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BEGIN:VEVENT
DTSTART;VALUE=DATE:20250829
DTEND;VALUE=DATE:20260427
DTSTAMP:20260104T022118Z
CREATED:20250914T233349Z
LAST-MODIFIED:20260104T022118Z
UID:10001802-1756425600-1777247999@potluckasianamerica.org
SUMMARY:Exhibit: Creating Kosher Chop Suey
DESCRIPTION:What happened when chop suey\, a Chinese dish with American roots\, encountered Jewish customers in New York at the turn of the century? A new Center for Women’s History installation in the Joyce B. Cowin Women’s History Niche sheds light on the vibrant\, gastronomic collaboration between two ethnic communities. From debates in the Yiddish press to the publication of  kosher Chinese cookbooks\, and from representations in fine art to restaurant ephemera\, the installation explores how Jewish and Chinese women\, with a shared love for food\, together introduced a new phenomenon in the 1960s: kosher Chinese cuisine. Curated by Shiyong Lu\, Mellon Foundation Predoctoral Fellow in Women’s History and Public History\, and Anna Danziger Halperin\, Director for the Center for Women’s History.  \nImage: Gifford Reynolds Beal (1879–1956). Chinese Restaurant #1\, ca. 1930. Oil on wood panel (reproduction). The New York Historical\, Gift of Charles H. Berman and Norman and Joanne Berman\, 2022.9
URL:https://potluckasianamerica.org/event/exhibit-creating-kosher-chop-suey/
LOCATION:New York Historical Society\, 170 Central Park West\, New York\, NY\, 10024\, United States
CATEGORIES:Art Exhibit,In Person
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2025/09/aKOGV6Tt2nPbab2h_nyhs_2022_9__img01_20220602.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250912
DTEND;VALUE=DATE:20260427
DTSTAMP:20251210T194619Z
CREATED:20250910T124427Z
LAST-MODIFIED:20251210T194619Z
UID:10001796-1757635200-1777247999@potluckasianamerica.org
SUMMARY:Exhibit: The New York Sari: A Journey Through Tradition\, Fashion\, and Identity
DESCRIPTION:The New York Sari showcases the deep influence that South Asians have had on the culture of New York City and how individuals have drawn strength from tradition while looking clearly towards a bolder future of inclusion and progress. \nThe New York Sari centers the sari as an essential part of the cultural fabric of New York City\, using it as a metaphor for the ways in which the individuals who wear and create saris have straddled tradition\, culture\, and modernity in their work\, art\, and lives. The exhibition tells the stories of who wears saris\, the relationship between saris and identities\, and how they’ve evolved over time. \nThe New York Sari showcases the deep influence that South Asians have had on the culture of New York City from the Gilded Age to the present day\, beginning with the little known history of Coney Island’s first theme park and culminating with the vibrant communities that are home to the South Asian diaspora today. Offering a unique history of migrant communities and gender in New York City\, the exhibition explores how individuals have drawn strength from tradition while looking clearly towards a bolder future of inclusion and progress.
URL:https://potluckasianamerica.org/event/the-exhibit-new-york-sari-a-journey-through-tradition-fashion-and-identity/
LOCATION:New York Historical Society\, 170 Central Park West\, New York\, NY\, 10024\, United States
CATEGORIES:Art Exhibit,In Person
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250925
DTEND;VALUE=DATE:20260330
DTSTAMP:20260104T022641Z
CREATED:20250917T150609Z
LAST-MODIFIED:20260104T022641Z
UID:10001841-1758758400-1774828799@potluckasianamerica.org
SUMMARY:Exhibit: hapa.me: 25 Years of the Hapa Project
DESCRIPTION:In 2001\, artist Kip Fulbeck began traveling the country photographing multiracial individuals of all ages and walks of life. Fulbeck’s work sought to address in words and images the one question that Hapa people are frequently asked — What are you? After photographing more than 1\,200 people\, the project culminated in the landmark book and exhibition Kip Fulbeck: Part Asian\, 100% Hapa\, which toured throughout the U.S. A new exhibition Hapa.me — 25 Years of The Hapa Project\, revisits some of the original subjects two decades later. How do they look now? How have their views on their own identity changed? \nDerived from the Hawaiian word for “half\,” the word “hapa” has been embraced as a term of pride by many whose mixed-race heritage includes Asian or Pacific Islander ancestry. The exhibition comes at a time of increasing awareness and identification with being mixed race. The 2020 Census showed that 10% of the population identified as multiracial\, almost tripling from ten years before. In Hapa.me\, Fulbeck presents a nuanced portrait of change and growth within this broad identity by focusing on individual faces and voices. \nOriginating at the Japanese American National Museum in Los Angeles\, this New York presentation will feature 30 portraits and responses of local subjects\, installed amidst a hand-painted mural that captures the beauty of being mixed. A central reading table encourages visitors to flip through Hapa.me artist’s books for a fuller archive of the project. This exhibition is a homecoming of sorts for Fulbeck: MOCA was one of the first museums to exhibit the Hapa Project and it has remained a fixture of our permanent exhibition which explores over 200 years of the experiences of Chinese in America. \nhapa.me: 25 Years of the Hapa Project and related programs are made possible with generous support from the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature; public funds from the New York City Department of Cultural Affairs\, in partnership with the City Council; Bloomberg Philanthropies; and is funded by a grant from the New York City Tourism Foundation. \nAbout the Artist \nKip Fulbeck has exhibited and performed in over 20 countries and throughout the U.S. He is the author of six books including Part Asian\, 100% Hapa; Mixed: Portraits of Multiracial Kids; and Hapa.me – 15 Years of The Hapa Project\, and the exhibition artist of Perseverance: Japanese Tattoo Tradition in a Modern World. He teaches as a Distinguished Professor of Art at the UCSB\, where he received the Faculty Diversity Award and the Distinguished Teaching Award\, and has been named an Outstanding Faculty Member five times.
URL:https://potluckasianamerica.org/event/exhibit-hapa-me-25-years-of-the-hapa-project/
LOCATION:Museum of Chinese in America (MOCA)\, 215 Centre Street\, New York\, NY\, 10013\, United States
CATEGORIES:Art Exhibit,In Person,Museum
ATTACH;FMTTYPE=image/png:https://potluckasianamerica.org/wp-content/uploads/2025/09/082725_hapa.me_Web-banner-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260204
DTEND;VALUE=DATE:20260914
DTSTAMP:20260818T235641Z
CREATED:20260818T235641Z
LAST-MODIFIED:20260818T235641Z
UID:10003126-1770163200-1789343999@potluckasianamerica.org
SUMMARY:Noguchi’s New York
DESCRIPTION:In 1922\, Isamu Noguchi first moved to New York—a city that would remain his on-again\, off-again home for the remainder of his life. Though he was an avid traveler who built meaningful connections and temporary homes around the world\, Noguchi always returned to New York. It was here that he created some of his most iconic artworks and imagined countless others. \nThis exhibition examines Noguchi’s deep and dynamic relationship with New York City\, exploring how its material\, cultural\, social\, and political landscape indelibly transformed his artwork and thinking\, and how he in turn transformed the city. It also highlights Noguchi’s unflagging attempts to give back by sculpting communal spaces for exploration and play—efforts often thwarted\, most notably by the influential NYC Parks Commissioner Robert Moses. \nNoguchi’s New York encompasses more than 50 works\, including sculptures\, project models\, photographs\, and archival materials. The exhibition also brings to life Noguchi’s visions for unrealized playgrounds and playground equipment through a series of hand-painted animated films by Jack Cunningham and Nicolas Ménard of Eastend Western. \nOrganized on the 40th anniversary of The Isamu Noguchi Foundation and Garden Museum\, this exhibition celebrates the Museum itself as one of Noguchi’s most profound gifts to this city he called home. \nPhoto credit: Isamu Noguchi\, 1980
URL:https://potluckasianamerica.org/event/noguchis-new-york/
LOCATION:Noguchi Museum\, Noguchi Museum\, 9-01 33rd Rd\, Astoria\, NY 11106\, USA\, Astoria\, NY\, 11106\, United States
CATEGORIES:Art,Art Exhibit,Photography
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Noguchi-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260205
DTEND;VALUE=DATE:20260406
DTSTAMP:20260203T084037Z
CREATED:20260124T003929Z
LAST-MODIFIED:20260203T084037Z
UID:10002226-1770249600-1775433599@potluckasianamerica.org
SUMMARY:Theater: Chinese Republicans (with Discount Code)
DESCRIPTION:Buy tickets from $39 using code CR39.\nComing to Roundabout Theatre this winter\, Chinese Republicans is a biting new satirical drama from Forbes’ 30 Under 30 Playwright Alex Lin and Award-Winning Director Chay Yew. \nThree high-powered businesswomen meet for lunch every month to discuss their latest career triumphs\, as they’ve done for decades. But the group is jolted when Katie\, a bright-eyed 24-year-old new to the workforce\, joins to navigate the world of corporate finance. As each of the women attempts to steer Katie towards what they’re certain is best\, they’re forced to grapple with how much they already have and are willing to sacrifice to climb the corporate ladder. \nShifting between sharp-tongued humor and the harsh realities of modern capitalism\, this world premiere production explores themes of assimilation\, intergenerational conflict\, and gender politics in the workplace—all with unflinching wit and empathy. Chinese Republicans is a new play from a thrilling new American voice and tells a truly American story. \nCast: Jennifer Ikeda\, Ben Langhorst\, Jully Lee\, Jodi Long\, Anna Zavelson \nHarold and Miriam Steinberg Center for Theatre\, Laura Pels Theatre\, 111 West 46th Street\, New York\, NY \nLink to buy tickets: Chinese Republicans – Roundabout Theatre Company
URL:https://potluckasianamerica.org/event/chinese-republicans/
LOCATION:Harold and Miriam Steinberg Center for Theatre\, 111 West 46th Street\, New York\, NY\, United States
CATEGORIES:Theater
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/01/Chinese-Republicans.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260310
DTEND;VALUE=DATE:20260413
DTSTAMP:20260327T140311Z
CREATED:20260204T070731Z
LAST-MODIFIED:20260327T140311Z
UID:10002280-1773100800-1776038399@potluckasianamerica.org
SUMMARY:Theater: Jesa (with Discount)
DESCRIPTION:By Jeena Yi\nDirected by Mei Ann Teo\nMa-Yi Theater Company in Residence \nJESA by Jeena Yi\, directed by Mei Ann Teo\, is a riotous and heart-wrenching new play that explodes the idea of the “perfect family gathering.” When four estranged Korean American sisters reunite in Orange County to perform their father’s Jesa—a traditional ritual honoring the dead—old wounds erupt\, secrets surface\, and ghosts (literal and emotional) refuse to stay buried. With razor-sharp dialogue\, explosive humor\, and unexpected tenderness\, JESA asks how we honor our ancestors when we can barely stand each other. Come for the sibling brawls and burning shrimp\, stay for the aching truth of what binds us. \nEnjoy $10 Off All Performances With Discount Code: MAYIJESA \nCommunity Nights: \nMarch 22\, 1:30PM: Talkback – Care\, Courage\, and Collective Action: Safety in Uncertain Times\nWe invite you to stay after the 1:30PM performance for a post-show conversation addressing the recent surge in anti-immigration policies\, the erosion of constitutional rights for BIPOC communities\, and the impact on New Yorkers. Frontline organizers and advocates will share practical ways New Yorkers can protect themselves\, support their neighbors\, and take action. Featuring Yuh-Line Niou (former New York State Representative)\, Hae-Lin Choi (co-founder\, Hands Off NYC)\, and others. \nMarch 26\, 7:30PM: AAPI Community Night \nMarch 29\, 1:30PM: Chinese Open Caption \nApril 4\, 1:30PM: Talkback with Cast and Creatives of JESA\nJoin us for a conversation with director Mei Ann Teo and others about the creative process of producing Jeena Yi’s World Premiere of JESA after the show.
URL:https://potluckasianamerica.org/event/theater-jesa/
LOCATION:Public Theater\, 425 Lafayette Street\, New York\, NY\, 10003\, United States
CATEGORIES:In Person,Theater
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/02/images-22.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260318
DTEND;VALUE=DATE:20260729
DTSTAMP:20260731T150944Z
CREATED:20260720T222654Z
LAST-MODIFIED:20260731T150944Z
UID:10002917-1773792000-1785283199@potluckasianamerica.org
SUMMARY:A Legacy Continued: Recent Acquisitions to the Asia Society Museum Collection
DESCRIPTION:A Legacy Continued features recent acquisitions received from Sandra Ferry Rockefeller and Hope Aldrich in honor of their parents\, John D. Rockefeller 3rd and Blanchette Hooker Rockefeller. These gifts were originally part of Mr. and Mrs. Rockefeller’s personal collection\, and this display celebrates their homecoming. These pieces complement other works within the museum collection\, some of which are included in this exhibition. Together\, they offer greater opportunities for comparative studies among them. \nTwo Chola bronze statues of Hindu deities from Hope Aldrich—a Shiva and a Satyabhama—add to the already magnificent group of Indian Chola bronzes in the collection. From Sandra Ferry\, two lovely gilt bronze Chinese Buddhist statues augment the museum’s existing Chinese Buddhist sculptures\, while the addition of three Thai works furthers the collection’s strength in Southeast Asian sculpture. See Selected Works in the Exhibition to preview some of these important gifts.
URL:https://potluckasianamerica.org/event/a-legacy-continued-recent-acquisitions-to-the-asia-society-museum-collection/
LOCATION:Asia Society\, 725 Park Avenue\, New York\, NY\, 10021
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/png:https://potluckasianamerica.org/wp-content/uploads/2026/07/Asia-Society-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260318
DTEND;VALUE=DATE:20260730
DTSTAMP:20260731T151947Z
CREATED:20260720T223215Z
LAST-MODIFIED:20260731T151947Z
UID:10002918-1773792000-1785369599@potluckasianamerica.org
SUMMARY:Busy\, Busy Towns: Moving Images of a Changing Asia
DESCRIPTION:This selection of works from the Asia Society Museum Collection explore how rapidly evolving cultural\, political\, and ecological issues have shaped urban landscapes across contemporary Asia\, and in particular China\, Indonesia\, and Taiwan. The exhibition presents seven works featuring the artists Song Dong\, Chen Shaoxiong\, Tromarama\, and Chen Chieh-jen. The innovative range of styles implemented to produce these moving images—through stop-motion animation of woodcuts\, ink painting\, or embroidery—among other methods\, speaks to the creative depth and diversity of the region. The artists explore the dynamic energy of cities\, whether fueled by consumerism and gentrification or by collapsing industries and environmental degradation. Actively reflecting on the regeneration of cityscapes and the subsequent impact on urban lives\, these works initiate a renewed dialogue with the current exhibition\, (Re)Generations: Rina Bannerjee\, Bryon Kim\, and Howardena Pindell amid the Mr. and Mrs. John D. Rockefeller 3rd Collection.
URL:https://potluckasianamerica.org/event/busy-busy-towns-moving-images-of-a-changing-asia/
LOCATION:Asia Society\, 725 Park Avenue\, New York\, NY\, 10021
CATEGORIES:Art,Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/07/Asia-Society-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260319
DTEND;VALUE=DATE:20270128
DTSTAMP:20260818T200949Z
CREATED:20260818T200949Z
LAST-MODIFIED:20260818T200949Z
UID:10003106-1773878400-1801094399@potluckasianamerica.org
SUMMARY:Buddha and Shiva\, Lotus and Dragon
DESCRIPTION:In celebration of Asia Society’s seventieth anniversary\, Asia Society Museum presents Buddha and Shiva\, Lotus and Dragon: Celebrating 70 Years of Asia Society and the Rockefeller Legacy. \nDisplaying seventy of the finest examples of Asian art in the United States drawn from Asia Society’s permanent collection\, the exhibition showcases the extraordinary range of bronzes\, ceramics\, and metalwork thoughtfully assembled between the 1950s and the 1970s by John D. Rockefeller 3rd (1906-1978) and his wife Blanchette Hooker Rockefeller (1909-1992). John D. Rockefeller 3rd founded Asia Society in 1956 with the mission to promote greater knowledge of Asia in the United States; the bequest of the collection to Asia Society in 1979 underscores the Rockefellers’ conviction that an aesthetic encounter with great works of art promotes deep cross-cultural understanding. \nWith highlights including spectacular Buddhist and Hindu sculptures\, and rare Chinese\, Korean\, and Japanese ceramics\, Buddha and Shiva\, Lotus and Dragon celebrates historic achievements in Asian art spanning more than two millennia. The exhibition foregrounds the transformative power of faith and the catalyzing potential of international trade in the creation of great works of art across Asia. \nBuddha and Shiva\, Lotus and Dragon presents a special opportunity for museum visitors to experience the unparalleled quality of the Mr. and Mrs. John D. Rockefeller Thrid Collection at its home at Asia Society Museum in New York City.
URL:https://potluckasianamerica.org/event/buddha-and-shiva-lotus-and-dragon/
LOCATION:Asia Society\, 725 Park Avenue\, New York\, NY\, 10021
CATEGORIES:Art Exhibit
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/08/Buddha.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260327T100000
DTEND;TZID=America/New_York:20260327T170000
DTSTAMP:20260203T101214Z
CREATED:20260104T032232Z
LAST-MODIFIED:20260203T101214Z
UID:10002175-1774605600-1774630800@potluckasianamerica.org
SUMMARY:2026 Asian Americans and STEM Conference: Science in a De-Globalizing World
DESCRIPTION:Scholars in humanities and STEM fields will discuss Asian American scientists’ lives\, racial formation\, advocacy\, and pedagogy.\n\nScholars across Yale\, CUNY\, and NYU from STEM and Humanities present the 2026 Asian Americans and STEM Conference at NYU Brooklyn Campus!\n\n\nPanel 1: Immigration and Scientific Knowledge\nPanel 2: Scientific Legacies of War\n\n\n\nMore information about the conference keynote speaker\, panelists\, and agendas\, please visit the conference website: https://asianamstem.yale.edu/conference/asian-americans-and-stem-conference-2026 \nREGISTRATION FEE\nFree \nDATE/TIME\nMarch 27\, 2026\, Friday.\, 10:00 AM – 5:00 PM \nLOCATION\nNew York University (NYU) at 370 Jay St. Brooklyn \n  \nAsian Americans and STEM website: https://asianamstem.yale.edu/. \nPlease send questions to: asianamstem@yale.edu.
URL:https://potluckasianamerica.org/event/2026-asian-americans-and-stem-conference/
LOCATION:New York University (370 Jay Street\, Brooklyn\, NY)\, 370 Jay St\, Brooklyn\, New York\, NY\, 11201\, United States
CATEGORIES:Conference,In Person,Science,Technology
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/02/8439e27ad962e37992d3d448388c5cc3.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260327T100000
DTEND;TZID=America/New_York:20260327T170000
DTSTAMP:20260315T114123Z
CREATED:20260315T114123Z
LAST-MODIFIED:20260315T114123Z
UID:10002414-1774605600-1774630800@potluckasianamerica.org
SUMMARY:Writing Legal Lives: Biography\, Memoir and the Law
DESCRIPTION:A conference exploring how personal narratives inform our understanding of the law\, justice and ethics.\n\n\nHow does biography and memoir shape our understanding of law? \nJoin us for a one-day conference exploring how legal figures have been represented through biography/memoir and how personal narratives shape our understanding of law\, justice and ethics. Co-sponsored by the MA Program in Biography and Memoir and the Touro Law Review. Co-organized by Rodger Citron (BAM)\, Kyu Ho Youm (BAM) and Miryam Segal (MALS\, Middle Eastern Studies). \nFeaturing: \nJohn Q. Barrett on his biography of Supreme Court Justice and Nuremberg prosecutor Robert H. Jackson \nKai Bird on American Scoundrel: Roy Cohn and the World He Made \nGuido Calabresi\, in conversation with Norman Silber\, on Outside In: The Oral History of Guido Calabresi \nAsma Bint Shafiq on A Social Justice Lawyer in Bangladesh: The Pioneering Work of Salma Sobhan \nGary Stein on Justice for Sale: Graft\, Greed\, and a Crooked Federal Judge in 1930s Gotham \nDavid Tatel on Vision: A Memoir of Blindness and Justice \nBrenda Wineapple on Keeping the Faith: God\, Democracy\, and the Trial That Riveted a Nation
URL:https://potluckasianamerica.org/event/writing-legal-lives-biography-memoir-and-the-law-2/
LOCATION:365 5th Ave\, 365 5th Avenue\, New York\, NY\, 10016\, United States
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2026/03/f236e5f4a5fe71644149562205921a65.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260327T180000
DTEND;TZID=America/New_York:20260327T193000
DTSTAMP:20260327T120938Z
CREATED:20260323T070812Z
LAST-MODIFIED:20260327T120938Z
UID:10002426-1774634400-1774639800@potluckasianamerica.org
SUMMARY:The DeGrasse Family of New York City (Hybrid)
DESCRIPTION:Prof. Prithi Kanakamedala will present on their project examining the life of George DeGrasse and his family\, who lived on land in New York City donated by Aaron Burr in the early nineteenth century. DeGrasse\, listed as being born in Calcutta\, India\, and often claiming to be Burr’s former servant\, becomes the focus of a reevaluation in light of new research suggesting Burr may have had a secret Black and Indian family in the Caribbean. This work explores the possibility that the DeGrasse family represents an early Indo-Caribbean presence in New York\, and will culminate in a digital site and book chapter as part of a broader book project.
URL:https://potluckasianamerica.org/event/the-degrasse-family-of-new-york-city/
LOCATION:Asian American / Asian Research Institute – CUNY\, 25 West 43rd Street\, Room 1000\, New York\, NY\, 10036\, United States
CATEGORIES:History,Hybrid,In Person,Virtual
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2025/11/9ff54a30af4feef34bc147e14ff869a0.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260327T183000
DTEND;TZID=America/New_York:20260327T203000
DTSTAMP:20260309T212526Z
CREATED:20260309T212526Z
LAST-MODIFIED:20260309T212526Z
UID:10002381-1774636200-1774643400@potluckasianamerica.org
SUMMARY:Koryo-saram and its Manifold Afterlives
DESCRIPTION:Join us for an evening of exchanges emerging from the exhibition “To time\, to distance” curated by Tamara Khasanova and Junho Peter Yoon.\n\n\nAAAinA is proud to share an evening of presentations and conversations emerging from the group exhibition\, To time\, to distance\, featuring artists Alisa Berger\, Daria Kim\, Luiza Pârvu\, and Toma Peiu. The exhibition highlights reflections by these artists on their belonging to and relationship with Koryo-saram communities (Корё-сарам\, 고려사람). Within the global Korean diaspora\, Koryo-saram occupies a distinct position as an identity formed in the aftermath of the forcible deportation of Koreans living in the Russian Far East to Central Asia in the 1930s. \nStarting with the history of Koryo-saram\, the program frames diaspora as a site of ongoing negotiations\, frictions and innovations. With research-based presentations\, field notes\, and artist talks\, the evening will reflect on how legacies of forced migration unfold across space and time\, challenging the issue of continuity. These ideas are explored not as static or linear trajectories\, but as kinetic conditions that continually reshape one’s relation to self and collective belonging. Following presentations by writer and curator Sophia Park and artists Alisa Berger\, Daria Kim\, and Toma Peiu\, the artists will join for a conversation moderated by Park. \nTo time\, to distance is co-curated by Tamara Khasanova and Junho Peter Yoon and will be on view at AHL Foundation from March 26 – April 25\, 2026. For more information and viewing hours\, please visit ahlfoundation.org. \nBios: \nAlisa Berger was born in 1987 in Makhachkala\, Republic of Dagestan\, and raised in Lviv\, Ukraine and later Essen\, Germany. She studied at KHM Academy of Media Arts Cologne\, Universidad Nacional de Colombia Bogotá and Le Fresnoy – Studio national des arts contemporains. She was nominated for the Max Ophüls Prize and the Deutsche Filmakademie FIRST STEPS Award. In 2023 she received the Studio Collector Prize at Jeu de Paume. Her work has been shown at institutions such as Eye Filmmuseum\, Jeu de Paume\, Tokyo Metropolitan Art Museum\, Centre-Wallonie-Bruxelles Paris\, Kunstpalast Düsseldorf\, Smithsonian’s National Museum of Asian Art\, and Kindl Berlin\, as well as at film festivals including Berlinale\, IDFA\, CPH:DOX\, and Hot Docs\, among others. From 2018 to 2022\, she lived in Tokyo and studied Butoh performance. \nDaria Kim is a multidisciplinary artist born in Tashkent\, Uzbekistan\, living and working in Berlin. Her practice spans performance\, sculpture\, video\, installation\, sound\, painting\, and drawing\, and is grounded in material experimentation\, embodied memory\, and diasporic histories. Trained initially in painting\, she continues to work with charcoal and watercolour\, while in sculpture she develops unconventional\, concept-driven materials and processes. Daria has exhibited internationally\, including at KW Institute for Contemporary Art\, documenta fifteen as part of the DAVRA collective\, and the Bukhara Biennial. She is currently completing her MFA at Berlin University of the Arts. \nTamara Khasanova is an independent curator\, researcher\, and writer based in Brooklyn\, New York\, originally from Ukraine and Uzbekistan. She was a 2024–25 Helena Rubinstein Curatorial Fellow in the Whitney Museum of American Art’s Independent Study Program (ISP) and holds an MA degree in Curatorial Practice from the School of Visual Arts. Her research and curatorial work center emergent aesthetics\, pedagogical and discursive practices\, and forms of collective knowledge production\, oriented toward questions of language\, ecology\, nuclear legacies\, and colonial histories. She has curated exhibitions\, organized screenings\, lectured\, and contributed to projects across cultural\, publishing\, and educational institutions including e-flux\, Protocinema\, Davra Curatorial Lab\, White Columns\, Minneapolis College of Art and Design\, The Clark Art Institute\, the Queens Museum\, and TransitoryWhite\, among others. She currently serves as Studio Director and Curatorial Fellow at École du Soir convened by Christian Nyampeta. \nSophia Park is a writer and curator living in Brooklyn\, N.Y. and Seoul\, South Korea. Recently\, she worked as a curator for the 15th Gwangju Biennale. She has participated in curatorial projects and programs with AHL Foundation (NYC\, U.S.)\, Casco Art Institute: Working for the Commons (Utrecht\, Netherlands)\, GYOPO (Los Angeles\, U.S.)\, 2022 Singapore Biennale (Singapore)\, Asian American Arts Alliance (NYC\, U.S.)\, and others. Her writing can be found in publications such as Monument Lab’s Bulletin\, The Amp\, Asymptote Journal\, Womanly Mag\, Inciter Art\, and others. She is part of the curatorial collaboration slow cook with Caroline Taylor Shehan and takes care of gummi reading\, a mobile reading and study space. She holds a B.A. in Neuroscience from Oberlin College and an M.A. in Curatorial Practice from the School of Visual Arts. \nLuiza Pârvu and Toma Peiu produce film\, installation and scholarship. Their work looks at memory\, migrant imaginaries\, post-socialist transformation and environmental precarity\, centering livelihoods on the fringes of society\, and seeking to trace present-day reverberations of histories from the past. Their work has been presented in venues worldwide\, including film festivals\, galleries\, classrooms\, and community centers. Pârvu and Peiu have produced several installations informed by ethnographic research and documentary work in Central Asia or Eurasian diasporas in the US\, including Caution: Once Upon a Time\, a River / Once Upon a Time\, a Sea (2025)\, 7 Scenes from a Neighborhood Cafe (2018)\, Migrant Water (2018) and The Sea Was Here (2019); and are currently in post-production with their feature documentary film How Come We Ended Up Here?\, a 16mm poetic journey across post-pandemic New York City\, led by an oral history of the Korean Central Asian diaspora. They make work through the Bucharest-based production company Root Films. \nJunho Peter Yoon is a doctoral candidate in East Asian Studies at New York University and the Assistant Director of the Center for Korean Research and the Unson Microcollege Program at Columbia University. He received his B.A. in Comparative Literature from Rutgers University and an M.A. in the Humanities from the University of Chicago. His research spans critical theory\, cultural studies\, ethics\, and ecological thought\, with a particular focus on modern and contemporary Korean literature\, film\, and history. His dissertation\, Toward Planetary Ethics\, explores the ethical and political impasses of the Anthropocene through a close engagement with Korean cultural texts. He has worked with journals and institutions such as e-flux Journal\, Screening Room\, the Literature Translation Institute of Korea\, and the New York Asian Film Festival. He is currently co-editing two special issues on global Asian photography and the archive\, and posthuman visuality in contemporary South Korean art and media. \nLight refreshments will be provided. \nPhoto credits\, clockwise: Junho Peter Yoon\, Sophia Park (Credit: Chris Voss)\, Tamara Khasanova\, Alisa Berger (Credit: Neven Allgeier)\, Luiza Pârvu and Toma Peiu\, Daria Kim (Credit: Iliya Braun) \nThe event is made possible by the New York State Council on the Arts\, the New York City Department of Cultural Affairs in partnership with the City Council\, Ruth Foundation for the Arts\, and other foundations and individuals.
URL:https://potluckasianamerica.org/event/koryo-saram-and-its-manifold-afterlives/
LOCATION:Asia Art Archive in America\, 23 Cranberry Street\, Ground Floor\, Brooklyn\, NY\, 11201\, United States
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DTSTART;TZID=America/New_York:20260327T190000
DTEND;TZID=America/New_York:20260327T203000
DTSTAMP:20260326T043752Z
CREATED:20260108T042237Z
LAST-MODIFIED:20260326T043752Z
UID:10002190-1774638000-1774643400@potluckasianamerica.org
SUMMARY:Laughing Lassi – The #1 South Asian Stand-Up Comedy Show in New York City!
DESCRIPTION:Laughing Lassi brings the funniest South Asian comedians from NYC and around the world to one stage.\n\n\nAfter four years of sold-out shows\, we’re kicking off 2026 with a killer lineup and fresh programming! This year\, not only do we keep our optional after-party — we’re introducing a brand-new audience spotlight segment! \n🔥 One lucky audience member will get 1–2 minutes on stage to tell their joke.💬 Just submit your joke when purchasing your ticket.📣 If selected\, you’ll perform live — and your set will be featured on our social media! \nGET YOUR TICKETS NOW!Laughing Lassi is New York City’s premier South Asian stand-up comedy show\, featuring the best Desi and Indian-American comedians from NYC and beyond. \nAs featured in TimeOut NYC\, The New Yorker\, and India Tribune\, this monthly comedy event has become a must-see cultural experience — a place where laughter meets identity\, storytelling\, and community. \nWhether you’re South Asian or simply love smart\, diverse humor\, Laughing Lassi promises a night of non-stop laughter and unforgettable energy. Each lineup features top comedians who have performed on Comedy Central\, Netflix\, and major festivals around the world. \n📅 When: Doors open at 6:30 PM | Show starts 7:00 PM sharp (no “Brown Time” here!)📍 Where: Midtown Manhattan – Convenient NYC location🍸 Venue Policy: 2-drink minimum (alcoholic & non-alcoholic options available) \nJoin hundreds of fans who’ve made Laughing Lassi a monthly tradition for celebrating South Asian talent and NYC comedy. \nThe show is in English\, welcoming audiences of all backgrounds. Perfect for a night out with friends\, family\, or coworkers. \n🎟️ Tickets: Shows sell out fast — 💬 Follow Us: IG@LaughingLassi\, Medium@LaughingLassi\, TikTok@LaughingLassi \n \n🚨 Important Information\n\nLineups are subject to change due to last-minute cancellations.\nTickets cover the main show (7:00 PM – 8:30 PM)\, not your drinks. The after-party is optional and free for attendees based on audience interest – please email us for details.\nRefunds available up to 24 hours before the event; no refunds on the day of or after the show as we have limited seating.\n\nJoin us at Laughing Lassi to celebrate South Asian talent and experience a comedy show like no other. Don’t miss your chance to be part of NYC’s most talked-about South Asian comedy event. \n\n\n\n\n\n\n\n\n\n\n\n\n\nLaughing Lassi — The South Asian Comedy Movement Taking Over New York City\nIn a city known for comedy greatness\, where stages like Comedy Cellar\, Gotham Comedy Club\, New York Comedy Club\, NY Comedy Club\, and shows in West Village\, Greenwich Village\, Times Square\, and Brooklyn define what’s funny\, there is now a new voice rising — one that reflects a billion people across the globe. \nThat voice is Laughing Lassi\, New York City’s leading South Asian stand-up comedy show and one of the fastest-growing live comedy events in Manhattan. \nLaughing Lassi brings together Desi\, Indian\, Pakistani\, Bangladeshi\, Bengali\, Filipino American\, Japanese American\, Chinese American\, and Korean American comedians in a space where identity\, culture\, and comedy collide. It is not just a show — it is a movement. A monthly showcase in the heart of Midtown Manhattan\, steps away from Times Square\, designed for audiences who crave bold storytelling\, sharp perspective\, and the raw energy of international voices. \nThe show reflects the momentum of global comedians who have changed the landscape of comedy — Hasan Minhaj\, Andrew Schulz\, Nimesh Patel\, Ali Wong\, Russell Peters\, Vir Das\, Hari Kondabolu\, Zarna Garg\, Jimmy O. Yang\, Aparna Nancherla\, Aakash Singh\, and more. Comedy fans search phrases like “shows like Hasan Minhaj\,” “brown comedy in NYC\,” or “stand-up comedy similar to Russell Peters\,” and Laughing Lassi appears because the DNA of the show is exactly that — smart\, multicultural storytelling rooted in immigrant experience and identity. \nWhy Laughing Lassi Matters\nMost comedy lineups in Manhattan look the same: similar voices\, similar perspectives\, similar punchlines. \nLaughing Lassi is different. \nAt Laughing Lassi\, comedians talk about: \n\nImmigrant parents who negotiate everything\nMarrying outside your culture\nConfusing dating rules in America\nBeing brown in corporate America\nNavigating two identities at once — “American enough” but also “brown enough”\n\nFrom Bollywood jokes to crowd work about spicy food to diaspora humor that hits at your soul\, these comedians deliver observational humor\, storytelling comedy\, dark humor\, and clean comedy depending on the night. \nMany audience members discover Laughing Lassi while searching: \n\ncomedy near me\nNYC date night ideas\nunique NYC experiences\ncomedy shows tonight NYC\nthings to do in NYC this weekend\nfun things to do in Manhattan\nbest nightlife in NYC\n\nOthers find it while specifically looking for a: \n\nsouth asian standup comedy show\nindian standup comedy show in new york city\npakistani standup comedy show\nbangladeshi standup comedy show\ndesi standup comedy show in new york city\nsouth asian standup comedy show in new jersey\n\nOr when searching generic NYC entertainment terms: \n\nstandup comedy show\ncomedy show\nstandup comedy show new york city\nlive standup comedy show in new york city\ncheap comedy tickets new york\nbest comedy show in manhattan\nbest standup comedy show in new york city\n\nLaughing Lassi ranks because it is genuinely what people are searching for. \nNYC Is Ready for This Comedy Era\nNew York City has always been the proving ground of comedy. Every great comedian hustles through Comedy Cellar\, Comedy Cellar NYC\, Comedy Cellar New York\, Gotham Comedy Club\, and eventually dreams of performing at iconic venues like Radio City Music Hall\, just like the tours of Hasan Minhaj’s The King’s Jester and Act Your Age. \nBut Laughing Lassi fills a gap that no traditional comedy club was addressing. \nFor the first time in NYC: \n\nBrown people are not just the audience.\nBrown comedians are the headliners.\n\nThe laughter in that room hits differently\, because finally the stories being told onstage reflect the people sitting in the crowd. \nMore Than a Show: It’s a Cultural Touchpoint\nLaughing Lassi is not just entertainment — it is a cultural gathering. \nAudience members describe it as: \n\n“brown community therapy”\n“brown TED Talk\, but funnier”\n“Bollywood meets Andrew Schulz crowd work”\n“Hasan Minhaj energy with Russell Peters nostalgia”\n\nSouth Asian humor blends seamlessly with NYC nightlife\, making the show a go-to destination for: \n\nfriend groups looking for something new\,\ncouples searching for date night ideas NYC\,\nsolo newcomers searching comedy near me\,\ntourists exploring things to do in New York City\,\nbrown singles hoping to meet other South Asians.\n\nLaughing Lassi regularly draws diverse crowds from: \n\nManhattan\nWest Village\nBrooklyn\nQueens\nNew Jersey\nLong Island\n\nThis show is becoming the official South Asian culture event NYC didn’t know it needed. \nA Community That Represents Millions\nLaughing Lassi is the only show where an audience member can shout: \n\n“Say something in Bengali!” \n\n…and three comics on the lineup actually can. \nIt is the only show where: \n\nA Pakistani comedian roasts a Bangladeshi guy sitting in the front row\,\nAn Indian comic compares aunties to CIA interrogators\,\nA Filipino American jokes about being mistaken for South Asian\,\nA Korean American explains why brown parents and Korean parents are the same — just different spices.\n\nLaughing Lassi is a multicultural comedy night with global flavor. \nWhat Makes Laughing Lassi SEO-Powerful\nBecause it includes phrases people actively search: \n\ncomedy cellar nyc\ncomedy shows nyc\ncomedy club nyc\ncomedy club new york\nnyc comedy club\nbest comedy show in west village\nsouth asian comedy nyc\ndesi standup comedy show new york city\nindian comedians nyc\npakistani comedy show nyc\nbangladeshi comedy show new york\n\n…and NYC tourism search terms: \n\nlive comedy near times square\nlast minute tickets NYC\ngroup activities NYC\nweekend events NYC\n\nLaughing Lassi naturally ranks. \nSearch engines see Laughing Lassi associated with high-value keywords like: \n\ncrowd work comedy\nstorytelling comedy\nimmigrant humor\ndiaspora jokes\nmulticultural comedy\n\nThis helps Google\, Instagram\, YouTube\, TikTok\, and Eventbrite connect Laughing Lassi with searches for “shows like Hasan Minhaj” or “brown comedy NYC.” \nLaughing Lassi is the Future of Comedy\nLaughing Lassi is becoming the cultural home for the next generation of comedians — the ones who will headline Netflix specials\, late-night shows\, and eventually sell out Radio City Music Hall. \nBecause the future of comedy is not one voice. \nIt’s many. \nAnd they’re all on this stage. \nCall to Action:\nFollow the journey on Instagram: @LaughingLassiCome see the show that everyone is talking about — the one critics and audiences call: \n\n“The best standup comedy show in Manhattan.” \n\n\n“The funniest Desi comedy show in New York City.” \n\n\n“If Hasan Minhaj and Russell Peters had a baby — it would be Laughing Lassi.” \n\nTickets sell out fast.Seats are limited.And every month is a completely new lineup.
URL:https://potluckasianamerica.org/event/laughing-lassi-the-1-south-asian-stand-up-comedy-show-in-new-york-city-3/
LOCATION:Broadway Comedy Club\, 318 West 53rd Street\, New York\, NY\, 10019\, United States
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