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X-WR-CALNAME:Potluck Asian America
X-ORIGINAL-URL:https://potluckasianamerica.org
X-WR-CALDESC:Events for Potluck Asian America
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20240718
DTEND;VALUE=DATE:20241101
DTSTAMP:20240826T182440Z
CREATED:20240826T182440Z
LAST-MODIFIED:20240826T182440Z
UID:10000058-1721260800-1730419199@potluckasianamerica.org
SUMMARY:Making or Faking Chinatown? Representing People\, Place and Culture
DESCRIPTION:Illustration by John Lee \nOn view July 18–October 2024\, Think!Chinatown is proud to present Making or Faking Chinatown? Representing People\, Place and Culture\, a thought-provoking urban planning-focused exhibition exploring the unresolved debate of cultural representation in Chinatown’s built environment through extensive research\, photographs from Chinatowns across North America\, and artwork by artist John Lee. The exhibition is co-curated by T!C Director Yin Kong and architectural historian Kerri Culhane\, and designed with fwd | A+U\, Farzana Gandhi Design Studio\, and Pentagram as part of Van Alen Institute’s program Design Sprints. \nIn 2024\, the NYC Economic Development Corporation launched the Chinatown Connections project which includes the redesign of Kimlau Square and creation of a “Chinatown Welcome Gateway”. This city project has reignited the conversation about cultural representation. In Chinatowns around the world\, gateways\, known as paifang–along with lanterns\, dragons and the ubiquitous color red–present a generic notion of Chinese culture for public consumption. Are these stereotypes or symbols of Chinatown? This exhibition explores the range of placekeeping and placemaking strategies in Chinatowns\, from everyday life to the staged production of culture. \nGallery hours are Wednesdays and Thursdays\, 3-6PM Chinatown!Studio (1 Pike St).
URL:https://potluckasianamerica.org/event/making-or-faking-chinatown-representing-people-place-and-culture/
LOCATION:Chinatown!Studio\, 1 Pike Street\, New York\, NY\, 10002\, United States
CATEGORIES:Art Exhibit
ATTACH;FMTTYPE=image/png:https://potluckasianamerica.org/wp-content/uploads/2024/08/PaifangIGSquare.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240904
DTEND;VALUE=DATE:20241215
DTSTAMP:20240831T215353Z
CREATED:20240825T170953Z
LAST-MODIFIED:20240831T215353Z
UID:10000038-1725408000-1734220799@potluckasianamerica.org
SUMMARY:The Appearance: Art of the Asian Diaspora in Latin America & the Caribbean
DESCRIPTION:Dan Lie\, Memory Stick ou Pau de Memória\, 2015. (Image: Edouard Fraipont) \nThe Appearance: Art of the Asian Diaspora in Latin America & the Caribbean is the first exhibition in New York City to center the artistic production of the Asian diaspora in the region from the 1940s to the present. Focusing on postwar and contemporary art\, the exhibition showcases the work of twenty-seven artists from fourteen countries working in a range of artistic mediums including painting\, sculpture\, performance\, photography\, and video\, to shed light into strategies and themes that resonate across a wide array of Asian diasporic practice throughout Latin America and the Caribbean. \nThe exhibition embraces and performs the multiple and interrelated meanings embedded in the notion of appearance\, inspired by Japanese Brazilian artist Lydia Okumura’s 1975 print by the same title. From acts of appearing and becoming visible—including different types of apparitions—to the idea of impressions and physical resemblance\, artists in the show grapple with the complexities of negotiating (in)visibility\, revisiting and remaking family archives and stories\, and engaging and reconfiguring spiritual practices. The show also addresses abstraction as a formal strategy linked to language\, the senses\, and the body in the context of the Americas’ postwar art. \nConceived as an appearance in and of itself\, the show sheds light on the often-overlooked experiences and artistic trajectories of Asian diasporic subjects and collectives across Latin America and the Caribbean\, casting them as both grounded in their particular context and constitutive of broader transnational histories. \nTo accompany the show\, we will present a series of public programs and publish a catalogue. \nThis exhibition is co-curated by Tie Jojima\, associate curator and manager of Exhibitions at Americas Society in New York\, and Yudi Rafael\, independent curator and researcher based in São Paulo\, Brazil.
URL:https://potluckasianamerica.org/event/the-appearance-art-of-the-asian-diaspora-in-latin-america-the-caribbean/
LOCATION:Americas Society/Council of the Americas\, 680 Park Avenue\, New York\, NY\, 10065\, United States
CATEGORIES:Art Exhibit,In Person
ATTACH;FMTTYPE=image/png:https://potluckasianamerica.org/wp-content/uploads/2024/08/Screenshot-2024-08-25-130554.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240911
DTEND;VALUE=DATE:20241221
DTSTAMP:20240901T215736Z
CREATED:20240901T201007Z
LAST-MODIFIED:20240901T215736Z
UID:10000104-1726012800-1734739199@potluckasianamerica.org
SUMMARY:Art Exhibit - Legacies: Asian American Art Movements in New York City (1969-2001)
DESCRIPTION:Legacies: Asian American Art Movements in New York City (1969-2001) is an expansive survey of rarely-seen artwork and archival material by artists that constitute and exceed “Asian American\,” a label denoting a cultural and national identity invented in 1968. Utilizing an interdisciplinary and research-driven praxis\, Legacies uncovers how artists of Asian descent have historically negotiated identity in America as a set of situated practices and institutional structures amidst transnational diasporas\, racial phantasms\, and political imaginaries.\n\nPresenting over 90 artists and collectives\, Legacies is the first institutional survey exhibition focusing on artists of Asian descent who were based in New York City.\n\n\nLegacies features works – paintings\, drawings\, sculpture\, and new media\, among other mediums – that serve to complicate the idea of defining “Asian American art” as singular and static through the lens of art history\, cultural studies\, and sociology. Recognizing that “identity-based” categories of art are bound to the dominant racial ideology and political narrative of a nation\, the exhibition instead focuses on a multiplicity of subjectivities\, political horizons\, and artistic expressions to interrogate life in America.\n\nIn addition to aesthetic concerns such as figuration\, abstraction and materiality\, the exhibition tracks how these artists addressed migration\, displacement\, racism\, cultural autonomy\, Western imperialism\, societal violence\, and representations of sexuality and gender through the decades.\n\nLegacies also constellates three key artist collectives and organizations: Godzilla: Asian American Art Network; the Basement Workshop; and Asian American Arts Centre. All three organizations were artistic\, social\, and political hubs for diasporic Asian artists in New York that intersected with other marginalized communities.\n\nThe exhibition also features newly commissioned installations\, including a large-scale Washington Square Windows installation by new-media artist Shu Lea Cheang connected to the 30th anniversary of her groundbreaking film\, Fresh Kill (1994).\n\nFilmmaker Rea Tajiri presents an assemblage sculpture that expands on her groundbreaking History and Memory: For Akiko and Takashige (1991)\, a meditation on her family history and Japanese and Japanese American internment during World War II.\n\nOrganized by Howie Chen\, Curator at 80WSE\, Jayne Cole Southard\, PhD.\, CUNY\, and christina ong\, PhD. \n \nProduced by Jon Huron\, 80WSE.  Gini Yu Pei Lee\, Curatorial Assistant. Gracia Brown and Daniella Occhineri\, Research Assistants. Kate Edelson\, Exhibition Registrar.\n \nThe exhibition’s presentation is made possible by Teiger Foundation.  \n\nSpecial thanks for the support of the Asian/Pacific/American Institute at NYU\, Squid Frames\, CHENZO.STUDIO\, and Fales Library and Special Collections. Equipment provided in part by Lower East Side Ecology Center and The Solomon R. Guggenheim Museum.\n\n\nImage credit:  Bridge Magazine Vol. 1 No. 6. New York: Basement Workshop\, 1972
URL:https://potluckasianamerica.org/event/exhibit-legacies-asian-american-art-movements-in-new-york-city-1969-2001/
LOCATION:80WSE\, 80 Washington Square East\, New York\, NY
CATEGORIES:Art Exhibit,History,In Person,Reception
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2024/09/bridge.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240913
DTEND;VALUE=DATE:20241125
DTSTAMP:20240923T224309Z
CREATED:20240923T221946Z
LAST-MODIFIED:20240923T224309Z
UID:10000152-1726185600-1732492799@potluckasianamerica.org
SUMMARY:Broadway: Yellow Face
DESCRIPTION:Discount 30% off with code: AANHPI \nTony Award® winner and three-time Pulitzer finalist David Henry Hwang (M. Butterfly) will make his Roundabout debut with the Broadway premiere of Yellow Face\, his hilarious is-he-or-isn’t-he comedy of identity\, show business\, and (perhaps) autobiography. Starring Daniel Dae Kim (Lost) and directed by Tony nominee Leigh Silverman (Violet).  \nInspired by real events\, the playwright’s fictionalized doppelgänger protests yellowface casting in Miss Saigon\, only to mistakenly cast a white actor as the Asian lead in his own play. This Obie Award-winning and Pulitzer finalist play is a laugh-out-loud farce about the complexities of race. 
URL:https://potluckasianamerica.org/event/broadway-yellowface/
LOCATION:Todd Haimes Theatre\, 227 West 42nd Street\,\, New York\, NY\, 10036\, United States
CATEGORIES:In Person,Theater
ATTACH;FMTTYPE=image/png:https://potluckasianamerica.org/wp-content/uploads/2024/09/unnamed-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20241016
DTEND;VALUE=DATE:20250601
DTSTAMP:20241210T171522Z
CREATED:20241210T171522Z
LAST-MODIFIED:20241210T171522Z
UID:10000460-1729036800-1748735999@potluckasianamerica.org
SUMMARY:Broadway: Maybe Happy Ending
DESCRIPTION:Emmy® and Golden Globe Award® winner Darren Criss (Little Shop of Horrors) returns to Broadway alongside Helen J Shen in the new romantic musical comedy MAYBE HAPPY ENDING.  A New York Times Critics’ Pick \nInside a one-room apartment on the outskirts of Seoul\, Oliver lives a happily quiet life\, listening to jazz records and caring for his favorite plant. But what else is there to do when you’re a Helperbot 3\, a robot that has long been retired and considered obsolete? When his fellow Helperbot neighbor Claire asks to borrow his charger\, what starts as an awkward encounter leads to a unique friendship\, a surprising adventure\, and maybe even…love? \nWinner of the Richard Rodgers Award\, MAYBE HAPPY ENDING is the offbeat and captivating story of two outcasts near the end of their warranty who discover that even robots can be swept off their feet. Helmed by visionary director and Tony Award® winner Michael Arden (Parade\, Once on This Island)\, with a dazzling scenic design by Dane Laffrey (A Christmas Carol) and book\, music\, and lyrics by the internationally acclaimed duo Will Aronson and Hue Park\, MAYBE HAPPY ENDING is a fresh\, original musical about the small things that make any life worth living.
URL:https://potluckasianamerica.org/event/broadway-maybe-happy-ending/
LOCATION:Belasco Theatre\, 111 West 44th St\, New York\, NY\, 10036\, United States
CATEGORIES:In Person,Theater
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2024/12/454340456_1030562109072537_2356242019758592538_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20241030
DTEND;VALUE=DATE:20241031
DTSTAMP:20241024T080301Z
CREATED:20241003T080238Z
LAST-MODIFIED:20241024T080301Z
UID:10000201-1730246400-1730332799@potluckasianamerica.org
SUMMARY:Immigration & the 2024 US Election
DESCRIPTION:Presented by NYU Migration Network and the Office of the Provost. Co-sponsored the Asian/Pacific/American Institute at NYU. \nSCHEDULE & REGISTRATION \nAs the 2024 US Presidential Election approaches\, the NYU Migration Network presents a series of events on immigration and the election\, including a one-day conference on immigration policy; a virtual series on key issues including asylum\, borders\, mass deportations\, and prisons; and a comparative\, global discussion on immigration and electoral politics in the UK\, France\, Germany\, Greece\, and Argentina. \nAccessibility note: Please contact the NYU Migration Network with any questions or access needs. \n\nPhotograph by Peg Hunter. “Pilgrimage to End ICE Dentention\,” May 31\, 2022. CC BY-NC 2.0.
URL:https://potluckasianamerica.org/event/immigration-the-2024-us-election/
LOCATION:Multiple\, See description for details\, New York\, NY\, 10003\, United States
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2024/10/52147870254_687174e81e_c-UKswTa.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20241030T180000
DTEND;TZID=America/Los_Angeles:20241030T190000
DTSTAMP:20241028T034750Z
CREATED:20241007T034327Z
LAST-MODIFIED:20241028T034750Z
UID:10000226-1730311200-1730314800@potluckasianamerica.org
SUMMARY:A Holistic Understanding of Our Nervous Systems Under Systemic Oppression
DESCRIPTION:**Rescheduled workshop**\n\n\n A Holistic Understanding of Our Nervous Systems Under Systemic Oppression \nIf we are awake to the world around us\, it’s clear that the conditions we live under are intense. With interlocking systems of oppression bearing down on us from multiple sides\, it’s impossible not to feel the effects on our bodies. How do we remain in the struggle for collective liberation without burning out? \nThis workshop is for anyone who wants to gain a deeper and more holistic understanding of the relationships between their own nervous system\, the collective nervous system\, and the systems of oppression we live in. \nThere will be a short presentation followed by guided reflection and collective resourcing. All donations for this workshop will go to Middle East Children’s Alliance @mecaforpeace \n \nOur instructor\, Melissa Anran Fan (she/they) is an expressive arts and somatics practitioner\, community organizer\, writer\, and cultural worker living in service of collective liberation. She holds a MA in Counseling Psychology and has additional training in somatic therapy\, ecotherapy\, and integrative change work. \nHer work is deeply influenced by Buddhism\, abolition\, revolutionary mothering\, and the earth. On a lifelong path of decolonization and living in integrity\, some of her current dreams involve imagining co-housing cooperatives\, reconnecting with her Chinese ancestry\, and building radical parenting communities. She lives in unceded Ohlone land in the East Bay of California and is a mama to twins.
URL:https://potluckasianamerica.org/event/a-holistic-understanding-of-our-nervous-systems-under-systemic-oppression/
LOCATION:NY
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2024/10/2baa61c3e621c2b1ec5aa94d8b16195e.jpg
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