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X-WR-CALDESC:Events for Potluck Asian America
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DTSTART;VALUE=DATE:20240904
DTEND;VALUE=DATE:20241215
DTSTAMP:20240831T215353Z
CREATED:20240825T170953Z
LAST-MODIFIED:20240831T215353Z
UID:10000038-1725408000-1734220799@potluckasianamerica.org
SUMMARY:The Appearance: Art of the Asian Diaspora in Latin America & the Caribbean
DESCRIPTION:Dan Lie\, Memory Stick ou Pau de Memória\, 2015. (Image: Edouard Fraipont) \nThe Appearance: Art of the Asian Diaspora in Latin America & the Caribbean is the first exhibition in New York City to center the artistic production of the Asian diaspora in the region from the 1940s to the present. Focusing on postwar and contemporary art\, the exhibition showcases the work of twenty-seven artists from fourteen countries working in a range of artistic mediums including painting\, sculpture\, performance\, photography\, and video\, to shed light into strategies and themes that resonate across a wide array of Asian diasporic practice throughout Latin America and the Caribbean. \nThe exhibition embraces and performs the multiple and interrelated meanings embedded in the notion of appearance\, inspired by Japanese Brazilian artist Lydia Okumura’s 1975 print by the same title. From acts of appearing and becoming visible—including different types of apparitions—to the idea of impressions and physical resemblance\, artists in the show grapple with the complexities of negotiating (in)visibility\, revisiting and remaking family archives and stories\, and engaging and reconfiguring spiritual practices. The show also addresses abstraction as a formal strategy linked to language\, the senses\, and the body in the context of the Americas’ postwar art. \nConceived as an appearance in and of itself\, the show sheds light on the often-overlooked experiences and artistic trajectories of Asian diasporic subjects and collectives across Latin America and the Caribbean\, casting them as both grounded in their particular context and constitutive of broader transnational histories. \nTo accompany the show\, we will present a series of public programs and publish a catalogue. \nThis exhibition is co-curated by Tie Jojima\, associate curator and manager of Exhibitions at Americas Society in New York\, and Yudi Rafael\, independent curator and researcher based in São Paulo\, Brazil.
URL:https://potluckasianamerica.org/event/the-appearance-art-of-the-asian-diaspora-in-latin-america-the-caribbean/
LOCATION:Americas Society/Council of the Americas\, 680 Park Avenue\, New York\, NY\, 10065\, United States
CATEGORIES:Art Exhibit,In Person
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240911
DTEND;VALUE=DATE:20241221
DTSTAMP:20240901T215736Z
CREATED:20240901T201007Z
LAST-MODIFIED:20240901T215736Z
UID:10000104-1726012800-1734739199@potluckasianamerica.org
SUMMARY:Art Exhibit - Legacies: Asian American Art Movements in New York City (1969-2001)
DESCRIPTION:Legacies: Asian American Art Movements in New York City (1969-2001) is an expansive survey of rarely-seen artwork and archival material by artists that constitute and exceed “Asian American\,” a label denoting a cultural and national identity invented in 1968. Utilizing an interdisciplinary and research-driven praxis\, Legacies uncovers how artists of Asian descent have historically negotiated identity in America as a set of situated practices and institutional structures amidst transnational diasporas\, racial phantasms\, and political imaginaries.\n\nPresenting over 90 artists and collectives\, Legacies is the first institutional survey exhibition focusing on artists of Asian descent who were based in New York City.\n\n\nLegacies features works – paintings\, drawings\, sculpture\, and new media\, among other mediums – that serve to complicate the idea of defining “Asian American art” as singular and static through the lens of art history\, cultural studies\, and sociology. Recognizing that “identity-based” categories of art are bound to the dominant racial ideology and political narrative of a nation\, the exhibition instead focuses on a multiplicity of subjectivities\, political horizons\, and artistic expressions to interrogate life in America.\n\nIn addition to aesthetic concerns such as figuration\, abstraction and materiality\, the exhibition tracks how these artists addressed migration\, displacement\, racism\, cultural autonomy\, Western imperialism\, societal violence\, and representations of sexuality and gender through the decades.\n\nLegacies also constellates three key artist collectives and organizations: Godzilla: Asian American Art Network; the Basement Workshop; and Asian American Arts Centre. All three organizations were artistic\, social\, and political hubs for diasporic Asian artists in New York that intersected with other marginalized communities.\n\nThe exhibition also features newly commissioned installations\, including a large-scale Washington Square Windows installation by new-media artist Shu Lea Cheang connected to the 30th anniversary of her groundbreaking film\, Fresh Kill (1994).\n\nFilmmaker Rea Tajiri presents an assemblage sculpture that expands on her groundbreaking History and Memory: For Akiko and Takashige (1991)\, a meditation on her family history and Japanese and Japanese American internment during World War II.\n\nOrganized by Howie Chen\, Curator at 80WSE\, Jayne Cole Southard\, PhD.\, CUNY\, and christina ong\, PhD. \n \nProduced by Jon Huron\, 80WSE.  Gini Yu Pei Lee\, Curatorial Assistant. Gracia Brown and Daniella Occhineri\, Research Assistants. Kate Edelson\, Exhibition Registrar.\n \nThe exhibition’s presentation is made possible by Teiger Foundation.  \n\nSpecial thanks for the support of the Asian/Pacific/American Institute at NYU\, Squid Frames\, CHENZO.STUDIO\, and Fales Library and Special Collections. Equipment provided in part by Lower East Side Ecology Center and The Solomon R. Guggenheim Museum.\n\n\nImage credit:  Bridge Magazine Vol. 1 No. 6. New York: Basement Workshop\, 1972
URL:https://potluckasianamerica.org/event/exhibit-legacies-asian-american-art-movements-in-new-york-city-1969-2001/
LOCATION:80WSE\, 80 Washington Square East\, New York\, NY
CATEGORIES:Art Exhibit,History,In Person,Reception
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20241016
DTEND;VALUE=DATE:20250601
DTSTAMP:20241210T171522Z
CREATED:20241210T171522Z
LAST-MODIFIED:20241210T171522Z
UID:10000460-1729036800-1748735999@potluckasianamerica.org
SUMMARY:Broadway: Maybe Happy Ending
DESCRIPTION:Emmy® and Golden Globe Award® winner Darren Criss (Little Shop of Horrors) returns to Broadway alongside Helen J Shen in the new romantic musical comedy MAYBE HAPPY ENDING.  A New York Times Critics’ Pick \nInside a one-room apartment on the outskirts of Seoul\, Oliver lives a happily quiet life\, listening to jazz records and caring for his favorite plant. But what else is there to do when you’re a Helperbot 3\, a robot that has long been retired and considered obsolete? When his fellow Helperbot neighbor Claire asks to borrow his charger\, what starts as an awkward encounter leads to a unique friendship\, a surprising adventure\, and maybe even…love? \nWinner of the Richard Rodgers Award\, MAYBE HAPPY ENDING is the offbeat and captivating story of two outcasts near the end of their warranty who discover that even robots can be swept off their feet. Helmed by visionary director and Tony Award® winner Michael Arden (Parade\, Once on This Island)\, with a dazzling scenic design by Dane Laffrey (A Christmas Carol) and book\, music\, and lyrics by the internationally acclaimed duo Will Aronson and Hue Park\, MAYBE HAPPY ENDING is a fresh\, original musical about the small things that make any life worth living.
URL:https://potluckasianamerica.org/event/broadway-maybe-happy-ending/
LOCATION:Belasco Theatre\, 111 West 44th St\, New York\, NY\, 10036\, United States
CATEGORIES:In Person,Theater
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20241101
DTEND;VALUE=DATE:20250501
DTSTAMP:20250313T115705Z
CREATED:20250313T111817Z
LAST-MODIFIED:20250313T115705Z
UID:10001045-1730419200-1746057599@potluckasianamerica.org
SUMMARY:Art Exhibition: Avani Patel: Connection
DESCRIPTION:Connection is a solo exhibition by Avani Patel\, presented at Evercore’s New York City offices. \nExcerpt from Patel’s artist statement: \n“Art has been an integral part of my life since I was young. I used to go to the theater with my sister for her rehearsals and dance shows. Seeing the colorful costumes\, flowing dresses and festivity of these moments made me feel joyful; I felt as though the colors were speaking to me…I often draw and paint things that I see in my everyday surroundings\, personal experiences\, and memories. I use mark-making and repetition as tools to signify change in nature\, the passage of time\, and the retention and rejection of memory. My work often takes the form of visual studies and drawings that I work on for months as a time. This process helps me understand colors and patterns\, which then allows me to transfer my ideas to large-scale paintings and public projects.” \nFor inquiries\, please email info@cueartfoundation.org.
URL:https://potluckasianamerica.org/event/art-exhibition-avani-patel-connection-2/
LOCATION:Evercore Partners\, 55 East 52nd St\, New York\, NY\, 10055\, United States
CATEGORIES:Art Exhibit,In Person
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241101T080000
DTEND;TZID=America/New_York:20241219T170000
DTSTAMP:20250313T104326Z
CREATED:20250313T104326Z
LAST-MODIFIED:20250313T104326Z
UID:10001042-1730448000-1734627600@potluckasianamerica.org
SUMMARY:Art Exhibition: Avani Patel: Connection
DESCRIPTION:Connection is a solo exhibition by Avani Patel\, presented at Evercore’s New York City offices. \nExcerpt from Patel’s artist statement: \n“Art has been an integral part of my life since I was young. I used to go to the theater with my sister for her rehearsals and dance shows. Seeing the colorful costumes\, flowing dresses and festivity of these moments made me feel joyful; I felt as though the colors were speaking to me…I often draw and paint things that I see in my everyday surroundings\, personal experiences\, and memories. I use mark-making and repetition as tools to signify change in nature\, the passage of time\, and the retention and rejection of memory. My work often takes the form of visual studies and drawings that I work on for months as a time. This process helps me understand colors and patterns\, which then allows me to transfer my ideas to large-scale paintings and public projects.” \nFor inquiries\, please email info@cueartfoundation.org.
URL:https://potluckasianamerica.org/event/art-exhibition-avani-patel-connection/
LOCATION:Evercore Partners\, 55 East 52nd St\, New York\, NY\, 10055\, United States
CATEGORIES:Art Exhibit,In Person
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20241114
DTEND;VALUE=DATE:20250126
DTSTAMP:20241127T131632Z
CREATED:20241120T082439Z
LAST-MODIFIED:20241127T131632Z
UID:10000341-1731542400-1737849599@potluckasianamerica.org
SUMMARY:Critical Connections: Protest Photography Past + Present
DESCRIPTION:Pace University Art Gallery presents Critical Connections: Protest Photography Past + Present\, in collaboration with Blasian March. \nThe show features the work of three contemporary photographers Stas Ginzburg\, Josh Pacheco\, and Cindy Trinh\, who have extensively documented Blasian March. Their work is presented alongside historic images from the Civil Rights Movement and Vietnam War protests\, which they drew from the George Stephanopoulos Collection of news photography at Pace. The exhibition also includes selections by Blasian March founder Rohan Zhou-Lee\, highlighting works by an additional 17 contemporary documentarians and nine historic photojournalists. The curatorial team also includes independent curator Sophia Ma\, Professor Sarah Cunningham\, the gallery director at Pace\, and Pace student Hannah Arias ’26\, the Amelia A. Gould Undergraduate Research Assistant in the Creative Arts.
URL:https://potluckasianamerica.org/event/critical-connections-protest-photography-past-present/
LOCATION:Art Gallery at Pace University\, 41 Park Row\, 1st floor\, Spruce Street entrance\, New York\, NY\, 10038\, United States
CATEGORIES:Art Exhibit,In Person
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20241116
DTEND;VALUE=DATE:20250326
DTSTAMP:20250312T135821Z
CREATED:20241125T115814Z
LAST-MODIFIED:20250312T135821Z
UID:10000373-1731715200-1742947199@potluckasianamerica.org
SUMMARY:Art Exhibit: In Our Corner: Exchanges in the Asian American Art Movements and Beyond
DESCRIPTION:Who is in our corner when we need help?\nWho do we call on when we are down?\nWho backs us up when we are cornered?\nIn Our Corner: Exchanges in the Asian American Art Movements and Beyond explores the personal and professional support that artists of Asian descent received during and after the Asian American Art Movements. This companion exhibition to Legacies: Asian American Art Movements in New York City (1969-2001) at New York University’s 80WSE Gallery\, invites five artists of the three key art collectives and organizations featured in Legacies to show alongside five non-Asian American artists who supported their work and growth over the years. These relationships range from recently made friendships to lifelong partnerships and even marriage: Kathleen Foster joins Ching Ming Cheung; Charles Luce joins Helen Oji; Howardena Pindell joins Arlan Huang; Shellyne Rodriguez joins Tomie Arai; and Arleen Schloss joins Nina Kuo. To highlight AAAC’s collection and its ongoing solidarity-building\, In Our Corner presents five works by non-Asian American artists from the collection\, Columbia Fiero\, Kitty Katz\, Donald Lipski\, Eva Mantell\, and Sepp Seitz. As the hosting institution for In Our Corner\, Think!Chinatown’s commission of Black Gotham’s Grand Rising and its inclusion in the show demonstrates the organization’s ongoing exchange and collaboration with communities of color. Through interviews and writings from the artists\, In Our Corner highlights these bonds and explores how artist collectives/organizations intersected and fostered connections. \nNovember 16\, 2024 – March 2025 \nOpening Reception: Saturday\, November 16\, 2024\, 3-5PM \nThink!Chinatown’s Studio – 1 Pike Street\, New York\, NY 10002 \nPhoto Credit “Untitled” by Sepp Seitz
URL:https://potluckasianamerica.org/event/art-exhibit-in-our-corner-exchanges-in-the-asian-american-art-movements-and-beyond/
LOCATION:Chinatown!Studio\, 1 Pike Street\, New York\, NY\, 10002\, United States
CATEGORIES:Art Exhibit,In Person
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241201T180000
DTEND;TZID=America/New_York:20250105T180000
DTSTAMP:20241202T053740Z
CREATED:20241118T093210Z
LAST-MODIFIED:20241202T053740Z
UID:10000322-1733076000-1736100000@potluckasianamerica.org
SUMMARY:The Film Lab Presents: Season 18 Premieres Nationwide on TV on Dec 1st
DESCRIPTION:The Film Lab (also known as the Asian American Film Lab) is excited to announce the nationwide premiere of the 18th season of Film Lab Presents\, hosted by Jennifer Betit Yen\, airing Sundays starting December 1. This season will showcase the exceptional talent from the 2024 72 Hour Shootout filmmaking competition\, bringing diverse voices and stories to over one million viewers across the country. \nThe 2024 Film Lab Presents will broadcast on CrossingsTV via Comcast and Spectrum in\nChicago\, Minneapolis-St. Paul\, Houston\, Los Angeles\, New York\, Sacramento-Fresno\, San\nFrancisco\, Seattle\, and Washington\, D.C. at 6 p.m.-6:30 p.m. (local time). In Dallas\, Texas\, it will air on The Asian Channel from 9:30 p.m.-10 p.m. CT. \nNew York         Spectrum Channel 1519 (Charter)   Sundays 6pm to 6:30pm \nOther Markets:https://www.crossingstv.com/programming/weekly-schedule/ https://www.crossingstv.com/coverage-map-all-markets/ \nEpisode Lineup:\n● December 1 – Film Lab Presents Practical Dreamer\n● December 8 – Film Lab Presents Blueprints of Imagination (featuring Hey Ladies)\n● December 15 – Film Lab Presents The Dreamer’s Dilemma\n● December 22 – Film Lab Presents From Fantasy to Function\n● December 29 – Film Lab Presents Dreams with a Deadline\n● January 5\, 2025 – Film Lab Presents The Practical Visionary
URL:https://potluckasianamerica.org/event/the-film-lab-presents-season-18-premieres-nationwide-on-tv-on-dec-1st/
LOCATION:On Television / Cable
CATEGORIES:Television,Virtual
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241210T180000
DTEND;TZID=America/New_York:20241210T200000
DTSTAMP:20241127T132738Z
CREATED:20241121T200446Z
LAST-MODIFIED:20241127T132738Z
UID:10000356-1733853600-1733860800@potluckasianamerica.org
SUMMARY:Thea Guanzon celebrates A MONSOON RISING at B&N Union Square
DESCRIPTION:B&N Union Square in New York City welcomes Thea Guanzon to celebrate A MONSOON RISING on Tuesday\, December 10th at 6PM.\n\n\nJoin Barnes & Noble – Union Square in New York City on Tuesday\, December 10th at 6PM as we welcome New York Times and internationally bestselling author Thea Guanzon to celebrate her new book A MONSOON RISING (B&N Exclusive Edition). In this highly-anticipated follow-up to The Hurricane Wars\, prepare for more enemies-to-lovers romance\, magical adventures\, and political schemes in this Southeast Asian-inspired world. \nThea will be joined by #1 New York Times bestselling authors Alex Aster and Ava Reid\, and the discussion will be moderated by writer Katie Wu. \nBONUS: Your ticket includes a copy of the B&N Exclusive Edition\, which features sprayed edges with stenciled artwork\, exclusive endpapers\, and special design features. This edition also contains new material from the author\, in the form of letters between Alaric and Talasyn! \nWe will also have a limited amount of exclusive Enemies and Lovers tote bags\, available on a first come\, first served basis. Limit ONE per person.  \n…………………………………………………………………………………………………………………. \nTo make this event safe and enjoyable for all attendees\, please read the below guidelines ahead of buying a ticket\, so you know what to expect on the day. To avoid disappointment\, we must stress that there will be no access to the event for non-ticketholders. \n  \n\nBarnes & Noble reserves the right to make new rules and orders in its sole discretion with regard to COVID-19 at any time and any person not abiding by the Barnes & Noble directives will be refused entrance or directed to leave the premises.\n\n  \nTICKETING INFORMATION\nBook Admission – $34.89 (Admission + one copy of A MONSOON RISING (B&N Exclusive Edition) + 5-cent bag fee): **LIMITED QUANTITY AVAILABLE**: \nA ticket PER PERSON includes: \n\nOne copy of A MONSOON RISING (B&N Exclusive Edition) (out `12/10/24).\n\n\nAdmission to the event space and signing line with Thea Guanzon\, Alex Aster and Ava Reid.\n\n  \nAuthors will NOT pose for photos. Photos are welcome from your seat during the discussion and your place in the signing line. \nEach author will sign and personalize (name only) ONE book and sign (signature only) an additional TWO books per person. \nAny gifts for the authors will be collected prior to the signing line. \nPlease arrive by 6PM in order to secure your seat in the event space. Late arrivals may only have access to standing room and may not have the opportunity to meet the authors. \n  \nGUIDELINES\nNo large bags will be permitted into the event. \nNo memorabilia will be signed at this event. \nTicket holders will be admitted into the event beginning at 5:30 PM the day of the event. Please have a copy of your ticket available (either printed out or on your phone) for check in. \nDue to health and safety and space limitations\, those without a ticket will not be permitted into the event space. \nPlease note that Eventbrite is the only authorized dealer for this event. Each person must have a ticket to enter. \nAll event guidelines are subject to change. \nIf you have any additional questions\, please call the store directly at: 212-253-0810. \n  \nREFUNDS\nAttendees can receive refunds up to 24 hours before your event start time. \nIf you are unable to attend the event\, Barnes & Noble – Union Square will hold your book for seven days after the event. Please contact the store to arrange your pickup. \nShould this event be canceled\, all customers will be refunded their ticket price to the original method of payment per Eventbrite’s refund policy. \n_______________________________________________________________________________________ \nABOUT A MONSOON RISING (B&N Exclusive Edition):\nAfter a lifetime of war\, Alaric and Talasyn were thrust into an alliance between their homelands that was supposed to end the fighting; however\, being married to their sworn foe feels far from peaceful. Now Talasyn must play the part of Alaric’s willing empress while her allies secretly plot to overthrow his reign. But the longer the couple are forced together\, the harder it becomes to deny the feelings crackling like lightning between them. When the time comes to act\, can she trust him\, or must she ignore her heart for the sake of so many others? \nAs the master of the Shadowforged Legion\, Alaric has trained for battle all his life\, but marrying a Lightweaver might be his most dangerous challenge yet. With tensions between nations churning\, he needs to focus on the greater threat—the Moonless Dark\, a cataclysmic magical event that could devour everything. Only he and Talasyn can stop it\, with a powerful merging of light and shadow that they alone can create together. But saving their world from this disaster is a mere preface to his father’s more sinister schemes\, and his wife is a burning flame in the darkness\, tempting both his loyalties and his desires. \nThe Hurricane Wars aren’t over. It’s time to choose what—and who—to fight for. The world holds its breath amidst a whirlwind of new magic and old secrets that could change everything. \nABOUT Thea Guanzon: \nThea Guanzon holds a Bachelor of Arts in International Studies\, with a specialization in international Politics and Peace Studies. When she’s not writing\, she can be found traveling\, running a Dungeons & Dragons campaign\, or fangirling over villains. She currently resides in Metro Manila\, Philippines. The Hurricane Wars is her first novel. \nABOUT Alex Aster: \nAlex Aster is a #1 New York Times\, Wall Street Journal\, and Publishers Weekly bestselling author as well as an internationally bestselling author and one of the most followed novelists on social media. She graduated summa cum laude from the University of Pennsylvania\, where she studied creative writing\, and is also the author of the critically acclaimed Emblem Island series. Explore the world of Lightlark at asterverse.com. \nABOUT Ava Reid: \nAva Reid is the #1 New York Times bestselling author of A Study in Drowning\, Lady Macbeth\, Juniper & Thorn\, and The Wolf and the Woodsman. Her books have been published in over fourteen territories. She lives in the New York area. Follow her on Instagram at @avasreid and find her online at tumblr.com/avasreid.
URL:https://potluckasianamerica.org/event/thea-guanzon-celebrates-a-monsoon-rising-at-bn-union-square/
LOCATION:Barnes & Noble\, 2289 Broadway\, New York\, NY\, 10024\, United States
CATEGORIES:Book,In Person
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241210T210000
DTEND;TZID=America/New_York:20241210T220000
DTSTAMP:20241205T224237Z
CREATED:20241202T052921Z
LAST-MODIFIED:20241205T224237Z
UID:10000390-1733864400-1733868000@potluckasianamerica.org
SUMMARY:What Is Cultural Appropriation?
DESCRIPTION:In recent headline news\, actor Simu Liu called out a boba tea company for cultural appropriation saying “There’s an issue of taking something that’s very distinctly Asian in its identity and quote-unquote ‘making it better\,’” \nThe comment generated a lot of feedback from consumers who then chimed in to add their thoughts on what cultural appropriation\, especially in food\, actually means. \nJoin us for a lively discussion with Bay Area brand founders on what their thoughts are on cultural appropriation. \nAbout the Speakers \nOlivia Chen\, co-founder and CMO of Twrl Milk Tea\, is a creative entrepreneur passionate about community building\, storytelling and marketing. An expert in guerrilla marketing\, Olivia has a proven track record in developing brand stories with focus on optimizing messaging\, effective marketing mix\, and maximizing sales conversion. She is passionate about creating positive change and growth while sharing her Taiwanese culture and traditions\, especially Boba Milk Tea\, with the world. Chen holds a B.S. from University of California\, Berkeley\, Haas Business School and an MBA/MA from University of Pennsylvania\, The Wharton School and The Lauder Institute. She led global and domestic product marketing teams at Estee Lauder (Clinique\, Donna Karan Cosmetics\, and Origins) and is a former publicist for Amazon and New York Times bestselling authors. In her spare time\, Olivia is an avid baker and bento creator. \nAruna Lee\, a South Korean native and former Buddhist nun\, founded Volcano Kimchi in 2014 in the heart of San Francisco. Specializing in vegan\, organic kimchi and Korean-inspired fermented foods\, Volcano Kimchi reflects Aruna’s passion for sustainability\, health\, and community. Rooted in her deep values\, Aruna emphasizes high-quality\, eco-friendly ingredients to craft wholesome\, flavorful ferments. Beyond food\, her work is about connection—nurturing a sense of togetherness through the shared love of nourishing meals. Volcano Kimchi isn’t just a business; it’s Lee’s way of promoting health\, sustainability\, and community\, one delicious jar at a time. \nJaneen and Rodrigo Cruz\, the husband-and-wife team behind Kuali. They say: “Our story is rooted in love—for each other\, for our culture\, and for the flavors that remind us of home.” Janeen\, the daughter of Mexican immigrants from El Ejido Hermosillo\, Baja California\, and Rodrigo\, who grew up in the bustling heart of Mexico City\, met over a shared passion for food and tradition. For Rodrigo\, the kitchen is a sacred space where he reconnects with his mamá\, Mely\, and relives memories of México with every dish. It’s where he recreates the vibrant salsas he grew up with—the same flavors that captured Janeen’s heart. As a first-generation Mexican-American\, she hadn’t tasted anything like it: a salsa that truly tasted like México. “In 2020\, with the world at a standstill\, we felt inspired to bring the soulful\, authentic taste of Mexico to the U.S. We couldn’t find anything that captured the bold\, unapologetic flavors we cherish\, so we started Kuali right here in our kitchen in Oakland. Now\, we’re thrilled to share that taste with you\, a taste that makes you say\, ‘esto es México.’ For us\, salsa is life. It’s more than just a condiment; it’s the heart of our table\, our heritage\, and our everyday meals. When you open a jar of Kuali salsa\, you’re tasting the magic that brings us together—our culture\, our story\, and the passion we pour into every batch.” \nModerator: Michele Meow
URL:https://potluckasianamerica.org/event/what-is-cultural-appropriation/
LOCATION:Zoom
CATEGORIES:Hybrid,In Person,Panel,Virtual
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