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X-WR-CALDESC:Events for Potluck Asian America
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DTSTART;VALUE=DATE:20240904
DTEND;VALUE=DATE:20241215
DTSTAMP:20240831T215353Z
CREATED:20240825T170953Z
LAST-MODIFIED:20240831T215353Z
UID:10000038-1725408000-1734220799@potluckasianamerica.org
SUMMARY:The Appearance: Art of the Asian Diaspora in Latin America & the Caribbean
DESCRIPTION:Dan Lie\, Memory Stick ou Pau de Memória\, 2015. (Image: Edouard Fraipont) \nThe Appearance: Art of the Asian Diaspora in Latin America & the Caribbean is the first exhibition in New York City to center the artistic production of the Asian diaspora in the region from the 1940s to the present. Focusing on postwar and contemporary art\, the exhibition showcases the work of twenty-seven artists from fourteen countries working in a range of artistic mediums including painting\, sculpture\, performance\, photography\, and video\, to shed light into strategies and themes that resonate across a wide array of Asian diasporic practice throughout Latin America and the Caribbean. \nThe exhibition embraces and performs the multiple and interrelated meanings embedded in the notion of appearance\, inspired by Japanese Brazilian artist Lydia Okumura’s 1975 print by the same title. From acts of appearing and becoming visible—including different types of apparitions—to the idea of impressions and physical resemblance\, artists in the show grapple with the complexities of negotiating (in)visibility\, revisiting and remaking family archives and stories\, and engaging and reconfiguring spiritual practices. The show also addresses abstraction as a formal strategy linked to language\, the senses\, and the body in the context of the Americas’ postwar art. \nConceived as an appearance in and of itself\, the show sheds light on the often-overlooked experiences and artistic trajectories of Asian diasporic subjects and collectives across Latin America and the Caribbean\, casting them as both grounded in their particular context and constitutive of broader transnational histories. \nTo accompany the show\, we will present a series of public programs and publish a catalogue. \nThis exhibition is co-curated by Tie Jojima\, associate curator and manager of Exhibitions at Americas Society in New York\, and Yudi Rafael\, independent curator and researcher based in São Paulo\, Brazil.
URL:https://potluckasianamerica.org/event/the-appearance-art-of-the-asian-diaspora-in-latin-america-the-caribbean/
LOCATION:Americas Society/Council of the Americas\, 680 Park Avenue\, New York\, NY\, 10065\, United States
CATEGORIES:Art Exhibit,In Person
ATTACH;FMTTYPE=image/png:https://potluckasianamerica.org/wp-content/uploads/2024/08/Screenshot-2024-08-25-130554.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240911
DTEND;VALUE=DATE:20241221
DTSTAMP:20240901T215736Z
CREATED:20240901T201007Z
LAST-MODIFIED:20240901T215736Z
UID:10000104-1726012800-1734739199@potluckasianamerica.org
SUMMARY:Art Exhibit - Legacies: Asian American Art Movements in New York City (1969-2001)
DESCRIPTION:Legacies: Asian American Art Movements in New York City (1969-2001) is an expansive survey of rarely-seen artwork and archival material by artists that constitute and exceed “Asian American\,” a label denoting a cultural and national identity invented in 1968. Utilizing an interdisciplinary and research-driven praxis\, Legacies uncovers how artists of Asian descent have historically negotiated identity in America as a set of situated practices and institutional structures amidst transnational diasporas\, racial phantasms\, and political imaginaries.\n\nPresenting over 90 artists and collectives\, Legacies is the first institutional survey exhibition focusing on artists of Asian descent who were based in New York City.\n\n\nLegacies features works – paintings\, drawings\, sculpture\, and new media\, among other mediums – that serve to complicate the idea of defining “Asian American art” as singular and static through the lens of art history\, cultural studies\, and sociology. Recognizing that “identity-based” categories of art are bound to the dominant racial ideology and political narrative of a nation\, the exhibition instead focuses on a multiplicity of subjectivities\, political horizons\, and artistic expressions to interrogate life in America.\n\nIn addition to aesthetic concerns such as figuration\, abstraction and materiality\, the exhibition tracks how these artists addressed migration\, displacement\, racism\, cultural autonomy\, Western imperialism\, societal violence\, and representations of sexuality and gender through the decades.\n\nLegacies also constellates three key artist collectives and organizations: Godzilla: Asian American Art Network; the Basement Workshop; and Asian American Arts Centre. All three organizations were artistic\, social\, and political hubs for diasporic Asian artists in New York that intersected with other marginalized communities.\n\nThe exhibition also features newly commissioned installations\, including a large-scale Washington Square Windows installation by new-media artist Shu Lea Cheang connected to the 30th anniversary of her groundbreaking film\, Fresh Kill (1994).\n\nFilmmaker Rea Tajiri presents an assemblage sculpture that expands on her groundbreaking History and Memory: For Akiko and Takashige (1991)\, a meditation on her family history and Japanese and Japanese American internment during World War II.\n\nOrganized by Howie Chen\, Curator at 80WSE\, Jayne Cole Southard\, PhD.\, CUNY\, and christina ong\, PhD. \n \nProduced by Jon Huron\, 80WSE.  Gini Yu Pei Lee\, Curatorial Assistant. Gracia Brown and Daniella Occhineri\, Research Assistants. Kate Edelson\, Exhibition Registrar.\n \nThe exhibition’s presentation is made possible by Teiger Foundation.  \n\nSpecial thanks for the support of the Asian/Pacific/American Institute at NYU\, Squid Frames\, CHENZO.STUDIO\, and Fales Library and Special Collections. Equipment provided in part by Lower East Side Ecology Center and The Solomon R. Guggenheim Museum.\n\n\nImage credit:  Bridge Magazine Vol. 1 No. 6. New York: Basement Workshop\, 1972
URL:https://potluckasianamerica.org/event/exhibit-legacies-asian-american-art-movements-in-new-york-city-1969-2001/
LOCATION:80WSE\, 80 Washington Square East\, New York\, NY
CATEGORIES:Art Exhibit,History,In Person,Reception
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2024/09/bridge.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240913
DTEND;VALUE=DATE:20241125
DTSTAMP:20240923T224309Z
CREATED:20240923T221946Z
LAST-MODIFIED:20240923T224309Z
UID:10000152-1726185600-1732492799@potluckasianamerica.org
SUMMARY:Broadway: Yellow Face
DESCRIPTION:Discount 30% off with code: AANHPI \nTony Award® winner and three-time Pulitzer finalist David Henry Hwang (M. Butterfly) will make his Roundabout debut with the Broadway premiere of Yellow Face\, his hilarious is-he-or-isn’t-he comedy of identity\, show business\, and (perhaps) autobiography. Starring Daniel Dae Kim (Lost) and directed by Tony nominee Leigh Silverman (Violet).  \nInspired by real events\, the playwright’s fictionalized doppelgänger protests yellowface casting in Miss Saigon\, only to mistakenly cast a white actor as the Asian lead in his own play. This Obie Award-winning and Pulitzer finalist play is a laugh-out-loud farce about the complexities of race. 
URL:https://potluckasianamerica.org/event/broadway-yellowface/
LOCATION:Todd Haimes Theatre\, 227 West 42nd Street\,\, New York\, NY\, 10036\, United States
CATEGORIES:In Person,Theater
ATTACH;FMTTYPE=image/png:https://potluckasianamerica.org/wp-content/uploads/2024/09/unnamed-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20241016
DTEND;VALUE=DATE:20250601
DTSTAMP:20241210T171522Z
CREATED:20241210T171522Z
LAST-MODIFIED:20241210T171522Z
UID:10000460-1729036800-1748735999@potluckasianamerica.org
SUMMARY:Broadway: Maybe Happy Ending
DESCRIPTION:Emmy® and Golden Globe Award® winner Darren Criss (Little Shop of Horrors) returns to Broadway alongside Helen J Shen in the new romantic musical comedy MAYBE HAPPY ENDING.  A New York Times Critics’ Pick \nInside a one-room apartment on the outskirts of Seoul\, Oliver lives a happily quiet life\, listening to jazz records and caring for his favorite plant. But what else is there to do when you’re a Helperbot 3\, a robot that has long been retired and considered obsolete? When his fellow Helperbot neighbor Claire asks to borrow his charger\, what starts as an awkward encounter leads to a unique friendship\, a surprising adventure\, and maybe even…love? \nWinner of the Richard Rodgers Award\, MAYBE HAPPY ENDING is the offbeat and captivating story of two outcasts near the end of their warranty who discover that even robots can be swept off their feet. Helmed by visionary director and Tony Award® winner Michael Arden (Parade\, Once on This Island)\, with a dazzling scenic design by Dane Laffrey (A Christmas Carol) and book\, music\, and lyrics by the internationally acclaimed duo Will Aronson and Hue Park\, MAYBE HAPPY ENDING is a fresh\, original musical about the small things that make any life worth living.
URL:https://potluckasianamerica.org/event/broadway-maybe-happy-ending/
LOCATION:Belasco Theatre\, 111 West 44th St\, New York\, NY\, 10036\, United States
CATEGORIES:In Person,Theater
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2024/12/454340456_1030562109072537_2356242019758592538_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20241101
DTEND;VALUE=DATE:20250501
DTSTAMP:20250313T115705Z
CREATED:20250313T111817Z
LAST-MODIFIED:20250313T115705Z
UID:10001045-1730419200-1746057599@potluckasianamerica.org
SUMMARY:Art Exhibition: Avani Patel: Connection
DESCRIPTION:Connection is a solo exhibition by Avani Patel\, presented at Evercore’s New York City offices. \nExcerpt from Patel’s artist statement: \n“Art has been an integral part of my life since I was young. I used to go to the theater with my sister for her rehearsals and dance shows. Seeing the colorful costumes\, flowing dresses and festivity of these moments made me feel joyful; I felt as though the colors were speaking to me…I often draw and paint things that I see in my everyday surroundings\, personal experiences\, and memories. I use mark-making and repetition as tools to signify change in nature\, the passage of time\, and the retention and rejection of memory. My work often takes the form of visual studies and drawings that I work on for months as a time. This process helps me understand colors and patterns\, which then allows me to transfer my ideas to large-scale paintings and public projects.” \nFor inquiries\, please email info@cueartfoundation.org.
URL:https://potluckasianamerica.org/event/art-exhibition-avani-patel-connection-2/
LOCATION:Evercore Partners\, 55 East 52nd St\, New York\, NY\, 10055\, United States
CATEGORIES:Art Exhibit,In Person
ATTACH;FMTTYPE=image/png:https://potluckasianamerica.org/wp-content/uploads/2025/03/Screen_Shot_2024-11-02_at_5.30.50_PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241101T080000
DTEND;TZID=America/New_York:20241219T170000
DTSTAMP:20250313T104326Z
CREATED:20250313T104326Z
LAST-MODIFIED:20250313T104326Z
UID:10001042-1730448000-1734627600@potluckasianamerica.org
SUMMARY:Art Exhibition: Avani Patel: Connection
DESCRIPTION:Connection is a solo exhibition by Avani Patel\, presented at Evercore’s New York City offices. \nExcerpt from Patel’s artist statement: \n“Art has been an integral part of my life since I was young. I used to go to the theater with my sister for her rehearsals and dance shows. Seeing the colorful costumes\, flowing dresses and festivity of these moments made me feel joyful; I felt as though the colors were speaking to me…I often draw and paint things that I see in my everyday surroundings\, personal experiences\, and memories. I use mark-making and repetition as tools to signify change in nature\, the passage of time\, and the retention and rejection of memory. My work often takes the form of visual studies and drawings that I work on for months as a time. This process helps me understand colors and patterns\, which then allows me to transfer my ideas to large-scale paintings and public projects.” \nFor inquiries\, please email info@cueartfoundation.org.
URL:https://potluckasianamerica.org/event/art-exhibition-avani-patel-connection/
LOCATION:Evercore Partners\, 55 East 52nd St\, New York\, NY\, 10055\, United States
CATEGORIES:Art Exhibit,In Person
ATTACH;FMTTYPE=image/png:https://potluckasianamerica.org/wp-content/uploads/2025/03/Screen_Shot_2024-11-02_at_5.30.50_PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241111T183000
DTEND;TZID=America/New_York:20241111T193000
DTSTAMP:20241101T043855Z
CREATED:20241031T221158Z
LAST-MODIFIED:20241101T043855Z
UID:10000282-1731349800-1731353400@potluckasianamerica.org
SUMMARY:Localized History Workshop Series – The Missing Stories: South Asian American History from the 18th Century to Today
DESCRIPTION:South Asian Americans have been a presence in the United States for more than 250 years. Early immigrants from South Asia worked on farms and factories\, helped build railroads\, fought for India’s freedom from British rule\, and struggled for equal rights in the United States. Today\, more than 6.1 million individuals in the U.S. trace their heritage to South Asia\, the fastest growing immigrant group in the country. South Asian American stories are an integral part of the American story\, yet little information is available to the public about these stories. \nIn “The Missing Stories\,” SAADA’s Executive Director Samip Mallick will cover how communities come to be excluded from the archival record and how we can address these absences. Samip will introduce South Asian American history (1800s to present) and will also discuss how community-based archives can become sites for liberatory memory work by introducing the audience to SAADA’s archival collections\, programs\, and participatory storytelling projects.
URL:https://potluckasianamerica.org/event/localized-history-workshop-series-the-missing-stories-south-asian-american-history-from-the-18th-century-to-today/
LOCATION:Zoom
CATEGORIES:History,Storytelling,Virtual
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