for museum visitors to experience the unparalleled quality of the Mr. and Mrs. John D. Rockefeller Thrid Collection at its home at Asia Society Museum in New York City.
URL:https://potluckasianamerica.org/event/buddha-and-shiva-lotus-and-dragon/
LOCATION:Asia Society\, 725 Park Avenue\, New York\, NY\, 10021
CATEGORIES:Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Buddha.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260328
DTEND;VALUE=DATE:20261027
DTSTAMP:20260327T140040Z
CREATED:20260327T140040Z
LAST-MODIFIED:20260327T140040Z
UID:10002456-1774656000-1793059199@potluckasianamerica.org
SUMMARY:Japan Fes NYC 2026:  Japanese Food Festival
DESCRIPTION:JAPAN Fes\, one of the city’s most beloved street food events\, is returning to celebrate a major milestone: its 10th anniversary in New York City\, bringing dozens of Japanese food vendors to the streets for a full day of snacking\, sipping and exploring.  Each event typically runs from 10 am to 6 pm and pops up in neighborhoods across Manhattan\, Brooklyn and Queens. \nHere are the 2026 JAPAN Fes dates in NYC: \nMarch 28 in the East Village\nMarch 29 in Midtown West \nApril 4 in the Village\nApril 5 on the Upper West Side\nApril 11 in the East Village\nApril 12 in the East Village\nApril 18 in Morningside Heights\nApril 19 in Chelsea\nApril 25 in Chelsea\nApril 26 in Astoria\nMay\nMay 2 on the Upper East Side\nMay 3 on the Upper West Side\nMay 9 in Chelsea\nMay 24 in the Village\nMay 30 on the Upper East Side\nMay 31 in the East Village\nJune\nJune 6 in the East Village\nJune 7 on the Upper West Side\nJune 14 in the East Village\nJune 21 in Brooklyn\nJune 27 in Times Square\nJune 28 in Astoria\nJuly\nJuly 11 in Chelsea\nJuly 19 in Times Square\nAugust\nAugust 2 on the Upper West Side\nSeptember\nSeptember 12 in Chelsea\nSeptember 13 in Chelsea\nSeptember 19 on the Upper East Side\nSeptember 26 in Morningside Heights\nSeptember 27 on the Upper East Side\nOctober\nOctober 3 in the East Village\nOctober 10 in Astoria\nOctober 24 in the East Village\nOctober 25 on the Upper West Side
URL:https://potluckasianamerica.org/event/japan-fes-nyc-2026-japanese-food-festival/
LOCATION:Multiple NYC locations
CATEGORIES:Food,In Person
ATTACH;FMTTYPE=image/webp:https://potluckasianamerica.org/wp-content/uploads/2026/03/jf.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260403
DTEND;VALUE=DATE:20270104
DTSTAMP:20260818T202009Z
CREATED:20260818T202009Z
LAST-MODIFIED:20260818T202009Z
UID:10003107-1775174400-1799020799@potluckasianamerica.org
SUMMARY:Shu Lea Cheang\, LOVER LOVE
DESCRIPTION:LOVER LOVE\, a new commission for the Leslie-Lohman Museum of Art by Shu Lea Cheang\, begins with a portal. A window is flung open and the gray wall of an apartment block dissolves into a turbulent\, overcast sky\, against which a smoky being is enveloped by a six-winged seraphim—an angel of the highest order. \nThis opening transition is both a gesture to Cheang’s longtime collaborator\, musician Aérea Negrot (1980–2023)\, who died by suicide\, and a marker of an entry into a hybrid space of documentation and imagination. For this film\, presented as a four-channel installation\, Cheang worked with eight intergenerational performers in Tucson\, Arizona\, all of whom contributed their own experiences\, narratives\, and dreams of and for trans and gender nonconforming life in today’s United States. \nThis collaboratively scripted film moves between physical and virtual space: between performances in a motel room\, a junkyard\, and city streets amid surrounding nature\, we can see desert plants blooming anthropomorphic appendages and souls escaping inhuman oppression to take transhuman flight. \nThe gallery’s four screens\, themselves portals to the film’s world\, can be shifted by viewers into and out of the path of each projector. Each movement triggers a segment of Negrot’s 2011 track “It’s Lover\, Love”—a dreamy\, minimalist meditation on the lingering traces of broken promises and vanished love. These aural and physical shifts create new compositions\, morphing the installation into an active landscape in which to navigate agency\, survival\, and intimacy in a time of escalating political precarity.
URL:https://potluckasianamerica.org/event/shu-lea-cheang-lover-love/
LOCATION:The Leslie-Lohman Museum of Art\, 26 Wooster Street\, New York\, NY\, 10013\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Shua-Lea.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260502
DTEND;VALUE=DATE:20261217
DTSTAMP:20260818T202523Z
CREATED:20260818T202523Z
LAST-MODIFIED:20260818T202523Z
UID:10003108-1777680000-1797465599@potluckasianamerica.org
SUMMARY:Bangladesh Not "Bhaangadesh"
DESCRIPTION:This exhibition explores how Bangladeshis in Bangladesh and beyond took actions during the 2024 mass uprisings against the quota system in place\, since 1972\, immediately after the birth of the country in 1971. Featuring articles such as printed international artworks by Bangladeshi artists\, handcrafted tools\, and relevant media\, the exhibition serves as a homage to learn\, reflect\, discuss\, and heal. \nBangladesh\, Not “Bhaangadesh” seeks to raise social (in)justice awareness through showcasing Bangladeshi artistic expression\, and persistent crimes against humanity from the summer of 2024–of government-implemented curfews\, with “shoot-on-sight” commands\, country-wide internet revoked\, houses raids\, innocent lives taken\, and unnecessary arrests made\, etc. After decades of corruption and nepotism\, Bangladeshi students stood up against the unjust quota system of prioritizing government positions rather than basing hiring on skill\, talent\, and merit–for descendants of ancestors prominent in the Bangladesh Liberation War of 1971.
URL:https://potluckasianamerica.org/event/bangladesh-not-bhaangadesh/
LOCATION:King Manor Museum\, 150-03 Jamaica Ave\, Jamaica\, NY\, 11432\, United States
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Bhaangadesh_Flyer.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260514
DTEND;VALUE=DATE:20270125
DTSTAMP:20260915T010618Z
CREATED:20260522T200133Z
LAST-MODIFIED:20260915T010618Z
UID:10002669-1778716800-1800835199@potluckasianamerica.org
SUMMARY:Exhibition: Ed Young’s Bright Worlds
DESCRIPTION:For over 60 years\, Ed Young (1931–2023) invigorated the world of children’s books through intimate storytelling\, inventive artistry\, and potent emotionality. This first U.S. retrospective features original artwork from 15 of his most significant projects—focusing on works drawn from his personal story and Chinese folktales—alongside a selection of his sketchbooks\, family photos\, and personal effects. \nYoung achieved distinction as a beloved storyteller and illustrator who challenged younger audiences with pictorial and moral complexity. He was a towering figure in children’s literature\, reaching wide audiences while earning the field’s top honors. His retelling of the Chinese “Little Red Riding Hood\,” Lon Po Po\, introduced generations of children to Chinese folklore and won the Caldecott Medal; he also received two Caldecott Honors for earlier works. Across his career\, he garnered numerous accolades\, including multiple selections for The New York Times’ “10 Best Illustrated Children’s Books” list. \nThe exhibition traces Young’s family life in Shanghai\, where he was the fourth youngest of five children. As a teenager\, he and his brother were sent to live in Hong Kong to flee the civil war in China. He immigrated to America for college\, eventually earning an art degree from the ArtCenter School in Los Angeles\, and then moved to New York. “I set out with $20 borrowed money in my pocket to bet my life in New York City\,” he wrote. After being laid off from an advertising studio\, he submitted sketches to children’s book publisher Ursula Nordstrom\, who hired him to illustrate The Mean Mouse and Other Mean Stories (1962)\, launching a career that would span over 100 books. \nHis most memorable projects were deeply personal. Ed Young’s Bright Worlds guides viewers through key moments of his life and oeuvre with original artwork from The House Baba Built (2011)\, about his childhood in Japan-occupied Shanghai; Voices of the Heart (1997)\, exploring Chinese culture through the relationship between writing\, image and his lifelong tai chi practice; My Mei Mei (2006)\, on adopting his daughters; and Bright World (2024)\, a book published posthumously in China\, meditating on the cyclical nature of life. \n“So many of us grew up on Ed Young’s art and storytelling\,” said Herb Tam\, MOCA’s Chief Curator. “This exhibition will reveal what went into crafting masterworks of the children’s book form. Visitors will be enchanted by his fluent handling of media—from pastel and cut paper to pen\, ink\, and collage—and inspired by his story as a resourceful immigrant striving to make his mark in a creative field.” \n“As a father of three\, I’ve seen firsthand how children’s books shape the way we see the world\,” said Michael Lee\, MOCA’s President. “The imagery and storytelling stay with us—they become part of our family conversations\, our imaginations\, and even the way we share stories later in life. It’s a special honor to explore the life and mind of Ed Young\, whose work has inspired generations. Through this exhibition\, we not only celebrate his extraordinary achievements but also revisit how deeply his art was shaped by his journey as a Chinese American—reflecting his early life in China and the graceful balance he found as a lifelong practitioner of tai chi.” \nEd Young’s Bright Worlds is part of MOCA’s Luminaries for America250\, a yearlong celebration of Chinese American historymakers at the Semiquincentennial. For more about the Luminaries project\, visit https://www.mocanyc.org/2026/01/02/moca-luminaries-for-america250/ \nPhoto of Ed Young by Sean Kernan
URL:https://potluckasianamerica.org/event/exhibition-ed-youngs-bright-worlds/
LOCATION:Museum of Chinese in America\, 215 Centre Street\, New York\, NY\, 10013
CATEGORIES:Art,Book,Grades K–5
ATTACH;FMTTYPE=image/png:https://potluckasianamerica.org/wp-content/uploads/2026/05/Screenshot-2026-05-22-at-3.54.46-PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260606
DTEND;VALUE=DATE:20260928
DTSTAMP:20260605T193304Z
CREATED:20260526T224054Z
LAST-MODIFIED:20260605T193304Z
UID:10002676-1780704000-1790553599@potluckasianamerica.org
SUMMARY:Art Exhibit: Shared Lines: Asian American Stories on Route 66
DESCRIPTION:Route 66 might be the U.S.’s most famous highway. Traversing the country from Santa Monica\, CA to Chicago\, IL\, it’s been immortalized in songs\, books\, and movies. But along that iconic highway are stories that are far lesser known. \nWith a grant from the National Trust for Historic Preservation\, illustrator Sammy Yuen set out on a roadtrip to capture those stories. This exhibition — coinciding with Route 66’s 100th anniversary this fall — brings some of them to life. \nLike the stone guardian lions that appeared out of nowhere in Amboy\, CA\, a former ghost town purchased by Japanese American restaurateur and preservationist\, Albert Okura. The water towers in Kingman\, AZ that once supported operations of the railroad built by Chinese laborers. The Chinese American Museum of Chicago\, housed in an erstwhile tofu factory donated by Chinese immigrant and grocery magnate Raymond Lee. \n“This whole journey started with my first exhibition at Pearl River Mart\,” says Sammy. “Showing my new exhibition there brings it back\, full circle. I also like the idea of exploring Asian American communities outside of New York City’s Chinatowns. Beyond Manhattan and Flushing. Sometimes it’s just a strip mall or restaurants spread out in an area. But the stories of the people are often the same.” \nJoin us for the opening reception on June 6. Attendance is free but registration is appreciated. \n\nOn view June 6 through Sept. 27 in the Pearl River Mart gallery at 452 Broadway\nFree and open to the public every day from 11 AM to 7 PM\nLearn more in our interview with Sammy\n\nSpecial thanks to the National Trust for Historic Preservation\, who provided curation for this exhibition. \nThis exhibition is dedicated to Sammy’s father\, Sammy Yuen\, Sr. (1935 to 2026)\, for his unwavering support of the people he loved. \nAbout the Artist\nSammy Yuen is an artist\, illustrator\, designer\, writer\, and martial arts instructor. He is the recipient of multiple grants\, including awards from the Lower Manhattan Cultural Council\, the National Trust for Historic Preservation\, and the Asian American Arts Alliance. His work has been exhibited at Pearl River Mart\, the Chinese American Museum of Chicago\, and Google Arts & Culture. He is currently developing a multi-generational picture book inspired by his family’s martial arts legacy. \nWith over 20 years of experience in the publishing industry\, he has created book covers — including more than 35 New York Times bestsellers — as well as marketing and advertising materials\, animated videos\, and social media assets. Across all of his work\, his goal is to tell stories that engage audiences and spark conversation.
URL:https://potluckasianamerica.org/event/shared-lines-asian-american-stories-on-route-66/
LOCATION:Pearl River Mart Gallery – Soho\, 452 Broadway\, New York\, NY\, 10013\, United States
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/05/13_Route_66_Map_1_1024x1024-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260626
DTEND;VALUE=DATE:20260901
DTSTAMP:20260626T063405Z
CREATED:20260626T062802Z
LAST-MODIFIED:20260626T063405Z
UID:10002778-1782432000-1788220799@potluckasianamerica.org
SUMMARY:Hana House Presents: HAUS OF K - The Ultimate K Beauty Event of the Summer!
DESCRIPTION:This is the Largest Event of the Summer! Experience the Ultimate Korean Beauty Experience from June 13th (Grand Opening) to August 31. \n\n\n🏰2 HOUSES 1 ADDRESS — ALL AT HANA HOUSE 🏰 \nNew York’s most immersive K-beauty & culture experience is here for the summer — and it’s back better than ever ✨ \nHaus of K is a space where discovery meets culture: get personalized skin & color analysis from top-tier brands\, join tea omakase tastings\, try on traditional Hanbok\, learn K-dessert secrets\, and connect with a community of people who love Korean culture as much as you do. \nNew experiences\, new brands\, new reasons to come back — every single week. \nWHAT’S WAITING INSIDE \n✦ Curated K-Beauty Lounge: Top-tier brands\, personalized skin & color analysis\, and pro K-makeup masterclasses\n✦ Immersive Cultural Workshops: Exclusive tea omakase tastings\, custom jewelry making\, and traditional Hanbok wearing experiences\n✦ K-Café & Desserts: Sip on trendy Korean drinks and indulge in iconic treats (plus\, learn the secrets yourself in our K-dessert making classes)\n✦ Wellness & Movement: Reset with regular yoga sessions\, K-wellness programming\, and community running clubs\n✦ The Energy: All-day lounge vibes\, community networking\, and live DJ sets \nHANA HOUSE VIP PACKAGE \nThose who opt for the HANA HOUSE VIP PACKAGE will receive K-Beauty Products + Complimentary Drink/Hana House T-Shirt + Raffle entry to Hana House sponsor giveaways including brands from Coca Cola\, Hachette\, Penguin Random House\, Igloo\, and more! \nGRAND OPENING EXCLUSIVES \nJune 13 & 14: First 30 guests in line each day receive a curated PR gift bag packed with handpicked K-beauty goodies. \nJune 13–20: First 100 guests receive an exclusive key 🗝️— unlocking special discounts\, perks\, and surprise benefits all summer long. A new batch drops daily — don’t sleep on it. \nHOURS \nJune 13: 10 am to 8 pm (Grand Opening + Brand Showcase)\nJune 14–20: 11 am to 7 pm (Grand Opening + Brand Showcase)\nJune 21–Aug 31: 10 am to 7 pm \nBrands include I’m From\, Apothe\, melixir\, TOCOBO\, VT\, ludient\, Laboreve\, LEPS\, PURE’AM\, Serumkind\, Haeskin\, fvrts\, SINSURU\, let’s kared\, roobliss\, breezytail\, LizK\, Dr. Eve\, and YYYLAB.
URL:https://potluckasianamerica.org/event/hana-house-presents-haus-of-k-the-ultimate-k-beauty-event-of-the-summer/
LOCATION:Hana House\, 345 Adams St\, Brooklyn\, NY\, 11201\, United States
CATEGORIES:In Person,Shopping
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/06/7989d6cbdb2fe2e6694c18f35af03ec5.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260711
DTEND;VALUE=DATE:20260906
DTSTAMP:20260818T203149Z
CREATED:20260818T203128Z
LAST-MODIFIED:20260818T203149Z
UID:10003109-1783728000-1788652799@potluckasianamerica.org
SUMMARY:Transcendence
DESCRIPTION:Fou Gallery is pleased to present Transcendence\, a group exhibition featuring Tianshu Zhang (张天舒)\, Tao Xian(陶显)\, and Gloria Fan Duan(樊段晓春)\, on view from July 11 through September 5\, 2026. \nAs in the philosophy of the I-Ching [易经]\, the world is not an empty abstraction\, but a living structure of patterns through which all things transform. At a moment when attention is increasingly pulled outward by speed\, image\, and instability\, Transcendence turns inward\, inviting viewers to explore within for the subtle flow of energy that connects body\, mind\, and the natural world. \nBringing together painting and sculpture\, the exhibition considers abstraction not as a rejection of form\, but as a way of approaching what cannot be fully represented: spirit\, dream\, memory\, and the quiet forces that shape both human and natural existence. Through bodies\, imagined organisms\, and reconstructed botanical forms\, Transcendence explores the traces of inner energy moving between consciousness and the unconscious\, creating a path for viewers to enter a realm of inner light\, meditation\, and spiritual perception. \nFor Tianshu Zhang\, painting emerges from the threshold between dream and embodiment. Drawing inspiration from the imperceptible yet constant flow of Qi\, her paintings seek a balance between silhouette-like structures and fluid movement. Through layered brushwork\, Zhang evokes the body in abstraction\, where flesh\, spine\, and inner currents appear only partially\, as if sensing the presence of energy moving within. The body becomes a vessel through which consciousness moves between memory\, desire\, vulnerability\, and transformation. \nTao Xian approaches this spiritual interiority through the imagined life of nature. Drawing from Daoist thought\, Jungian psychology\, and organic forms\, she creates luminous semi-abstract paintings that occupy a space between organism and inner landscape. In works inspired by deep-sea plants and imagined botanical forms\, Tao allows imagination to become a mode of perception\, suggesting a silent energy shared between the individual soul and the larger universe. The visible traces of nature become vessels for psychic and spiritual life\, where the boundary between self and world remains fluid. \nGloria Fan Duan extends the exhibition’s inquiry into nature\, perception\, and unseen forces through a practice situated at the intersection of art\, science\, and technology. Conceived during NARS Foundation (Brooklyn\, New York)\, An And Foundation (Wassaic\, New York) and Fou Gallery’s Tulum Residency (Mexico)\, the series presented in this exhibition combines cast resin and glass flowers\, leaves\, and stems with handmade vessels\, assembling them into sculptural installations inspired by Japanese ikebana. Through mediation\, preservation\, and deliberate arrangement\, Duan reconstructs nature in translucent botanical forms that hover between specimen and offering\, garden and laboratory\, occupying a threshold between existence and non-existence. No longer living plants yet still carrying the trace of organic life\, these works offer a material counterpart to Zhang’s bodily energies and Tao’s imagined spiritual organisms. The processes of preservation\, reproduction\, and arrangement become forms of meditation\, suggesting that the artificial may also serve as a vessel for care\, ecological memory\, and spiritual attention. \nThrough the body\, the imagined organism\, and the reconstructed garden\, form becomes a threshold through which inner energy\, memory\, and spiritual perception may appear. Rather than presenting transcendence as escape\, the exhibition understands it as a process of attunement\, a way of sensing what exists beneath the visible. Installed as a quiet and immersive environment\, Transcendence invites viewers to move through the works as they might move through a breath cycle\, a dream\, or a moment of meditation\, entering a space where the visible world opens onto its unseen dimensions. In this suspended space\, transcendence becomes a quiet practice of returning to the energies that bind the self to the world.
URL:https://potluckasianamerica.org/event/25502/
LOCATION:Fou Gallery\, 89 5th Avenue\, # 701\, New York\, NY\, 10003\, United States
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Transcendence.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260802
DTEND;VALUE=DATE:20260831
DTSTAMP:20260729T120613Z
CREATED:20260729T120613Z
LAST-MODIFIED:20260729T120613Z
UID:10002966-1785628800-1788134399@potluckasianamerica.org
SUMMARY:929 Sunday Music Club
DESCRIPTION:Our guest and resident DJs will take you through the Canto-pop and Mando-pop worlds with sets inspired by different eras\, artists\, and genres. \nCome rediscover the music you grew up with through our sound system\, with every set curated entirely from physical media (CDs and vinyl records) \n⏰Schedule:\n8/2 Jolin v.s. Elva Night curated by @ray.tj.tsou\n8/9 80s Canto-Pop Night curated by @ahhyoooonglin\n8/23 Taiwanese Funk & Disco Night curated by @kimbynyc\n8/30 2000s Canto-Pop Night curated by @haoranchen_
URL:https://potluckasianamerica.org/event/929-sunday-music-club/
LOCATION:929 Jazz Club\, 56 E 41st Street\, 2nd Fl.\, New York\, NY\, 10017\, United States
CATEGORIES:Music,Nightclub
ATTACH;FMTTYPE=image/png:https://potluckasianamerica.org/wp-content/uploads/2026/07/929.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260805
DTEND;VALUE=DATE:20260827
DTSTAMP:20260804T023451Z
CREATED:20260804T023451Z
LAST-MODIFIED:20260804T023451Z
UID:10002991-1785888000-1787788799@potluckasianamerica.org
SUMMARY:929 Wednesday Jazz Club
DESCRIPTION:Wednesday Jazz Club continues its exploration of the beauty of jazz this August\, reimagining Asian pop music through a jazz lens while expanding beyond the worlds of Mando-pop and Canto-pop. \n🎺Upcoming Schedule\n08.05 2000s Mando-Pop + More w/ @danniwu_music\n08.12 Classic Jazz Night w/ @joellebensaid\n08.19 David Tao Night 陶喆之夜 w/ @aprilwuofficial\n08.26 2000s K-Pop Night w/ @jo0_w0n \n📍 56 E 41st Street\n☎️ Every Wednesday\n📀 First show 7:00PM\n💿 Second show 9:00PM \n$10 music charge per guest
URL:https://potluckasianamerica.org/event/929-wednesday-jazz-club/
LOCATION:929 Jazz Club\, 56 E 41st Street\, 2nd Fl.\, New York\, NY\, 10017\, United States
CATEGORIES:Music,Nightclub
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/929-Wedensday-Jazz-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260805
DTEND;VALUE=DATE:20260828
DTSTAMP:20260817T040309Z
CREATED:20260817T040309Z
LAST-MODIFIED:20260817T040309Z
UID:10003096-1785888000-1787875199@potluckasianamerica.org
SUMMARY:The Unheard Melody: Music in Chinese Paintings
DESCRIPTION:What sounds are hidden within a painting? \nDrawing from the musical imagery found in A Collection of Song Dynasty Paintings\, The Unheard Melody: Music in Chinese Paintings invites visitors to discover the sounds and stories preserved in these masterpieces. Through three thematic sections—“Harmony Through Music\,” “Elegance and Refinement in Music\,” and “Music in Common Life”—the special showcase reveals the diverse roles of music in Song society\, from court rituals and literati gatherings to everyday life. \nBringing centuries-old paintings into a contemporary setting\, the showcase creates an immersive dialogue between image and sound through high-resolution reproductions\, specially selected ancient music\, AIGC-generated animations\, and interactive displays featuring traditional Chinese instruments such as the guqin\, pipa\, and bianzhong. \nThis special showcase is presented in collaboration with Zhejiang Provincial Department of Culture\, Radio\, Television and Tourism and Zhejiang University. \nOpen Hours: Monday – Friday: 10 AM – 5 PM
URL:https://potluckasianamerica.org/event/the-unheard-melody-music-in-chinese-paintings/
LOCATION:China Institute Grand Hall\, 100 Washington Street\, New York\, NY\, 10006\, United States
CATEGORIES:Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Unheard-Melody-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260807
DTEND;VALUE=DATE:20260831
DTSTAMP:20260818T203542Z
CREATED:20260818T203542Z
LAST-MODIFIED:20260818T203542Z
UID:10003110-1786060800-1788134399@potluckasianamerica.org
SUMMARY:Still Becoming
DESCRIPTION:Still Becoming presents a new body of work by Shuyao Huang that explores color repetition and form as a way of experiencing time\, attention\, interruption\, transformation\, and new perceptions. This exhibition builds on Huang’s long-standing discipline built from stripes and carefully calibrated relationships of color.
URL:https://potluckasianamerica.org/event/still-becoming/
LOCATION:Art Cake\, 214 40th St\, Brooklyn\, NY\, 11232\, United States
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/png:https://potluckasianamerica.org/wp-content/uploads/2026/08/Still-Becoming.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260813
DTEND;VALUE=DATE:20260827
DTSTAMP:20260728T202700Z
CREATED:20260728T202700Z
LAST-MODIFIED:20260728T202700Z
UID:10002953-1786579200-1787788799@potluckasianamerica.org
SUMMARY:A Story That Lives Within US: Ada — Volume II
DESCRIPTION:We are excited to present A Story That Lives Within US: Ada — Volume II\, a multidisciplinary group exhibition featuring 17 artists that explores the stories\, memories\, and lived experiences of Taiwanese immigrants in the United States. \nOpening on August 13\, 2026\, at Crossing Art in Chelsea\, New York\, the exhibition brings together contemporary art\, oral histories\, and written narratives to explore migration\, identity\, belonging\, and cultural heritage. \nVolume II focuses on New York City during the 1980s and 1990s\, reflecting the challenges\, transformations\, and resilience of immigrant communities. Through the symbolic journey of Ada Lin\, the exhibition connects personal memories with the evolving history of the city\, creating a space where immigrant stories are preserved and shared across generations. \nThroughout the exhibition\, we will also present public programs and hands-on workshops. Stay tuned for upcoming announcements! \n📍 Crossing Art @crossingart\n559 W 23rd St\, New York\, NY 10011\n🗓 Opening Reception: August 13\, 2026 | 6:00–8:00 PM\n🖼 Exhibition: August 13–26\, 2026\n🕛 Gallery Hours: Tuesday–Sunday | 12:00–6:00 PM\nClosed Mondays. \nParticipating Artists:\nBryan Cordova\, Pedro Cuni\, Peggy Cheng\, Rebecca Hon\, Ronald Huang\, James Hsieh\, Chiya Huang\, John Chia Hsuan Kuo\, Kiu\, Tse-Hsing Liu\, Gabrielle Yi-Wen Mar\, Munus Shih\, I Chin Sung\, Moyuru Shiroma\, Yalan Wen\, Sherry Yang\, and Ashton Yeh \nA Story That Lives Within US: Ada — Volume II\nFounder / Curator: Tzu-Ying (Naomi) Chan @naomichan.art\nScreen Writer: Jason Wu @jasonchiehhsiuwu\nVisual Design: Yu Shan Cheng @usuhuaunu\nCo-Organized: @taiwanfest.nyc @hakka.ngo
URL:https://potluckasianamerica.org/event/a-story-that-lives-within-us-ada-volume-ii/
LOCATION:NY
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/07/Story-that-Lives.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260826
DTEND;VALUE=DATE:20260901
DTSTAMP:20260818T210928Z
CREATED:20260818T210928Z
LAST-MODIFIED:20260818T210928Z
UID:10003115-1787702400-1788220799@potluckasianamerica.org
SUMMARY:Being - A Group Exhibition by Four Emerging Japanese Artists
DESCRIPTION:“Being”\nCurated by Artist Collective – Polyphony\nYui Koshiyama / Sohei Yamaguchi / Akiyo Ochiai / Ayano Todaka\nAugust 27-31\, 2026 | 12-5pm \nReception: Saturday\, August 27\, 2026\, 5–7PM\nLive Painting: 1–3PM\nGallery60 NYC | 208 East 60th St\, New York\, NY 10022\ntel. 347-601-4323 \nPhoto Credit: Polyphony \nQuestioning “Being” in New York in the Age of AI \nA Group Exhibition by Four Emerging Japanese Artists at Gallery 60 NYC \nIn an era where AI continuously and rapidly transforms society\, this exhibition establishes a philosophical sanctuary in New York to re-examine the core of “Being”̶what it truly means to exist and live as a human. Driven by the fundamental question\, “What does it mean to live?”\, the artists engage in dialogue with people from diverse backgrounds to contemplate our collective future. By unearthing the emotions and imagination born from genuine human connection\, this exhibition seeks to spark new perspectives. Set against the backdrop of New York\, a multinational metropolis where diverse cultures and thoughts intersect̶the exhibition embraces this multi-layered complexity as a source of creation\, exploring ways for humans to truly live as humans\, transcending nationalities and borders.
URL:https://potluckasianamerica.org/event/being-a-group-exhibition-by-four-emerging-japanese-artists/
LOCATION:Gallery 60 NYC\, 208 E 60th Street\, New York\, NY\, 10022\, United States
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Being_Exhibition_Poster.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260826
DTEND;VALUE=DATE:20261019
DTSTAMP:20260911T221336Z
CREATED:20260911T221336Z
LAST-MODIFIED:20260911T221336Z
UID:10003348-1787702400-1792367999@potluckasianamerica.org
SUMMARY:Kim Bohie - TOWARDS: There Was Light
DESCRIPTION:“That a still surface can hold yesterday\, today\, tomorrow at once; that here\, there\, and elsewhere can meet in the same moment; that different times and spaces can unfold together on a single\, fixed plane—it still fills me with wonder.” —Kim Bohie\, July 2026 \nGallery Hyundai is pleased to present TOWARDS: There Was Light\, a solo exhibition by Kim Bohie (b. 1952)\, on view from August 26 through October 18. This exhibition marks Kim’s first solo exhibition in Korea since the Days at the Jeju Museum of Contemporary Art in 2022. It also brings her back to Gallery Hyundai for her presentation with the gallery in thirty-eight years\, following The Third Kim Bohie Solo Exhibition in 1988. TOWARDS: There Was Light surveys more than four decades of Kim’s sustained engagement with nature\, focusing on her exploration of light in painting. Featuring approximately thirty works\, the exhibition presents new paintings from the Towards series that depict the garden and sea of Jeju\, flowers\, fruits\, and her dog Leo\, and other landscapes intimately connected to the artist’s daily life alongside the monumental The Days (2022)\, recently shown in the Unlimited sector of Art Basel in Basel earlier this year. \nRather than simply perpetuating the traditions of Korean painting or adopting Western conventions\, Kim has developed a distinctive pictorial language that brings the materials and formal sensibilities of East Asian painting into dialogue with the chromatic fields and expanded scale of modern and contemporary painting. Working on canvas and hanji\, she repeatedly applies mixtures of traditional mineral pigments\, water\, and glue\, allowing color to slowly permeate and accumulate in translucent layers that create a depth particular to her work. Her figurative compositions bring together different experiences of time: the prolonged observation of nature\, the time in which a landscape settles into memory as an inner image\, and its eventual reconstruction. What matters in Kim’s work\, therefore\, is not simply what she depicts\, but how the time and sensations accumulated through looking and remembering re-emerge as landscape. Nature experienced at different moments and in different places converges on a single plane\, where past and present\, near and far\, observed landscape and inner image coexist within the same pictorial space. \nWithin this process\, light serves as both a sensory measure through which Kim perceives nature and a medium through which she registers its ceaseless passage and change. Shifting with the hours of the day and the seasons\, light renders the same garden or sea anew each time\, altering its colors\, contours\, and atmosphere. Kim has long attended to these subtle transformations\, holding them in memory before reconstituting them through her own perception and imagination on the painted surface. Her engagement with light predates her recent paintings of Jeju. As early as the 1970s\, she depicted dawn filtering through a forest and light shimmering across the surface of a river. Across the decades\, her subjects have encompassed deep greens under intense sunlight\, the sea and its horizon\, the waxing and waning moon\, and plants transformed by the seasons—nature continually remade by changing conditions of light. \nThe exhibition title TOWARDS: There Was Light alludes to the moment of creation when light first emerges from darkness and the world begins to take form. It resonates with Kim’s lifelong gratitude and reverence for nature\, while extending beyond spiritual symbolism to describe a fundamental condition of her painting: light enables her to perceive change and time in the natural world and to translate those perceptions into pictorial form. Just as light allows the colors and forms of the world to become visible\, Kim’s paintings begin with sustained attention to nature as it changes from one moment to the next. Her gaze carries within it different seasons and times\, places once encountered\, and innumerable living beings and fleeting moments\, accumulated as layers of memory and sensation. In this sense\, “There Was Light” refers not only to the light by which the world becomes visible\, but also metaphorically to that which summons the artist’s lived and remembered experience into the present tense of painting\, drawing disparate times and spaces into a single pictorial landscape. \nThe title also draws on Towards\, one of Kim’s principal bodies of work. Rather than implying arrival at a fixed destination\, “Towards” describes a way of looking that continually reaches beyond what is immediately present. Life on Jeju has drawn this attention ever closer to the world of her everyday surroundings. Palm trees\, flowers\, fruit\, and seeds from the garden she tends; the sea and horizon she encounters daily; and Leo\, the dog who remained by her side for many years\, have all entered her paintings. A gaze directed toward a single leaf or seed expands to encompass a tree and then the entire garden before opening outward toward the sea and beyond the horizon. Through this movement from part to whole\, from near to far\, minute forms of life and expansive landscapes emerge not as separate subjects but as different dimensions of a shared world. Just as Kim’s gaze moves from seed to garden\, garden to sea\, and from the smallest life before her toward what lies beyond the horizon\, her painting never settles into a single\, definitive landscape\, but continually looks beyond it. \nThe exhibition unfolds across three floors\, following these shifts in vision and transformations of light. On the first floor\, new paintings from the Towards series depict the flowers and plants of Kim’s garden\, her dog Leo\, the sea\, and the setting sun\, tracing a movement from the intimate world of the artist’s immediate surroundings toward more distant vistas. From the vivid colors of plants illuminated by sunlight to skies and seas suffused with the hues of dusk\, familiar places are continually transformed by changing light. On the second floor\, both the distance of Kim’s gaze and the scale of her painting expand. Open views of the sea extending beyond the horizon appear alongside close-up images of palm fronds and fruit\, as well as the monumental The Days (2022)\, first presented at the Jeju Museum of Contemporary Art in 2022 and shown again in the Unlimited sector of Art Basel in Basel earlier this year. The exhibition continues in the basement\, where the vivid chromatic register of daylight gives way to nature transformed by moonlight and the darkness before dawn. The palette contracts into black\, white\, and deep blue\, while mountains\, forests\, and waterways emerge through restrained contours and planes. Moving through the three floors\, viewers encounter the same world appearing and reappearing in different guises\, continually altered by light and time. \nTOWARDS: There Was Light moves beyond the familiar characterization of Kim Bohie as a painter of Jeju landscapes\, recognizing her as a significant figure who has expanded the formal legacy of Korean painting into a distinctly contemporary pictorial language and forged a singular trajectory within modern and contemporary Korean art. Shaped through prolonged observation\, memory\, and repetition\, nature in Kim’s paintings is not a fixed view but a living world that assumes a different appearance with every shift of light and time. Following the artist’s sustained attention to these transformations\, the exhibition reveals how a single\, still plane can hold different times and spaces\, memories and sensations at once. Here\, painting becomes a place from which to look again at the world we think we know and to turn our gaze beyond the visible\, toward worlds not yet seen.
URL:https://potluckasianamerica.org/event/kim-bohie-towards-there-was-light/
LOCATION:Gallery Hyundai New York Project Space\, 529 W 20th St\, Room 6E\, New York\, NY\, 10011\, United States
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/09/Kim-Bohie-copy.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260826T130000
DTEND;TZID=America/New_York:20260826T140000
DTSTAMP:20260807T125158Z
CREATED:20260807T125158Z
LAST-MODIFIED:20260807T125158Z
UID:10003032-1787749200-1787752800@potluckasianamerica.org
SUMMARY:Asian American Voter Survey 2026 Webinar
DESCRIPTION:Join us for a briefing on newly released findings from the 2026 Asian American Voter Survey\, the longest-running pre-election survey that focuses on how Asian Americans think about the election\, presidential candidates\, party identification\, key issues shaping their political engagement\, and more. This is our movement’s #YearOfAction \nPresented by APIAVote\, AAPI Data\, NCAPA
URL:https://potluckasianamerica.org/event/asian-american-voter-survey-2026-webinar/
LOCATION:Zoom
CATEGORIES:Data,Survey,Virtual
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/8.26.2026-AAVS-Press-Briefing-2026-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260826T180000
DTEND;TZID=America/New_York:20260826T191500
DTSTAMP:20260815T185211Z
CREATED:20260704T182953Z
LAST-MODIFIED:20260815T185211Z
UID:10002805-1787767200-1787771700@potluckasianamerica.org
SUMMARY:“An Advice and Networking Event (Technology)”
DESCRIPTION:Committee of 100 Asian American Career Ceilings\nAugust 26\, 2026 from 6 pm ET to 7:15 pm ET\n\n\n\nThe Committee of 100 Asian American Career Ceilings Initiative \n \n“An Advice and Networking Event (Technology)” \n \nAugust 26\, 2026 from 6 pm ET to 7:15 pm ET \n\nWe are pleased to invite you to the 60th event organized by the Committee of 100 Asian American Career Ceilings Initiative. This virtual event will enable Asian Americans who are in the early to mid-stages of their careers to get valuable advice from experienced and successful Asian Americans in the technology industry. We have been holding this event for different professions in the past and will continue to do so in the future. \n \nWe will start with welcoming comments and introduction to the advisors\, followed by virtual breakout rooms where the experienced Asian American advisors will host individual breakout rooms that attendees can join. The attendees will have a list of the experienced advisors in advance and will be able to choose which breakout rooms they want to visit to get career advice and to ask questions. The attendees will be able to move from room to room as they wish. \n \nThis will be a unique opportunity to explore career paths in the technology profession with experienced industry executives. Discussions will be frank and informative as each breakout room host will answer your questions and share personal insights and their stories about successful careers in technology. \n \nWe hope this event will help those of you who are getting ready to start your careers or who are at junior or mid-level levels of your organization. We hope that this event will help you overcome obstacles and accelerate your careers. \n \nIf you would like to join us for this networking/advisory event\, please register at https://c100-8-26-2026.eventbrite.com \n \nRegards\, \nPeter Young \nChair\, Committee of 100 Asian American Career Ceilings Initiative \nNew York Regional Chair\, Committee of 100\, and board member \n \nThe Committee of 100 \nThe Committee of 100 (C100) is a non-profit\, non-partisan leadership organization of prominent Chinese Americans in business\, government\, academia\, and the arts founded 36 years ago. \nThe Committee’s purpose is to provide leadership and act as a constructive force in the dual mission of: \n● Promoting the full participation of all Chinese Americans in American society and acting as a public policy resource for the Chinese-American community; \n● Advancing constructive dialogue and relationships between the peoples and leaders of the United States and Greater China. \nTo learn more about the organization\, please go to https://www.committee100.org.
URL:https://potluckasianamerica.org/event/an-advice-and-networking-event-technology-2/
LOCATION:NY
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2024/10/1c85d271208cb91fcd8228c393dbb676.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260826T183000
DTEND;TZID=America/New_York:20260826T200000
DTSTAMP:20260817T035432Z
CREATED:20260817T035432Z
LAST-MODIFIED:20260817T035432Z
UID:10003095-1787769000-1787774400@potluckasianamerica.org
SUMMARY:From Summer to Autumn: A TCM Wellness Workshop with Kamwo
DESCRIPTION:Join us for a seasonal ritual with herbal tea\, soup\, ear-seeding and self-massage. It’s been a full year of TCM wellness workshops with Kamwo and we’re so thrilled to bring back another workshop as we soak in summer and slowly transition to autumn. \nThe evening will begin with a soothing welcome tea. Kamwo will provide ear seeding for all participants. (Ear seeding is a gentle wellness practice where small seeds are placed on points of the ear to support breathing\, immunity\, and relaxation.) Acupuncturist and herbalist\, Olivia Choi will talk about the changing seasons from summer to autumn. We’ll serve a debloating herbal soup with wintermelon\, and provide a show & tell on different culinary-grade herbs and medicinal-grade herbs (which must be carefully prescribed and formulated for specific uses before consuming). \nThis program is part of Think!Chinatown’s ongoing partnership with Kamwo Meridian Herbs\, a neighborhood institution preserving traditional Chinese medicine and wellness practices. \nSustaining Rate (General Admission): $35\nReduced Rate Sliding Scale: Starting at $15 \nKamwo Meridian Herbs: @kamwoherbs has been the largest herbal dispensary on the east coast since 1973. With over 500 raw herbs\, thousands of granules and patent herbal products\, along with an extensive offering of acupuncture supplies and natural wellness options\, they’ve got you covered. Learn more at kamwoherbs.com
URL:https://potluckasianamerica.org/event/from-summer-to-autumn-a-tcm-wellness-workshop-with-kamwo/
LOCATION:Think!Chinatown\, 1 Pike Street\, New York\, NY\, 10002\, United States
CATEGORIES:Health & Wellness
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Kamwo-Tea-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260826T213000
DTEND;TZID=America/New_York:20260826T233000
DTSTAMP:20260823T035638Z
CREATED:20260809T235528Z
LAST-MODIFIED:20260823T035638Z
UID:10003046-1787779800-1787787000@potluckasianamerica.org
SUMMARY:Case 84: Adopted in the USA
DESCRIPTION:Overview\nA comedy show meets a TED Talk\, Case 84 sheds light on the underrepresented experience of adoptees. \n\n\n\nAfter touring North America for the past four years with his solo show Case 84: Adopted in the U.S.A.\, for the first time ever\, Edward Yoo Pokropski is taking his show back to where it all began; Seoul\, Korea! \nBefore he embarks\, he is performing two special send off shows in NYC. Come out and catch these special performances before the show is retired! \nTickets: $18.76 Early Bird (by Aug.19)\, $24.41 General Admission \nAbout the Show:\nA comedy show meets a TED Talk\, Case 84 sheds light on the underrepresented experience of adoptees. Over the course of an hour and aided by visuals ranging from family photos to images of Superman\, Edward answers all the questions he gets about being adopted. \nCase 84 has toured in NYC\, Philly\, Toronto\, Ithaca\, Boston\, D.C.\, Atlanta\, Chicago\, Minneapolis\, LA\, Austin\, Houston and San Fran. Case 84 is a show for anyone who has struggled with identity or just feels like people misunderstand where they come from. It is an immersive journey through Edward’s experience growing up in Philadelphia as a transracial adoptee and touches on the influence of American media on identity\, complex family dynamics\, and ultimately what it means to be an American. There are silly\, introspective\, and also painful moments in the show. As Edward’s journey unfolds\, viewers have the opportunity to learn alongside him\, gaining insights into the challenges faced by adoptees and the power of self-discovery. This show is a love letter to adoptees and an invitation to learn more. \nAbout Edward:\nEdward is a two-time Emmy nominated Senior Writer/Producer for NBCUniversal/Peacock Brand and Promotions. He is also a Co-Founder of The Asian Comedy Fest. The largest\, longest running Asian led comedy fest in the country. \nTo learn more about Edward and his show check out his feature with Korean American Story https://www.youtube.com/watch?v=BBTw3JKUr8k
URL:https://potluckasianamerica.org/event/case-84-adopted-in-the-usa/
LOCATION:Caveat\, 21 A Clinton Street\, New York\, NY\, 10002\, United States
CATEGORIES:Comedy
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Case-84-copy.jpeg
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END:VCALENDAR