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X-WR-CALDESC:Events for Potluck Asian America
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DTSTART;TZID=America/New_York:20250419T100000
DTEND;TZID=America/New_York:20251108T180000
DTSTAMP:20251221T030841Z
CREATED:20250411T105907Z
LAST-MODIFIED:20251221T030841Z
UID:10001216-1745056800-1762624800@potluckasianamerica.org
SUMMARY:Food Festival: Japan Fes NYC
DESCRIPTION:JAPAN Fes renowned as the world’s largest Japanese food festival\, with over 1\,000\,000 projected annual attendees and 2\,000 vendors\, we proudly host the world’s largest Japanese food festival. Every Fes is set in a different neighborhood of NYC\, introducing it to a slice of Japanese culture and cuisine. Our vendors have been featured in publications such as The New York Times\, Food Network\, and The Today Show as a testament to their dedication of serving the best representation of Japanese cooking. Come try the best of Japan! \nHOURS:10PM-6PM    Check website for updated dates and locations. \nApril 19 on the Upper West Side\nApril 20 in Chelsea\nApril 26 in Chelsea\nApril 27 in Astoria\nMay 4 on the Upper West Side\nMay 10 in Chelsea\nMay 18 in Park Slope\nJune 7 in Midtown West\nJune 15 in Park Slope\nJune 22 on the Upper West Side\nJune 28 in Midtown\nJuly 6 in Midtown East\nJuly 12 in Chelsea\nJuly 20 in Times Square\nAugust 3 on the Upper West Side\nAugust 9 in Greenwich Village\nAugust 24 in the East Village\nSeptember 6 on the Upper East Side\nSeptember 13 in Chelsea\nSeptember 20 on the Upper West Side\nOctober 5 in Chelsea\nOctober 18 in the East Village\nOctober 26 on the Upper West Side\nNovember 8 in the East Village
URL:https://potluckasianamerica.org/event/food-festival-japan-fes-nyc/
LOCATION:Multiple NYC locations
CATEGORIES:Festival,Food,In Person
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250829
DTEND;VALUE=DATE:20260427
DTSTAMP:20260104T022118Z
CREATED:20250914T233349Z
LAST-MODIFIED:20260104T022118Z
UID:10001802-1756425600-1777247999@potluckasianamerica.org
SUMMARY:Exhibit: Creating Kosher Chop Suey
DESCRIPTION:What happened when chop suey\, a Chinese dish with American roots\, encountered Jewish customers in New York at the turn of the century? A new Center for Women’s History installation in the Joyce B. Cowin Women’s History Niche sheds light on the vibrant\, gastronomic collaboration between two ethnic communities. From debates in the Yiddish press to the publication of  kosher Chinese cookbooks\, and from representations in fine art to restaurant ephemera\, the installation explores how Jewish and Chinese women\, with a shared love for food\, together introduced a new phenomenon in the 1960s: kosher Chinese cuisine. Curated by Shiyong Lu\, Mellon Foundation Predoctoral Fellow in Women’s History and Public History\, and Anna Danziger Halperin\, Director for the Center for Women’s History.  \nImage: Gifford Reynolds Beal (1879–1956). Chinese Restaurant #1\, ca. 1930. Oil on wood panel (reproduction). The New York Historical\, Gift of Charles H. Berman and Norman and Joanne Berman\, 2022.9
URL:https://potluckasianamerica.org/event/exhibit-creating-kosher-chop-suey/
LOCATION:New York Historical Society\, 170 Central Park West\, New York\, NY\, 10024\, United States
CATEGORIES:Art Exhibit,In Person
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250912
DTEND;VALUE=DATE:20260427
DTSTAMP:20251210T194619Z
CREATED:20250910T124427Z
LAST-MODIFIED:20251210T194619Z
UID:10001796-1757635200-1777247999@potluckasianamerica.org
SUMMARY:Exhibit: The New York Sari: A Journey Through Tradition\, Fashion\, and Identity
DESCRIPTION:The New York Sari showcases the deep influence that South Asians have had on the culture of New York City and how individuals have drawn strength from tradition while looking clearly towards a bolder future of inclusion and progress. \nThe New York Sari centers the sari as an essential part of the cultural fabric of New York City\, using it as a metaphor for the ways in which the individuals who wear and create saris have straddled tradition\, culture\, and modernity in their work\, art\, and lives. The exhibition tells the stories of who wears saris\, the relationship between saris and identities\, and how they’ve evolved over time. \nThe New York Sari showcases the deep influence that South Asians have had on the culture of New York City from the Gilded Age to the present day\, beginning with the little known history of Coney Island’s first theme park and culminating with the vibrant communities that are home to the South Asian diaspora today. Offering a unique history of migrant communities and gender in New York City\, the exhibition explores how individuals have drawn strength from tradition while looking clearly towards a bolder future of inclusion and progress.
URL:https://potluckasianamerica.org/event/the-exhibit-new-york-sari-a-journey-through-tradition-fashion-and-identity/
LOCATION:New York Historical Society\, 170 Central Park West\, New York\, NY\, 10024\, United States
CATEGORIES:Art Exhibit,In Person
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250925
DTEND;VALUE=DATE:20260330
DTSTAMP:20260104T022641Z
CREATED:20250917T150609Z
LAST-MODIFIED:20260104T022641Z
UID:10001841-1758758400-1774828799@potluckasianamerica.org
SUMMARY:Exhibit: hapa.me: 25 Years of the Hapa Project
DESCRIPTION:In 2001\, artist Kip Fulbeck began traveling the country photographing multiracial individuals of all ages and walks of life. Fulbeck’s work sought to address in words and images the one question that Hapa people are frequently asked — What are you? After photographing more than 1\,200 people\, the project culminated in the landmark book and exhibition Kip Fulbeck: Part Asian\, 100% Hapa\, which toured throughout the U.S. A new exhibition Hapa.me — 25 Years of The Hapa Project\, revisits some of the original subjects two decades later. How do they look now? How have their views on their own identity changed? \nDerived from the Hawaiian word for “half\,” the word “hapa” has been embraced as a term of pride by many whose mixed-race heritage includes Asian or Pacific Islander ancestry. The exhibition comes at a time of increasing awareness and identification with being mixed race. The 2020 Census showed that 10% of the population identified as multiracial\, almost tripling from ten years before. In Hapa.me\, Fulbeck presents a nuanced portrait of change and growth within this broad identity by focusing on individual faces and voices. \nOriginating at the Japanese American National Museum in Los Angeles\, this New York presentation will feature 30 portraits and responses of local subjects\, installed amidst a hand-painted mural that captures the beauty of being mixed. A central reading table encourages visitors to flip through Hapa.me artist’s books for a fuller archive of the project. This exhibition is a homecoming of sorts for Fulbeck: MOCA was one of the first museums to exhibit the Hapa Project and it has remained a fixture of our permanent exhibition which explores over 200 years of the experiences of Chinese in America. \nhapa.me: 25 Years of the Hapa Project and related programs are made possible with generous support from the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature; public funds from the New York City Department of Cultural Affairs\, in partnership with the City Council; Bloomberg Philanthropies; and is funded by a grant from the New York City Tourism Foundation. \nAbout the Artist \nKip Fulbeck has exhibited and performed in over 20 countries and throughout the U.S. He is the author of six books including Part Asian\, 100% Hapa; Mixed: Portraits of Multiracial Kids; and Hapa.me – 15 Years of The Hapa Project\, and the exhibition artist of Perseverance: Japanese Tattoo Tradition in a Modern World. He teaches as a Distinguished Professor of Art at the UCSB\, where he received the Faculty Diversity Award and the Distinguished Teaching Award\, and has been named an Outstanding Faculty Member five times.
URL:https://potluckasianamerica.org/event/exhibit-hapa-me-25-years-of-the-hapa-project/
LOCATION:Museum of Chinese in America (MOCA)\, 215 Centre Street\, New York\, NY\, 10013\, United States
CATEGORIES:Art Exhibit,In Person,Museum
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251013
DTEND;VALUE=DATE:20260309
DTSTAMP:20260109T182331Z
CREATED:20251013T081402Z
LAST-MODIFIED:20260109T182331Z
UID:10001954-1760313600-1773014399@potluckasianamerica.org
SUMMARY:Exhibit: Niyū Yūrk: Middle Eastern and North African Lives in the City
DESCRIPTION:The first-ever exhibition at The New York Public Library to explore the history of Middle Eastern and North African (MENA) immigration to NYC\, Niyū Yūrk highlights how the city has shaped the lives\, identities\, and creative practices of MENA communities\, artists\, and writers\, while celebrating their enduring contributions to the city’s cultural landscape and place in global culture. From Little Syria in Manhattan to Yemeni bodegas in Brooklyn\, from Armenian and Arab nightclubs along Eighth Avenue to community music festivals on Atlantic Avenue\, and from women’s activism and advocacy groups to experimental composers and playwrights like Halim El-Dabh and Reza Abdoh\, the exhibition shows how these rich stories are preserved within NYPL’s collections. \nNiyū Yūrk explores the often overlooked history of Middle Eastern and North African (MENA) immigration to New York City\, from the first waves in the late 19th century to the present. The exhibition highlights how New York City has shaped the lives\, identities\, and creative practices of MENA communities\, artists\, and writers. It also emphasizes their enduring contributions to the city’s cultural landscape and place in global culture. \nThrough an array of materials—including local newspapers\, rare books\, archival documents\, prints\, artists’ books\, photographs\, music records\, and film—the exhibition showcases how these voices have been preserved and presented. Niyū Yūrk creates a dynamic dialogue across time\, illustrating the evolving nature of MENA migration to the city as well as the Library’s role in documenting this history. While reflecting on new directions in collecting practices\, it also aims to address gaps in those practices and envision a more inclusive archival future. \nThis exhibition is organized by The New York Public Library and curated by Hiba Abid\, Curator for Middle Eastern and Islamic Studies.
URL:https://potluckasianamerica.org/event/exhibit-niyu-yurk-middle-eastern-and-north-african-lives-in-the-city/
LOCATION:NYPL Stephen A. Schwarzman Building\, 42nd Street & 5th Avenue New York\, NY 10018\, 42nd Street & 5th Avenue\, New York\, NY\, 10018\, United States
CATEGORIES:Art Exhibit,In Person
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251014
DTEND;VALUE=DATE:20251117
DTSTAMP:20251104T055152Z
CREATED:20250808T121500Z
LAST-MODIFIED:20251104T055152Z
UID:10001656-1760400000-1763337599@potluckasianamerica.org
SUMMARY:Theater: Did You Eat? (밥 먹었니?)  with Discount
DESCRIPTION:DID YOU EAT? (밥 먹었니?)\nNew York Premiere\nWritten and Performed by Zoë Kim\nDirected by Chris Yejin\nMa-Yi Theater Company in residence at The Public Theater \nUSE CODE “EATMAYI” FOR $40 TICKETS TO “DID YOU EAT? \nDID YOU EAT? (밥 먹었니?) is Zoë Kim’s autobiographical journey through love’s many forms–how it’s learned\, given\, and reflected inward. In a nimble and tender solo performance\, Zoë shapeshifts into the souls of her family through a landscape of memories where tears and laughter collide. It’s not just a story\, but a reckoning—weaving through the textured threads of Korean/American identity\, belonging\, and healing. DID YOU EAT? (밥 먹었니?) is a poetic love letter to the inner child\, and hopefully yours too.
URL:https://potluckasianamerica.org/event/theater-did-you-eat-%eb%b0%a5-%eb%a8%b9%ec%97%88%eb%8b%88/
LOCATION:Public Theater\, 425 Lafayette Street\, New York\, NY\, 10003\, United States
CATEGORIES:In Person,Theater
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251101
DTEND;VALUE=DATE:20251215
DTSTAMP:20251210T194831Z
CREATED:20251114T200043Z
LAST-MODIFIED:20251210T194831Z
UID:10002090-1761955200-1765756799@potluckasianamerica.org
SUMMARY:Theater: Laowang: A Chinatown King Lear  (with discount)
DESCRIPTION:Use PSCOMMUNITY for $25 tickets. Discount code is only valid on full priced regular tickets and cannot be applied to Member tickets or combined with any other offers. \nBy Alex Lin\nDirected by Joshua Kahan Brody \nWith Cindy Cheung\, Wai Ching Ho\, Amy Keum\, Jon Norman Schneider\, and Daisuke Tsuji \nDon’t mess with a Chinese grandma. \nWhen a high-rise developer threatens to buy out A-Poh’s successful Chinatown restaurant\, the martyr-complex matriarch gathers her three precious grandchildren from all corners of the country to plan their next mode of attack.   There’s just one problem – A-Poh’s memory is rapidly fading. What follows is a chaotic journey through reality\, myth\, and magic as A-Poh travels through now and the great beyond in a last-ditch effort to preserve what’s left of her family\, legacy\, and sanity. \nA caustic and imaginative spin on King Lear that explores the changing face of America’s Chinatowns and the fight to preserve a fading cultural memory. \nPlease join us for post-show talkbacks after the following performances: \n\nFriday\, November 14 at 7:00PM – Emerging API Artists in conversation with playwright Alex Lin with artists Jesse Jae Hoon\, Julia Izumi\, and Yilong Liu\nSaturday\, November 15 at 7:00PM – API Night: A Community Night and Talkback in collaboration with CAATA (the Consortium of Asian American Theater Artists)\nSunday\, November 23 at 2:00PM – Gentrification and Uplifting Small Businesses in Chinatown with Harry Trinh from Welcome to Chinatown and playwright Alex Lin\nTuesday\, December 2 at 7:00PM with the cast and creative team of Laowang
URL:https://potluckasianamerica.org/event/theater-laowang-a-chinatown-king-lear-with-discount/
LOCATION:59E59 Theater\, 59 East 59th Street\, New York\, NY\, 10022\, United States
CATEGORIES:In Person,Theater
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251106
DTEND;VALUE=DATE:20251124
DTSTAMP:20251104T063528Z
CREATED:20251029T173439Z
LAST-MODIFIED:20251104T063528Z
UID:10002041-1762387200-1763942399@potluckasianamerica.org
SUMMARY:Theater: Ready For Company and Other Family Tales
DESCRIPTION:Ready For Company and Other Family Tales: a one-woman play about family and legacy. An inheritance of stories and unfinished quests from this Jewish-Japanese-American family tree. \nWith a complicated family history\, Kim excavates meaning from small remembered moments\, inherited souvenirs\, the oft-repeated family tales (as well silent secrets) left for her to unpack. Told with music\, movement and “show-and-tell” objects\, this one-woman journey of nostalgia and discovery portrays with humor the beautiful and enigmatic paths of immigration – and what we choose to carry forward. \nRefreshments will be served! \nTickets:\n$30 Adults\n$25 Students/Seniors\n$10 First ten tickets to every performance (limit 2 per person)\n$10 La MaMa Members \nPhoto credit: Malick Welli and Charlotte Brathwaite for Ready For Company and Other Family Tales. Courtesy of the artists and Kim Ima.
URL:https://potluckasianamerica.org/event/ready-for-company-and-other-family-tales/
LOCATION:The Downstairs\, 66 East 4th Street\, New York\, NY\, 10003\, United States
CATEGORIES:Performance,Theater
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251107T173000
DTEND;TZID=America/New_York:20251107T190000
DTSTAMP:20251104T071112Z
CREATED:20251024T073449Z
LAST-MODIFIED:20251104T071112Z
UID:10002024-1762536600-1762542000@potluckasianamerica.org
SUMMARY:Author Talk: Performing Chinatown: Hollywood\, Tourism\, and the Making of a Chinese American Community
DESCRIPTION:In Performing Chinatown: Hollywood\, Tourism\, and the Making of a Chinese American Community (Stanford University Press\, 2024)\, historian William Gow argues that Chinese Americans in Los Angeles strategically used their performances in both Hollywood films and Chinatown tourist attractions to influence perceptions of race and national identity during the Chinese Exclusion Era. \nDrawing on oral histories and archival research\, the book reveals how these performances were tied to restrictive immigration laws\, beginning with the 1875 Page Act. By focusing on the experiences of everyday people—from movie extras to merchants—Performing Chinatown uncovers the long-overlooked history of how Los Angeles’s Chinatown and Hollywood shaped each other and\, in turn\, shaped Asian American identity.
URL:https://potluckasianamerica.org/event/performing-chinatown-hollywood-tourism-and-the-making-of-a-chinese-american-community/
LOCATION:Zoom
CATEGORIES:Book,Virtual
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251107T180000
DTEND;TZID=America/New_York:20251107T200000
DTSTAMP:20251027T032243Z
CREATED:20251027T032243Z
LAST-MODIFIED:20251027T032243Z
UID:10002038-1762538400-1762545600@potluckasianamerica.org
SUMMARY:KAFFNY 2025: Water Lillies
DESCRIPTION:Water Lillies -by Chanho Lee\n\n\n\nWater Lillies Chanho Lee 1:58:38 \nThe water lilies blooms\, even in the filthiest waters. Amid the mire of selfish desires and the indifference to others’ suffering\, hope begins to bloom anew in the fleeting moment when we recognize the humanity within one another. \n \nSynopsis :Hyowon\, who dreams of becoming an actress\, runs away to Seoul with Eunseo\, a high school dropout. The two girls step into the sprawling city with their fragile hopes\, clutching at its promises like lifelines. Their first home is a basement room\, dim and shabby\, the air thick and heavy\, but to them\, it is a sanctuary\, a nest of possibilities. \nEunseo begins working odd jobs to keep them afloat\, while Hyowon\, drawn by her dream\, takes on menial tasks at a theater company. They are buoyed by their own visions of tomorrow\, their dreams threading through the cracks in the worn walls. Soon\, Hyowon starts taking acting lessons from Suyeon\, a lead actress at the theater. Suyeon’s voice is steady\, her words sharp: “Acting is the art of embodying another’s suffering.” Hyowon listens\, but the weight of those words eludes her. She cannot yet grasp the depths of Eunseo’s pain\, nor can Eunseo fully see hers. \nThe two drift\, parallel yet apart\, their lives entangled by need and longing but marred by unspoken distance. The city presses in\, relentless. Their lives fracture under the strain of survival\, yet questions linger in the spaces between them. What does it mean to carry someone else’s sorrow? What does it mean to live with your own? \nFor them\, life is an unanswered question\, fragile as the surface of water\, trembling under the weight of its own reflections.
URL:https://potluckasianamerica.org/event/kaffny-2025-water-lillies/
LOCATION:Village East Cinema\, 189 2nd Ave\, New York\, NY\, 10003\, United States
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251107T190000
DTEND;TZID=America/New_York:20251107T200000
DTSTAMP:20251104T075057Z
CREATED:20251104T065219Z
LAST-MODIFIED:20251104T075057Z
UID:10002058-1762542000-1762545600@potluckasianamerica.org
SUMMARY:Mother-Son Double Book Launch: Heartland Masala; Extremely Happy Holidays (Hybrid)
DESCRIPTION:Join us for a special double launch with mother-son duos Auyon & Jyoti Mukharji\, and Devin McEwan & Sandra Boynton!\n\n\nThe event will also be livestreamed for free here: https://youtube.com/live/F0FU77Wwvls\n\n\n\n\nEvent guidelines: \n\nAll attendees are strongly encouraged to wear a face mask at all times.\nTickets are limited to restrict capacity at our store\, and each ticket will include either a copy of the featured books or a $10 Books Are Magic gift card.\nAdditional copies of the books will be available for purchase at the event.\nA signing will follow the talk.\nHome address is collected for contact tracing purposes; it will not be used otherwise.\nThe event will also be livestreamed for free here: https://youtube.com/live/F0FU77Wwvls\nAs a reminder: If you are not feeling well\, please do not come to the event\, even if you have a ticket; email us and we’ll work it out.\n\nIf you have any questions regarding these guidelines or to request accessibility accommodations\, please contact eventhelp@booksaremagic.net. \n  \nHeartland Masala: \nHeartland Masala pairs 99 recipes from Indian cooking instructor Jyoti Mukharji with cultural and historical essays by her son Auyon Mukharji. An effervescent celebration of Indian cuisine and the American immigrant experience\, this beautiful cookbook is playful\, informative\, and utterly original. \n“Heartland Masala is a joyful\, inspiring cookbook that shows off the dazzling culinary inventiveness of an appealing mother-son cooking duo.“—Foreword Reviews\, Starred Review \nFilled with rich storytelling\, stunning visuals\, and a blend of modern and traditional dishes\, this book is both a heartfelt portrait of one Midwestern family and a practical guide to cooking incredible Indian meals at home. \n  \nJyoti Mukharji is a chef\, teacher\, and retired physician. She immigrated to the US from India in the late 1970s\, and she began teaching weekly Indian cooking classes out of her home in Prairie Village\, KS in 2010. Jyoti has since welcomed several thousand students into her kitchen\, and her writing and teaching have been celebrated in press and radio outlets across the Midwest. Jyoti’s team includes her husband Jhulan (art director)\, her eldest son Arnob (grocery shopping deputy)\, her middle son Auyon (musical guest)\, and her youngest son Aroop (copy editor). \nAuyon Mukharji is a musician\, writer\, and culinary historian who spends most of his time thinking about food. He studied biology at Williams College and was awarded a Watson Fellowship in 2007 to study self-expression in folk music. Since 2009\, Auyon has toured with\, and cooked for\, the acclaimed indie-folk band Darlingside. He otherwise finds time to work in and around kitchens (and farms) in both his hometown of Kansas City and his adopted state-of-residence of Massachusetts. \n  \nExtremely Happy Holidays: \nIt’s the most wonderful time of the year\, namely COCKTAIL TIME! \nWhat better way to honor and enjoy all the holidays of a year than to toast each one with a fabulous new cocktail? This exuberant little book takes you from New Year’s Day all the way to New Year’s Eve\, with stops along the way at the other festive holidays of the year: Groundhog Day\, Super Bowl Sunday\, Valentine’s Day\, St. Patrick’s Day\, April Fools’ Day\, Easter\, Cinco de Mayo\, Mother’s Day\, Father’s Day\, Independence Day\, Talk Like a Pirate Day\, Halloween\, Thanksgiving\, Hanukkah\, and Christmas. McEwan’s original creations are truly wonderful\, and he is a droll and delightful guide through the tools and techniques the reader will need to make all these snazzy cocktails and mocktails at home. The book is designed and illustrated by the inimitable Sandra Boynton\, who happens to be the author’s mother. \n  \nDevin C.B. McEwan will do just about anything to avoid getting a proper grown-up job. Since 2001\, he’s been splish-splashing down the world’s rivers as a member of the U.S. Canoe & Kayak Team (and 2016 Olympic Team). An avid amateur mixologist\, McEwan was recently told by a drinking buddy\, “You should write a book! And I’ll do the illustrations!” While such drunken ramblings are usually best ignored\, in this case the drinking buddy in question was Sandra Boynton\, internationally celebrated cartoonist and\, incidentally\, McEwan’s mother—so how could he say no? \n  \nSandra Boynton is the author’s mother. When she’s not busy taste-testing cocktails\, Boynton writes/illustrates books and writes/produces music. She’s worked with B.B. King\, Yo-Yo Ma\, Alison Krauss\, Lyle Lovett\, Patti LuPone\, Brian Wilson\, Kacey Musgraves\, Ben Folds\, Stanley Tucci\, Meryl Streep\, “Weird Al” Yankovic and Kate Winslet (a duet)\, Darius Rucker\, Zooey Deschanel\, Dwight Yoakam\, Patrick Warburton\, and others. But Devin is her favorite collaborator because NOT ONE of those other people ever even OFFERED to make her a cocktail.
URL:https://potluckasianamerica.org/event/mother-son-double-book-launch-heartland-masala-extremely-happy-holidays/
LOCATION:Books Are Magic Montague\, 122 Montague Street\, Brooklyn\, NY\, 11201\, United States
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251107T190000
DTEND;TZID=America/New_York:20251107T203000
DTSTAMP:20251107T020028Z
CREATED:20251024T003744Z
LAST-MODIFIED:20251107T020028Z
UID:10002003-1762542000-1762547400@potluckasianamerica.org
SUMMARY:A+ Asian Comedy. Asian Stand Up Comedy in NYC's Broadway Theater District.
DESCRIPTION:NYC’s ultimate Asian stand up comedy show. Hilarious comedians as seen on Netflix\, HBO\, Hulu\, and TikTok.\n\n\nA+ Asian Comedy is the ultimate Asian stand up comedy show\, filled with the funniest Asian comedians New York City has to offer. Our comics can be seen on Netflix\, HBO\, and Comedy Central\, but nothing compares to seeing them perform live at the world famous Broadway Comedy Club. Tickets are limited\, so purchase yours now and enjoy the show! \nVenue Policy: \nA two-drink minimum applies (non-alcoholic options available). \n16 and older
URL:https://potluckasianamerica.org/event/a-asian-comedy-asian-stand-up-comedy-in-nycs-broadway-theater-district-13/
LOCATION:318 W 53rd St\, 318 West 53rd Street\, New York\, NY\, 10019\, United States
CATEGORIES:Comedy,In Person
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DTSTART;TZID=America/New_York:20251107T193000
DTEND;TZID=America/New_York:20251107T203000
DTSTAMP:20251104T062422Z
CREATED:20251104T062422Z
LAST-MODIFIED:20251104T062422Z
UID:10002051-1762543800-1762547400@potluckasianamerica.org
SUMMARY:NYDFF Feature: Invisible No More by Larry Tung & Mehrunnisa Wani
DESCRIPTION:Invisible No More by Larry Tung & Mehrunnisa Wani\n\n\nNYDFF Feature: Invisible No More by Larry Tung & Mehrunnisa Wani \nAsian Americans are no longer just an emerging force in New York City politics –they are making sweeping strides at all levels of government. The surge in Asian American representation is undeniable\, with their political strength and influence on full display\, particularly in Brooklyn’s newly designated Asian opportunity district. Created in 2023 through the once-a-decade redistricting process\, this district reflects the explosive growth and impact of the Asian American community. \nCity Councilmembers Linda Lee\, Sandra Ung\, Susan Zhuang\, and State Senator John Liu and former State Senator Iwen Chu share their journeys into public service — how they broke barriers\, took seats at the table\, and now champion the voices of their communities.
URL:https://potluckasianamerica.org/event/nydff-feature-invisible-no-more-by-larry-tung-mehrunnisa-wani/
LOCATION:Cinema Village\, 22 East 12th Street\, New York\, NY\, 10003\, United States
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DTSTART;TZID=America/New_York:20251107T201500
DTEND;TZID=America/New_York:20251107T221500
DTSTAMP:20251027T032244Z
CREATED:20251027T032244Z
LAST-MODIFIED:20251027T032244Z
UID:10002039-1762546500-1762553700@potluckasianamerica.org
SUMMARY:KAFFNY 2025: Closing Shorts
DESCRIPTION:Join us for an unforgettable cinematic journey at KAFFNY 2025: Closing Shorts\, where stories come to life on the big screen.\n\n\n\nElijah by Razid Season19:00 \nHaider\, a Bengali Muslim taxi driver faces the reality that the American Dream may never be his. Grueling hours\, rude customers\, a collapse in medallion values in New York City and suicides among fellow drivers continually chip away at his hope for the future. Under this backdrop\, crisis spills into his family life as his child\, Shoshi\, is consumed by a struggle: a desire to live life fully as man in a transphobic immigrant culture. His relationship with his transgender son challenges his past views on LGBTQ issues\, forcing him to confront prejudice in his community to protect the child he loves. \n \n \n\n\n\nThe Stranger by Minseo Kwon 6:07 \nEunhee struggles to care for her ill mother\, Young-ja\, who loves only her son and refuses to go to the hospital with her. This pattern has persisted throughout Eunhee’s life. After Young-ja’s death\, Eunhee grapples with mixed emotions towards her mother. She gradually encounters her feelings as she talks with David\, a cleaner from the ‘Grief Cleaning’ service. In the end\, she finds herself mourning after discovering a note from her mother hidden behind a photo. \n \n \n\n\n\nLife Support by Jamon Tolbert10:32 \nInspired by true stories\, an emergency doctor struggling under the weight of life and death decisions must confront his own hidden traumas as he teaches a young medical student what it truly means to save a life. \nTold with raw intensity and emotional depth\, Life Support has won multiple jury awards for Best Short Film\, Best First Time Filmmaker\, & Best Performance. It offers a rare glimpse into the world of emergency medicine\, where every choice can mean the difference between life and loss. \nMore than a film\, Life Support has sparked a national campaign to heal a system in crisis. It has inspired an educational platform that uses film and storytelling to confront burnout and moral injury among doctors\, nurses\, and frontline responders\, with the goal of reaching medical schools\, residencies\, and hospitals across the country. \n \n \n\n\n\nSonata by Eljin Yoo19:49 \nKorean-American sisters and classical musicians\, Viv and Gia\, struggle to practice a piano and violin duet\, as their mother May\, reminds them about the importance of harmony. \nTheir bond is tested as adulthood brings conflicting priorities—Gia pursues her musical dreams while Viv chooses to care for their ailing mother. \nAs their mother’s condition suddenly deteriorates\, they must overcome their growing resentment in order to find reconciliation through music. \n \n \n\n\n\nLast Breath on Earthby Kevin V. Doan 3:30 \nLAST BREATH ON EARTH follows Clara as she embraces thoughts of spirituality\, afterlife\, and loneliness in the aftermath of her mother’s death. \n \n \n\n\n\nGrace by Jana Park12:49 \nHonolulu\, 1959: Over a family dinner\, two women hide their forbidden love—one resisting the pressure to marry\, the other her nation’s admission to the United States. WINNER: Best Indigenous Nations Film (South Pacific Film Festival\, NZ) \n \n \n\n\n\nTuesday Lunch Club by Keeho Kang 7:19 \nIn 1990s New York\, three young Asian American artists built their own creative refuge — a weekly lunch gathering called The Tuesday Lunch Club. Thirty years later\, they reunite to relaunch it\, revisiting the art\, friendship\, and identity that shaped their lives. Blending memory\, humor\, and reflection\, ‘Tuesday Lunch Club’ explores how community can sustain artists across generations. \n \n \n\n\n\n6 O’Clock by Keeyong Hong15:09 \nMoonsook\, who was adopted as a child into an American family\, returns home to care for her mother with dementia\, only to find out her brother Mike has placed her in a nursing home. Despite Moonsook’s attempts to reach him\, Mike insists their mother is fine and shouldn’t be contacted. Moonsook later discovers her mother’s wish to stay in the nursing home\, leaving her feeling upset and longing for her mother’s presence.
URL:https://potluckasianamerica.org/event/kaffny-2025-closing-shorts/
LOCATION:Village East Cinema\, 189 2nd Ave\, New York\, NY\, 10003\, United States
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