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X-WR-CALDESC:Events for Potluck Asian America
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DTSTART;VALUE=DATE:20240718
DTEND;VALUE=DATE:20241101
DTSTAMP:20240826T182440Z
CREATED:20240826T182440Z
LAST-MODIFIED:20240826T182440Z
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SUMMARY:Making or Faking Chinatown? Representing People\, Place and Culture
DESCRIPTION:Illustration by John Lee \nOn view July 18–October 2024\, Think!Chinatown is proud to present Making or Faking Chinatown? Representing People\, Place and Culture\, a thought-provoking urban planning-focused exhibition exploring the unresolved debate of cultural representation in Chinatown’s built environment through extensive research\, photographs from Chinatowns across North America\, and artwork by artist John Lee. The exhibition is co-curated by T!C Director Yin Kong and architectural historian Kerri Culhane\, and designed with fwd | A+U\, Farzana Gandhi Design Studio\, and Pentagram as part of Van Alen Institute’s program Design Sprints. \nIn 2024\, the NYC Economic Development Corporation launched the Chinatown Connections project which includes the redesign of Kimlau Square and creation of a “Chinatown Welcome Gateway”. This city project has reignited the conversation about cultural representation. In Chinatowns around the world\, gateways\, known as paifang–along with lanterns\, dragons and the ubiquitous color red–present a generic notion of Chinese culture for public consumption. Are these stereotypes or symbols of Chinatown? This exhibition explores the range of placekeeping and placemaking strategies in Chinatowns\, from everyday life to the staged production of culture. \nGallery hours are Wednesdays and Thursdays\, 3-6PM Chinatown!Studio (1 Pike St).
URL:https://potluckasianamerica.org/event/making-or-faking-chinatown-representing-people-place-and-culture/
LOCATION:Chinatown!Studio\, 1 Pike Street\, New York\, NY\, 10002\, United States
CATEGORIES:Art Exhibit
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240904
DTEND;VALUE=DATE:20241215
DTSTAMP:20240831T215353Z
CREATED:20240825T170953Z
LAST-MODIFIED:20240831T215353Z
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SUMMARY:The Appearance: Art of the Asian Diaspora in Latin America & the Caribbean
DESCRIPTION:Dan Lie\, Memory Stick ou Pau de Memória\, 2015. (Image: Edouard Fraipont) \nThe Appearance: Art of the Asian Diaspora in Latin America & the Caribbean is the first exhibition in New York City to center the artistic production of the Asian diaspora in the region from the 1940s to the present. Focusing on postwar and contemporary art\, the exhibition showcases the work of twenty-seven artists from fourteen countries working in a range of artistic mediums including painting\, sculpture\, performance\, photography\, and video\, to shed light into strategies and themes that resonate across a wide array of Asian diasporic practice throughout Latin America and the Caribbean. \nThe exhibition embraces and performs the multiple and interrelated meanings embedded in the notion of appearance\, inspired by Japanese Brazilian artist Lydia Okumura’s 1975 print by the same title. From acts of appearing and becoming visible—including different types of apparitions—to the idea of impressions and physical resemblance\, artists in the show grapple with the complexities of negotiating (in)visibility\, revisiting and remaking family archives and stories\, and engaging and reconfiguring spiritual practices. The show also addresses abstraction as a formal strategy linked to language\, the senses\, and the body in the context of the Americas’ postwar art. \nConceived as an appearance in and of itself\, the show sheds light on the often-overlooked experiences and artistic trajectories of Asian diasporic subjects and collectives across Latin America and the Caribbean\, casting them as both grounded in their particular context and constitutive of broader transnational histories. \nTo accompany the show\, we will present a series of public programs and publish a catalogue. \nThis exhibition is co-curated by Tie Jojima\, associate curator and manager of Exhibitions at Americas Society in New York\, and Yudi Rafael\, independent curator and researcher based in São Paulo\, Brazil.
URL:https://potluckasianamerica.org/event/the-appearance-art-of-the-asian-diaspora-in-latin-america-the-caribbean/
LOCATION:Americas Society/Council of the Americas\, 680 Park Avenue\, New York\, NY\, 10065\, United States
CATEGORIES:Art Exhibit,In Person
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240911
DTEND;VALUE=DATE:20241221
DTSTAMP:20240901T215736Z
CREATED:20240901T201007Z
LAST-MODIFIED:20240901T215736Z
UID:10000104-1726012800-1734739199@potluckasianamerica.org
SUMMARY:Art Exhibit - Legacies: Asian American Art Movements in New York City (1969-2001)
DESCRIPTION:Legacies: Asian American Art Movements in New York City (1969-2001) is an expansive survey of rarely-seen artwork and archival material by artists that constitute and exceed “Asian American\,” a label denoting a cultural and national identity invented in 1968. Utilizing an interdisciplinary and research-driven praxis\, Legacies uncovers how artists of Asian descent have historically negotiated identity in America as a set of situated practices and institutional structures amidst transnational diasporas\, racial phantasms\, and political imaginaries.\n\nPresenting over 90 artists and collectives\, Legacies is the first institutional survey exhibition focusing on artists of Asian descent who were based in New York City.\n\n\nLegacies features works – paintings\, drawings\, sculpture\, and new media\, among other mediums – that serve to complicate the idea of defining “Asian American art” as singular and static through the lens of art history\, cultural studies\, and sociology. Recognizing that “identity-based” categories of art are bound to the dominant racial ideology and political narrative of a nation\, the exhibition instead focuses on a multiplicity of subjectivities\, political horizons\, and artistic expressions to interrogate life in America.\n\nIn addition to aesthetic concerns such as figuration\, abstraction and materiality\, the exhibition tracks how these artists addressed migration\, displacement\, racism\, cultural autonomy\, Western imperialism\, societal violence\, and representations of sexuality and gender through the decades.\n\nLegacies also constellates three key artist collectives and organizations: Godzilla: Asian American Art Network; the Basement Workshop; and Asian American Arts Centre. All three organizations were artistic\, social\, and political hubs for diasporic Asian artists in New York that intersected with other marginalized communities.\n\nThe exhibition also features newly commissioned installations\, including a large-scale Washington Square Windows installation by new-media artist Shu Lea Cheang connected to the 30th anniversary of her groundbreaking film\, Fresh Kill (1994).\n\nFilmmaker Rea Tajiri presents an assemblage sculpture that expands on her groundbreaking History and Memory: For Akiko and Takashige (1991)\, a meditation on her family history and Japanese and Japanese American internment during World War II.\n\nOrganized by Howie Chen\, Curator at 80WSE\, Jayne Cole Southard\, PhD.\, CUNY\, and christina ong\, PhD. \n \nProduced by Jon Huron\, 80WSE.  Gini Yu Pei Lee\, Curatorial Assistant. Gracia Brown and Daniella Occhineri\, Research Assistants. Kate Edelson\, Exhibition Registrar.\n \nThe exhibition’s presentation is made possible by Teiger Foundation.  \n\nSpecial thanks for the support of the Asian/Pacific/American Institute at NYU\, Squid Frames\, CHENZO.STUDIO\, and Fales Library and Special Collections. Equipment provided in part by Lower East Side Ecology Center and The Solomon R. Guggenheim Museum.\n\n\nImage credit:  Bridge Magazine Vol. 1 No. 6. New York: Basement Workshop\, 1972
URL:https://potluckasianamerica.org/event/exhibit-legacies-asian-american-art-movements-in-new-york-city-1969-2001/
LOCATION:80WSE\, 80 Washington Square East\, New York\, NY
CATEGORIES:Art Exhibit,History,In Person,Reception
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240913
DTEND;VALUE=DATE:20241125
DTSTAMP:20240923T224309Z
CREATED:20240923T221946Z
LAST-MODIFIED:20240923T224309Z
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SUMMARY:Broadway: Yellow Face
DESCRIPTION:Discount 30% off with code: AANHPI \nTony Award® winner and three-time Pulitzer finalist David Henry Hwang (M. Butterfly) will make his Roundabout debut with the Broadway premiere of Yellow Face\, his hilarious is-he-or-isn’t-he comedy of identity\, show business\, and (perhaps) autobiography. Starring Daniel Dae Kim (Lost) and directed by Tony nominee Leigh Silverman (Violet).  \nInspired by real events\, the playwright’s fictionalized doppelgänger protests yellowface casting in Miss Saigon\, only to mistakenly cast a white actor as the Asian lead in his own play. This Obie Award-winning and Pulitzer finalist play is a laugh-out-loud farce about the complexities of race. 
URL:https://potluckasianamerica.org/event/broadway-yellowface/
LOCATION:Todd Haimes Theatre\, 227 West 42nd Street\,\, New York\, NY\, 10036\, United States
CATEGORIES:In Person,Theater
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20241004
DTEND;VALUE=DATE:20241011
DTSTAMP:20241007T040358Z
CREATED:20241003T233410Z
LAST-MODIFIED:20241007T040358Z
UID:10000217-1728000000-1728604799@potluckasianamerica.org
SUMMARY:Documentary – New Wave
DESCRIPTION:Filmmaker Elizabeth Ai embarks on a journey to capture the vibrant spirit of a musical phenomenon that electrified Vietnamese American teens in the 1980s: New Wave. What begins as an exploration of the rebellion and freedom within this subculture evolves into a profound narrative of identity\, loss\, and healing. In Orange County\, California\, the synth beats and punk/goth aesthetics provided a sanctuary for a generation of youth grappling with the weight of their parents’ unspoken traumas. \nAs Elizabeth delves into the lives of her family members and icons of the New Wave scene\, she discovers that beneath the surface lies a complex tapestry of broken dreams and unfulfilled expectations. These were not just fleeting moments of teenage rebellion but acts of defiance against the lingering shadows of the Vietnam War and the sacrifices made by a generation trying to rebuild. \nThe film juxtaposes the memories of her uncles and aunts—sneaking out to underground clubs—with Elizabeth’s own childhood\, marked by her mother’s abandonment. What starts as a celebration of a cultural movement transforms into a cathartic journey. As the filmmaker unravels long-buried emotions and confronts the generational wounds that have shaped her community\, the film becomes a powerful exploration of cultural identity\, resilience\, and new beginnings.
URL:https://potluckasianamerica.org/event/documentary-new-wave/
LOCATION:DCTV Firehouse Cinema\, 87 Lafayette St\, New York\, NY\, 10013
CATEGORIES:Film,In Person
ATTACH;FMTTYPE=image/jpeg:https://potluckasianamerica.org/wp-content/uploads/2024/10/NewWaveMAIN.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241008T180000
DTEND;TZID=America/New_York:20241008T200000
DTSTAMP:20241003T080237Z
CREATED:20240926T075823Z
LAST-MODIFIED:20241003T080237Z
UID:10000166-1728410400-1728417600@potluckasianamerica.org
SUMMARY:Filipina Suffragists of the Twentieth Century: Confronting Race\, Gender\, and Empire in the Fight for Voting Rights
DESCRIPTION:Presented by Sulo: The Philippine Studies Initiative at NYU. Co-sponsored by the Asian/Pacific/American Institute at NYU\, Espacio de Culturas at NYU\, New York Southeast Asia Network (NYSEAN)\, Rutgers Center for Immigrant Justice\, NYU School of Law Birnbaum Women’s Leadership Center\, and FANHS Metro New York. \nREGISTER \nThis lecture explores the significant yet overlooked contributions of Filipina Americans to the suffrage movements in both the United States and the Philippines during the early twentieth century. Despite the centennial anniversary of the Nineteenth Amendment’s ratification in 1920\, the role of Filipina American suffragettes remains underexplored. By uncovering their stories\, this lecture will discuss how their advocacy intersected with broader national and global efforts to dismantle the racial\, gendered\, and imperial barriers to women’s voting rights. \n\nRose Cuison-Villazor is professor of law and Chancellor’s Social Justice Scholar at Rutgers Law School where she previously served as interim co-dean (2021-23) and vice dean (2019-2021). Professor Cuison-Villazor is also director of the Center for Immigrant Justice\, which conducts publicly engaged research and policy work on progressive immigration and citizenship laws. She is an elected member of the American Law Institute. Her overall research agenda examines the extent to which laws\, policies\, and norms include and exclude individuals and groups from membership. She teaches and writes in the areas of immigration and citizenship law\, property law\, and race and the law. She is visiting scholar at the A/P/A Institute at NYU.\n\n  \nNYU campus access guidelines: The event is in-person only. It is free and open to the public\, but registration is required. Please note that seating is limited. \nAccessibility note: Please email Dale Maglalang at dam506@nyu.edu for any access needs at least two weeks in advance.
URL:https://potluckasianamerica.org/event/filipina-suffragists-of-the-twentieth-century-confronting-race-gender-and-empire-in-the-fight-for-voting-rights/
LOCATION:NYU Espacio de Culturas\, 53 Washington Square S\, New York\, NY\, 10012\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241008T180000
DTEND;TZID=America/New_York:20241008T210000
DTSTAMP:20240926T062305Z
CREATED:20240926T062305Z
LAST-MODIFIED:20240926T062305Z
UID:10000158-1728410400-1728421200@potluckasianamerica.org
SUMMARY:MOCA PRESENTS: 4N Exchange – An Evening with Special Special and 4N
DESCRIPTION:This event provides a unique opportunity for artists and attendees to network\, connect\, and foster new friendships within our community.\n\n\nCan’t attend in person? Register for virtual participation \nThe Museum of Chinese in America (MOCA) and Special Special invite you to 4N Exchange\, an evening dedicated to creative dialogue featuring artists from the second issue of 4N magazine. The event will begin with a panel discussion where artists Ally Yanxiu Luo\, Terumi Saito\, Supatida Sutiratana\, Sixing Xu\, and Hang Yu will take us through their creative practices and share their experiences as immigrants making art in the U.S. today. The discussion will address the challenges of navigating the creative landscape\, particularly the complexities of the visa process\, and offer insights into their artistic journeys. The conversation will be moderated by Dennis Yueh-Yeh Li\, MOCA’s Director of Performance\, Storytelling & Community. \nFollowing the discussion\, the evening will transition into a magazine launch party featuring a performance by Sherly Fan and music by DJ Dizparity (Po Cheng Yeh). This event provides a unique opportunity for artists and attendees to network\, connect\, and foster new friendships within our community. \nCopies of 4N Issue 2 and other Special Special publications and merchandise will be available for purchase during the event. \nAbout the Artists \nSherly Fan was born and raised in Wuhan\, China. She holds a Bachelor’s in Textile and Fashion Design from the University of Wisconsin-Madison\, an Associate’s in Fashion Design from the Fashion Institute of Technology\, and an MFA from Duke University. As a multimedia artist and filmmaker\, Sherly Fan explores identity expression and recognition in her work\, merging storytelling and multidisciplinary research on the overlap of personal identity\, tech\, and societal changes. \nAlly Yanxiu Luo is an interdisciplinary artist\, writer\, and designer based in NY\, whose work explores the intersection of conceptual systems\, anecdotal narratives\, and documentary cinema. Luo holds a Bachelor of Arts from Wesleyan University and an MFA from Parsons School of Design. She currently teaches creative coding at Parsons and works as a designer at FAS Harvard CAMLab. \nTerumi Saito (b. Shizuoka\, Japan) is a New York-based sculptor and designer who employs the traditional backstrap weaving technique in her practice\, reflecting a dedication to tradition and contemporary innovation. Saito holds an MFA in Textiles from Parsons School of Design and a BFA in Graphic Design from Tama Art University. She is currently a resident artist at the Museum of Arts and Design. \nSupatida Sutiratana is a Thai graphic designer with over 7 years of experience in branding\, packaging\, print\, exhibition\, event\, and typography. She holds a master’s degree in design from the School of Visual Arts and a bachelor’s degree in graphic design from Chulalongkorn University. Currently\, she is a co-founder of Midnight Project\, LLC\, where she continues to push the boundaries of creativity and innovation in the design field. \nSixing Xu (b. 1996\, Beijing) is an artist\, writer\, and translator based in Brooklyn. Fueled by constant movements across geographical and linguistic borders\, Xu’s practice combines installation\, writing\, video\, and printmaking to explore cross-medium narratology. Her work and writing has been widely exhibited and published in Artforum\, ArtReview China\, and The Art Newspaper\, among others. She holds a BA from Vassar College. \nHang Yu is a photographer born in Shanxi\, China\, in 2000. He graduated from the School of the Art Institute of Chicago in 2022 with a BFA in Fine Arts and is currently pursuing an MFA in Photography at Parsons School of Design. His work has been exhibited internationally\, from Chicago to Israel and in private collections. \nDizparity (Po Cheng Yeh) is a Taiwan-raised and Los Angeles-based award-winning DJ\, producer\, and composer. Known for his innovative soundscapes\, His distinctive style has not only garnered critical acclaim but also helped propel a diverse array of artists to commercial success. His latest studio album\, Melancholy Order\, was released this year\, followed by a series of singles featuring various collaborators. \nAbout 4N \nStemming from the creative platform Special Special\, 4N magazine is a biannual publication that showcases exceptional foreign talent thriving in America today. We provide a platform for the international community while fostering unity and support within our diverse local community. Our vision is to make 4N an inclusive and playful resource for all—a mission at the heart of Special Special projects since the studio’s beginning in 2016. \nAbout Special Special \nSpecial Special is a creative studio that has served many functions since its inception in 2016. As a gathering space of creative minds\, we are a platform that intends to surprise\, delight\, and inspire through our unique perspective on everyday experiences.
URL:https://potluckasianamerica.org/event/moca-presents-4n-exchange-an-evening-with-special-special-and-4n/
LOCATION:Museum of Chinese in America\, 215 Centre Street\, New York\, NY\, 10013
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241008T183000
DTEND;TZID=America/New_York:20241008T200000
DTSTAMP:20240927T041327Z
CREATED:20240927T041327Z
LAST-MODIFIED:20240927T041327Z
UID:10000186-1728412200-1728417600@potluckasianamerica.org
SUMMARY:Art\, Identity and Legacy:  Ching Ho Cheng\, Miguel Ferrando\, and Tseng Kwong
DESCRIPTION:The sisters of three artists lost to AIDS speak about caring for their brother’s legacies and the role of identity in their work.\n\n\nSybao Cheng-Wilson (Estate of Ching Ho Cheng)\, Teresa Ferrando Kleint (Estate of Miguel Ferrando)\, and Muna Tseng (Estate of Tseng Kwong Chi) speak about caring for their brother’s legacies and how the role of identity has been navigated posthumously. \n \nIdentity looms large as a rubric for attending to artistic legacies. With dedication to more expansive cultural histories in regard to race\, diaspora\, gender\, sexuality\, and HIV status\, this approach is essential. But tensions and slippages often arise when applying identity-based analysis retroactively\, especially for artists whose work was made against autobiographical interpretation. \nDuring this event\, short presentations will introduce the work of three artists who immigrated to New York City and developed their practice in relation to distinct artistic scenes. In the conversation that follows\, the artist’s sisters – all stewards of their sibling’s legacies for over thirty years – will reflect on the often gendered labor of legacy work and their role in translating the artistic\, social\, and political concerns of a deceased artist into contemporary discourse. \nModerated by Chelsea Spengemann\, Executive Director\, Soft Network and Jayne Cole\, Co-curator of “Legacies” at 80WSE. With an introduction by Kyle Croft\, Executive Director\, Visual AIDS. \n \nAttendees are encouraged to view work by all three artists before the event. Work by Ching Ho Cheng and Tseng Kwong Chi is on view at 80WSE as part of “Legacies: Asian American Art Movements in New York City (1969-2001)\,” curated by Howie Chen and Jayne Cole. Work by Miguel Ferrando is on view at Candice Madey Gallery as part of “Darrel Ellis and Miguel Ferrando.” \n\n\nParticipants\nSybao Cheng-Wilson has worked as a model and fashion designer. In 1950\, her family immigrated to New York from Cuba\, where her father had held a diplomatic post for the Republic of China. Her brother\, Ching Ho Cheng (1946–1989)\, lived in the Chelsea Hotel in the 1970s\, where he mingled with the avant-garde of New York and produced a body of work that ranges from psychedelic paintings and airbrushed still lifes to torn paper and alchemical reactions. \nMuna Tseng is an acclaimed choreographer and the founder of Muna Tseng Dance Projects. Raised in Hong Kong\, she moved to New York in 1978 with her brother\, the photographer Tseng Kwong Chi (1950–1990). Kwong Chi was part of the downtown arts scene of the 1980s and is best known for his self-portrait series East Meets West in which he poses in front of iconic tourist sites in a Mao suit. \nTeresa Ferrando Kleint and her brother Miguel Ferrando (1957–1996) moved to New York from Santo Domingo\, Dominican Republic in the early 1960s. From the late 1970s\, Miguel was active as a painter and performer in downtown New York\, becoming close with artists Darrel Ellis and Richard Brintzenhofe. His paintings often juxtaposed art historical references with buildings and landscapes of the Dominican Republic. \n \n\n\nArtwork Images\nChing Ho Cheng\, Untitled\, 1979. Gouache on rag board\, 25 x 25 inches. Courtesy of the Estate of Ching Ho Cheng – Artists Rights Society (ARS) New York \nMiguel Ferrando\, Untitled (Colonialism Monument: Monumento a los Héroes de la Restauración\, Santiago\, D.R.)\, 1981-1982. Gouache on paper\, 43 ⅞ x 30 inches. Courtesy of Candice Madey\, New York and the Estate of Miguel Ferrando \nTseng Kwong Chi\, New York\, NY 1984 (Veterans Day Parade)\, 1979. Courtesy of Muna Tseng Dance Projects Inc.\, New York \n \nThis event is organized by Visual AIDS\, 80WSE\, and Soft Network.
URL:https://potluckasianamerica.org/event/art-identity-and-legacy-ching-ho-cheng-miguel-ferrando-and-tseng-kwong/
LOCATION:New York University Pless Hall\, 82 Washington Square East\, New York\, NY\, 10003\, United States
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