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X-WR-CALDESC:Events for Potluck Asian America
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DTSTART;VALUE=DATE:20240718
DTEND;VALUE=DATE:20241101
DTSTAMP:20240826T182440Z
CREATED:20240826T182440Z
LAST-MODIFIED:20240826T182440Z
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SUMMARY:Making or Faking Chinatown? Representing People\, Place and Culture
DESCRIPTION:Illustration by John Lee \nOn view July 18–October 2024\, Think!Chinatown is proud to present Making or Faking Chinatown? Representing People\, Place and Culture\, a thought-provoking urban planning-focused exhibition exploring the unresolved debate of cultural representation in Chinatown’s built environment through extensive research\, photographs from Chinatowns across North America\, and artwork by artist John Lee. The exhibition is co-curated by T!C Director Yin Kong and architectural historian Kerri Culhane\, and designed with fwd | A+U\, Farzana Gandhi Design Studio\, and Pentagram as part of Van Alen Institute’s program Design Sprints. \nIn 2024\, the NYC Economic Development Corporation launched the Chinatown Connections project which includes the redesign of Kimlau Square and creation of a “Chinatown Welcome Gateway”. This city project has reignited the conversation about cultural representation. In Chinatowns around the world\, gateways\, known as paifang–along with lanterns\, dragons and the ubiquitous color red–present a generic notion of Chinese culture for public consumption. Are these stereotypes or symbols of Chinatown? This exhibition explores the range of placekeeping and placemaking strategies in Chinatowns\, from everyday life to the staged production of culture. \nGallery hours are Wednesdays and Thursdays\, 3-6PM Chinatown!Studio (1 Pike St).
URL:https://potluckasianamerica.org/event/making-or-faking-chinatown-representing-people-place-and-culture/
LOCATION:Chinatown!Studio\, 1 Pike Street\, New York\, NY\, 10002\, United States
CATEGORIES:Art Exhibit
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20240904
DTEND;VALUE=DATE:20241215
DTSTAMP:20240831T215353Z
CREATED:20240825T170953Z
LAST-MODIFIED:20240831T215353Z
UID:10000038-1725408000-1734220799@potluckasianamerica.org
SUMMARY:The Appearance: Art of the Asian Diaspora in Latin America & the Caribbean
DESCRIPTION:Dan Lie\, Memory Stick ou Pau de Memória\, 2015. (Image: Edouard Fraipont) \nThe Appearance: Art of the Asian Diaspora in Latin America & the Caribbean is the first exhibition in New York City to center the artistic production of the Asian diaspora in the region from the 1940s to the present. Focusing on postwar and contemporary art\, the exhibition showcases the work of twenty-seven artists from fourteen countries working in a range of artistic mediums including painting\, sculpture\, performance\, photography\, and video\, to shed light into strategies and themes that resonate across a wide array of Asian diasporic practice throughout Latin America and the Caribbean. \nThe exhibition embraces and performs the multiple and interrelated meanings embedded in the notion of appearance\, inspired by Japanese Brazilian artist Lydia Okumura’s 1975 print by the same title. From acts of appearing and becoming visible—including different types of apparitions—to the idea of impressions and physical resemblance\, artists in the show grapple with the complexities of negotiating (in)visibility\, revisiting and remaking family archives and stories\, and engaging and reconfiguring spiritual practices. The show also addresses abstraction as a formal strategy linked to language\, the senses\, and the body in the context of the Americas’ postwar art. \nConceived as an appearance in and of itself\, the show sheds light on the often-overlooked experiences and artistic trajectories of Asian diasporic subjects and collectives across Latin America and the Caribbean\, casting them as both grounded in their particular context and constitutive of broader transnational histories. \nTo accompany the show\, we will present a series of public programs and publish a catalogue. \nThis exhibition is co-curated by Tie Jojima\, associate curator and manager of Exhibitions at Americas Society in New York\, and Yudi Rafael\, independent curator and researcher based in São Paulo\, Brazil.
URL:https://potluckasianamerica.org/event/the-appearance-art-of-the-asian-diaspora-in-latin-america-the-caribbean/
LOCATION:Americas Society/Council of the Americas\, 680 Park Avenue\, New York\, NY\, 10065\, United States
CATEGORIES:Art Exhibit,In Person
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20240911
DTEND;VALUE=DATE:20241221
DTSTAMP:20240901T215736Z
CREATED:20240901T201007Z
LAST-MODIFIED:20240901T215736Z
UID:10000104-1726012800-1734739199@potluckasianamerica.org
SUMMARY:Art Exhibit - Legacies: Asian American Art Movements in New York City (1969-2001)
DESCRIPTION:Legacies: Asian American Art Movements in New York City (1969-2001) is an expansive survey of rarely-seen artwork and archival material by artists that constitute and exceed “Asian American\,” a label denoting a cultural and national identity invented in 1968. Utilizing an interdisciplinary and research-driven praxis\, Legacies uncovers how artists of Asian descent have historically negotiated identity in America as a set of situated practices and institutional structures amidst transnational diasporas\, racial phantasms\, and political imaginaries.\n\nPresenting over 90 artists and collectives\, Legacies is the first institutional survey exhibition focusing on artists of Asian descent who were based in New York City.\n\n\nLegacies features works – paintings\, drawings\, sculpture\, and new media\, among other mediums – that serve to complicate the idea of defining “Asian American art” as singular and static through the lens of art history\, cultural studies\, and sociology. Recognizing that “identity-based” categories of art are bound to the dominant racial ideology and political narrative of a nation\, the exhibition instead focuses on a multiplicity of subjectivities\, political horizons\, and artistic expressions to interrogate life in America.\n\nIn addition to aesthetic concerns such as figuration\, abstraction and materiality\, the exhibition tracks how these artists addressed migration\, displacement\, racism\, cultural autonomy\, Western imperialism\, societal violence\, and representations of sexuality and gender through the decades.\n\nLegacies also constellates three key artist collectives and organizations: Godzilla: Asian American Art Network; the Basement Workshop; and Asian American Arts Centre. All three organizations were artistic\, social\, and political hubs for diasporic Asian artists in New York that intersected with other marginalized communities.\n\nThe exhibition also features newly commissioned installations\, including a large-scale Washington Square Windows installation by new-media artist Shu Lea Cheang connected to the 30th anniversary of her groundbreaking film\, Fresh Kill (1994).\n\nFilmmaker Rea Tajiri presents an assemblage sculpture that expands on her groundbreaking History and Memory: For Akiko and Takashige (1991)\, a meditation on her family history and Japanese and Japanese American internment during World War II.\n\nOrganized by Howie Chen\, Curator at 80WSE\, Jayne Cole Southard\, PhD.\, CUNY\, and christina ong\, PhD. \n \nProduced by Jon Huron\, 80WSE.  Gini Yu Pei Lee\, Curatorial Assistant. Gracia Brown and Daniella Occhineri\, Research Assistants. Kate Edelson\, Exhibition Registrar.\n \nThe exhibition’s presentation is made possible by Teiger Foundation.  \n\nSpecial thanks for the support of the Asian/Pacific/American Institute at NYU\, Squid Frames\, CHENZO.STUDIO\, and Fales Library and Special Collections. Equipment provided in part by Lower East Side Ecology Center and The Solomon R. Guggenheim Museum.\n\n\nImage credit:  Bridge Magazine Vol. 1 No. 6. New York: Basement Workshop\, 1972
URL:https://potluckasianamerica.org/event/exhibit-legacies-asian-american-art-movements-in-new-york-city-1969-2001/
LOCATION:80WSE\, 80 Washington Square East\, New York\, NY
CATEGORIES:Art Exhibit,History,In Person,Reception
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20240913
DTEND;VALUE=DATE:20241125
DTSTAMP:20240923T224309Z
CREATED:20240923T221946Z
LAST-MODIFIED:20240923T224309Z
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SUMMARY:Broadway: Yellow Face
DESCRIPTION:Discount 30% off with code: AANHPI \nTony Award® winner and three-time Pulitzer finalist David Henry Hwang (M. Butterfly) will make his Roundabout debut with the Broadway premiere of Yellow Face\, his hilarious is-he-or-isn’t-he comedy of identity\, show business\, and (perhaps) autobiography. Starring Daniel Dae Kim (Lost) and directed by Tony nominee Leigh Silverman (Violet).  \nInspired by real events\, the playwright’s fictionalized doppelgänger protests yellowface casting in Miss Saigon\, only to mistakenly cast a white actor as the Asian lead in his own play. This Obie Award-winning and Pulitzer finalist play is a laugh-out-loud farce about the complexities of race. 
URL:https://potluckasianamerica.org/event/broadway-yellowface/
LOCATION:Todd Haimes Theatre\, 227 West 42nd Street\,\, New York\, NY\, 10036\, United States
CATEGORIES:In Person,Theater
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20241004
DTEND;VALUE=DATE:20241011
DTSTAMP:20241007T040358Z
CREATED:20241003T233410Z
LAST-MODIFIED:20241007T040358Z
UID:10000217-1728000000-1728604799@potluckasianamerica.org
SUMMARY:Documentary – New Wave
DESCRIPTION:Filmmaker Elizabeth Ai embarks on a journey to capture the vibrant spirit of a musical phenomenon that electrified Vietnamese American teens in the 1980s: New Wave. What begins as an exploration of the rebellion and freedom within this subculture evolves into a profound narrative of identity\, loss\, and healing. In Orange County\, California\, the synth beats and punk/goth aesthetics provided a sanctuary for a generation of youth grappling with the weight of their parents’ unspoken traumas. \nAs Elizabeth delves into the lives of her family members and icons of the New Wave scene\, she discovers that beneath the surface lies a complex tapestry of broken dreams and unfulfilled expectations. These were not just fleeting moments of teenage rebellion but acts of defiance against the lingering shadows of the Vietnam War and the sacrifices made by a generation trying to rebuild. \nThe film juxtaposes the memories of her uncles and aunts—sneaking out to underground clubs—with Elizabeth’s own childhood\, marked by her mother’s abandonment. What starts as a celebration of a cultural movement transforms into a cathartic journey. As the filmmaker unravels long-buried emotions and confronts the generational wounds that have shaped her community\, the film becomes a powerful exploration of cultural identity\, resilience\, and new beginnings.
URL:https://potluckasianamerica.org/event/documentary-new-wave/
LOCATION:DCTV Firehouse Cinema\, 87 Lafayette St\, New York\, NY\, 10013
CATEGORIES:Film,In Person
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2024/10/NewWaveMAIN.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241009T140000
DTEND;TZID=America/New_York:20241009T150000
DTSTAMP:20241003T233414Z
CREATED:20241003T233414Z
LAST-MODIFIED:20241003T233414Z
UID:10000220-1728482400-1728486000@potluckasianamerica.org
SUMMARY:Regarding Repatriation: Museums and Native Communities Today
DESCRIPTION:Join us for a conversation about the 2024 revisions to the Native American Graves Protection and Repatriation Act (NAGPRA)\, including its effects on museums and Native communities featuring Danyelle Means\, Interim Director of the Museum of Indian Arts and Culture in Santa Fe\, NM and co-curator of the Kupferberg Holocaust Center’s 2019-2020 exhibition\, Survivance and Sovereignty on Turtle Island: Engaging with Contemporary Native American Art.
URL:https://potluckasianamerica.org/event/regarding-repatriation-museums-and-native-communities-today/
CATEGORIES:Non AAARI Events
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241009T190000
DTEND;TZID=America/New_York:20241009T210000
DTSTAMP:20241009T221729Z
CREATED:20240920T211839Z
LAST-MODIFIED:20241009T221729Z
UID:10000150-1728500400-1728507600@potluckasianamerica.org
SUMMARY:La Piedra Angular: Julia Wong Kcomt and Transnational/Translational Poetry
DESCRIPTION:Join writers Fabiana Chiu\, River 瑩瑩 Dandelion\, Nilton Maa\, and Jennifer Shyue for an evening of poetry celebrating Julia Wong Kcomt.\n\n\nJoin transnational Asian American artists and writers Fabiana Chiu\, River 瑩瑩 Dandelion\, Nilton Maa\, and Jennifer Shyue for an evening of multilingual poetry celebrating Julia Wong Kcomt’s legacy and the transnational/translational life she forged in the world and on the page. In March 2024\, Asian American literature lost a vital voice when tusán (Chinese Peruvian) poet Julia Wong Kcomt passed away from cancer. Over a career spanning 30 years\, Wong Kcomt plumbed themes in her work including the body\, desert landscapes\, diaspora\, love\, madness\, mothering\, plurilinguality\, and racialized womanhood in her poetry\, fiction\, and hybrid nonfiction. \nAfter sharing poetry by both Julia Wong Kcomt and the participants in English and Spanish\, we will discuss Julia’s place in her community as a “piedra angular”—a keystone—and cultural organizer\, mentor\, and central voice in tusán and Peruvian literature. What does “Asian American poetry” mean\, and where do its borders fall? How do the cultural inheritances Julia writes about continue to echo? How does a sense of place show up in Julia’s work and our own? How do Julia’s words and her themes reverberate on? \nJulia Wong Kcomt (1965–2024) was a Peruvian writer. Born into a tusán family in Chepén\, Peru\, she traveled from an early age\, and her perceptions of country borders\, different cultures\, and diversity in ethnicity and religion became a strong motivation to write. She was the author of eighteen volumes of poetry\, including Oro muerto and 18 poemas de fake love para Keanu Reeves; seven books of fiction\, including Mongolia and Aquello que perdimos en la arena; and three collections of hybrid prose. Her books in English include Vice-royal-ties and A Blind Salmon\, translated by Jennifer Shyue. \n__ \nJennifer Shyue is a translator from Spanish. Her work has appeared most recently in The Margins\, the New York Times\, and Lit Hub\, and has received support from English PEN\, the Fulbright Program\, the Cornell Institute for Comparative Modernities\, the National Endowment for the Arts\, Princeton University\, and the University of Iowa. Her translations include Julia Wong Kcomt’s poetry collections A Blind Salmon and Vice-royal-ties and Augusto Higa Oshiro’s novel The Enlightenment of Katzuo Nakamatsu. She can be found at shyue.co. \nRiver 瑩瑩 Dandelion walks with his ancestors. He is a practitioner of ancestral medicine through writing\, teaching\, energy healing\, and creating ceremony. As a poet\, he writes to connect with the unseen and unspoken so we can feel and heal. As a shamanic healing arts practitioner\, he guides people through transformation. Winner of the 2024 Lambda Literary Award for Exceptional New LGBTQ Writers\, River is the author of remembering (y)our light\, a debut chapbook on honoring matriarchs and ancestors across generations. \nA Tin House resident\, Lambda Literary fellow\, and Kundiman fellow\, River facilitates creative writing workshops\, where participants connect with their own inner and collective power. He has taught at Rutgers University-Newark\, Kripalu Center for Yoga & Health\, Restorative Justice Initiative\, Lambda Literary\, Museum of the City of New York\, and elsewhere. His work has been thrice-nominated for Best of the Net\, and is published in award-winning journals and anthologies. River loves to swim and does this work for queer and trans ancestors and descendants to come. To connect\, visit: riverdandelion.com. (Note: River 瑩瑩 Dandelion is pronounced “River Ying Dandelion.”) \nNilton Maa is a poet whose voice captures the emotional and cultural complexities of identity\, queerness\, and heritage. As a Chinese-Peruvian\, his work reflects his tusán experience\, exploring themes of belonging and the intersections of personal and collective history. Nilton has published four books\, including the novels Cuando Muere la Niebla and ¿Qué bestia escoges hoy para morir? (May 2024). His poetry collections\, rich in imagery and depth\, have been featured in international literary magazines and anthologies. \nHis work has garnered recognition\, winning awards in contests such as ‘Concurso de Microrrelatos La cruda brevedad’ and receiving an honorific mention in ‘El Mar.’ Nilton is also an editor at Nueva York Poetry Review and previously organized the Queer poetry event at Fuerza Fest\, advocating for marginalized voices in literature.Though primarily a poet\, Nilton’s passion extends to dance\, singing\, and acting\, infusing his creative pursuits with energy and authenticity. \nFabiana Chiu- Born into a family of professional photographers\, Fabiana Chiu is an educator\, visual artist/photographer\, writer\, and arts administrator of Indigenous\, Spanish and Chinese ancestry. Raised and educated in Lima\, Peru\, she is a first-generation college graduate\, a first-generation immigrant to the US and a fourth-generation Peruvian Chinese. \nFabiana studied communications and journalism at Universidad de Lima\, Eastern Kentucky University\, and The Ohio State University. She has held key positions at museums in Massachusetts\, New York and Connecticut and has spoken nationally and internationally on the topic of museums and communities. While serving as the Museum of Chinese in America’s first deputy director\, she co-curated the core exhibition “Where Is Home: Chinese in the Americas.” \n__ \nCOMMUNITY CARE & ACCESSIBILITY \nAt AAWW\, the safety and comfort of our community is our top priority. We invite you to practice intentionality and care in your behavior and language when engaging with our programs and with each other. Violence of any kind\, including but not limited to racism\, sexism\, homophobia\, transphobia\, ableism\, ageism\, class or casteism\, bigotry or bias toward religion or faith\, or any action or assault against marginalized identities\, is not tolerated. Those who bring harm to our community in person or online are not welcome\, and will be asked to exit the space. \nThe event will be live streamed on Zoom with auto captioning for those who cannot join us in person. For those joining us in person\, we are located on the 6th floor of 112 W 27th Street (between 6th and 7th Avenues)\, there is an elevator that will take you directly to our office. To protect our friends with chemical sensitivities\, AAWW is a fragrance-free space. Masks are required for audience members for all AAWW events; if you forget yours\, one will be provided for you. We have three commercial grade air purifiers\, and a quiet room in the back should you need some space from the crowd. We highly encourage all in person guests to take a COVID test at home prior to the event. If you have had COVID or have had known contact with someone who has tested positive for COVID in the 10 days prior\, we ask you tune in for the live stream instead. Please reach out to msaleh@aaww.org for additional accessibility requests\, including ADA accessible bathrooms\, chairs with added back support\, and beyond. This space is for YOU!
URL:https://potluckasianamerica.org/event/la-piedra-angular-julia-wong-kcomt-and-transnational-translational-poetry/
LOCATION:Asian American Writers’ Workshop\, 18 West 21st Street\, Suite 900\, New York\, NY\, 10010\, United States
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2024/09/55e5f120442c9064c2157c678f6563bd.jpg
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